Professional Documents
Culture Documents
Filter Reflection
Filter Reflection
Growing up in a small town without much diversity, I was sheltered. I didn’t have any
experiences with black people within the community. I would see them on television or in
movies, or on trips to the neighboring city. Fast forward a few years, and I am in a college
course in which the phrase “white privilege” was brought up. Being I had never heard of such a
thing, I learned about how my “whiteness” provided me with opportunities and advantages
that non-white people often had to work harder for or were looked over.
Keeping this in mind as an educator is so important, but also very difficult. I have made
so many mistakes, not knowing the impact at the time. One example that has recently emerged
is knowing the origins of folksongs that I teach to young children. I teach so many different
songs, I don’t always think about the origin and the true meanings behind the words. “I’ve Been
Working on the Railroad” is a song in which I have taught my students. The lyrics seem
harmless and when I learned the song myself, when I was in elementary school, I thought of the
men who worked to build the rail system. I came to realize that this song was originally titled
“The Levee Song” and was used in blackface minstrelsy. The original lyrics were written in black
dialect and were published that way in children’s music books. The lyrics actually describe the
harsh conditions in which African Americans endured as their white foremen oversaw their
work on the railroad. The phrases, “rise up so early in the morn” and “all the live-long day”
refers to the longs hours in which African Americans were forced to work. The song goes on to
reference “Dinah”, which is a term used for an African American woman, who seems to be the
cook for the railroad workers. Later in the song, “someone’s in the kitchen with Dinah” refers to
the drunken plantation owner’s mistress who is frolicking with another man in the kitchen. The
origin and story of this song is enough for me to slash it from my literature list. There are plenty
In the future, I plan to do my research on these folksongs. The past cannot be changed,
but what I do in the present can make a difference in the future. Knowing that there are a
handful of songs with racist lyrics or origins will help me to be more mindful of which songs I
will teach to my students. Though my students might not grasp the concept of singing racist
lyrics, it is important to weed out these songs and to lay them to rest in our history.