Black

Sands (WIP)
Bonobo

        
 = 88
Clarinet

      
Trumpet  

      
Trumpet 2  

              
Guitar 1     
          

   
     


Guitar 2

         
Bass
 

      

7

Cl.

Tr. 1        

Tr. 2        

               
G. 1     
       
   
       



    
G. 2

           
  
Riff begin

Bass
      

14

Cl.

     
Tr. 1 

     
Tr. 2 

               
G. 1          
    
            
            


G. 2

  
           


    
Riff begin

Bass

     
20

Cl.

    
Tr. 1 

    
Tr. 2 

                
G. 1     
 
     
    
                                    

  
G. 2

     
     


Bass

2
    
  
25

Cl.

     



Tr. 1

     
Tr. 2 

       
G. 1   

     
                                           

    
G. 2

          
   
 

Bass

   
  
31

Cl.

Tr. 1       

     
Tr. 2 

   
G. 1           
               
Guitar only

                                 
G. 2 

       
    


Bass

3
   
      
37

Cl.

      



Tr. 1

      
Tr. 2 

                             
G. 1         
All in

       
       



    
G. 2

            

 

Bass
   

  
   

  
44

Cl.

       


Tr. 1

      
Tr. 2 

                             
G. 1         
       
       

    
G. 2

        
         


Bass

4
       
 
51

Cl.

    

 

Tr. 1

    
Tr. 2 

                     

G. 1        
   
            
G. 2               


     
           
      
Riff end 

Bass

 
    
56

Cl.

Tr. 1      

    
Tr. 2 

                     

G. 1        
   
    
                                    
G. 2 

    
      
Bass
     

5
           
61

Cl.

    



Tr. 1

    
Tr. 2 

                    
G. 1      
     
          
              
              
G. 2 

   
          
Bass
    


  
    
66 Enter Brass

Cl.

   
    


Tr. 1

  
 
 



Tr. 2

     
                   


G. 1         
Brass

     
            
            

    
G. 2

           
     
Riff end

Bass

6
     
 
72

Cl.

          


Tr. 1

 

 

  
Tr. 2

                         

G. 1        
     
         
G. 2      

       
 
      
Bass
   

       
  
78

Cl.

         


Tr. 1

    
 




Tr. 2

                     
G. 1       
     
    
                                    
G. 2 

    
             
Bass
 

7
    
  
83

Cl.

   
Tr. 1   

   
Tr. 2   

                         

G. 1      
Bridge

       
           
        
G. 2 


   Riff end
     
  
Bass
   

      

89

Cl.

      
Tr. 1 

      
Tr. 2 

                             
G. 1         
       
       
G. 2 

        
Bass
 

8
    

96

Cl.


Tr. 1     





  
Tr. 2

                 


G. 1   
Main Part 2

       
          
G. 2 
            

     
          
 


Bass
      

    
100

Cl.

   
Tr. 1  


 
    
Tr. 2

                 
G. 1   
    
       
                                

G. 2 

 
    
              
Bass
   

9
      
   
104

Cl.


 
   


Tr. 1

      
Tr. 2

                 

G. 1    
     
      
            
 
       


G. 2 


      
        
Bass
        

       
   
108

Cl.

     
Tr. 1


     

Tr. 2

                 

G. 1   
    
      
      
              

      



G. 2 

 
    
           
Bass
   

10
        
 
 
112

Cl.


Tr. 1  
   

      
Tr. 2

                 

G. 1      
   
      
            
 
       


G. 2 


      
        
Bass
        

      
       
 
116

Cl.

   
Tr. 1  


     

Tr. 2

                 
G. 1   
     
       
     
              

   

  



G. 2 

 
    
           
Bass
   

11
    
 
120

Cl.


Tr. 1  
   

      
Tr. 2

                 

G. 1          
     
              
 
       


G. 2 


   
         
Bass
          

   

124

Cl.

     
Tr. 1


     

Tr. 2

                 
G. 1   
    
       
      
              

      



G. 2 

 
    
             
Bass
   

12
 
          
 
128

Cl.


Tr. 1  
   

      
Tr. 2

                 

G. 1    
     
       
            

      



G. 2 


      
        
Bass
        

   

  
 
132

Cl.

    
Tr. 1


    

Tr. 2

             
G. 1    
    
    
    
      

    

   



 
G. 2

        
Bass
  

13
            

  
135

Cl.

 
Tr. 1  


    
Tr. 2

             
G. 1     
   
    
      

    

    


 
 
G. 2

            
Bass
   

            
  
138

Cl.

  
Tr. 1
   

   
  
Tr. 2

           
 
 

   

G. 1          
     
              
   


    

G. 2 


      
        
Bass
         

14
   
     
  
142

 
Cl.

   
 
Solo

Tr. 1

     



Tr. 2

                 
G. 1      
   
      
                         

G. 2 

 
  
        
Bass
      
 

   

146

      
Cl.


Tr. 1  

   
  
Tr. 2

                 
G. 1   
     
       
      
              
          



 
G. 2

    
        
Bass
        

15
    

150

  
Cl.


Tr. 1  


     



Tr. 2

                 

G. 1          
      
                         

G. 2 

 
  
                
Bass
  

   

154

Cl.

  
Tr. 1
   

   
  
Tr. 2

                 
G. 1   
    
       
      
              
          



 
G. 2

    
        
Bass
        

16
    

158

Cl.

   
Tr. 1  


      
Tr. 2

                 
G. 1    
     
      
                         

G. 2 

 
  
        
Bass
      
 

   

162

Cl.

  
Tr. 1
   

   
  
Tr. 2

                 

G. 1   
    
      
      
              
          

G. 2 


      
        
Bass
        

17
     

166

Cl.

     
Tr. 1  

 
     
Tr. 2

                     

G. 1      
     
     
       

  


    
  
G. 2 


     
           
     
Simplified

Bass

     

171

Cl.

Tr. 1       

     
Tr. 2 

                         
G. 1   
   
           
      

 
G. 2

                 
  
Bass
     

18
       

177

Cl.

      
Tr. 1 

      
Tr. 2 

                             
G. 1          
Outro

       
       



G. 2

        
Bass
 

      

184

Cl.

Tr. 1        

      
Tr. 2 

                             
G. 1     
 
   

       
       
G. 2 

        
Bass
 

19
       

191

Cl.

      
Tr. 1 

      
Tr. 2 

                             
G. 1              
     
       
G. 2 

        
Bass
 

   

198

Cl.

Tr. 1     

   
Tr. 2 

              

G. 1   
     
    
    
G. 2 

     
Bass
 

20