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The figure of Patroklos in the Iliad poses a dilemma. On the one hand,
his importance is undeniable: his death ends the wrath of Achilleus, leads
to the latter's return to battle and, hence, to the death of Hektor. On the
other hand, Achilleus' reaction to Patroklos' death seems incommensu-
rate with what has been shown of the relationship between the two men.
The champion who refuses Agamemnon's many gifts in Book 9 returns
to battle when he hears of Patroklos' death at the hands of Hektor. Yet
little is seen of Patroklos before Book 11, and in carrying out Achilleus'
commands, Patroklos, the "beloved companion" (1.345;9.205), remains
silent.' Intimacy between the two is merely hinted at in the scene when
the embassy comes on Patroklos silently listening to Achilleus playing a
lyre and "singing of men's fame" (9.185-191).2 Before sending Patroklos
to battle in his place, Achilleus prays to the gods (16.97-100):
The wish itself is perhaps less startling than Achilleus' association with
Patroklos in his desire for complete victory and vindication. Achilleus
has already displayed an absolutist temperament coupled with rhetorical
eXtravagance;3 but the relationship between Achilleus and Patroklos has
not been shown to be of sufficient depth or intensity to warrant Patrok-
los' inclusion in Achilleus' prayer. In short, that relationship, on which
the turning point of the Iliad is based, cannot apparently by itself bear
the weight the poet assigns to it.
Critics have been understandably reluctant to consider the death of
Patroklos as a mere device by Homer to return Achilleus to battle. In-
stead, they regard Patroklos as Achilleus' "alter ego," as an expression
of the human nature of the godlike hero, "a reflection and a proof of his
own identity."4 Such interpretation has the advantage of converting an
apparent flaw-the lack of depth given to both the character of Patrok-
los and to the relationship between Patroklos and Achilleus-into a vir-
tue. The figure of Patroklos thereby grows in significance in proportion
I Patroklos escorts Briseis to Agamemnon's heralds (1.345-348), roasts meat for the em-
bassy from Agamemnon (9.205-217), and prepares a bed for Phoinix (9.620-621, 658-659).
2 The Iliad of Homer, translated by Richmond Lattimore (Chicago 1951).
3 Cf. Martin Mueller, "Knowledge and Delusion in the Iliad," Essays on the Iliad,
edited by John Wright (Bloomington and London 1978) 116-19.
4 Paolo Vivante, The Homeric Imagination: A Study of Homer's Poetic Perception of
Reality (Bloomington and London 1970) 56-57; see also, Cedric H. Whitman, Homer and
the Heroic Tradition (New York 1958) 199, 202; Kenneth J. Atchity, Homer's Iliad: The
Shield of Memory (London and Amsterdam 1978) 162, 229; James M. Redfield, Nature
and Culture in the Iliad: The Tragedy of Hector (Chicago 1975) 107.
267
ful exploits in battle between the Pylians and Epeians (11.669-761). How-
ever, the aged Nestor is far from rambling, for a major theme of his tale
is the pride and concern that his father Neleus felt for him as a youthful
warrior, in contrast with Achilleus, "who knows nothing of the sorrow
that has arisen along the host" and who "will enjoy his own valour in
loneliness" (11.655-658,761-764). Nestor reminds Patroklos that his own
father Menoitios had charged him with guiding Achilleus when Odysseus
and Nestor came to Peleus' house recruiting for the Trojan war (11.781-
790). Finally, Nestor makes his fateful suggestion to Patroklos: if Achil-
leus cannot be persuaded to fight, then Patroklos might wear his com-
panion's armor into battle and gain a "breathing space" for the
Achaians (1 1.795-802).
Clearly, Nestor's words "stirred the feeling in the breast of Patroklos"
( 11.803), for after leaving the old man, Patroklos responds to the
wounded Eurypylos' plea for help, despite his continued anxiety to re-
turn to Achilleus (11.805-835). But the focus of his anxiety has shifted:
earlier he was concerned to fulfill Achilleus' command, while now he is
anxious to carry Nestor's message to Achilleus (11.836-839). And
whereas Patroklos' extended stay at Nestor's shelter could be pardoned
on the grounds of the proper respect due an elder, Patroklos' decision to
aid Eurypylos is a deliberate movement beyond Achilleus' order, a step
toward questioning his companion's refusal to aid the Achaians. Fur-
ther, Patroklos tends Eurypylos' wound with lore learned from Achilleus
(1 1.830-831), a foreshadowing of Patroklos replacing Achilleus in battle.
Odysseus, Nestor's companion at Peleus' house before the war, also
evokes the scene of the fathers advising their sons when he tries to per-
suade Achilleus to accept Agamemnon's gifts in Book 9 (252-260). Fol-
lowing Odysseus, Phoinix attempts to persuade Achilleus to aid the
Achaians; and, though he does not refer to it, Phoinix was surely present
at the same scene recalled by Nestor and Odysseus (9.438-443):
Peleus the aged horseman sent me forth with you
on that day when he sent you from Phthia to Agamemnon
a mere child, who knew nothing yet of the joining of battle
nor of debate where men are made pre-eminent. Therefore
he sent me along with you to teach you all of these matters,
to make you a speaker of words and one who accomplished in
action.
Phoinix further recalls that Peleus gave him shelter and possessions when
as a young man he fled his father's house-"and gave him his love, even
as a father loves his own son. . . ." (9.480-481). In exchange for this af-
fection, Phoinix cared for Achilleus as if he were his own son, cutting his
meat into little pieces, tolerating his childish expectorations (9.494-497).
In fact, Phoinix's story of his adoption by Peleus is designed to induce
Achilleus to accept adoption by Agamemnon.8 The most remarkable of
the king's offers to Achilleus is one of his daughters, a cunning attempt
8 Judith A. Rosner, "The Speech of Phoenix: Iliad 9.434-605," Phoenix 30(1976) 318.
Achilleus' grief over Peleus and Patroklos stemmed from his recognition
that in both cases he was (or would be) the agent of their destruction:
Peleus would die of sorrow on "the day he hears I have been killed"
(19.336-338), whereas Patroklos was killed after being sent into battle by
Achilleus. Achilleus' extraordinary and uncontrollable grief over the
death of Patroklos partakes of the horror a parricide might feel at his
deed. Doomed to die away from home, and thereby doomed to be the
cause of his father's death, Achilleus unwittingly and unnecessarily sent
his best friend and substitute father to his destruction.
This perspective gives added poignance and meaning to Patroklos' en-
counter with Achilleus on returning from the mission to Nestor. Achil-
leus' motive in sending Patroklos to inquire about the wounded warrior
was clearly idle curiosity, for he never asks Patroklos for an answer to his
query. For his part, Patroklos also forgets about the warrior, but this is
because his journey across the battlefield and his encounters with Nestor
and Eurypylos have awakened his compassion for all the Achaians. Per-
haps, too, his experience revived his sense of responsibility for giving
Achilleus good counsel; it is notable that Patroklos was the only man
who remained silent during the crucial embassy encounter in Book 9. The
newly different attitudes of the two friends regarding the suffering of the
Achaians account for the subsequent decision which leads to Patroklos'
death. Seeing Patroklos weeping, Achilleus greets him with strange
mockery (16.6-1 1):
Why then
are you crying like some poor little girl, Patroklos,
who runs after her mother and begs to be picked up and carried,
and clings to her dress, and holds her back when she tries to hurry,
and gazes tearfully into her face, until she is picked up?
You are like such a one, Patroklos, dropping these soft tears.
Have you, and nobody else, received some message from Phthia?
Yet they tell me Aktor's son Menoitios lives still
and Aiakos' son Peleus lives still among the Myrmidons.
If either of these died we should take it hard.
And as
a father mourns as he burns the bones of a son, who was married
only now, and died to grieve his unhappy parents,
so Achilleus was mourning as he burned his companion's
bones, and dragged himself by the fire in close lamentation.
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