BLUE MATTER

Half Time Shuffle John Scofield

   ad lib.       


INTRO h = 77

    
Guitar  
3
 
μ
   
Bass     
       
 
  
 
 
 
     
 
  


funky

 

F‹7
 
3

   
      

   
 3  3  3  3
  
 








 

      
A
 
  
           
  
      
F‹7 E¨'9/G A¨^ F'9/A B¨13“ C‹7 E¨‹7 E^
  
      
 


2
               
3 To Coda 2 
      

     
F‹7 G‹7 A¨^ B¨7“ C¨^ D¨7“ E¨‹7 A7b5

        

   
           
    
   

 
A¨‹7 G¨'9/B¨ C¨^ A¨'9/C D¨9“
   

  
      

Transcribed by Ville V. (2011)
2 solo
       
B 1st time
    
play 4 times
( )             

   
  
B‹7
           

    



C  
      3                     
      

   
FØ B¨7#5
 
B‹7 B¨^ A‹7 A¨^#11 G‹7 A7½ A¨‹7 G¨'9/B¨ C¨^

        

solo cont.
   
D
 
 
1st time

              
 
( ) 
      

       
B‹7
  
 
     

solo cont.
 
E
          
(background)
 
         
                

B‹7
    
(after repeat)

        

1
             To Coda 1 
 
    
   
  
            
B‹7  D7#9 F/G G/A
   
     
       

for 2nd solo,
D.S. al Coda 1
1 solo cont.
 D‹7
      
       
          
 
    
3
      
       
     
        


       
D‹7 
F7#9
       
A¨/B¨ B¨/C
   
   
solo cont.
G‹7
    
       
   
         


                  


   
 
D.S. al Coda 2

   
    

     
E‹7 B¨/C C/D
       
G7#9

     



         ad lib.

2
 
     

     

    
   

 
A¨‹7
     
G¨'9/B¨ C¨^ A¨'9/C D7“ ( μ)
 
  
      

    
 
 

1. - 3.
     
  
3
    

   

  
4.
 

      rall.

  

  

      
 
  

Guitar sounds one octave lower than written.