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Facebooktwitterredditpinterestfacebook Messenger: The Bontoc Legend of Lumawig - Culture Hero
Facebooktwitterredditpinterestfacebook Messenger: The Bontoc Legend of Lumawig - Culture Hero
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The Bontoc Legend of Lumawig | Culture Hero
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A culture hero is a mythological hero specific to some group (cultural, ethnic, religious, etc.) who
changes the world through invention or discovery. A typical culture hero might be credited as
the discoverer of fire, or agriculture, songs, tradition, law or religion, and is usually the most
important legendary figure of a people, sometimes as the founder of its ruling dynasty.
The pre-Christian Bontoc belief system centers on a hierarchy of spirits, the highest being a supreme
deity called Lumawig. Lumawig personifies the forces of nature and is the legendary creator, friend,
and teacher of the Bontoc. A hereditary class of priests hold various monthly ceremonies for this
deity for their crops, the weather, and for healing. The Bontoc also believe in the “anito”—spirits of
the dead who must be consulted before anything important is done. Ancestral anitos are invited to
family feasts when a death occurs to ensure the well-being of the deceased’s soul. This is by
offering some small amount of food to show that they are invited and not forgotten.
Lumawig is regarded as the savior of the Bontoc Igorot, a ballad, of how in the long ago he came
down to earth to marry and teach the Igorots the way of life, is sung as prayer at each cheno. The
cheno is a great cañao (feast) given by the wealthy families once in a number of years, at which the
marriages of their sons and daughters are duly celebrated. The story of Lumawig runs this wise:
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Kabunian, who lived in the Sky, had three sons. These sons worked daily in their father’s field.
However, it happened that Lumawig, the second son, while in the fields, used to look down to the
earth. And when his brothers asked him why he kept looking down to earth, he answered, “I want to
go down and get married and live with the people on earth.” The father, hearing Lumawig’s reply,
said, “You must prepare all your equipment and take your spear and precious beads so that your children on
earth may inherit them. Also take your dog, rooster, bag and betel nut.”
Obtaining his father’s blessing, Lumawig descended from the Sky to Mount Calawitan and tried to
observe all the barrios and villages. Asked by the Sun why he was observing the villages, Lumawig
retorted, “I want to marry in one of those places.”
So the Sun said, “Take my spear and precious shell belt for the woman you want to have for a wife.”
Descending from Mount Calawitan, he went to a mountain near Talubin. Not liking the dialect of the
people of the village nearby and seeing that the residents were afflicted with goiter, he proceeded
to Mount Makiches, overlooking Pinged.
There he observed that the people’s method of cutting their hair was not correct, so he left the place.
From Makiches, he went to Sabangan and found that the people there had faulty haircuts too. So he
went to Mount Patongale. There he saw the Alab people living in a constricted territory. Not liking to
stay in a place of limited territory, he ventured northward and saw the village of Bontoc. As if
charmed by some form of magic, he came to like the place. He planned to make the place his home.
Coming down to Lanao where the two sisters were picking black beans, he struck his spear before
him and began to address them. To the younger sister, Lumawig said, “I wish very much to marry you.
May I know your father’s name?”
The girl answered, “My father’s name is Batanga.” Lumawig asked the two sisters what they were
doing and Fucan, the younger of the two, answered, “We are harvesting black beans.” Lumawig then
asked for a bean pod. Fucan immediately gave him one. Taking hold of the pod, Lumawig slapped it
against the rim of the girl’s basket and lo, the basket was instantly filled with beans. Lumawig told
the girls to take home their harvest. However, upon reaching home, the two girls asked their father
that they be permitted to return to the field as a man was waiting for them there. Fucan informed her
father that the man had proposed to marry her, meanwhile asking him his opinion about it. The
father replied that he had no objections to the marriage provided that Fucan liked the would-be
groom. So the girls returned to the fields and brought home Lumawig.
After the chase, the pigs were butchered for the cañao. Lumawig ordered the elders of the barrio to
divide the meat equally, giving each one a share. The remaining pig meat was put in the five
cauldrons in order to cook it. He also ordered the people to bring pine trees with which to support the
cauldrons. But the trees brought were found to be very small. So Lumawig himself went to the
mountain called Gadcad and seized two of the bigger pines and threw them to Lanao where they
were used to hold the cauldrons. The meat cooked, the people partook of the great feast.
The people were dispersed after the feast, except the old men who remained to continue their
prayers in favor of the performer of the cañao. The following morning, Lumawig butchered a pig to
close the cañao ceremony.
Immediately after the big cañao, Lumawig gathered the people together and told them that he was
going to teach them the methods of warfare. He took the men to a mountain called Inchaquig and
there they lured the Sadanga people to a fight. After heavy fighting, and no one being hurt among the
Sadanga men, he ordered his men to retreat towards their homes. The people felt thirsty and started
to complain. The loudest complaint was heard from one of Lumawig’s brothers- in-law. Incensed at
the murmurings, Lumawig struck his spear against a rock and cool water issued forth. All were
ordered to drink except Lumawig’s brother-in- law, who was asked to drink with Lumawig. The turn
for Lumawig’s brother-in- law to drink came. While he was bending to sip the water, Lumawig seized
him and thrust him head first into the rock. The water freely flowed through the body of Tangan, the
complaining brother-in-law.
So, after the divorce arrangements had been agreed upon, Lumawig went to Mount Calawitan and
made a coffin for his wife and two children. Cayapon and her children were to be placed by Lumawig
inside the coffin and floated down the Chico river. The coffin was made and Cayapon and the
children were placed inside. Lumawig pushed the coffin bearing his wife and children into the
swollen river. With a rooster in front and a dog at the foot of the coffin, Cayapon and her children
floated down to as far as Tinglayan. Hearing the crowing of the cock and the barking of the dog on
the coffin, the natives of Tinglayan attempted to bring the coffin to land and to pry it open. But try as
they would, they could not pry it open. Later, a widower came along the river bank and saw the
coffin. He was about to drive a wedge through the coffin lid when Cayapon shouted, “Don’t drive a
wedge through the coffin. It will open by itself.”
When the coffin had burst open, Cayapon said to the widower, “Lumawig has sent me here to be your
wife. Take me as your wife and support my children. We shall be establishing the tradition that widowers and
widows shall marry again.” So the widower took the woman and her children to his house.
After the marriage ceremony had been performed, the Tinglayan people murdered one of
the Mabungtot natives and performed the cañao. The people had a grand time dancing; Cayapon
danced inside their house and the earth began to shake. The old man requested her to dance in the
yard to be seen by all people. She went out of the house to the yard but as she proceeded to dance,
Lumawig, her first husband, who had instructed her not to dance in the open, became enraged and
spat on her from the Sky. Cayapon was instantly killed. She was the first person to die among the
people and since then, all of her people became subject to death.
During a typhoon before their mother’s death, the two sons of Cayapon went to the river in search of
wood for fuel. Along the river bank they found black beans scattered all around. They gathered the
beans. Cayapon told her sons that they were the same beans she planted in Lanao years before.
Then she gave them instructions to go back to Bontoc to marry and resume the cultivation of the
fields of their parents. Cayapon also instructed her sons that they should follow the muddy branch of
the river which flowed down past Bontoc.
Following the death of their mother, the two sons started up the river towards Bontoc. Instead of
taking the muddy river mentioned by their mother, they followed the clear Ampuwet river until they
came to Caneo. While in Caneo, they helped the people crush the sugar cane and the jars of the
people were miraculously filled with cane juice. Then the Caneo people killed the two brothers. Upon
hearing of the death of Cayapon’s sons, the people of Bontoc attempted to get revenge for their
murder. But the Caneo people fled when the Bontocs went to get the dead bodies of their two
comrades. The Bontoc people brought the two sons of Cayapon to Sokoc and buried them there.
The carrying pole was planted over their grave. That pole has grown to be a big tree and up to the
present, people offer their sacrifices beside this tree.
Lumawig before his departure to heaven, taught many things to the people of Bontoc. He taught
them the art of making rice paddies that can produce large yields. He instructed them how to irrigate
their fields, how to cut the rocks in order to build ditches, how to weave baskets, make cloth out of
the bark of trees. Also he taught them the methods of blacksmithing, fishing and hunting. He also
initiated the ato, a meeting place of the Bontocs at which the interests of the people are discussed.
Above all, Lumawig taught the Bontoc people a moral code. Some of the provisions of this code are:
Lumawig has continued to guard his people through the centuries that have passed. On certain
occasions, he descends to earth to guide his people, teaching them to be ever honest and
industrious.
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Bio
Latest Posts
Jordan Clark
Producer at High Banks Entertainment Ltd.
Jordan is a Canadian documentary director/ producer. He made the 2011 feature length documentary THE
ASWANG PHENOMENON - an exploration of the aswang myth and its effects on Philippine society.
Currently he is in post production for "The Aswang Project" web-series, which will feature 6 myths from the
Philippines. The TIKBALANG, KAPRE and BAKUNAWA episodes are available to watch on YouTube.
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