Cemnnes BERNSTEIN THEATRE SONGS 47 SONGS BOOSEY (cj HAWKES a HAL LEONARD?’TABLE OF CONTENTS Notes on the Shows and Songs. CANDIDE Dear Boy... a ‘Oh My Darling Paquette se 1 Am Easily Assimilated... 9 Words, Words, Words (Martin's Laughing Song) ....o00nm M4 FANCY FREE Big Stuff. 23 ‘THE MADWOMAN OF CENTRAL PARK WEST My New Friends... MASS Easy. ON THE TOWN 1 Feel Like I'm Not Out of Bed Yet. New York, New York Lonely Town... 1 Understand 1.Can Cook Too Lucky to Be Me Some Other Time Ain’t Got No Tears Left (cut)*... Lonely Me (Ctit)* smn Say When (cut)* Dream With Me....ssssennnnnnnese sees 1041600 PENNSYLVANIA AVENUE ‘Take Care of This House. Seena* ; Philadelphia (cut)* ‘THE SKIN OF OUR TEETH Spring Will Come Again* WEST SIDE STORY Jet Song... Something's Coming. Maria Tonigh COO) nse One Hand, One Heart... 1 Feel Pretty... Somewhere. I Have a Love... WONDERFUL TOWN ‘One Hundred Easy Ways to Lose a Man A Little Bit in Love. Pass the Football. A Quiet Girl It’s Love...... soonuanennenneneeee The Story of My Life (cut)-.... Songs in a Theatre Style Not from a Show: Another Love* 1 Know a Fellow* Th Our Time® so rnnnnen It’s Gotta Be Bad to Be Good*.. Screwed on Wrong” So Pretty... * First edition, previously unpublished 172 110 14 118 124 soe 128 132 143 148 154 158 162 169 176 182 188 196 202 207 215 212 218 222 226 234LEONARD BERNSTEIN August 25, 1918 - October 14, 1990 Leonard Bernstein was bom in Lawrence, Massachusetts. He took piano lessons 26a boy and attended the CGarison and Boston Latin Schools. At Harvard University he studied with Walter Piston, Edward Burlingame Hill, and A. Tilman Merrit, among others. Before graduating in 1939 he made an unofficial conducting debut with his own incidental music to the Aristophanes play The Birds, and directed and performed in Marc Blitzstein’s The Cradle Will Rock. Subsequently, atthe Curtis Institute of Music in Philadelphia, Bernstein studied piano with Isabella Vengerova, conducting with Fritz Reiner, and orchestration with Randall Thompson, {In 1940 Bernstein studied atthe Boston Symphony Orchesta’s newly created summer institut, Tanglewood, with the orchestra's conductor, Serge Koussevitzky. Bernstein later became Koussevitzy’s conducting assistant, He made a sensa tional conducting debut with the New York Philharmonic in 1943, Bernstein became Music Director of the orchestra in 1958, From then until 1969 he led more concerts with the orchestra than any previous conductor. He subsequently held the lifetime tue of Laureate Conductor, making frequent guest appearances with the orchestra, More than half of Bernstein's 400-plus recordings were made with the New York Philharmonic. Bemstein traveled the world a a conductor. Immediately after World War I, in 1946, he conducted in London and atthe International Music Festival in Prague. In 1947 he conducted in Tel Aviv, beginning a relationship with Israel that lasted tui his death, n 1953 Bernstein was the first American to conduct opera atthe Teatro alla Scala in Milan, in Cherubini’s Madea with Maria Callas. Beyond many distinguished achievements as a composer of concert works, Bemsein also wrote a one-act oper, Trouble in ‘Tahiti (1952), ad its sequel, the opera A Quiet Place (1983). He collaborated with choreographer Jerome Robbins on three ‘major ballets: Fancy Pree (1944), and Pacsimile (1946) for American Ballet Theater, and Dybbue (1974) for the New York City Ballet, Bernstein composed the score for the awatd-winning film On the Waterfon (1954) and incidental muse for the Broadway play The Lark (1955), Bernstein contributed substantially to the Broadway musical stage. He collaborated with Betty Comden and Adolph Green ‘on On the Toun (1944) and Wonderful Teun (1953). For Peter Pan (1950) he penned his own lyrics to songs and also com- posed incidental musi. In collaboration with Richard Wilbur, Lillian Hellman and others he wrote Candide (1956). Other versions of Candide were written in association with Hugh Wheeler, Stephen Sondheim and othe lyrics, In 1957 he col- laborated with Jerome Robbins, Stephen Sondheim and Anur Laurents on the landmark musical WestSide Story, which vwas made into an Academy Award-winning film. Bernstein also wrote the Broadway musical 1600 Pennsyania Avenue (1976) with Iricist Alan Jay Leer. In 1985 the National Academy of Recording Ars and Sciences honored Bernstein with the Lifetime Achievement Grammy ‘Award. He won eleven Emmy Avards in his career. His televised concert and lectute series were launched with the “Omnibus” program in 1954, followed by the extraordinary “‘Young People's Concerts withthe New York Philharmonic,” which began in 1958 and extended over fourteen seasons. Among his many appearances on the PBS series “Great Performances’ was the acdlaimed eleven-part “Bernstein's Beethoven." In 1989 Bernstein and others commemorated the 1939 invasion of Poland in a worldwide telecast from Warsaw. Bernstein's writings were published in The Joy of Music (1959), Leonard Bernstein's Young People’s Concerts (1961), The Infinite Variety of Music (1966), and Findings (1982). Each has been widely translated. He gave sx lectures at Harvard Univesity in 1972-1973 asthe Chatles Eliot Norton Professor of Poet. These lectures were subsequently published and televised as The Unanswered Question. Bernstein recived many honors. He was elected in 1981 tthe American Academy of Ars and Levers, which gave him its Gold Medal. The National Fellowship Award in 1985 applauded his lifelong support of humanitarian cuss. He recived the MacDowell Colony’s Gold Meda; medals from the Beethoven Socey and the Mabler Gesellschaft the Handel Medallion, New Yok City’ highest honor forthe asa Tony award (1969) fr Distinguished Achievement inthe Theater, and dozens of honorary dees and awards from college and universities. Berstein was presented ceremonial keys othe Gites of Oslo, Vienna, Besheeva, and the village of Bernstein, Austia, among others. National honors ame from Italy Isat, Mexio, Denmark, Germany (the Great Mert Coss, and Fance (Chevalier, Officer and Commandeur ofthe Legion raf pu legato, sostenuto blast-ed it with can - ker; great Love, vi-- tal pow-ers with - er they not ev'ry point of en - uy. = ing can sostenuto {© Copyright 190, 1986 by Amberae Holdings LLC ‘AU Right Reserved ral Copyright Securedid the deed, Through Na-ture’s gen-tle laws, And how should ill ef = versedthe seas ‘And come in fect-ed back, Why, think ofall the vent the spread Of Love's di vine dis-ease; It rounds the world from = _ | er —E SF a piacere ral f P fects pro-ceed From so. di-vine cause? Dear boy: Tux - u- ries ‘That —_mod-emn life would lack! Dear boy: bed to bed As pretty as you please Dear boy: —=—. Andantino (Tempo I tranquillo) ‘pp dolce. Sweet hon-ey comes from bees that sting, As you are well a - ware; To All bit-terthings con - duce to sweet, As this ex - am - ple shows; With - wor-ship Ve - nus ev - ‘ry-where, As may be plain - ly seen; Her one a dept in = son = ing, What ev = er pains dis out the lit - tle - ro - chete, We'd have no choc - 0 - dec = 0 ra - tions 1 bear Are nobler than theral =————— 5 mp (ma mezza voce) ease may bring but the tang - y sea - son - ing To late to eat, would to - bac - co's fra grance greet the croix de guerre, gained in ser - vice of our fair And b - all. pespr, atempo — far. nose. 1.2.3.Dear boy, Queen, — (Pp a tempo 12 Subito (falsetto permissible) ‘Tempo It PPP ral 5 (Allegro) boy, 7 ‘Sub. Tempo I oa Allegro. ff.Oh My Darling Paquette (from Auto-da-fé) from Candide original key Lyrics by Music by RICHARD WILBUR LEONARD BERNSTEIN and JOHN LATOUCHE Allegro PANGLOSS: mp Oh my ar - ting Paquette, She is haunt-ing me yet With a dear sou-ve-nir I shall nev-er _for-get. “Twas a gift that she got From a sea-far - ing Scot, He re-ceived he be-lieved in Sha-lott! Jott from his dame Who was certain it came with a kiss from a Swiss (She'd for-got-ten his name), But he This is a section of the large ensemble number “Auto-da-f6" for Pangloss, Candide and chorus. Adapted as a solo for this edition. {© Copeght 195, 1987 by Ambeson Holigs LLC ‘Coptgnt Renewed Leonard erin Masi ung Company LLC, Plier Booey & Hawke, ne Sole rt icra ‘AU Right Reserved ier Copy Secttold her that he Had been gi it free By a sweet lit-tle cheat in Pa-ree, man from Ja-pan, Then a Moor from I-ran, Though the Moor is-n’t sure How the whole thing be-gan; But the tempo accel. gift you can see Had a long ped-i-gree When at last it was passed on to me! A tempo, vivosweet, love is sweet, And the cus-tom is sound, For it’ makes the world go ‘round. love is sweet, And the cus-tom is sound, For as youhave shown it’s love a- lone That Well, the f PRMoor in the end Spent a night with a friend And the dear sou-ve-nir Just con-tin-ued the trend To a young Eng-lish lord Who was stung, they re-cord, By a wasp in a hos - pi-tal ward! wasp on the wing Had oc-ca-sion to sting A Mi- la - no so-pra- no Who brought home the thing To her young par-a-mour, Who was ren-dered im-pure, And forsook her to look for the cure.o rall. ad lib, all. ad ti, tempo accel pleased ascouldbe Whenit came back to me; Makesus all just small fam- i ly! A tempo, vivo pleased as can be For it shows us that we One and allI Am Easily Assimilated from Candide original key Music and Lyrics by LEONARD BERNSTEIN Moderato OLDLADY: p f marcato wat cot bom in sin-ay/Hilepan i My father came fiom Rov no Gu-bern-ya, tev «or eared a ~ eatn ane guage My father spoke a" High Mid-le Polish now I'm here, I'm danc- ing a tan - go: ‘one half-hour I'm talk - ing in Span - ish: ‘The song is for the Old Lady, Cunegonde, Two Sefiores and chorus, adapted as a solo for this edition, [©Copyright 1957 by Amberon Holdings LLC {Copy Renewed ‘Leonard Bernsen Mase Publishing Company LLC, Publshor Booey & Hanks Inc, Sse Prt LicenseeDee di dee di! eas i= ly as-sim- i - In ted, To - re - a- dor! eas i= ly as-sim-i - Ia-ted. eas i- ly as ly as-sim-i - la-ted warmly, legatosud-den - ly Span - ish! And you must be Span-ish, too. wt rete nna tives do. (pp sempre) ssentimentally2 Drei - vier tel Taki, mon tres cher a - mi, Oui oui, si a st, ja ja ja, yes yes, da da. sais ong way from Rov-noGu-ber - nya! —___ ~1B —— Con - quis-tan tu co ra~zén, Y sé - lo con U-na di ~ vi-na_can-cidn fas gre gfe ganees 468 a a pF és 3 3 crese —————n4 - Words, Words, Words (Martin’s Laughing Song) from Candide original key Music and Lyries by LEONARD BERNSTEIN ‘Tempo di Bolero (Allegro marcato) f (ekes outa grim one from the very guts) ‘p cresc. un poco 7 ? = - © Copepht 19,1960, 984 by Amerson Holdings LLC {Copgh Renewed Leonard Bernsen Mase Publishing Company LLC, Publisher Boosey & Hawkes, ne Sole rt lense ‘Ai Rights Revered Iron Copyright Secure(almost tughing) F (carriedavay) = —=—= ha ha haha ha ha ha ha ha! 1. Words, words, words, words, 1 have no words 2. "Mid grime and” slime Why waste our time To describe the van-i- ty of life, The in-sane in - an - i-ty of life, Spout-ing some Spi - no- za mon - o-graph, Even one short Shake-speare ep - i-taph, have no words, make me laugh,16 = ‘There just oc-curred to me, ‘A word that may just pos- si- bly on this ball f Two ti ny syllables ‘spi= ny syllables; One sin-gle word:7 —— f ff Ab - surd! Ha ha haha ha ha ha ha hal (se) (eroaningy 80 a i, dad accel Allegro molto Whoa, ho, ho, Don’t make tr All wheat is chaff, All pills18 This worst of all pos - si - ble worlds. All ends ‘This worst of all pos - si - ble worlds. An-y ques tions? them now, They're use-less an - y - how. a & a SEN NS po - si- tion, friend, Were you a hum - ble sweep - er,thoughts on man's con - tion, friend, Would be & - ‘ry bles - sed day, my friend, Brought img and bone and spit - tle - way, my friend "Twould change your mind dung and bone and spit - tle mud and trash And blood and ash And20 (d=) Tempot bust! ad) Tempo due - tion fi - nal state of ral my friend, You'd laugh tr =—— dust.21 (takes three bars to recover his dour Martinship) (nasty) (disgusted) (resigned) Pphit. (wid) (taunting) af Nyaah.Big Stuff from the ballet Fancy Free original key Words and Music by LEONARD BERNSTEIN Slow and blue So you cry, “What's it a - bout, fel ~d the blueshad to go_and pick SS g0 down tothe shore, — J oh * This is Bernstein's original rhythmic notation, All eighth-notes are performed (JJ = 4 4). (© Copyie 1988, 1986 by Amberoa Hogs LLC Leonard Been Music Pbising Caan LLC, Pubisher Boosey & Hawker In, Soe ARs ‘Rah Reserved Inemstonl Cope Secured.24 Don't you know there's hon-ey in Big Stuff? Let’stake a ride my gra-vy train; ‘The —_door's o-pen_ wide, SS opt Come in from out of the rain; So you —jI— 325 Don't you care? Pm on the square a - bout : 7 it may be that26 For Phyllis, with love My New Friends from The Madwoman of Central Park West original key: F Major Music and Lyrics by LEONARD BERNSTEIN Slowly, but with a tread C6 Dm7G Dm7/C Dmi/G Dm7c Dm/G py r crf ae 7 Dm7/c Dm7/G m/c Dmi/G A6 D(add2) C At last the door is 0- pen. Come right on in, You've been wait-ing so long there out a rr 7 Fl! © Copyright 1979 by Amerson Holigs LLC ‘Tis anangnet © Copyright 2010 by Arberson Holdings LLC sonal Bers Muse Pubishing Caan LUC Pusher AI Rights Rese esol Copy Secu2 a Am? Dm? AmT Dm/G — sempre = & P friends, T've been wait-ing too and hop-ing Some sweet breeze would blow — the door wide Dmv/G ce Dmt/G co Dm7/G p I Pr ur Lr bane pane omc om ee G We've been so long to-geth-er, And soa ~ pat. We've been try - ing so long —28 a Am7 Dm? Am? Dmv/G sempref ——— pp friends! Friends are peo- ple who don't try i; Peo- ple who can give each oth-er din. sb, = p ——— Fr rT \3 co DmyG C6 DmyG C6 DmyG = Dmyc Dm7/G SS Walk ight in, there's so much & - Dm7/G el a & c Dmq/c 2 C8 Dm7/G ral ——. PP : room inside here. Comeright on in, co DmyG C6 Dmv/G co DmyG 6 DmvG morendo-29 Easy from Mass original key Lyrics by Music by STEPHEN SCHWARTZ and LEONARD BERNSTEIN LEONARD BERNSTEIN Rock J.= With the best. — be ‘The verses of this song are passed from “Ist Blues Singer” to “2nd Rock Singer” to “2nd Blues Singer” to “3rd Rock Singer” to “Grd Blues Singer,” ending with an ensemble of all 3 Blues Singers and all 3 Rock Singers. Adapted as a solo for this edition. ‘©Copyright 1971 by Amberon Hollings LLC an Stephen Schwa Boorey Haver In, Sale Age AVR Reseda Copy Sec.30 TH say al - most an - y-thing that gets me blessed, — eo ° a, f—== psu light) eas = y — toshake theblame for cresc. SPF 2 By trot- ting out that me - @ cul - pa pan-to ~ stace, sempre poco erese: ee s "Yes,‘Then go out and do where to start it 2 24 per There's so much.SS met join you in some real good vice, Now that ie : ie3 - ra ments or p sub (lightly) 2 eas y tohave your-self a fine af = Your bod - y’s_al- ways read - y, 2 but your soul's not34 _ ———~ What 1 have T don't own, don't want,35 me to sing you verse that's ver ie glad to be- guile36 ook for con - tent beneath the style, — me pilightly) cas = yy for you to dig my 2 ‘And, ba - by please ob-serve how neat - ly I stace. sempre poco crese, 27 y when you'reI Feel Like I’m Not Out of Bed Yet from On the Town original key Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Free and flowin ree o WORKMAN: 4 (short) feel like I'm — not eee mf lyrically — Oh, the lan - ket's sleep in your Ia - & (© Copcpht 1946 by Warner Bros, ee. (Renewed) ‘ngs served. rain Copyright Secure.sleep in yourSleep in your la - dy's eyes are blue, but her eyes are blu ~ er. sleep in your la - dy’s arms. Sleep in your la - dy’s arms.New York, New York “ from On the Town original key: a whole step higher Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Alllegro feroce fo New York, New York, ‘Meno mosso —_ Ff It's ahelluv-a town! ‘Meno mosso day here, and not an-oth - er minute the ~ f sights!_ We'll ; and dan - ger wait - ing This trio for Gabey, Chip and Ozzie has been adapted for this solo edition. © Copyright 1945 by Warner Bros ne. (Renewed) ‘Atria eserves. nena! Copyright Seer42 Beneath the Broadway lights, But we've hair on our chest,. So what we — aa —— like the best, Are the nights. Sights! Lights! New York, hell-uv - a town, Bat -ter- y's down_ a hole in the groun’, _—_ ; _—_43 —f York, New York, - a hell-wv-a town! —Or so the guide-books say. — 1 would - n't miss the whole town right From =. sy45 to the Bay, just one day!_ New vi - si-tor’s place, Where no one lies. on ac - _—_ eT ——, count of the pace, — mil - lions are scream-ing for space. New _—_ ——, 7 —F York, New York, vi- si-tor's place! —46 are dressed in silk and the fellas say; just__ one thing — = — that’s im-por- tant in Man hat - tan ‘When you have just Or eight On your way. —47 just one day! — The Bronx is up_—_but the Batter-y’s down.. The peo-ple ride ina _hole in the groun’ — _ : — TOT —— New York, New York, a hell-uv- a townt_Lonely Town from On the Town original key Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Moderato York, New York vil-lage in ‘The on-ly dif-f'rence is the Ss wheth-er on Main Street or = The verse here, different from the show version, was written fora stand-alone concert version ofthe song. (© Copyrigt 1945 by War Bros, ne. (Renewed) ‘Aig rscrve. ars! Copy Seed49 SiS fon Broad - way, they are both In tempo Fast, with urgency P A town's a ret ‘When you pass through And there is fone waiting there for Pore Then it's a lone -50 ‘The crowds rush by, A mill- tion Prt rr tt ees pass be fore your eye, Still it's a CG et re r —= ¥ Un-lessthere’s love, ‘A. Tove that’s shin-ing like a poco rit. oi You're lost in the night; Un = less. there's 351 S broader ———— oy Cate ‘The world’s an emp - ty place: p ancora rit, rit a tempo a lone - ly town, Sf Un = less there's yao.) ——>52. ‘A love that's shin - ing like oi a= You're lost in the — night; Un = less. there's I poco rit, P : : Afbroader =—=— Fr mf ancora ri ‘The world’s an emp-ty place, sf ancora rit. lone - ly34 I Understand (Pitkin’s Song) from On the Town original key Lyries by Musie by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN ‘Moderato, lugubriously PITKIN: af When Twas five my bro ther stole my f rit P intempo atempo (accel.) did - n't mut ter “Damn your hide,” He need - ed can - dy more than ‘I'd, So +s % —collavoce accel. erese f, of bit - ing off his- hand, __ Just said, “Goo!, “© Copyright 1960 by Warner Bros Ine. (Renee) ‘Arig reserved, nematonal Copyright Scie,35 1 was ten my — moth - er trounced me atempo f rit, p intempo (accel.) With a mop troun-céd she me! But I did - n't_ mut - ter be 'P atempo accel. “Damn your eyes, ex - er-cise, So in-stead of join-ing a gypsy s cola voce ft, va tempo * Just said “Mom, Tun - der - stand!"ruth = less = ly «tempo i Pintempo (accel) ruth-less-1y down did = n't mut - ter “Damn your spleen,” For a ‘accel, aman but a car's a machine. So in - stead of stripping him of his just said “Tack, Tun - der- stand!"—— for - ty - five and I've met Claire, We'reen- gaged to wed. a tempo PintenP? (accel) ‘molto rt. gaged to wed But to - night tell you “Damn you, Claire!” You be s 'P atempo colla voce @ molto rit. accel. played me e- vil and that's not fair! So in - stead of re-main- ing calm and bland, ___ be* I Can Cook Too from On the Town original key Lyties by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Hot and Fast (d = 80) dadade dz dedEDE DE yadEdE ef asesenz SaIRIEIZ HILDy: _f (Swing) Ob, I can cook, 100, on topof theres, My de ie ze pp sub, fish can't be beat, — My sug-ar's the sweet - est a - © Copy 1988 by Ware Bro. Ie Atrpis rere. Inemaan Copy59) per - fect meal, Right Tm cook-ing with gas!_ Oh, 'm a gum sweet lol = li = pop, — ‘A. brook tout right oul ofthe brook,60 Some girls make mag-a-zine cov - ers, Some girls keep house on a dime, — = — Some girls make —won-der-ful lov - ers, But what a luck-y find I'm. — i‘Light rhythm * mag-a - zine house on a dime, won-der - ful lov TF, eS a Pe f Tempo primo paid 0 ver - time!_"Cause 1 can62 My will tose gra = vy, bof: you your _——~ = ble dhéte, But ~ ale chick-ens just ooze, just course, You could choke63 you won't know where to start! aeeuvre, — the re - ci - peLucky to Be Me from On the Town original key Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Freely GABEY: I used to think it might be fun to be An-y-one else but_me. A mp colla voce I thought that it would be a pleasant sur- prise To wake up as a cou- ple of Fs But now that I've found you, _T've changed my point of view, o ‘This song is for Gabey and chorus, adapted as a solo for this edition, {© Copyrigr 1985 by Ware Bros. ne Renewed) Aibighte sere. mera! Copier65 rite dim. f > ed atempo And now I would-n’t give a dime to be An-y-one else but me. —. rit.e dim. Gently (d = 60) ™ What a day, For - tune smiled and came my way, Bring - ing love I —,_# 3 a nev - er thought I'd —. —- 3 Sud - den - ly you came insight, Look - ing just the — # 7 ———_~.66 —— ¥ way I'd hoped you'd be, am sim - ply mp warm rit. crese. —= Nev - er dreamed you'd want yp atempo You chose me from 4or ral, = => T could laugh out loud, I'm so a tempo me. a mp a tempo - der-struck the change SS68 p sub. rit, erese. molto once I want - ed you, Nev - er dreamed you'd want me 100. ere ee a t g rit, crese. molto Broadly colla voce p sub. Meno mossoSome Other Time from On the Town original key: a whole step higher Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Freely, with sentiment (J = 112) P ‘Twen-ty-four ho-urs can go so fast, love Time day has passed. When you're in is pre - cious stuff; a ab Lento, rubato (d =a. 48) *f 2 — Pa isn’t e-nough. Where has the time all gone to? F el Have-n't done half the things we want to. ‘Oh, well, —we'llcatch up Some 2 __ — _— a Begun by Claire, this song becomes a quartet in the show for Clie, Hildy, Chip and Ozzie. Adapted a a soo for this edition. ‘© Copysight 194 by Warer Bros Ine. (Renewed) ‘Ags eserved, nema Copyright Scted,70 This day was just a to ken, Too man-y words are still un - spo-ken. r a Oh, well, —we'llcatch up Some oth-er time, ____ Just when the fun is re P § start-ing, Comes the time for part ing, Butlet’s be glad for what we've had And reer eee Pree Tr —I— = ‘There's so much more em - Brac - ing. Still to be done, but om SSn time is rac-ing. Oh, well, we'llcatch up Some _oth-er tempo I os Just when the fun is start - ing Comes the time for part- ing But let’s be glad. for on ‘There's so much more em - brae-ing, —— opt. Still to be done, but time is rac-ing, Oh, well, We'll catch up Some ofh-er time, —____ 3 ~~. Lonely Me cut from On the Town original key Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Flowing 7 in search of you looking ev-"ry-where_ and hop-ing some-how you'll d © Copyrih 1945 by Warmer Brox, ne. (Renewed) ‘Nici seed enna Copyright Sec.B 3 Sud-den-ly my hopes are high - When —Tthinkthat_ I might meet feel-ing so low, we = that there's no way through this sea of emp-ty fa ces: —3—4 : S Is thisthe day — when I'll tum a-round and find — you there with or find an empty mem-o- ry of _love that Ga bey's com ~ in’ Ga-bey's com - in’ to _————_ 915 Ain’t Got No Tears Left cut from On the Town original ey: F Major Lyries by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Slow and blue Ain't got no tears left, I've been cry-in’ so long; Can't weep for joy, Can't weep for no tears left, Tho’ the pain is so. strong; Can'tkeep on cry - in’ all the time. — Ain't got_no tears left {© Copyright 195, 1982by Ambersn Holngs LLC ‘This rangement © Copriph 2010 by Amerson Hlcings LLC Usorard eran Mae ubising Company LLC, Pobiser Booty & Hawes, ne. Sole Agent “Cony for All Cou, All Rights Reserved16 you walked out with - out an = y ace — Tried to find you, but you won the race, — And now 1 sit here, don't go ; Just keep on star-in’ in-to space Re - mem-ber-in’ your face. Ain't got no hope. I'm gon-na 1Of ; ae: find you some day, — to- night,-Won't be to - mor-row.7 ‘Tho’ I still need_ you In the same bum - in’ way, Can't keep on ery = in all the time.. 3 Ain't got no Ain't got no tears left. Wish [could cry, cause then I'd get some re = life in the rain, — the show-ers FF flow-ers back. lief from this pain, 3 bring Can't keep on cry - in’ all the time; — Ain't got no tears left, 38 Say When cut from On the Town original key Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN ‘Tempo T'veleamed a lot a-bout the sci-ence of drink from spend-ing lots of ime in sci-en - tif - ie think-ing; Now take Is-ol - de, when core ae : ; = ‘Tristan would-n’t sin: to make him bold- er; shesim - plyslippedhim a gin. — mot esp. =] op np x Corrs © 1982 by Amerson Hollings LLC. Bey Comden and Adi Green Leonrd Boman Mat ating Company LLC Poise [A Rights Rese. Inaretbal Copyeb Scie,9 are words my el - bow loves to bend 10 T do just what Thad - n't meant to; for - get just when can teach me how to say “that's plen- &80 got the self - con- trol I had at twen- ty: com = dos men - fe een et een ee ee sweet for St. Pete at the Pear 3 bi b: cost for this lost week-end 3strong just like | Gi-bral- tar: sip and I ceresc. poco a poco b; Make mine straight. say sin and then my will be-gins to fal- ter; b: break through my hal 7 pmo 8182 Who Am I? from Peter Pan original key Words and Music by LEONARD BERNSTEIN ee EDS WENDY: Eb6 Ebaug Ebaug ED Cm Fun- ny, the thoughts I have at night; diffrent from the thoughts Ihave by =~ “ty fF Fm? Bbrsus bs Bbaug Bb6 Ebaug ‘mo ment Ma - ma switch - es Eb cm Fm? — Bb7sus c Em/G Dm a rit tempo thou-sand dif-f'rent ques-tions come my way “~__* —F © Copy 1950, 1980 by Ambeion Holdings LLC ‘esr Herma Mic ng Cpay LL Phe A Rights Revered non Copyrigh Secred83 Refrain c EnyG co c EnyG Amy/E all planned in advance, or was Cor oT F I just bom by chance in Ju - ly? Oh, who on earth am P Agb Dm Dm7 Go c ET ev-er live be asa moun-tain’ li - on or Nf a a Am CG BFE Ey Am Dm7 Esus E Ia friends only think of fun; They're all such in - cur - a= ble tots! aN co os rr RFAm CG ByFe Ey Am pT Grsus a cI ——- be the on- ly one who thinks these mys ter - i - ous thoughts? TT 3 r Ref =—— PP c Em/G co c EnyG_AmyE ser live a - gain F6 a Em7 c Aa Dm Dm7 Go Gm6 AT AbT c85 My House from Peter Pan Words and Musi original key: a whole step higher fords and Music by inal koa whole sep highe LEONARD BERNSTEIN Slowly (J = 60) Bb Eb/F F ‘Bb Tecitando WENDY: -—3—1 nf Will youbuild me a house? Poco pitt mosso (J = 72) ‘BOT E> Bbmaj7 Eb Bb DI/A Bo din that really will be mine! my give you my de -sign— Lento Gm Dm Ebmaj? Bb molto rit. sim - ple scheme of. Kf molto rit SE. 7 ©Copyright 950, 1980 by AnbesonHoliings LLC ‘Thi arangemant © Capi 2010 by Amberton Holgs LLC ‘eonard Bertin Mosc Pobising Compay LLC, PUDlsber ‘Boosey & Howlers Ine, Sle Pm Licence Aas Reseed. rational Capri Secure86 Very slowly, ike a folksong = 50) B Bb7sus/F Bb BbTsus/F bb ——— F Build my house of brick aS f Build my house of wood, Build my house of stone, ——_ Bb Eb ‘Bb 7sus/F E> Bb7sus/F Make the ceil - ing strong, Strong. a gainst the storm, bn Bb om Bb Shel- ter when the days : But build my house of love, and87 7B Bb c Dm GI ca paint my house with trust-ing, and warm it with the warmth of ——_ Re Ebyeb Bbrsus Ep Bbtsus oe F P Make the floor of faith, Make the walls of truth, ae r r => Bb Dm Gm Fm Eb ‘BbTsus Eb On-ly buildmy house of _ love, rail slowly88 Peter, Peter from Peter Pan original key: G Major Words and Music by LEONARD BERNSTEIN Brightly WENDY: E pém patempo Pe - ter, Pe - ter, You've got your (p atempo 5 Pe - ter, Pe - ter, © copyrih 950, 1980 ty Amber Hldings LLC ‘This anangenet © Copy 210 Arbeson Hoings LLC esr ems Mose Poking Company LLC, ier AURigs Rese oral Copii Secu.89 Bye act ctype FRaya BT just an old ex - cuse to feel your touch, But I love you ver - y Mud doy ys E FT E pém Your hair is all ‘out of place; Bt act cipt Ihave © touch you to make sure you're real - ly rea, ry dD J —90 bays Br E Em Dm ‘And I love the way you feel SITE HG G9 maj? Dm? F/G Emy/G night and ir r Cai? Am6 D#dim7 Céim7/B Em 5 Emp Bic aan BIE s.ppm te You've got a. Bp Arce tpt just a poor ex - cuse to Md feel your touch, much! And I love you very a mos - qui - Lay © Feoya o1 # Be - lieve me, BT But I want to feel your a2 for Lawrence Tibbett with admiration Captain Hook’s Soliloquy (Recitative and Aria) Lycies by from Peter Pan Music by JAMES, BARRIE ‘oviinal key LEONARD BERNSTEIN Presto furioso (4. = 132) (Caprain Hook gazes quietly into the moonlight, undisturbed by orchestral goings-on.) a ANIMAL cc fan SEDNBS, sheer be mp | crese. molto roar of Hon bark of dog ae 4 = te ¥e lic Copyright © 1994, 195, 2015 by Amenon Hotngs LLC Ly Cap Oy Gra mnt et Hapa Cher Cty ersten Msi Faicting Company LLC, Pobliter "AU Righs Rewred nena Coit Seow93 sunt of apg or frog monkey ery er ‘Adagio (recit. a piacere) Prmezza voce CAPTAIN HOOK: Presto (come prima) How still the night is; Noth-ing sounds a - live. ANIMAL, ANIMAL. sick of toon ba94 bark ofa dog roarof ation honk ofa goose meow of aca — J 42 = He Bs arghetto (= 72) "paole runt ofa pig or fog 34 p legato95 chil-dren in their homes - bed; bright - browned with the bg ‘and their tongues drow-si - ly, drow-si - ly — sempre molto legato ———— sf — — —— — 3 search -ing for be - housed_____ in - se - cure poco rit, a tempo on their shin - ing a8 [G]Altesro (recit) —= Com-pare with them the —chil-dren on this boat, a ~ bout (0 walk the plank! fab Presto (come prima) asian s : ze be “Split my infinitives, but D “cs my hour of thump” (He dances.)[E] targhetto (come ina yet somedusk-y pir - it com pels me now to make my dy - ing lest when plegato dy = ing,dy - ing, theremay be no time for it. = poco rit, Lo stesso tempo (—- p —==_ >— —= os rl better per = haps for Hook, mor - tals psub.—= I 3 bet ter per ~ haps to have had less 3 bi-tion!. Ah, thou glit-ter-ingbau - ble 3 nf expr. <7 _—_———. bs r co alit-ter-ing bau - ble 3 accel. crese. = slit-ter-ing bau - ble alit-ter-ing bau - bleee Cadenza (collapsing) HH) se tempo thou glittering bau - ble! ao mp = cantabile r juasi parlando (mezza voce) P quasi pa oo No lit-tle chil-dren love me. 1am told they play at Pe-ter oI ‘and that the strong-est al - ways choos-eslol ‘They'd rath-er be a Twin than Hook; a b ~ ‘mp sempre solistico dolcissimo, coresc. ——_— — ‘They'd rath-er be a Smee than Hook; they force the bitterly (The ba- by!)102 ‘accel. dim P ‘Ah, that’s where the can - ker rath-er be Twin than —_ og 3p They'd rath-er be Smee than Hook! ‘That’s where the can - ker ee Fame, fame, thou glit-ter-ing bau -ble, thou glit-ter-ing bauble, _bau-ble, bau ~ ble," Dream with M from Peter Pan original key: D Major Words and Music by LEONARD BERNSTEIN Flowing dolce whee» bea rit PETER: ‘atempo “ry night Where - ev - er you may chance b We're to- geth-er if ‘A separate publication of "Dream with Me” is available for voice, cello and piano. Copyright 1980, 1980 by Arbeson Holdings LLC ‘us arangenent © Copy 210 Ambeson Hoings LLC eon Beas Muse PbishingComary LLC Pusher Boosey Haves, In, Sle Pat Licensee A Rights Reseed Inertial Copyright Sued105 Keepme in yourheart and dream with me. The kiss we Pia mosso we'll dare 8va---7 td have mean106 ral IF you on-ly dream a mag-ic dream patenpo ry night, Where - ev - er you may chance Close your love-ly eyes and dream with me poco rit,107 stil have Ifyou on ly dream a mag-ic ben P108 ceresc. poco a poco Where - ever you maychance to dim. poco a poco oe be close your love - ly eyes and dream with me. va110 Take Care of This House from 1600 Pennsylvania Avenue original key: a whole step higher Lyrics by Music by ALAN JAY LERNER LEONARD BERNSTEIN Espressivo ABIGAIL: fot el Take care of this, aie Andante J = J. keep it from harm, —___ If bandits break r Po Care for this house, shine it by hand and keep it so. r Pr ia Originally a duet for Abigail and Lud, this song has been adapted as a solo for this edition (© Copyrih 976 by Alan ny Larner and Amber Holdings LLC Publhed by Lemard Bema Mus Pub Company LLC. nar or Leonard Borst Man Pubs Company LLC and Aye! Mase ne Boosey Hawkes, be Soe Age Copyright fo al Cowes Ail Rigs ReservedM1 clean the glow can be check all the If some-one makes off with a dream, the dream will be dim. molio2 Take care of this house, kkeep it from harm, If ban- dts break. = Care for this house, shine it by and keep it so clean the glow canbe all = ver theBe care-ful at night, check all the doors. If some- one makes off with a dream, the dream will be —_ care of this Meno mosso be al- ways on call14 Seena from 1600 Pennsylvania Avenue original key Lyties by ‘Music by ALAN JAY LERNER LEONARD BERNSTEIN Slow and gentle Lup: P mezza voce knew her so_ long. — My sweet little See -na —= ¥ »! freely 3 crawl-ing on the floor, Then one-day this week — her hair brushed my cheek And. 3, ~~ " “Sena” is Thomasina, Thomas Jefferson's fictional daughter in the show, whose mother is Sally Hemmings, the African-American Slave with whom itis possible Jefferson had a long affair. © Copyright 1976by Alan Jay Leer nd Amberson Holdings LLC Published by Leonard Best Mosc Paling Company LLC, a sominseatror {ona Bersein Mone Fusing Company LLC and Asal Mas, ne. copyright All Cotes Al Rights Reservedus In tempo piena voce mp don’t know her no more, knew her so— well, — My r r r pr oF res. — hf Pp sweet lit- tle See-na, : = "ry twin Kle that she wore. Then 7 freely ad bf pr p I my. fone day her smile Lit the sky for a mile, and now don’t know her no Ly ei mm r ————— tempo P P atempo—116 eres = ¥ T used to know_ where her thoughts would fly — 1 don’t no more, crese. f _—_— ff die__ of love and —__ ‘And that's117 laughed and we played,— non cresc. (sempre pp) Me and lit - tle See-na, ‘through the years, through the trees, by. the shore. But oe << FT ae oS non crese.! — (sempre pp) poco eres, |= —=—=——— gone is the past, — 1 met her at and now —T don’t know her no ———__ ———— o ——= poco rit. piu rall. al fine ™ —— oo, (slower) No, now I don't know her no, iu rall. al fine" Philadelphia from 1600 Pennsylvania Avenue original key: G Major Lyrics by Music by ALAN JAY LERNER. LEONARD BERNSTEIN Swinging (Sotto) (= 116) =o of week toreal ly nail it down. ‘The script still need-ed work Zi fl a —r — i - ron out the kinks . to dip the quill and work un-til they fixed what stinks. They could have rae, FP — P ‘The song is sung in unison by ensemble. a a 5 © Conyritht 1976by Alun ay Lerner and Amber Holigs LLC ‘sarang © Copy 2010 by Alay Lemar and Amber lings LLC Piss by Leonard Berta Muse Pasting Company LLCs amin or {oar Bers Mose Pblshing Conary LLC and Aye! Msi. Ccopyrig or All Coun Ail Riis Reserved.119 mp. used an-oth - er week in Phil - a - del - phi - a before they brought the coun - try to town. =~ 7 mp P. Con - cep-tion-wise the point of viewis fresh, — aim and ex - ecu - tiondon't pre - cise - ly mesh, sy eres. Sm 3 la ting to com-plex-ion was wrong. Boy, was it wrong! ‘And what's.120 the na - tion'l an - them ain't the ‘Theyshould have stayed an-oth - er week in Penn-syl = va = ni - a ‘They could have played an-oth - er week in Penn - syl- =~, PT <= of dim. P before they moved to Penn-syl-va- ni-a AV121 ‘They should have stayed an-oth - er week in Phil - a - del - phi- a ——~. PT Ficu week orto or may - be three. That vo - tingwas te - served — er = res —r =— men of prop-er- ty — was pure ma-nure in-stead of pure de - mo-cra - cy. They could have ——__ = = 2 used an-oth - er week in Phil - bbe fore they moved toWash- ing-ton__D. Ss =122 thers had theirkin and ith — fF oa cn hard - ly men-tioned who they did the found-ing with Noone can stop “a” _sincepop - pa (ber) ft: 3 got about his op - pa-site half! Boy, what a gaff! p sub. kept the. -Ma - son Dix = on Line which don't ‘They should have123, cores stayed an-oth - er week in Penn-syl - va - ni ‘They could have played an-oth - er week in Penn- syl- : = __ of f before they moved to six - teen hun - dred Penn-syl - va - SN. => 3 dete by124 Spring Will Come Again from The Skin of Our Teeth (a proposed but uncompleted musical adaptation of the Thornton Wilder play) original key: A Major Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Andante con moto, ma tranquillo P Winds fast arpegsio come and hide the that some-day soon, 1 a —_ (© Copyih 196, 1998 by AnbesoeHoiiags LLC and Bey Come nd Adolph Green {eonardBemneln Muse Posing Company LLC, Pabier Booey Hakan ne Sole Agent AlLRige Raed Copy Sec,‘Meno mosso 125 im breve Spring will come [with ped.} Birds will come ‘mp ancora meno 7 ‘Tempo primo, con moto ter comes. spring,126 ei ‘and hide the — moon, tri ‘Meno mosso that some-day soon, ___________ Spring will come a gai T pp molto legato127 Birds will come a - gain, ~f ral ‘ancora meno Nest-ing in the Port I ter comes spring.128 Jet Song from West Side Story original key Lyrics by Music by STEPHEN SONDHEIM LEONARD BERNSTEIN Allegro moderato (deliberately) J. = 116-128 cig - P cresc. poco a poco Riff is joined by the rest of the Jets in this number, adapted here as a solo, Copyright © 1957 195 by Amberan Holigs LLC and Sepben Sonn Copy Reeves. conc Por Al Contos Al RightsReserved129 a= round, You're er dis - con - nect - ed! You're home with your *Play this chord with the thumb covering two notes: C double-sharp (D) and E; the 2 finger is on D-sharp, 4 on A-sharp, 5 on B.130 set With J, Which you'll HEC way. When you're a132 Something’s Coming from West Side Story original key: a major third higher Lyrics by Music by ‘STEPHEN SONDHEIM LEONARD BERNSTEIN Fast J = 176 TONY: PP Copyright © 1957 by Amberson Holdings LLC an Stephen Sondheim "sme Cnyh ©2010 Arn Hang Lan She Sot Booey fawkes In Soe Agent copie for Al Coun All Rigs Reserved133 (rhythmically) some-thing _ ing down thru the sky, oe Brightas a rose!134 (rhythmically) feel - ing there's a135 (with rhythmic ————— Pr excitement) Could it ‘Some-thing’s orese. ————— some-thing If 1 can wait!Gonna be great!137 © - pen the latch! thing’s - ing, "know when, — Catch the _ moon, One-hand-ed catch! a mf warmly, freely ain138139 eR e7e? el RTE Ppp > > Will it = May-be —just____ by = __erese. molto hold-ing It- "ll be there! crese. moltoPull up a chair! re p sub. (freely) _141 dim, dim, sempre Original ending 3— beach, May - be to - night = sempre dim.142 [Alternate ending™ — 2— May - be to - night... opt. s— PJ — , May -be to - night dim. * An ending very similar to this was used in the film version of West Side Story.Maria from West Side Story original key: a major third higher Lyrics by ‘STEPHEN SONDHEIM Slowly and freely Tony: _ ? Music by LEONARD BERNSTEIN — ‘The most beau - ti - ful sound 1 All the beau - ti - ful sounds of the world in o ia erese.e ral crese ral pit a FF Ma- risa, Ma-ri-a, Ma- ni - a * Original Broadway production: The repeated “Marias” were sung by off-stage voices. Copytig © 1957 by Amerson Holings LLC and Stephen Sond ‘Thisarangenent Copreh © 2010 Amerson Holdings LLC ad Step Soden Tzun berstcin Mai abeing Company LLC, Pobiser "Boosey Hawkes ne Sle Agent Copa for A Coon Ail Right Reseed144 ‘Moderato con anima dolce ‘mf warmly et ee eee) mp Tve just met ‘irl named Ma - sud-den - ly that name Will never be the same To — ———= +r T've just kissed girl named Ma ri - a,____ a sud- den - ly I've found How won-der- ful a sound Can ——_— feSay it loud and there’s mu - sic play-ing, pray - ing, poco rall a a tempo —————— nev - er stop saying Ma -Say it loud and there's147 pp sub, SS See ee P dolce Say it soft and it’s al’ most Tike pray - ing" Ma - a ee id t all. molto a a — ee SSS] tes rall. molto — Ppp apiacere Ses ‘The most beau ti - ful sound 1 Adagio (in 4) ev - er heardMs Tonight (Balcony Scene) from West Side Story ety original key: a whole step higher ree ‘STEPHEN SONDHEIM LEONARD BERNSTEIN Allegro (d = 66) ancora accel. oo Molto allegro (J = 72+) = ‘The song is a duet scene for Maria and Tony, adapted as a solo for this edition, Cepyish © 1957 by Amberton Hollings LLC nd Stephen Sondheim “Copyright Renewed ‘Thc arnpnent Cop © 01085 Arn ing LLC ab Seer Sri ‘Boosey & Haves Ine Sole Apel Copyright fo All Cote. Al Rights Reserved149 you cresc. nf —= you f dim, mir - a - cle wouldMotto meno mosso (ma in 2) ——_—_——— #151 a Andante (J = 50-) to ~ night, ‘The world is full of light, ow — sub. accel. and ‘a tempo (Allegro) To - night, is152 was just153, crese. mf $$ what Was just Molto meno mosso (sub. in 4) ral, ‘Adagio (sempre in 4) rit —=_ ff ————_ night, good night, Sleep well and when you dream, Dream of me To ~ —=|f = |p doleissimo ——— /— ie spr. cresc154 Cool from West Side Story original key Lyrics by ‘Music by STEPHEN SONDHEIM LEONARD BERNSTEIN Solid and boppy J =90 Se = Faster (but light) ‘That's Zsure way to A sure, sure, sure, feels ees P way to lose a A. splen- did way Just throw your Vers ere ety? ‘Tempo I know-ledge in his face, He'll nev-er try for sec-ond base. (spoken) (sung) _ a ‘Nine-ty-eight ways to go. The third way to lose a man:179 life - guard at the beach that all =the girl - ies ral brave -ly out to save you through the O-cean’s roar, Don't say, “Oh, thanks, I would have drowned in Just push his head under water and yell, “Last one inis a rotten ege” and race hhim back to shore. : eS tempo Just one sec-ond more.” _ That's a swell found your per - fect mate and it's. been love from the start, __180 all whis-pers, “You're the one towho I give my heart."__ Don't say, “love you, too, my dear, let’s = Just say, “I'm afraid you've made a grammatical error. It's not “To who T give my heart,” i's “To whom I give my heart.” -- You see, ‘with the use of the preposition “to,” “who” becomes the indirect object, making the use of ‘whom’ imperative; which I can easily show you by drawing a simple chart.” atempo 7 > That's afine way to lose a man._ A nev er, nev-er_ part." ‘Tempo Il (Faster) fine, fine, fine, fine way to lose Slow and free well in - formed than he, You'll nev - er181 Just show him where his gram - mar errs, Then mark your with a beat af ‘Tempo 1 tow - els “Hers” and “Hers.” Yes, girls, can lose your man, if you will a Ruth Sher-wood’s plan: — “One Hun - dred Eas - y Ways To a eT182 A Little Bit in Love from Wonderful Town orignal hey: F Major Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN ‘Moderato Leisurely (I=) EILEEN: with charm 3 an —3— p atempo 3 pas =I lit = de bit in love, S opih ©1953 by Amba ling LC, ery Come andASA ree Cu Roce “rane Cop ©2010 yarn Hes LLC ty Camden an Ad Gen "Cnpall Co and Leonard Berets Mase Pulisting Company CLE. Pablsere “Copyogh for Al Counties All Rigs Rese—_ (rhythmically) ps 3 3 35 When he "ry-thing'sha - zy and all out of a I'm in the spell of a strange ho - cus 4 3 on 3 crese. : I don’t know.. 1 don’t know, — but 1 know — if it's 3 3184 poco rit. tempo >= i love, then it’s love - ly! Mm, I's so 3 aS ‘When you meet some - one = Will he just fall little bi lit - in = —_—— r iF 355 2 ss | I I185, tempo186 looks at me, — ev ‘ry-thing'sha - zy and all out of touch - es me,—— T'm in the spell of a strange ho- cus don’t know. I don’t 2 3 know, but 1 know: if its love, then it’s love - ly! I187 atempo P a 3 = who be - witch-es you, I> Jreely m3 be my al little bit,188 Pass the Football from Wonderful Town original key Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN ‘Moderato pesante Four years of col - lege, Tu-tor-ing me; — Fa-mous pro-fes - sors [—_¥ Ev-"ry-thing paid. for, Food and va-ca - tions, Al of: it. free. tr rr (Cheering) Ray Wreck rah! Rah Wreck ray! Rah Wreck! Wreck Rah! Rah Wreck Wreck! Wee, Re-k, Reg ‘we love you! ‘m long. peerat pW left, Ev-"ry-one gath - ered, Their cheer-ing stil rings in my ears: Day that 1 ———F poco rall. PF Copyright © 1985 by Amberson Holdings LLC. Bet Comen and Adolph Geen ‘Copyrpt Renewed189 Lo stesso tempo (in 4) f P "Cause I could pass that Like noth - in’ you have ev - er seen! of 3 Could n't spell'@ lick, Could-n'tdo a - rith-me-tie; ‘One and one made three, ‘Thought that dog was e-a-t, fdf Like noth - in’ you have ev - er seen! But I could pass that football of Couldn't write my name, Couldn't trans late “Je vous aime,” Nev - er learned to read Moth - er Goose or An-dré Gide, But I could pass that fn Like noth - in’ you have ev - er seen!191 af Couldn't fig - ure rid-dles, _ Puzzles made me pout: Where the hell was Mos - es when the lights went out? I could - n't Get those verbs through my bean, But was bud - dies with the Dean Like ea f Passed with-out ‘ fuss192 Eng-lish Lit and Cal-cu-Ius. Nev - erhad to cram, E - ven passed the bar ex-am, fad Because Ipassed that foot-ball Like noth - in’ you have ev - er seen! of A 3 Could - n’tdance fr beans, Mashed my girls to smith -er - eens.‘Some - times blood was spilled, Still my card was. al ways filled, Fis “Cause 1 could pass that football Like noth - in’ you have ev - erseen! sub. f mf 3 ~ ‘Then there was the week ‘Al - bert Bin - stein came to speak Guess who in - troduced him?194 f P "Cause I could pass that football Like noth in’ you have ev - er seen! wv Had no ta ~ ble man-ners, Used ta dunk my roll, ‘Though I would not getup for an - y she, The Prex-y'smom, age nine - ty-three, Got up and gave her seat to me Like noth - ing you did ev - er see. sub. f195 Alla marcia (may be spoken) 3 In ourHall Of Fame, ‘There's a sta - tue with my name. — — — 9f $$ p= | of ———— »_ ‘There we stand, Lin ~ coln, Wash - ing-ton and Wreck! = 3 could pass that foot ball Like noth - ing,196 A Quiet Girl from Wonderful Town original key Lyties by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN ‘Moderato BAKER: S' (with weary anger) Allright! You've taught me my les - son! —}+SSS= Get mixed up with a gen - ius from 0 © - ver and 0 - ver, pick the sharp, in - tel- lect - u ~ al kind. Why couldn't this time be dif - f rent? Why could-n't she s s Copyright © 1953 by Amberon Holings LLC, BetyComden and Adsiph Green ‘Chappl & Co, and Leonard Bertin Mone Pung Company LLC, Pblibrs “Cosy for AliCountien. All Rigs Reseed197 Suddenly calm Andante (4 = 60) ‘An-oth - er kind, a dif-f'renkind of Slowly and simply, like a folksong P SS = 1 love a qui-et_ girl, gen-tle girl, — —_ ~~ ii Hy : 7 r F P ten-der smile, — vel-vet voice, —198‘Mmm (humming) = SI dim. molto the —spe-cial girl, _ —=— Who is soft, soft ddim. molto200 ‘More flowing is near me the world’s in crese. mf rit, dim. molto Pp We need no words; She sees, she knows. But —~ = 7 dim. molto rit.201 ‘Tempo I — my —qui-et gil? _ nf TIS op Where is the spe-cial girl, Who is soft, soft as. snow? Some-where, — —f rall. al fine some-Where, eS202, It’s Love from Wonderful Town original ley Lyrics by Masieby BETTY COMDEN and ABOLPH GREEN LEONARD BERNSTEIN fenuative Freely pacer: pO") ap I's love, Its With motion ‘resc. poco a poco (gaining conviction) It's love! who would have thought ——o r ‘Copyrigh © 195 by Amerson Hollings LLC ety Comen and Adtph Ces ‘Copyah Renewed ‘Chappel & Co, and Leonard Bertin Msc Pung Company LLC, Pblabrs ‘Copyaa for A Counties All Rigs Reseedwhy have I fought it? = =r ——S T could touch the sky. res — f if - f'rent guy! . —3— some-one to cheer forl SS 203— T've learned what we're here for. P I Broadly “You'll know it whenyou see a= rall. atempo205 So, — La da dee da da da Whata way to feel! 1 could ee206 3 some-one to cheer for! = learned what we're here for. Pve heard it said: “You'll OS Broadly ral Maestoso know it when you see it.” _ 1 know it, It’s love! ‘t.27+2 >The Story of My Life " cut from Wonderful Town original key Lyrics by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN Freely ‘You wake one day, the sun is bright, ‘You feel like strolling through the town, ————— Your dress is new, your hat just right and then the rain comes pour- ing down, Well, that's the sto-ry of my life. ‘You dream you've heard a love-ly song, ‘© Copyright 1953, 1981 by Lesa Bertin, Bey Camden and Adolph Gren sora Berle Msi Pabing Company LLC and Chappel & Co, Piers ‘Allg served erations Copyripht Scares208 All night you're haunt-ed by Ms theme, When you wake up, the notes are ‘The song has van-ished with the dream, ‘Well, that's the sto- ry of my Like an-y sto-ry that is filled with love and joy and hope ‘And then the sto-ry ends with-out the love,209 ri aiempo 50 it goes, ‘You leave the life you've al-ways known, You tra-vel long, you tra-vel — To find the star that's all your own ____ but then you ne-ver find the star rit ‘optional ending Well, that’s the sto-ry of my life, ‘The class.ie sto-ry of my life. 5%, Tonger version (spoken:) A funny210 litle thing happened to me the other night, on my way down to the lower depths. I was on this blind date; it was awful {improvise ina cocktail syle) tem ‘Then in no time at all I could see as far as he was concerned, the blind date was me. Well, that’s the sto-ry of my life. I went to my office the other day. I have this crush on my big, handsome boss, this curly-headed dream, To get him is my scheme. For five years, nothing happened. Then one day, I just happened to take off my glasses, and he said: (screaming) “Aaaaagh!” (normal voice) Ihave some advice for you younger girls: stay younger. 4% 421 a tempo You leave the life you've al - ways known, You tra- vel long, you tra- vel To find the star that’s all your —— But then you nev- er find the star. Well, that’s the sto ry of my 3 ‘The classic sto-ry of my life22 I Know a Fellow original key Music and Lyrics by LEONARD BERNSTEIN Stow, with pulse —— I ‘wor ~ ships the the night oI a poco crese. 3 3 —3i— call ing your name then re = tums toa dream of you. —— 3 © Copyih 2010 by Amerson Holigs LLC Leonard Bese Msc Pblshng Capa LLC, Pulser Boney & Hees ine Sole Agent AILRighs Rese. ert Cope Secured213 SS —_— This fel - low's a strange kind of | fel - low nev - er felt Ss fe 1 know him at al this fel - low ‘molto dim, whose thoughts go bf ‘eresc. poco a poco b,24 es ing the He'll wait with the patience of an - gels te ‘meno mosso with you wher - ev - er you bi mp UU loves you 50.215 Another Lo’ original key: F Major Lyries by Music by BETTY COMDEN, ADOLPH GREEN and LEONARD BERNSTEIN LEONARD BERNSTEIN Slow and bluesy (slow swing beat) ve had an-oth-er lover T thought thatthis time Tt was love, the wedding bell, _Ditsrmeemat Copy 9 Lemar Bean oc Hes nS cing Aa216 the won-der- ful, sweet, ter - ri = fic sub - lime!___ you found just like be217 and so. I've had an-oth-er love.218, In Our Time original key Music and Lyrics by LEONARD BERNSTEIN Slowly, with dignity a od 4 o oo 1 don't re - quire a crys tal cI TS and how it will go, Kh is- n't hard to read the when deep in my Trier jon was constructed by the editor from a manuscript source with melody, lyrics and chords only. 's tempo marking has been retained, © Conyit 2010 by Ambon Holigs LLC Booey Hawke ne Sel Ags ALRighte Rare. nerd Copp See219 will come come when those dark clouds 0 - oo 3 head will «tum in - to blue and spring will bring —_— —3— 3S 3S hhap-pi-ness. plus —_ Tov-ers like us. a a20 when that big dream co ei nothing can keep usa - 34 ‘These things will come in222 It’s Gotta Be Bad to Be Good original key Words and Music by LEONARD BERNSTEIN “Moderately, with swing feet m5 m4 ait gy 3 You don't talk to me ten - der, or treat «sme ca sy, the —<_ —<——> way that a good_ lov - Ws not ver-y gay —— —— —=—— ©Copyright 1981 by Ambenon Holdings LLC Leonard Berton Muse abing Company LLC, Pobtiher Boosey & Haves Ine. Sale Age [AIR Reserved Inert Copy Seidji = got-ta be bad to be good. Since the 1 I) love is that way.— T's first day we start - ed you played me evil, ————— but Ill stay a - round 223, knowhow I've stood what Tve =3— “cause baby I've found Til leave you, bad224, pen - ny, bye - bye, de - ceive you Se spell that you weave, you know Ba Co strangekind of love. if you ery-in’, but I would-n't change al25 te — # satis fied, “cause it's got-ta be bad to be good. "Cause it's m5 3 > be bad, “cause if love is - n't bad__ it ain't226 Screwed on Wrong original key: a minor third higher Music and Lyrics by LEONARD BERNSTEIN ‘Moderate Swing Tempo look - in’ for my heart just ike that ee 2 © Copyigh 2010 by Arson Holdiags LLC Leon ersten Mis Pubs Company LLC, Publisher Booty & Hwee Sle Apt227 it last night, - was sit - tin’ so fine, right nf — res. Right un-der my eyes — = where, Some - where. near - by: =I 3 I = = SF m4 ee (80a ifpossible) Ws prob - ‘ly right here F heavy drag228 (loco) p T must be blind, ‘molto mare can = not find That heart of” mine, . (pylegato ore, oy 5 f, Been look- in’ here, been look- in’ there All day___ long, Guess. I got my229 Vocal Back-up dim. poco a poco ‘mp sempre dim. wrong, mp sempre dim Imp sempre dim. of 7S wrong. Heart whereare you? Look- in’ for you ev fas a ar "To be sung in the absence of back-up singers. ** If back-up singers are singing, the soloist omits the eighth note on “wrong.”230 it 4 pplyricaly went — down: — gold - en crown must “a mis-laid my == oe:cores. f o~ S (Bra ifpossible) Wes prob’ = ly sight, Preavy drag ‘molto mare. ‘can - notfind That heart of mine,232 ————— Sp oa 3D m5 3 Been look-in’ here been look- in’ there All day___ long, f Guess 1 got my head screwed on wrong. —__ A Vocal Back-up dim. poco a poco233 dim, ‘mp sempre dim. screwed wrong, mp sempre din, mp sempre dim. Repeat ad. lib. (sempre dim.) sempre dim. Last time234 So Pretty original key: B-flat Major Words by Music by BETTY COMDEN and ADOLPH GREEN LEONARD BERNSTEIN p (simply) We were learn-ing in our school to - day HH! All a~ bout a country far way, Full of love- ly tem-ples paint - ed gold, f- ———— Mod-ern cit ies, jun-gles ag - es old, And the peo-ple are so pret - Fp ‘© Copyih 1968 by Bey Coan, Adolph Gree and Anmbesoa Hones LLC Copy Reeves Leonard Bema Mist Publis Company LLC, Pblsber ‘Boosey Hrwken, In Sle Agent Cori or Al Couns Ai Right Reserve235 pip, (ralt) P (calmo) Shin - ing smiles, and shin - y and hair... —— Dome FT ask myteach-er why ‘was making all those peo-ple die. =236 2 eres. *, my teach - er said, and took my hand, “They must die for peace, you ao — RU tf. “pp sub. dolce But they're ee op pp rit. (ad lb.)CANDIDE ena CUT eect] Me CEM ey (Martin's Laughing Song) FANCY FREE ce THE MADWOMAN OF Nea =o DN eae TG oy ON THE TOWN | Feel Like I'm Not Out of Bed Yet New York, New York earn see 1Can Cook Too Lucky to Be Me Seema eae a OMe eid (oo) Lonely Me (cut) Say When (cut) asa ig Mantes eee lore oO Prec U.S. $24.99 | wi HL00450115 aid 1600 PENNSYLVANIA AVENUE BE her aot ry Cae uth) THE SKIN OF OUR TEETH Spring Will Come Again MeSH Reser} Something's Coming Neue) Tonight foe Oru ROM ect ied eee ery Wo aU me Croan to Lose a Man Pee aan ey fener A Quiet Girl any The Story of My Life (cut) Cree es Nose Another Love re ed ea Teeter Ra teres Se acu eae] MN tl wii MM 234i