This document summarizes information about 6 modern art paintings from the late 19th and early 20th centuries:
1) A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat used tiny dots of color and optical blending to create luminous hues.
2) La Danse by Jean Metzinger was a pre-cubist work in a personal Fauve style.
3) The Seamstress by Édouard Vuillard depicted a seamstress at work and emphasized compositional patterns of colorful materials.
4) The Olive tree near l'Estaque by Georges Braque showed the influence of Fauve color experimentation.
5) Improvisation
This document summarizes information about 6 modern art paintings from the late 19th and early 20th centuries:
1) A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat used tiny dots of color and optical blending to create luminous hues.
2) La Danse by Jean Metzinger was a pre-cubist work in a personal Fauve style.
3) The Seamstress by Édouard Vuillard depicted a seamstress at work and emphasized compositional patterns of colorful materials.
4) The Olive tree near l'Estaque by Georges Braque showed the influence of Fauve color experimentation.
5) Improvisation
This document summarizes information about 6 modern art paintings from the late 19th and early 20th centuries:
1) A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat used tiny dots of color and optical blending to create luminous hues.
2) La Danse by Jean Metzinger was a pre-cubist work in a personal Fauve style.
3) The Seamstress by Édouard Vuillard depicted a seamstress at work and emphasized compositional patterns of colorful materials.
4) The Olive tree near l'Estaque by Georges Braque showed the influence of Fauve color experimentation.
5) Improvisation
This document summarizes information about 6 modern art paintings from the late 19th and early 20th centuries:
1) A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat used tiny dots of color and optical blending to create luminous hues.
2) La Danse by Jean Metzinger was a pre-cubist work in a personal Fauve style.
3) The Seamstress by Édouard Vuillard depicted a seamstress at work and emphasized compositional patterns of colorful materials.
4) The Olive tree near l'Estaque by Georges Braque showed the influence of Fauve color experimentation.
5) Improvisation
of La Grande Jatte Era: - Modern art Artist: - Georges Seurat The material: - oil on canvas Date: - 1884–86 Brief: - it is one of the most remarkable paintings of the nineteenth century, the artist tackled the issues of color, light, and form. Inspired by research in optical and color theory, he juxtaposed tiny dabs of colors that, through optical blending, form a single and, he believed, more brilliantly luminous hue.
Name: - La Danse (Bacchante)
Era: - Modern art Artist: - Jean Metzinger The material: - oil on canvas Date: - 1906 Brief: - Bacchante is een pre- kubistische of Proto- kubistische werken uitgevoerd in een zeer persoonlijke Klasser stijl tijdens het hoogtepunt van de Fauve periode. Name: - The Seamstress Era: - Modern art Artist: - Édouard Vuillard The material: - Oil painting on board Date: - 1893 Brief: - The subject of a woman sewing comes directly from Edouard Vuillard's own experience in his mother's dressmaking shop where, as a youth, he watched his sister work. In this painting, a seamstress is hunched over her handiwork in quiet concentration, and is surrounded by a profusion of colorful and decorative materials. Placing great emphasis on the composition of the portrayed items, Vuillard flattened out the forms so that they interlock and produce strong patterns.
2-Modern Art 2
Name: - The Olive tree near l'Estaque.
Era: - Modern art 2 Artist: - Georges Braque The material: - oil in canvas Date: - 1906 Brief: - Georges Braque's painting shows him under the influence of Matisse and the so-called "wild beasts" or Fauves, whose release of savage color was the revolutionary artistic discovery of the mid-1900s. Name: - improvisation 27 (Garden of Love II) Era: - Modern art 2 Artist: - Wassily Kandinsky The material: - oil on canvas Date: - 1912 Brief: - by using abstract forms and color symbolism to evoke an inner, preconscious world. Composed of dark lines and abstract colorful masses, Improvisation 27 depicts three iterations of an embracing couple surrounded by serpentine forms. Kandinsky hints at the painting’s possible subject in the subtitle "Garden of Love II," likely a reference to biblical Eden.
Name: - Woman with a Hat
Era: - Modern art 2 Artist: - Henri Matisse The material: - Oil on canvas Date: - 1905 Brief: - The painting was criticized for usage of multiple non- natural colors to depict woman’s face that gave it a mask-like appearance. Matisse’s Woman with a Hat combines pointillist color with post impressionistic technique. Woman with a Hat was a revolutionary piece of artwork as it challenged the way art was viewed by the critics and the viewers.