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Critical Analysis Essay
Critical Analysis Essay
Logan Purcell
ENGL 101 05
Prof. Haney
9/21/17
Effective, persuasive writing is an intricate and complex task, but it has the power to
fundamentally change a person’s viewpoint or open up new ways of thinking. For Joanna Kadi,
in her essay “Stupidity ‘Deconstructed,’” the goal was to change the conversation on working-
class discrimination in America, particularly emphasizing the misuse and double standards of the
rhetoric behind this discrimination. In the essay, Kadi effectively communicates the hypocrisy
To open her essay Kadi begins with a description of a job site at a university, painting a
vivid picture of the dangerous tasks carried out by the workers. She notes that a mistake on this
job site “could mean the loss of a hand or life” (41). This reinforces the importance and skill
required by these workers’ jobs. Kadi wants to paint as positive a picture of working-class people
as she can, to support her belief that intelligence is not based on one’s social class. In her
opening, Kadi also describes the ways she connects with other working class people, an example
of the use of personal experience to strengthen a narrative. Subsequently, she describes the
disdain that wealthier people treated her and her peers with. She points out that a large amount of
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research on people in lower social classes has been done by the upper class, which provides no
room for the personal narratives of those actually in the working-class. She presents this
information in dialogue format, which helps readers form a conclusion about the thinking behind
the “theory” of class discrimination. Finally, Kadi forms a segue into the next section of her
essay by simply telling readers “it’s time to forget that shit” as a defiant and argumentative
statement against the hypocrisy of the stereotypes at play in the current narrative (41).
Another way Kadi supports her argument against class discrimination is by giving
examples of intelligence exhibited by working-class people, including herself. In fact, she titles a
section of her essay “Yes I’m a Worthy Person, I Have Two University Degrees,” using humor
and her credentials to highlight her point. Throughout this section of her essay, Kadi describes
her personal success in college but contrasts it to her struggles to fit in with the college crowd.
These personal accounts are very important in Kadi’s support of her argument, because they
provide real world evidence that supports her claims. According to the Purdue OWL, a proper
piece of writing requires “[e]vidential support, whether factual, logical, statistical, or anecdotal
(Baker, et al). Kadi creates this evidential support by describing a working-class student she
studied alongside as “smart as a whip” (42) and a working class professor who taught one of her
classes as “one of the most brilliant minds in this country” (43). Kadi uses these personal profiles
to counter the narrative by showing exceptions to the stereotypes against working-class people.
In this way, she challenges the language used by those who try to perpetuate class discrimination
by facing it head-on.
Challenging such a widespread system also requires careful comparison of both sides. In
“combin[e] the arguments and counterarguments into support for an overall final position”
(Nussbaum, Schraw, 60). Kadi states the argument in favor of class stereotypes as “simple
explanations about why poor people… take orders from men in suits” (Kadi, 43). Kadi also
compares her own working-class rhetoric to the language used in studies by upper-class scholars
on the topic of class, and gave examples of misused language and vague dialogue used to distort
the truth. Kadi points out the difference between the way working-class people use the word
“build” (physically constructing something) to rich professors talking about how they “built”
their vacation homes. Also, she applies these principles to society as a whole (through examples
of the logic of capitalism and national media portrayal) and compares them to smaller scale
issues like the specific instances of discrimination and ignorance in universities. And finally,
Kadi presents the argument that there are working-class people who are unintelligent, and flips it
on its head by describing the “boring, idiotic, repetitive” tasks that they performed (46). These
uses of comparison, coupled with Kadi’s personal experiences, provide a stable foundation to set
After considering the devices and methods used by Joanna Kadi to argue the hypocrisy
and illogical arguments of class discrimination, how are readers to use this information? Kadi
calls for her readers to challenge their own perceptions of intelligence, and to see the world in a
more broad sense. Our society needs to “analyze stupidity and intelligence” and challenge the
rigid academic definition of intelligence (47). She also challenges people to consider the work
experiences provided in the American workforce, by comparing dangerous manual labor jobs to
boring, unstimulating office jobs. Both of these kill the creative intelligence that can be
cultivated in more engaging work. Kadi calls for more consideration, thought, and education on
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the subject of working-class discrimination, and a careful look at the specific duties of the
workforce as a whole.
comparisons between concepts and arguments create a rich dialogue that thoughtful readers will
be sure to consider. The audience sees through her lens how she and other working-class people
were forced to validate themselves based on other people’s assumptions of them, and how
intelligence can take many forms. These concepts raise some serious question that need to be
considered. Does society truly grasp intelligence as it relates to creativity? Can people of any
class apply their own skills and talents to be effective members of society? In creating these
difficult and open ended questions, Kadi forces readers to open their eyes to a new perception on
Works Cited:
Baker, Jack, et al. “Welcome to the Purdue OWL.” Purdue OWL: Essay Writing, 11 Mar. 2011,
10:04:15, owl.english.purdue.edu/owl/resource/685/02/.
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