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    7 views6 pages

    Greek Drama Primer

    Uploaded by

    Jack Lavey

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
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    of 6
    Berlin Akadeniie der Rinse. >vanni (u8ps-930) lean into a Sein fly of mal sl tng nh his on enpany wi an nee © of Sica plays, and ibe wodk ala danas reeves le bat ane sege sts out ea hhere the realism of his productions 0 Particularly died, won ml canbe x Otil as e tang Salvin torch uilities Hite approved by Engl bronghe he pay to, Lond > Facinto (m1 poh pl of efecto nse Sui Contgtbl stows of Eee te Ava res hs many ie “stalin Spin thogh hd oe soar dP a Poin =n prodael nar ad ge al plays reverting hone epee Pel So ly simple Afr sn they specially Garmanc presen ean, 2 Fs al (Te ego Varun) ee scr he Gnd Wee hcp ie forms His couple we hoi Buenos Aes 5 ) Canadian playwright, compos ‘one of the founders of Vanco ‘the began wring wha ms o's ‘Theatre Passe Maral ia ia ily ay Ce na al ot), ce mig Sage th Tierwe and cornu. Fs endry Caan Fit Wa USA. a wo sderiion ames Holliday) (935- ) Bot ce fst stage play tn the Wes End tamed Aled Guinness s3 tm ediesofen depict laney, alate city either becuse of thet sean a shyness. His ise major suctt 74) which Alan Bates payed torn becweon his disney ora male stent Bats sey y's Otho ined (979) a4 ‘by people whom he dik or gslace in muse. In Clef Pap ed academic stays seeder his ailybickeraround fim hin (98) "a etal ba on idher in Cambridge ligage ess agains the loss of rishi of sehool routine. Ta The Rat presented a pete of inset fom. Since 1983 Grass has been BS voles with an episode from Frith colonial Bey. The Comune Prat (9) proves s group tof Oxbridge arts grat, wt hc aur scorn at it Grays nsinctive sympathy a Pte nda sgh ti wold is afrightening, even arbre sce Hi on poco, An Uinacral Prt (ot) hes the sieringcalared byt honey. ple Pei Shy, Spaldi y Spalding (i) American ator and pay pec Broa lof the avaut garde theate move sith ies Cry spent iveyearsava taal Before Joining Ridhrd Schechner and te Pee Bienes Group figs Wane bce jan Clay burg, Wi. Dafoe, Libby Tower, id Ron Vawier ihc known asthe Woonter Group. Gray's ep. However has tamconded te Croup” pray ne of Toe lacs in Rend Skeet Pu, RDS Hiri Road to77, Nayall Schon hs Bees dvd by” Geng ho lays he is exrcnly Bsc and eee and Compre om hs Fahy, and since 1979 9 seis of monologues fo Grays pa (Secand Dah othe Age fig se Cars and Coleg Gs A Peon ute oe on Thea, tla Af, nein ead Piss Srning to Canbod) Theodore Stankcls By Specs the oats aurobogrphisl work tha bos presonedin chen oe Bry, Terence (1895-_) Beith director and sage er, heavily snfurnecd by Gordon Craig. fn MRS he founded the: Cambridge Festival “The Piste he worked with Norman Marsball andthe Bing expert tlaroldKxdge, mounting producto Sinica Greak drama, German exprcsionsi, er Rice, carly O'Neill, Pirandello nd W. B Yous. His onnaalistic style, witch cleeypeded Fanatic texts (Twelfth Night on roller-skates ~ an iden Ei trrepiac inane of Adow Lloyd Web mua spertaculan~or a flamenco" eaten ¢€ Ronco and Jui was accompanied by “sorte $0 design using pale grey or kaminous screens and ars a acaal sri shapes forthe playa I othr waar oa rosa reminiscent of Leopold Jesser. Tyrone thre took over the theater season in 1939-305 38 scr'Gray's fal production, the fist nglish Fefirmance of Acschyhus’ The Suppliant i 1935, Balyclowstin 1999. Dramatic festivals most of the Greek plays which Bavive were performed at Aches in tke sth century 4c All dramatic performances at this period took place lisivals ofthe god Dionysus. The main festival was te Great or Ciey Dionysty held March or early Aj andl centred om the tpl and theatre of Diony” Greek theatres) beneath the Acropolis. The Brac erates were probably cial nthe late Sincerry hy the tyrant isis. ery year tree ragdianscorspsted fora prize, ‘xh producing four plays on one diy; and fve comic Caimbenaee Guida h Meatee 1442, Geeecevancient 97 oes (in wartime pethaps only three) competed for {oer pie ach prods one pay The four pas by falc ily compra tee tages lowed by x satyr play (but there were exceptions, se Epil) The aus ys nigh be comncne! theme wo form’ tetralogy in the proper sense (ee ‘Aeschylus), or might be whl separite, The st oF the tas oo eal al gy ‘The Great Dionysia also incorporated religious cct= monies sid peeformaness of ithyrambs (fornn af nonedramatic choral sng). The plays, however, wre ot religious rita they hal no etal fnetion aa theif content hal no neceeary connection with Dion sus. At che beginning of the tial se competi, Aratnatsts paraded With thee actors snd choruses as ‘rosin, a prelianary ereniony a which they peob- ably annomeed the dence of ter pays The plays were mass cmertanment, performid before an audience of several thowand (perhaps as many 13000) drawn Goma sia asses Inthe 4h century least, aud perhaps care, the democrae Sate pid smal llowance to nad por eters > attend. Whethcr women attended yertsin The feild oer by pial ern or magistrate. Twas he who cli the compet Stamatis and sssigned 9 cacha thongs 3 Welly tian who wolunteted, or cooptcl to pay far the rus ad for most oder fears of the produce ‘aur however wae prisons pod byte sate he prive-giving was taken very. seriously, tea ues bang pomitated by an chborie proces fron theten ‘ies into which th clzen body was dvide From 49 there was pric forthe best apc proagon Is eating actor) a well as one forthe bet lagen Ottical records Gdestalia) were kept of the plays performed each yeur and the prizes warded. Thee Fecordh dae fom eso for ged (though Wwe hea iors by Tsp caly se 33) rome for comed “The eamaches nonally proach Wat ova phi (Ghough Aristophanes did hot slways do so), ladesd the Greeks generally spoke not of awrer but of sachet’ of tragedy br Comte, sinc is essential ask vas mot simply to compose a text but to intact the Chorus and actors im the performance through whieh his play was to le scala. Revivals of plays aready performed did not Became usual tthe Great Dion Unatteh cot hgh Acs ae received the unigue distinction of dere allowing his lyst be revived fterhis death Ail actor and Chorus-members wre male, ané wore, "The mane 40 accompany songs rove by they unmasked figures player of tx Eon which was double pipe wth rade The Chorus formally sang in unison hough is fetder could ke prt in spaken dislogve vith actors), and dane tn oration ast sang. Occasionally secon, subsidiary Choris wat used id occasionally but much ss thay in most modcen productions). 2 song. was divided between semichordsceor individual Choeae members ‘Another fetal of Dionysus, the Lona, wae bed sound the beginning of Febraary. From e442 10 dias the cession for dramatic competitions inthe Ha of Donji wo te es sg {340 play ach and fivecomic poets producing one play cach Te was ee iprtant for comedy than ar ape inhe villas of Ata fhe terivory oF Athen) plays were performed st she oral Dronyaia, uel held eesibor. In she th ceatury xed ace Wwe heat of tonring companies who would. go the rocnds oF Cheatees he Attia and eyed, sa ge Sree ate ma oe Se EE sc a Goel a a we ronmby =p scat OSE mon hee he eee ee ee iat around ey i the period when Bor pocts wee ‘competing ‘Tle dhree actors prozgonint, denterayo. ist and ttagouist — shared ee ports in ty phy ihtueen them A Guth actor inay ve. ech esnployed on ezasion, bit seems mer tha crn ea hone ta ncsily Fanning, altensats bot somes [bsieemal darted sesame fae short sngig pats for boys, The Chorus bese hong on have bombered 13 tw the extane plays Aces sia Sophos Epes ba ‘nthe gine que cre. The great rayon ef tragedies dramauved even fram she Cree meyths, These tata tly we Inieved io heFiozally tre nestence, but wes FF to provide paradigns of buna fortes ny ‘hie neu oaid mossus their own experince The Snythisl teal wit sly ks em esi oery, wither pe, frie or tp, but nape frudigone mayhav been wed on cea. Thetaeg {8 ir ramet oi oft svabalvays Know the dene in aeanee ant he | Snowladgscoddbe expoted for puresesofee ine irom los, thetgedtutid grea freon "Sapling hic lo ane ver iret psyco eo cathe same myth, ae bo acon by comparing Sf Gheps a Rye nt ns of So Fah Lats tocrpel ev wt i sehylud Pass he oni sorvivng exon fev ao Pheyaichos). These, however were raed Ghar steady seine nyt state, and these were att exec Toctions wo living Greek hae aed hy namin amy eg ‘joomsticearcota pu, Part F nssnge come wo mporey Selena tere Bry J SSIMNS coneame stor are geo i es ne (inate. Aceh sex met Bentinlnoe ated ye “Thesfcofraedrcanbe pps vey amd apy | ein otis 9 tae Coins © pon, collage ba atvaysretissccrtn dig Se Be igus pomally soarted by 4 fru scons AE Fp ihre pece yoko ‘ini himown sm ordinary longs ln tine asd eA cows oy oman Met of the ‘pot all capadies have che eoncantated seriovsnes tf Pe veka the Zornelther afextended spes Sophocles” Onfpur Tyran or Eatipiles" Medes fy (aor ofS bytine exchan BoB ho cedeseseonn melo A Gt eee Her pats ae and plas of ronsnes nag, eve of gt ata segs hay conan inumocr. And ter are hippy endsganot ip ee gap esting bots stor and C {ose rangi rages but ch cio on a Anim) 2 alo song by an Acs lor Spode’ Pcs Thee Sone becomerarer nd toes ‘hats Grek erajely can end unappily, however sek. fet apecouse ofthe seh cerry. fon coterigats Sth and gate oe aie ne spect cgi apeceh exopenvor Biecognaeon, ya esr felines ple tebe yon the pen, dgusting I rom mone ndepene SE yo cons) bxvenn two-carn sive adie an ther euler ant ee ‘ng se torhcenapleo Homers tha it Seimei on pn snc of pales o ater buling (exception ad Jer Paige bling ops Cet ad Soin ew Cae ste ace: Octal Goes Bane tntSaphonte a} thst eangeobene mete iythelpartrcond emu ofthe Chen When Wath! aan sn be see genes Sage esi, lng 0 We” ens ne gle sage never inl a sie Str ded Vol deni However ‘were atl to os oF ue aaa tye wd he opine sh thi oe ete whines Bane ey LTS acca ot sah eo See ee, ee ci ees moe Ge et a eR ea a oa este tinea pe wot Ora ese fhe peso whee fos pects WHE 2 aven ee in addin Sue wee ne ea 2 ated at samedi A Bambee trig scare ee tose Sopot and Bamps i ger dant a si ei me sgn ot ay oor Cees he re Sircnauen ager Pea wo srerieee fava ar exploited for purpases of drematie siete procretreat A very different plays could be bake seon by cozaparing the “4 rd the Hine of Sophie “eae events in ent eh the cul seevivng example 6 sh These, however, wee re sine "mytie sey de ie Seton; no fing Crk sa Wiegety. "yam bc ppl ely an, ope tala cesins' ceri digo ec deed aoe ak ‘ed by pose woh and nn dior sige totem an the done tt ue Fyeanas or Burpee Mee, ssinclade snsatsna inne. Nee aul nurigus isn of ge lappy endings tt sly i dig bin ste serine nt er Sophocis Pail Theta <4 «anc unhappily, however els ant geue suring. wit ‘lation, iva emackase sarc hing i fo mast depend 8 other eutare. and doses | ans of Hone Lage i se in dhe open ain he building escepons cde \pporenty set td coun 4es! Onijut at Coarse ally (es fn Acs ment lee sa change of sci, rk sentry othe Chon. hn Rec 8 certain vagueness bat >oving i 0 eto while he i stage never include aus of! include deaths. Violence and. 4 Sepa of he yk ply ath eas eal wid Hs by ea lone by entrances. Most of the spoken Piss teracom Rig, Pai’ Enon, who gmeto gs wh aang i the pulateor chewbre. Every phy of Spode Euripides covesine at best om (ermal messenger Frc andthe crmatie make the moa al fhe tudes wish sae pow or dnd ce Tatative. Asschplos user mesenger ritiee Hlesacend more vated ways Insinicure a tagely comnts of sever ets of ‘seas, normally saprsied by whe maj choral Ags, sich are proceed by exits af tors aoe peg fara ace tse om od he ttovolcrateatened spect ofan highly the formed ofeatecd species ofan highly ‘hoor orf ine by lnc exchange (acho yi). te te tra paver so os, as ‘pute dialogue an act may contains sang fr pany Srp Sate eect Chora lanier ‘« os) oF 3 aolo song by an acar (ot dena baoe aera ted oecomta course ofthe siecntiry ie shutria! aye of map speeches ocomes mest siilinthesetplee debate enon t schois 350 A choral song. can have various functions, 1. ean Wien the audienec'sFdiags by means of moral “Af te comments om what the Chow hay wcred Muh sch comments ate tally ade Frc the = Pvewpoint of the man in the fre, not fon one of ‘sceptinnal wisdom). I ean broaden the scope of che Dy hy exploring the canecions bere preset ad Host cents (egpecally tn Aeschyleleexe sore fonically, evoking + mood of hape 2 joy bere sissoor sirkes, "oF ene oF despa fine vation tomes" (pecally im Sopodes). Te can wietelly iseiibe a remote and idyftic world which canerasrs sen resis (especially in Burpid), in Acsehylus the Chorus always closely involved in Gevece, ane 9 ‘was hapjeing on sessed any of che actor! Specches ate addressed woe ough We sckom snr Ens devel nt pl ou the pei fs oF Sip Honma and Vance in En ps ope HP ie later work) a ole eomnes les tepa s present enor fori aston ams EMSs and Some ots songs ve Re motion uci Sa ke coy the snc son te Eu pide fn Ayton} soars pepe Snictresateline ya ul ol the Coot nee Aeporemly noel sae The prt as eve Pan, eat conan estan th raps ba alc opr pear Sepak 2 es (ch easy In’ Fcc prod em 29 tage poe torsnce, toh tle te Gree eth tree probaly no longer tered by ae pu Wire’ comety rent polar ted corse to Evy ngedy bears ue hye ee Times itso tage mas pave made peformanes very indo A icseaess cna 9 EiCCizen i ands Chorus sen ployee tes wll deached Som the yon We bet os “Pla of sven ed yan i dat ‘Stn ariel Helter serie tnympeancn see ete blay about Mose and the Exors) ofthe Helene ee 3 Comedy: origins, development, forum The word ious esse sig connect wilh orale fo 1 fomos arden ecvel Thc sorted of s-cenany ‘Athens "Old Comey’ combines the sete pbc iypes of verse as tragedy, osmly fbn or troche Calo sid hoe song. The combination of dese {omens ean hey be idcpondent ofthe example of fly tragedy. ‘The cankest vin eorsie demas feert Ghigutder and’ Magnes, who sur to have Competed in the ease recorded contest athe Gist Dion c. 486. Betore ths, agcording 0 Arty there bes nformal comedy pertormed by ‘volunteers sand derived fram ‘phallic Songs". The post Sussron, ‘wig was claimed by some as ue invent af eontedy, probably did woe wre comets ata Manets are” compli, howeven, by che uuudoubted existenes el a ype of cont ashe Grace {cleny of Syracuse in Sicily The hit exponet of ts “Tie Comedy" was Epicharmas, whior Aretovle sce “seh care than Chiouides and Mapes, bot ‘sho sects in eto havebece tei conenaperary. It Sot cear whether hie plays nd s chorue and where ty influenced, or weretnuenusd by, the eam of ihitens, Equally inpouderble i Be evidence of decoie vase showing danezr dixgiaed i anas of uekind orstother,wiichscein to peovides ceed Fagan hora ond uy come Athos hous Asst age ornctive el so’ome Crs (scanty the oat admted oct of Ole Comedy were Cratinas, ups and Kstopbanes, and nly the work of Arhanes survives. Albis xeane ays have fintasy plots st st theme of thie production, but usesque estan of mythial dames were ao cosomon, Corned evidently sav Het from the fst a6 the 410 Groves, ancient anttype of rag, whic i comseaty paras; and Sve sty stapes tht mcs she wasted iy oF dcagedy nor themenned befoonery corsa would Have been posshte if each fos drama ha ot ion able r race agate er Conse poets are amc is concn the taeda wah ren a nsistey of plot and seve of Arttuphaate plays genet by teed ints ses of septic rotting. ‘tied afvysauedioconsoneay tmnt the’ sike of joke or a topiel Avene and the “Aran hin” ty Be dlberstely broke forthe she uf otlting eh sic play wit heared gerveton. Tcso atepey ufga ow fins of logue being safc te tetanic inngned sect corp ‘Atuis are thd lest oso than tage, sone plays reguiing at least fobr” The lngage ot sovnealy (vies it in'not, parying tragedy ox ether iscraur, or fore dalecs) an ey clog Aude ree : - ‘A startling feature isthe ssnrilos sl ofien euite sufi sbuse whl Seeonie ps feaped on comes porary indviguss fen dehoskss private itzuns to fossil polis (eves ods are ated th sane espect). Aen soem tr have en yet fete bylaw the feedem hich comedy. tradiionlly snjoyed in thie zopard, bur no Selanne hal aug Fnsang foc, And tere was ery ao restriction theexplcinas of diesexl snd excrement jokes ‘Aplay ssl ied ftrehe chacncter assumed by iss Chone farix nomi ich ay be mn ee ‘Men fra), anion (eg. Prog) vet anaes {em Clon, ihe idl of most of Acophanes lays hore 3 fg ection founeta wo setts) Exe she poem white pon simply tos an ti Chore addres the wuionte dirty. in pase of ‘ich parabess comes oucofesaaetr aogeth toa jeati’mottis a he py ae exes inve'a steed comptes foray but ths f progres Shely snipe nth coun of Ausophane reer Helaistic arco agin, "Mai. nil nelly thepaaasedisipene comply, Fora Corplnry helen oeace lnc teably th caneon edn bat of wre. Srocaee of wht is mashed wit by a pues A i sistas fn te Chinas "Te be iva exit pays oF Arsophnes, Fao: zeyarand Pia diiog run the sly mh cnc, bit ee rusts to Mids Comey bch pe ed at Alien unl sin ts jot, We have dy Hisgntents, however, fom sich pele air pts Auta Anansi snd Elin Te Ihnpatane othe Chore dele rapt Pm anly oe of i snge is wetten at ovier besa, naked hy 2 mer stipe Uiecion, Obsccony at ries] suse ako sete to some extent sal the Fotwnive comics oF Ariephnne? ati werk replaced by hcl snraltng Panasy psf Kamlesque treatments of nytt temo popula, be tami ges nt iyi, st meaty parts si courses, srt eae in tereoeyped ten Ion Cal nich pai the econ onthesmnnd, agente, wldmdealcomedst arannrs, very len indeed ror the snare fantasy of Artspan shoeing the ene the romantic mpeln of Barden Iie great ne fives Meander other opule pocs nc Ale Geto very lng rzer ped the cansition as Middle so New), Plann snd Dipti Theenlysigot the Chores ow nce direction Iettet oki ahvays br es) nls co sel in Wat es raphe whic signaty its Hest etry, The seen ie aways set Fone af wo bourgens eines ta conten | Gece ad ee emt plt, vec amay be highly improtas,contsing no etal impossitttis Lane ‘Maza unhet-of phenonnnn tn Thi Comey bovmnlly dhe mutaxprng ofthe som, and ths prs seeing cea ny ann, seach the spnpotheae chatace fceednineward: Tesi eroniecia wile | svlanee by + smi prlogiespech (oot ly ‘vated at the very bogining). anil aot aft Iumose (and pathos) derives from the mistakes whic J thecaracterswke aul che scan plasty ofthe clio. Sonehat broader ams proyseed Ge ‘Ms, cooks ae the fie bt indecny td topied hs’ acer ree, Wie not all the semteoy Inorulangisto Bets at ceva am anenphere Conve dsp and akc pees Tt pays of few Cumedy eansined very poplar segs sgt, but here fst ih he Ages. Our kowesige of lem desives fron imitations by'Patos snd Ference (sheng wih hey fae ‘teed the comic ations ofthe Reyaiance ad peviods) and tron more o less Teigmentany tent {emast ecclasvely oF Meder exeaared In Egypt 4 Satyr play Sarge are mis sabhoman eva ort ieeCeoatrite tana tilood ot | fortrayed inthe ee of Dongen or in psa a fyepls Oo sentry vues dy are Ue or te with Bald eas, Irons eb ‘Nothing cam bs made of Avistos’s claim (Pots flat tragedy dewlopedl fom some “arysie form fy posited eat, snub) moses a lot which eons eo comtrads inmst ss, More plausible i ‘ive plays mote sured at Sempra Paty wh pe Pte sven icury satyr play wax avaged, ally formes to's tof thee taped eco Scent oF al tg Spon fig sas Hatin stn sd asnys ind adappy cl faye (oper with the the regis charset nd to bm Frocnesd. kn metre and conser andor to weg, hue lee 9 Sirona isin sere mone exe OW Comaly wnt ae home Indecent cr, ba eaten “he uy example ta survive es Gydops, Bue we sho have abot Hhneaie (Prades) and some in ‘esc, eho ws garded a ave Inti a cennsry yr plays box ered al wor sed fer pol £5 Mime nd Phiyas Play "The Ga. Ink soctzn Tey eves as ‘tatitona ste eary mms fhe cate only glinpaes The pcan face seth 3) wat tBecraon ‘ie fine) wax 2 orem sil Ji ome, et Seiveed by 3 ingle amas Mis nine. Whee beta, oi tee sine admin imoecph Sion ofSjracwe, a sane imines fn’ ltr pose when ‘dread ms Crk mora Ie the art consry 4 Heong componedin esscndin athe dy Hep mcrae armas. The eight aero fonts worn, cageged mcg = jsflogging soves orshopping for di cms of his ore cefined conta as tom Ply Vaeshowing | ghee prop Se Serscaytny cma | until about the 3205. We inve onl thin vic Seas contradict much ebe dt be Sal ays) Mare planet abn dhe the pie or vee Aho by he porary Petes who perigee them th te fro af his ative town of hina the Pao. a The sth-cuntury sity play was always eo nposed by ged, iho Ay emt mack SS Aunts er ee a af Simo of myteal ome wih eset Chorus declines rapidly a Png “ab 20P0la figore such as Heras, Dicnysit or Ody “ons sorts oy kes beng. Gp Sand shetys had ainppy ending aeoibe ose Se ea ig Paha pes aig Isis ny > deci'to some eaters aa hg AE hey character) had tobe mone oloswareet * © Atwopians ear wah | Notice mse ana pe ee I gpa Fe a tea ee a The po ood idly ifs suck dee pees a # Olt Comey. aot ihe Iaaioor ae bar heen Mie appearinsireorypod ets. TEtencics id osc, bar contemporary lsu did "lic prorated fae bina gentle A The ouly example to survive complete y Buripides? Heron indecd fromm the ana bon but we abo have aboot Il of Sopncks” lames, att showing the nese af) Emenee (Traders) and some insurcsting seape by shoal Baie The we tne fs who ne road she pres wher papal poesia Aes g Trey eed oe area on a Sethe ah cncury sayy plays becane sepsrsted fron lemortand Bighen “eos, and wercued forget sane {be Chorus iso a tage ditt 4S Mime and Dhyax Play “The Greck colonic of Sih ‘always numer fis) ands cots fad stern ely enenly ad 9 og we {hot tells axe sppromhing. if adiion of subuitency humtovots dante of wioch oe secuty. The sce aways seth 4.00 caxch only hinpses, The Dorie Cooney oh trgss lhoases iy contemporsy 29 Sharm (ee scton 9} wil ap cay aiobode or ste ey ly | Seven ; is wang etal impossible, Love Amie Gi) was shore monckogue or (at Upheorenenin Gl Comey 8 4 Kloquc ont leite dene screen po Ding of the action, and ds O° Glvered by a single cymoseed pertopane, tenet Seay mamicsardng 4 atl Sn, Wes et os etek hich the sympudec chines “Fd rhe eaoxt admised maniogephen, the stleeestee “ie uation matcckarioae A Sphrow ol Syeaces alee oe eee vl prologue-specch tines fem later pociods, when the forme Kecane Beginning), and ase oh ae B dries fen dae tahini td the human platy ode U broader prose « tke ut indecency and woe fe. While ot all the sete cat ae val a ano aril olenmee prevails Cemecty remained very poput a tht were lone io tye dle Shen deeves fom auoas one (thug which sey ae Lions of the Remsssanc so te wore oF fess fragmentary te I Menten) exesvated x Eeype = ‘irene Grace io the ged eontry 9 tesa foci of mime was sgmposed a ert aid inated Ve eae or rons). eis wecenan whethethis eta oe recs th oe oe Exiray worn. engin such enlace settee igi savevorshnpping fr dgees Sac the Nouns of his ioe weld eostenporary Tener ‘sent fam a Piya Vase showing Chiron and shes, fe taythios! subloman erenmes Ge, draaken and ines et uct Dioryaus ot ie part af wry vases they are depicted 35-4 pointed cars, sia moses and le of Aristotie’s claim (Borie f° 4 «Tf seme “ityrie form Greece ancient 418 are aso, in ofir, mimes, or strongly infienced bythe Tie Pulyax Play of souther» tly is barely kaon from: literary sounoes, bt is taken wo be the inspiration fora series of vivid snd lively vasepatntings fron fe ath conenry. The plays strated preset ifs nay al husks o> themes frons comenporary lilt and were evidently influenced by" Athenian comedy. fa lie sum poyriae desimas of this ype infivenced the

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