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    II-7 v7 Imaj7 - The Final One!!!!

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    David Kellen
    This document provides a primer on common chord progressions, beginning with the ii-7 V7 Imaj7 progression. It lists this progression through all 12 major keys, and suggests playing the root position chords in the left hand. It then introduces more advanced variations, such as lowering the top two notes of the ii-7 chord when moving to the V7 chord, or lowering the bottom two notes when moving from the V7 to the Imaj7 chord.

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    II-7 v7 Imaj7 - The Final One!!!!

    Uploaded by

    David Kellen
    20 views1 page
    This document provides a primer on common chord progressions, beginning with the ii-7 V7 Imaj7 progression. It lists this progression through all 12 major keys, and suggests playing the root position chords in the left hand. It then introduces more advanced variations, such as lowering the top two notes of the ii-7 chord when moving to the V7 chord, or lowering the bottom two notes when moving from the V7 to the Imaj7 chord.

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    Chord Exercise, ii V I, Music Education, Jazz Studies

    Original Title

    II-7 v7 Imaj7- The Final One!!!!

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    This document provides a primer on common chord progressions, beginning with the ii-7 V7 Imaj7 progression. It lists this progression through all 12 major keys, and suggests playing the root position chords in the left hand. It then introduces more advanced variations, such as lowering the top two notes of the ii-7 chord when moving to the V7 chord, or lowering the bottom two notes when moving from the V7 to the Imaj7 chord.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    20 views1 page

    II-7 v7 Imaj7 - The Final One!!!!

    Uploaded by

    David Kellen
    This document provides a primer on common chord progressions, beginning with the ii-7 V7 Imaj7 progression. It lists this progression through all 12 major keys, and suggests playing the root position chords in the left hand. It then introduces more advanced variations, such as lowering the top two notes of the ii-7 chord when moving to the V7 chord, or lowering the bottom two notes when moving from the V7 to the Imaj7 chord.

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    © All Rights Reserved
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    ii-7 V7 Imaj7
    CHORD PROGRESSION

    PRIMER- PLAY ROOT POSITION CHORDS IN LH- Cmaj7- CEGB

    PATTERN 1

    KEY SIGNATURE II-7 V7 Imaj7

    C D-7 G7 Cmaj7

    Bb C-7 F7 Bbmaj7

    Ab Bb-7 Eb7 Abmaj7

    Gb Ab-7 Db7 Gbmaj7

    E F#-7 B7 Emaj7

    D E-7 A7 Dmaj7

    C D-7 G7 Cmaj7

    Eb F-7 Bb7 Ebmaj7

    Db Eb-7 Ab7 Dbmaj7

    B C#-7 F#7 Bmaj7

    A B-7 E7 Bmaj7

    G A-7 D7 Gmaj7

    F G-7 C7 Fmaj7

    Eb F-7 Bb7 Ebmaj7

    ADVANCED:
    ii-7 to V7- Lower the top two notes (example, Dm7= DFAC, to V7=G7 -D F G B)

    V7 to Imaj7- Lower the bottom two notes (example- G7-DFGB to Cmaj7-C E G B)

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