Reading Music 2nd Redo

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Reading Music: An Introduction

So, you are looking to begin your journey into the world of music? Using this
comprehensive guide, you will be playing, singing, and jamming with the best of them in no
time! Whether you want to become a Master of Theory or just want to get a basic
understanding under your belt, reading music can be a great aid to reaching your
maximum potential as a musician. To start we will split up your learning into easily
manageable pieces starting with the notes, then to common symbols, time signatures, and
finally the notes on the staff.

The Notes
Use this chart (Figure 1) to help get yourself started.
Notes are symbols which tell you to play, rests are
symbols which tell you to stay quiet. The types of
notes and rests have different beats which tell you
how long they last.Understanding and recognizing the
different types of notes on a sheet of staff paper is the
most fundamental part of reading music. In Figure 1
you will see a chart which you can use for reference
when stating out. You will notice that there is a
section for “Note” and “Rest”. The differences
between these are simple:

 When you see a note, play it!


Figure 1: Chart of notes and rests with their names and values
 When you see a rest… stay quiet

Sometimes youwe will have two eighth notes or two sixteenth notes beside each other. When that happens,
instead of drawing them individually, we will connect them with a bar as so ♫ ♬. You do not need to do this,
but it can help your music be a lot easier to read!

Common Symbols
Where better to start than where the notes live, the staff. In Figure 2 on the top you will see a
big curly symbol, this is called the “treble clef”, below on the lower section the one the
looks like a backwards C with two dots is called a “bass clef”. These are used to
distinguish between the higher notes and the lower notes. The horizontal lines you see
make up what is called “the staff” and this is where we the notes go. will put all our notes
which we just learned about earlier. You will see either one or possibly both of these as the
beginning of every line in a piece of music.
Figure 2: This is a
standard staff.. We
use this to start a
line of music on a
sheet of paper.
Now let us move into two of the most well symbols in music, the sharp
and the flat. You can see an example of them inIn
Figure 3: (left) Figure 3 you will see a sharp and a flat. Their usage is simple, but
incredibly Sharp symbol, important. A sharp is used for slightly making the pitch of a note e
(right) Flat symbol
higher, while a flat is used for slightly lowering the pitch of a note. They raise and
lower notes by what is called a “half-step”, but you can learn more about that later! All
you should focus on now is that a sharp makes a note a tiny bit higher, and a sharp makes a
note a tiny bit lower.

So, nowW when we are reading music, we you need a way of breaking it up so we you can
understand the flow of the music, as well as helping us read it more easily. To do this, we
split the music into “measures”, you can see what this looks like in Figure 4. The vertical
lines denote the beginning and end of each measure. You can think of this kind of like a
period in a sentence, except without the pause. There’s another important kind of Figure 4: A staff with
vertical line in music that isn’t measure bars. These are called “the measure bars
double bar line” (Figure 5) and their usage is very simple. The double
bar line is put at the end of a piece of music to let you know that it is
over.!

Figure 5: Double bar


line

Time Signatures
Congrats! You’re almost there and you’re just about ready to read your first piece of
music! Before we can start though, we need to cover a very important element called
time signatures. TheseTime signatures are incredibly versatile elements which tell you how
long each measure should be. In Figure 6 you’ll a staff with a treble clef and some numbers
next to it, these numbers are the “time signature”. This specific time signature is referred
Figure 6: Treble clef
to as “four-four time” (commonly written as 4/4), and each number represents a different
and 4/4-time
thing.. Let’s start with the bottom number. In this specific instance our bottom number is four (it signature
can be other numbers too, but four is the easiest to work with in the beginning). The bottom
number tells youus which note is equal to one beat, in our the example that would be the quarter note. The top
number tells youus how many beats are in each measure. To help explain this, let’s look at thean example
below.

It will be helpful to reference your chart (Figure 1) which is written for 4/4 time. Notice how in the example in
the first measure we have four quarter notes. Each quarter note gets one beat, and there are four beats in
each measure. If you add up the number of beats, it will come out to four.! In the second measure youwe have
two half notes, this is because, if youwe refer to your chart, the half note is equivalent to two beats. So, if
youwe have two half notes, you wiwe’ll have our four beats for the measure. You can use the chart to see how
it works out for the eighth notes and sixteenth notes.

Reading the Staff

Figure 8: Treble clef notes

Figure 7: Bass clef notes

We are finally ready to begin tackling reading music! For this introduction we will cover both the treble and bass
clef, however we will focus primarily on the treble clef. Using Figure 7 and Figure 8 you can see how to notes
are laid out on the staff. The notes range from A – G and then loop again (ex. A, B, C, D, E, F, G, A, B…).
The order of the notes can be somewhat hard to remember, but there are ways to make it easier! To remember the
bass clef spaces, we often use the “All Cows Eat Grass”, and from there it’s easy to fill in the lines, however
you can create your own acronym for the spaces and lines if you want to. For the treble clef, the we just have
to remember that the spaces spell “face” going upwards.! So now that we know what the lines and spaces are
called, how can we combine some of our prior knowledge to read music? Let’s begin with sharps and flats.
Sometimes you’ll see a note with a sharp next to it, for instance and F with a sharp next to it is called “F
sharp” (F#), where as an F with a flat next it is called “F flat” (F♭). This follows for all other notes. With that
knowledge you’re now ready to begin reading music! Below you can find some practice with their key at the
end. Have fun reading music and growing in your newfound interest!
Practice

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Key

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