The Eyes of Max Carrados

THE EYES OF
MAX CARRADOS
BY

ERNEST BRAMAH

NEW YORK
GEORGE H. DORAN COMPANY
COPYRIGHT, 1924,
BY GEORGE H. DORAN COMPANY

THE EYES OF MAX CARRADOS

PRINTED IN THE UNITED STATES OF AMERICA
[FRONT MATTER]

THE EYES
OF MAX
CARRADOS
BY ERNEST BRAMAH
Imagine the most involved and intricate of mysteries
being solved by a blind man and you have the unique
scheme of these fascinating tales.

The stories are remarkable bits of craftsmanship,

original and engrossing. Max Carrados is an amateur—
he can not see—but he finds the answer!

As readers of the Kai Lung narratives know, Mr. Bramah

is an artist in rare literary materials—a carver in jade, a
fashioner of ivory—and in this volume he has done, as
usual, the unexpected thing, and, as usual, has done it
with a delicate firmness amounting to perfection.
THE EYES OF MAX CARRADOS
ERNEST BRAMAH
By the Same Author

THE WALLET OF KAI LUNG

KAI LUNG'S GOLDEN HOURS
CONTENTS

PAGE

INTRODUCTION
. . . . . . . . . . . . . . . . . VII

CHAPTER

I. T.HE VIRGINIOLA
. . FRAUD
. . . . . . . . . . . . . . . 33
II. THE
. DISAPPEARANCE
. . . OF M
. ARIE. SEVERE
. . . . . . . . . . . . . 66
III. THE
. SECRET
. . DUNSTAN
OF . '.S TOWER
. . . . . . . . . . . . . 106
IV. THE
. MYSTERY
. . OF THE
. POISONED
. . DISH
. OF M
. USHROOMS
. . . . . . . . . . . 138
V. THE .GHOST
. AT M
. ASSINGHAM
. . MANSIONS
. . . . . . . . . . . . . 179
VI. THE
. MISSING
. A
. CTRESS
. SENSATION
. . . . . . . . . . . . . . 215
VII. .THE I.NGENIOUS
. M. R SPINOLA
. . . . . . . . . . . . . . 250
VIII. .THE K. INGSMOUTH
. . SPY .CASE . . . . . . . . . . . . . 284
IX. THE. EASTERN
. .MYSTERY
. . . . . . . . . . . . . . 321

This work is in the public domain in the United States because it was published before
January 1, 1925.

The author died in 1942, so this work is also in the public domain in countries and areas
where the copyright term is the author's life plus 75 years or less. This work may also be in
the public domain in countries and areas with longer native copyright terms that apply the
rule of the shorter term to foreign works.

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