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INSIDER PUBLIC ART

Peggy Horton, Walt’s


“Storybooks,” by widow, thinks the piece
George Lundeen
was so loved because “It’s a
piece of life that everyone
can understand,” she says.
“It’s expressing that feeling
when you’re really sorry for
something you’ve done wrong
and you’re not sure if you’re
going to get eaten for it. We
can all empathize. We can
all feel what that little boy’s
feeling. We’ve all been the
boy, and the bear … it’s a slice
of life that, no matter where
you live or where you come
from, it touches your heart.”
Though the bear is gone,
a few other whimsical
sculptures by Walt sit outside
Horton Fine Art. “Peace
Offering” depicts a bear eye to
eye with a squirrel standing
on a tree trunk. The
diminutive squirrel, with
arms outstretched, is timidly
offering the bear a large acorn.
“People love it,” Peggy
Horton says.
Kids and adults also fall
in love with Walt’s “Snow
Bunny” on skis, as well as his

SCULPTED STORIES
Behind Beaver Creek’s bronzes
“Peace
Offering,”
by Walt
Horton

FR O M O LYMP I C C HA M P I ON S Center, in 1998. The bronze


to geniuses to bears, Beaver Creek’s stands about 100 feet away from
bronze, public and private art the sculpture of 1992 Olympic
outdoor sculptures depict a range of champion Kristy Yamaguchi
characters and emotion. Here are a doing a layback spin.
few stories behind the monumental
bronzes you’ll find in Beaver Creek. SCULPTURES BY WALT HORTON,
OUTSIDE HORTON FINE ART
WYLIE’S REACH “Repentance,” a life-size bronze
Paul Wylie has been skating in the depicting a bear looking at a
Vail Valley since he was a child, so young boy who accidentally shot
it’s only appropriate that a bronze him with an arrow, stood at the
statue stands of him performing entrance of Beaver Creek Village
an inside-edge spread eagle next for 16 years before its owner finally
to Beaver Creek’s ice rink. moved it in 2014. The sculpture
Wylie, a 1992 Olympic silver became an icon, and Horton Fine
medalist, unveiled the sculpture Art sold the work in sizes ranging
on the opening night of the Vilar from 9 inches to monumental.

32 BEAVER CREEK MAGAZINE 2 0 2 0 A N N UA L DOM IN I QUE TAYLOR


Other
sculptures, GEORGE WASHINGTON, for his detailed and highly the preamble to the
on loan IN FRONT OF KNOX polished commemorative Constitution, he sees the
from Knox GALLERIES busts and life-size figure United States of America
Galleries The bronze sculpture groupings. Mark revolves he helped create and so
and of George Washington in his artwork around faithfully served. The Mona-
artists: front of Knox Galleries stories and emotions that Lisa half-smile we chose
“The Caddy,” depicts the president characters portray. would have concealed his
life-size Bronze  leaning forward in a “Our research into the life somewhat primitive dental
by George Lundeen, seated position, reading and look of our subject took work and yet would have
Beaver Creek Golf Club the preamble to the us from the low relief on the let his sense of humor show
Putting Green,
Constitution. quarter coin to the many through. We hope all who
2010
George and Mark portraits and descriptions see this sculpture enjoy it
“Storybooks,” Lundeen created the of our first president,” the from an aesthetic point of
life-size bronze bronze. George has been a Lundeens explain. “A true view and also have respect
by George Lundeen, resident of Loveland, CO gentleman, he was conscious for the man depicted, who
Park Plaza Entrance,
2016 since 1976, and Mark has of his dress and known is fondly known as the
lived in the town since for his proper posture. As ‘Father of our Country.’”
“Life’s Lesson,” 1981. George is known he looks up from reading — KIMBERLY NICOLETTI
life-size by George
Lundeen, Park Plaza,
2011

“Beaver Creek Bronze,”


by Gerald Balciar,
Front Spruce Saddle on
the Mountain, 2010

“Mama Bear and


Cubs on Log,”
by Bobbie Carlyle,
Front Spruce Saddle,
2017

“Little Lady,” showing a girl


dressed up with high heels, a
big hat and a purse.
As a cartoonist in an ad
agency he and his wife owned
in Bermuda, Walt’s work was
mostly humorous. When
he transitioned to clay, he
portrayed “all of those things
that made 2-dimensional
art work — telling a story,
making people smile and
generally making the subject
simple enough that everyone
understood it in clay,” Peggy
says. “That was just part of
him. He had a wonderful
sense of humor.”
Of course, there are
plenty of inspiring bronzes
in Beaver Creek’s art
galleries, too, so don’t just
stop at viewing outdoor
sculptures; step into the
friendly galleries and find “George Washington,” by George and Mark Lundeen
your favorites.

2 0 2 0 A N N UA L BEAVER CREEK MAGAZINE 33

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