Portfolio by

Rusudan Dushuashvili

Selective Work
2018-2020
 Contents
1.Cv 04

Interior design
2.Lampadina exploded 08
Exibition space for
Lampadina
3.The cube cafe 35
Renovation project for
Volume 33

Product design
4.Harmony 55
Urban design project for
China town in Milan
5.Delta 61
Family of lamps for small
interiors
6.Light Installation 67
Project for underground
space

Photography
7.Jesus walks 78
Reportaje of The cimitero
monumentale

3
CV
RUSUDAN DUSHUASHVILI
Interior Designer

Phone: +995558196858
Email: rusodushuashvili@yahoo.com
rusudan_dushuashvili@studenti.naba.it
Address: Gorgasali exit 10,Tbilisi,Georgia.

About Education Languages Skills

Date/Place BA in Design in English at
NABA,Milan,Italy. Georgian (native) AutoCAD
of birth: October 2017 - Present
08.May.1999 English Rhinoceros 3D
Tbilisi Highschool degree at
St.Georges’s BGS,Tbilisi,Georgia. Russian Google Sketchup
September 2012 - June 2017
Nationality: German Adobe Indesign
Georgian Courses Italian Adobe Photoshop
I was born in Tbili- ABC of Graphic Design at Adobe Illustrator
Creative Education Studio (CES).
si, Georgia in 1999. (February 2016 - May 2017)
After finishing reg-
ular High school Portfolio preparation at
Cambridge School of Visual & Performing arts.
in my hometown,l (July
Personal Interests
decided that it
2016 - August 2016)
Skills
Photography
was time for some Art & Design Weekly at Skiing
changes in my life. Cambridge School of Visual & Performing Arts. Communication Travelling
(July 2015 - August 2015)
Profession of De- Culinary
signer in not very Teamwork
Music
popular in Geor- Creative
gia, that’s why I
decided to move in Ideas
Milan, Italy to con- Responsible
tinue pursuing my
dream job, I ap-
plied in NABA BA
in Design.

4
 Interior
design

6 7
 Lampadina
Exploded
Exibition space for Lampadina

Project Authors: Rusudan Dushuashvili ; Dong Yi;

Elizabet Vyshniakova; Ekaterine Lomaia
Academic Year: 2018/2019
Course: Exhibit Design
Proffesor: Andrea Marelli; Carolina Martinelli

8
 Lampadina was designed by Achille
Castiglioni for the opening of the Flos
showroom in Turin in 1972 , Lampadi-
na is a table or wall- mounted luminaire
lamp, made up of a large bulb.
The concept of our projecct was to de-
sign an exibition space for
Lamadina,so that the visitors of the
space can guess the object on which
the exibiton was based,after viewing
the space.

Lampadina’s parts

1.Bulb-Globolux transparent glass bul-

b,with partially frosted shell, to prevent
the direct light from blinding the users.
2.Lamp-Holder: socket with a switch
3.Base: 2 slightly spaced anodised alu-
minum perfoated discs,which resemble
a film reel (spool), convenient for rolling
un the excess wire or hanging the lamp
on the wall.

Name: Lampadina
Designer: Achille Castiglioni
Year: 1972
Company: FLOS

11
 Plan

R1: Screens Room

R2: Torch Room
R3: Switch Room
R4: Bulbs Room

Our space is divided in four rooms,each

telling story with the shapes and forms
of Lampadina’s parts.the space works
as a maze,the visitors get to find out
new things as they continue to explore
space more.the last room (R4),which
is located in the centre,has the sur-
prize effect for the visitors,after explor-
ing three dark rooms,the central part
(R4),which is full of light has the biggest
effect on the guests.

12 13
R1 - The Screens Room

First room gives information about the

Achille Castiglioni.The visitors enter first
dark room where round pannels are
placed, showing Video clips with visual
effects depicting Achille
Castiglioni’s creative process.

R1-Screens room

Materials chart
MATERIALS CHART

M1grey
M1
dark
painted wall
M3 M1
dark grey
painted
M4 wall

M2
M2
iQ surface vinyl

iQ sulfate
flooring by Tarkett

M2 vinyl
Section AA’ flooring

M3
M3
blackout curtains

blackout
curtains

M4
M3 M1
M4
screen
LCD

LCD
M4 screen

M2

Section A’’A’’’

16 17
R2 - The Torch Room

Second dark room,is inspired by the

handle of lampadina.
In the entrance of the room,there is a
cutom made table on which
lampadina-like torches are placed for
each visitor,for them to find hidden
sketches/notes about Lampadina
and other designs on the curved
walls,which create a maze and
exitment in the room.

R2-The torch room

Materials chart
MATERIALS CHART

M1
M1
dark grey
dark grey
painted wall

painted
wall
M1

M2
M2
JKNHVU
NVJEW
VV KJHWKJVN4

iQ surface vinyl
iQ sulfate
flooring by Tarkett
JKNV KJHWKJVN4I2O
NJVKHNUHGKGFNIOHGIO

JKNHVU
NVJEW
VV KJHWKJVN4
JKNV KJHWKJVN4

JKNV KJHWKJVN4

vinyl
JKNV KJHWKJVN4

JKNHVU JKNHVU
NVJEW NVJEW
VV KJHWKJVN4 VV KJHWKJVN4

JKNV KJHWKJVN4I2O
NJVKHNUHGKGFNIOHGIO

JKNV KJHWKJV
NJVKHNUHGKG
JKNV KJHWKJVN4

JKNV KJHWKJVN4 JKNV KJHWKJVN4I

NJVKHNUHGKGFN
flooring
M4
M2

M3
M3
blackout curtains
Section BB’
blackout
curtains

M4
M4
metal film wheel
metal film
table

M3 M1
wheel
table
JKNV KJHWKJVN4

JKNV KJHWKJVN4I2O
NJVKHNUHGKGFNIOHGIO

JKNV KJHWKJVN4

M5 torch:
M5
torch: orange/
JKNV KJHWKJVN4

JKNHVU
NVJEW
VV KJHWKJVN4

JKNHVU
NVJEW
VV KJHWKJVN4
orange/
blackplastic,
frosted glass
black-
JKNV KJHWKJVN4I2O JKNV KJHWKJVN4
NJVKHNUHGKGFNIOHGIO

JKNHVU
NVJEW
VV KJHWKJVN4

JKNV KJHWKJVN4

plastic,
JKNV KJHWKJVN4

frosted
M4 M2

Section B’’B’’’ glass

20 21
R3 - The Switch Room
Third dark room consists of lots of
swithes on the wall,inspired by
Lampadina’s On-off switch.
Some of them make the bulbs in The
fourth Room go up and down, while the
rest are making sounds like: - light bulb
breaking - film projector - two glasses
bumping - exagerated sound of switch
turning on/off - unscrew bulb - glass
ringing.
on the ground there are three off-scale
switches placed,to create a sitting
benches.the visitors can sit and look
in the tight “window”,which looks in R4,
but with a twist.the window has an ef-
fect of a Film tape,based on Lampadi-
na’s base.

R3-The swich room

Materials chart
MATERIALS CHART

M1
M1
dark grey
painted wall
dark grey
painted wall

M1 M2
M2
iQ surface vinyl
flooring by arkett
iQ sulfate
M3 T

M4 vinyl
flooring
M5

M2

Section CC’ M3
M3
blackout curtains

blackout
curtains

M4
M4
negative film
window filter
negative
film window
M1
filter

M5
M5
switch/ bench:
orange, black plastic
switch/
M5
bench:
M2
orange,
black
Section C’’C’’’ plastic

24 25
R4 - The Bulbs Room

Last room,the lightest and most exiting.

the viewers get to see the central part
of the exibition,which creates a contrast
from the whole exibition.Room is full of
bulbs,with different shapes,some trans-
parent and some frosted (inspiratio_
Bulb of Lampadina).They are moving
up and down,controlled by the visitors
of the R3.

Materials chart
MATERIALS CHART

M1
M1
clear glass

clear
for bulbs
glass
R4-The bulbs room for bulbs

M2
M2
frosted glass

frosted
for bulbs

glass for
M1
bulbs
M2

L M3
gradientgradient
M3
frosted to
A clear mirror walling
M frosted to
P
M3

A clear mirror
D M5
walling
I
N
A M4
M4
iQvinylsur-
iQ surface
flooring by arkett
face vinyl
M4 T

Section DD’ flooring by

Tarkett

M5
M5
negative film

negative
window filter

film window
filter

28 29
 ROOM 1 Screens: technical details

Room
ROOM22
THE TORCH TABLE TypeType
A: A: diameter 1: 60cm Type B: 1: 90cm
The Torch table diameter 2: 50cm
Type B: diameter
diameter 2: 80cm
diameter 1: 60cm diameter 1: 90cm
diameter 2: 50cm diameter 2: 80cm

ROOM 4 Bulbs: technical details

CUSTOM FURNITURE

QUANTITYQUANTITY
5: 5:
Ø800 3 clear, 2 frosted
3 clear, 2 frosted

QUANTITYQUANTITY
5: 5:
2 clear, 3 frosted
2 clear, 3 frosted

Ø600

QUANTITYQUANTITY
5: 5:
3 clear, 2 frosted
3 clear, 2 frosted
Ø400

Room 3
The Switch bench Ø200 QUANTITYQUANTITY
5: 5:
ROOM 3 ROOM 2 1 clear, 4 frosted
THE SWITCH BENCH THE TORCH TABLE 1 clear, 4 frosted

32 33
The Cube cafe Renovation of Volume 33

Project Authors: Rusudan Dushuashvili ; Yi Dong ; Youshurui Li

Academic Year: 2019/2020
Course: Modulo projects/Workshop
Professor: Edoardo Riva

35
 The Cube offers unique experience
and environment for Milan.it is in-
spired by multiple projects done by
Japanese artists like, KAIT workshop
by Junya Ishigami, NA House by Sou
Fujimoto. Neighbourhood
Our aim was to create nontraditional
atmosphere for the city. The Cube
offers public area as well as private
rooms-Cubes,which can be used for
group meetings.
on the highest point we decided to Roof
place full glass cube, offers unusu- Pillars
al experience for daring customers,
who are not afraid of height.

Installations

inside courtyard

Wall
Glass wall

Cubes

Location : Via della Commenda, 33, -1 level

Milano,Italy
Space Name :Volume 33
Aim:Renovation of existing space

36
 Because the space is located hidden
Interior spaceSPACE
INTERIOR from the street,we had to think how to
connect outside world to The Cube. we
developed a path from the street to the
restaurant, that would be an introduction
to our space but also a community area
for this neighborhood.
Outdoor installation is a mirror of The
original pillars original pillars New pillar grid New pillars Cube , to crack inside and intrigue peo-
grid
ple to explore the space from the inside.

New pillars Cube for a Pillar+Cube Pillars can The concept of metab-
room grow along the olism:the frame can
grid be renewed or demol-
ished
Installations outside
INSTALLATIONS OUTSIDE
Grid that was developed for peelers also
helped to create a structure with order,
but by adding cubes in unorganized way
helped us to develop a space with has
an order but is also exiting and fun for
customers.

seating
area

interacting
area

playing
area

Original
Original sitesite devided
devided by aver-
by average grid. Wedecide
We decide the place
the place to outside
to put the put Then
Then wewe designed
designed every
every single part
agegrid
The grid. The by
is decided grid
theis decided
pillars. the outside
inatallations inatallations
by the grids and theby
site of single
of part of the
the installations installations
by their potential
by the pillars. thebuildings.
the grids and the site of by their potential funtions.
funtions.
thebuildings.

38
39
 General Plan
GENERAL PIAN

GENERAL SECTION

42
BASEMENT FLOOR PLAN SECTION A-A’

GROUND FLOOR PLAN SECTIONB-B’

3D VIEWS

Concrete

Tempered Glass

Coccio Design—Oikos

Coccio Design—Oikos

Ottocento—Oikos

Novalis Ecomicaceo—Oikos

Veldecor—Oikos

46
 Product
design

52 53
 Harmony
Urban design project for Chinatown

Project Authors: Rusudan Dushuashvili ; Sunjae Kim ;

Gyeongran Min ; Hanarin Lee ; Tinatin Egiashvili
Academic Year: 2019/2020
Course: Urban Design
Professor: Hagit Pincovici

55
 The idea behind our design is to use
sound as an instrument to replace
language barrier.To design interactive
installation,which will allow children
and adults from different backgrounds
and cultures connect,without using
language. This area will be suitable for
families with children as well as other
people who want to meet new people
and comunicate.
Location : Via Paolo Sarpi 50
Advantages :
Center Of The China Town;
Free Space For Installation;
Crowded With People.

+ +

play communicaton sound

Telephone

Musical Instrument

56 57
 Telephone

Space is used for ‘telephone’ installation

which gives kids the possibility to play
and communicate through non-tradi-

85
.0
tional telephones. Telephone - is a prod-

0 .0
770

uct made as an ordinary, oldfashioned,

communication tool. Two cups, that are
connected with string. while stretching
the string, one of the kids starts talking
and another one listens.
820.0
80.0

45
4.2
5.0
68
50.0
150.0

69
5.8
5.0
48
Musical Bench
486.5 793.5

100.0
This installation is inspired by the musi-
cal instrument - harp. Using the same
technicue to play the music and creating
the space that can gather people/kids to

50.0
sit together, on the continuous bench,no
1480.0
matter what nationality, race, age or lan-
guage they speak and play together.

58 59
 Delta
Family of Lamps

Project Authors: Rusudan Dushuashvili & Tinatin Egiashvili

Academic Year: 2018/2019
Course: Product Design 2
Professor: Riccardo Mantelli

61
Delta is a family of lights,containig table
lamp,suspended lamp & wall lamp.Cre-
ated for small,narrow interiors,so they
can be easily transported and used in
various ways.Lamps are able to change
the direction of light with the help of vires
and their wrapping combinations;they
can be hung or put in different versions
and positions,dependeg on the Interior.

62
 10

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4�
200

10
160

85

136

136
46

36
160

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10
126 136

250
445

29
30

20
150
23

60
142

36
260
30
25

29
181

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126 136

64
 Light
Installation For Underground Space

Project Authors: Rusudan Dushuashvili ; Tinatin Egiashvili ;

Ekaterine Lomaia
Academic Year: 2018/2019
Course: Technology Lab
Proffesor: Riccardo Mantelli

67
Underground places, are scary some-
times because of its emptiness and
darkness. While walking in the under-
grounds alone at a night time everyone
shoul feel safe.
project is for underground places, which
are not safe enough, especially at night.
Light installation , will transfer the space
into colorful,bright and safe environment.

68
 1000cm 50cm

200cm
Shape

Abstract shape of blurried people

walking will be placed in the
underground long shutter speed, peope
look blended in the pictures and you get
the shape of people moving. We draw
the silhuette and made the light installa-
tion with it.

How does the Installation Work

Abstract shape of blurried people walk-

ing will be placed in the
underground, so while person
arrives, sensor will percept the
person and lights will turn on. So while
entering the underground,
sensor sees you and the shape of the
people will light up and follow as person
walks with different colors, that will cre-
ate very colorful,bright and safe environ-
ment.

1. Person appears
2. Sensor sees a person
3. Light turn on and follow person
4. Person leaves
5.Lights turn off

72 73
 Photography

76 77
 Jesus Walks
Reportaje of The Cimitero Monumentale

Project Authors: Rusudan Dushuashvili

Academic Year: 2018/2019
Course: Multimedia Languages Photography
Professor: Stefania Zanetti

78
 My Aunt once said ”You won’t know
city’s history and culture ,until you see
their Cemetery”. This words made me
think that I have never seen the Ceme-
tery of milan.
This reportage shows the lost face and
meaning of milan’s cemetery.How very
personal and private place of the city be-
came one of the famous tourist attrac-
tion.Nobody who is walking along the
small trails of the cemetery remembers
that next to them are graves of the real
people.It is hardly possible to see rela-
tives or close friends visiting graves.The
only ones who are murning for the dead
ones are the sculptures.

Location:The Cimitero
Monumentale.
This cemetery is one of the largest cemeteries
in Milan, Italy.
Designed by the
architect Carlo Maciachini (1818–1899).

81
Through the pictures viewer can see,what
was first impression when starting the
project,and how it changed after spend-
ing some time on the terytory,befing
those dramatic sculptures are some of
the mos amazing achitectural buildings,-
done in different styles and time.

84
89
90