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  • Cross Stich Guitar

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    Aslan Rowlands
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    The document appears to be sheet music containing musical notation. It includes various chord progressions using chords like Fm, Gm7(b5), B°, C7, and others. The musical notation contains repeated patterns of chord symbols connected by lines, likely indicating a progression being played on an acoustic guitar.

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    The document appears to be sheet music containing musical notation. It includes various chord progressions using chords like Fm, Gm7(b5), B°, C7, and others. The musical notation contains repeated patterns of chord symbols connected by lines, likely indicating a progression being played on an acoustic guitar.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    17 views4 pages

    Cross Stich Guitar

    Uploaded by

    Aslan Rowlands
    The document appears to be sheet music containing musical notation. It includes various chord progressions using chords like Fm, Gm7(b5), B°, C7, and others. The musical notation contains repeated patterns of chord symbols connected by lines, likely indicating a progression being played on an acoustic guitar.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 4

    Acoustic Guitar

    Cross Stitch
    (Butts)
    Aslan



       

                   
    A   
          
    F‹

    
    5
        

                                     
    9 F‹ G‹7(b5) Bº D¨7 C71. 2. E¨‹9 D7(b9)

     
          
       

       
    B 14 G‹11 C7 F‹9 D7(b9)
      
                

        

    G‹ C7
     
      F‹(Œ„Š7)  E‹7
     
      
      
    18
                  

    22 E¨‹7 A¨7 F‹7 B¨7


                      
                

      
    A7 A¨7 G7 G¨7 F‹7(b5) B¨7½
            
    26
               
               
    2 Acoustic Guitar

          
    C 30 E¨‹7
       
     
     
     
           
     

     
    G¨‹7
                 
    34
     
              
    

    E¨‹
              
    38
                 
     

               
    G¨‹7 D¨7 C7(b5) B7(#5) B¨7 A¨7(b9) G‹7(b5) G¨7(“4)
    
         
    42
        

    G¨7(b9“4) A¨º
    46    

    50 D 

                   
      
          
    F‹

    
    54
        

    to solos

                       
    F‹ G‹7(b5) Bº D¨7 C7 1.
    58
         
       
           

    
    62 2. E¨‹9 D7(#9) A¨13 G7½ C7½
              

      


        
    Acoustic Guitar 3

    
    E F‹
    
    65

                  

     
    F‹ G‹7(b5) 1. Bº C7 2. E¨‹9 D7(b9)

    69

                         

    74 G‹11 C7 F‹9 D7(b9)

                    

    78 G‹ C7 F‹(Œ„Š7)

                    

    82 E¨‹7 A¨7 F‹7 B¨7

                    

    86 A7 A¨7 G7 G¨7 F‹7(b5) B¨7½

                    

    90 E¨‹7

                    

    94 G¨‹7

                    

    98 E¨‹

                    
    4 Acoustic Guitar
    102 G¨‹7 D¨7 C7(b5)

                    

    106 F‹

                    

     
    110 F‹ G‹7(b5) Bº C7

                     

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