Alice Reyes

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Alice Garcia Reyes

Born Alice Garcia Reyes

October 14, 1942

Occupation Filipino choreographer, dancer, teacher , director,

producer

Years active 1969- 1989

Spouse(s) Ted Van Doorn

Parent(s) Ricardo Reyes (father), Adoracion Garcia (mother),

Awards  Order of National Artists of the Philippines

Alice Garcia Reyes (born October 14, 1942)[1][2] is a Filipina dancer, choreographer,

teacher, director and producer. The founder (together with Eddie Elejar) of Ballet
Philippines, she received last June 20, 2014 from President Aquino the highest award in
the Arts, National Artist of the Philippines.[3] She was chiefly responsible in popularizing
contemporary dance with the Alice Reyes Dance Company which staged the first
modern dance concert at the Cultural Center of the Philippines Main Theater on
February, 1970. It was this company that later became Ballet Philippines. She is best
known for "Bungkos Suite", "Carmen", "Carmina Burana", "Romeo and Juliet", "Rama
Hari", "Cinderella", "Amada", "Itim-Asu", and "Tales of the Manuvu"—all nuanced with
Filipino culture, gesture and grace.

Contents
 1Early life and education
 2First marriage and divorce
 3Retirement
 4Return to Ballet Philippines
 5BP exit and controversy
 6Aftermath
 7Major works
 8Reference

Early life and education[edit]

Reyes was born in October 1942. At a very young age, Reyes took up lessons in
classical ballet under Rosalia Merino while studying at Maryknoll College where she
completed a Bachelor of Arts degree in History and Foreign Services.
Soon after, she took post-graduate studies at Ateneo de Manila University. She further
trained under the guidance of Leonor Orosa Goquingco and Ricardo Casell of
the Philippine Women's University (PWU).
In addition, she took up folk dance at the Bayanihan Philippine National Folk Dance
Company. Thinking of deepening her professional studies, she went to America and
enrolled in formal courses in modern dance and jazz.
In New York, she took the opportunity to take more formal studies at Sarah Lawrence
College in Westchester County, New York.[4][2]

First marriage and divorce[edit]

Reyes was once married to Dick Upton, the current treasurer of Ballet Philippines, but
they divorced in 1982. Upton later came out as gay and married his partner Elmer. [5]

Retirement[edit]
Reyes retired from Ballet Philippines in 1985 but still served as its artistic director until
1989. Her decision was motivated mainly by her desire to live with her second husband
Ted Van Doorn and their family in California. She started using her married name, Alicia
Van Doorn, when credited for her artistic efforts during this time. She resumed using her
maiden name after officially becoming a National Artist. [6]
After Reyes left, Ballet Philippines went through a string of artistic directors, most
notably Paul Alexander Morales, who served for more than 8 years, and Alan Hineline,
a choreographer and dancer who was born in Franklin, Ohio but is now based in New
York. Hineline also served chief operating officers of Ballet Philippines, overseeing a
complete rebranding of the organization.

Return to Ballet Philippines[edit]

In 2017, Reyes was brought back on as the artistic director of Ballet Philippines (BP),
just in time for the company’s 50th year anniversary. Her permanent residence was still
in the US so she flew in and out of the Philippines for her occupation as artistic director.
BP exit and controversy[edit]
On February 6, 2020 the board of trustees of BP concluded a months-long search for a
new artistic director and decided to go with renowned Russian ballet dancer Mikhail
"Misha" Martynyuk. He was favored by the BP board over a handful of other candidates,
including two who were personally endorsed by Reyes herself. These were Adam Sage,
an American who had danced with BP in the late 1970's and came back as associate
artistic director in 2017, and Ronelson Yadao, a dancer and choreographer who was
being groomed by Reyes as the next associate artistic director for Sage. The two were
not able to make it on the day of their interviews with BP for the artistic director position
because of prior commitments and were denied to reschedule.
Reyes learned of Martynyuk's appointment after the BP board issued a circular and
shared Martynyuk's credentials on an internal bulletin board. At this time, Reyes wrote
to the board, congratulating the search committee on their decision. She added that she
was looking forward to meeting her successor.
As news of Martynyuk's appointment and Reyes's subsequent replacement came out,
along with the notion that it caught her off guard, various individuals expressed
disapproval online and called for the appointment to be revoked. Reyes insists that she
does not personally use social media so all views related to the topic expressed online
have only been relayed to her through other mediums.
Reyes is scheduled to officially step down from her post as artistic director on March 31,
2020. This is a month earlier than the expiration date of the contract that she originally
signed when she returned to the role back in 2018. [7]

Aftermath[edit]
Although Reyes had agreed to leave her artistic director post on April 2020 years prior,
she has expressed disappointment at the turn of events that saw the introduction of a
new artistic director before her departure.[8]