PRITZKER AWARD WINNING

ARCHITECTS
1979 - 2013

• PHILIP JOHNSON • LOUIS BARRAGAN • JAMES STIRLING • KEVIN ROCHE • IOEH MING PEI • RICHARD MEIER
• GOTTFRIED BOEHM • KENZO TANGE • GORDON BUNSHAFT & OSCAR NIEMEYER • FRANK GHERY • ALDO ROSSI
• ROBERT VENTURI • ALVARO SIZA • FUMIHIKO MAKI • CHRISTIAN de PORTZAMPARC • TADAO ANDO • RAFAEL
MONEO • SVERRE FEHN • RENZO PIANO • NORMAN FOSTER • REM KOOLHAAS • JACQUES HERZOG & PIERRE
de MEURON • GLENN MURCUTT • JORN UTZON • ZAHA HADID • THOM MAYNE • WANG SHU • TOYO ITO •

1
PREPARED BY: JEFFERY MORALES JUCO
Philip Johnson (1906-2005) was born in Cleveland,
Ohio in 1906,
1906 and in the years since has become one
of architecture's most potent forces. Before designing
his first building at the age of 36, Johnson had been At & T Building, NY Puerta de Europa
client, critic, author, historian, museum director, but
not an architect.
In 1949, after a number of years as the Museum of
Modern Art's first director of the Architecture
Department, Johnson designed a residence for
himself in New Canaan, Connecticut for his master
degree thesis, the now famous Glass House.
He literally coined the term "International School of
Architecture" for an exhibition at MOMA.
Johnson organized Mies van der Rohe's first visit to
this country as well as Le Corbusier's.
Corbusier's He even
commissioned Mies to design his New York
apartment. Later, he would collaborate with Mies on
what has been described as this continent's finest
Crystal Cathedral, Garden Grove
high-rise building, the Seagram Building in New York.
Community Church, California, 1980 University of Houston, Houston, Texas, 1985
By the fifties, Johnson was revising his earlier views,
culminating g with a building
g that p
proved to be one of
the most controversial of his career—the AT&T
headquarters in New York with its so-called
"Chippendale" top.
Joining forces with partner John Burgee from 1967
through 1987, their twenty year output has been
nothing short of phenomenal.

Amon Carter Museum, Fort

The Glass House
Worth, Texas, 1961/2001 2
PREPARED BY: JEFFERY MORALES JUCO
Luis Barragán (1902-1988) was born in Guadalajara, Mexico. His
professional training was in engineering, resulting in a degree at
the age of twenty-three. His architectural skills were self-taught. In
the 1920s, he traveled extensively in France and Spain and, in Barragan House, Mexico Barragan House, Mexico
1931, lived in Paris for a time, attending Le Corbusier's lectures. City, Mexico, 1948 City, Mexico, 1948
His time in Europe, and subsequently in Morroco, stimulated an
interest in the native architecture of North Africa and the
Mediterranean, which he related to construction in his own country.
In the late 1920s,
1920s he was associated with a movement known as
the Escuela Tapatía or Guadalajara School, which espoused a
theory of architecture dedicated to the vigorous adherence to
regional traditions. His architectural practice was based in
Guadalajara from 1927 until 1936 when he moved to Mexico City
and remained until his death. His work has been called minimalist,
but it is nonetheless sumptuous
p in color and texture. Pure p planes,,
be they walls of stucco, adobe, timber, or even water, are his
compositional elements, all interacting with Nature.
Barragán called himself a landscape architect, writing in the book,
Capuchinas Sacramentarias del
Contemporary Architects, (Muriel Emanuel (ed.) published by St.
Fuente de los Amantes, Mexico Purismo Corazon de Maria,
Martins Press, 1980), "I believe that architects should design
City, Mexico, 1968 Mexico City, Mexico, 1960
gardens to be used, as much as the houses they build, to develop a
sense off beauty
b t andd the
th taste
t t and d inclination
i li ti ttoward d th
the fifine arts
t
and other spiritual values." And further, "Any work of architecture
which does not express serenity is a mistake."
A religious man, Barragán and his work have been described as
"mystical" as well as serene. His chapel for the Capuchinas
Sacramentarias is evidence of both qualities. Because of his
interest in horses, he designed many stables, fountains and water
troughs that manifest many of these same qualities.

Las Arboledas, Mexico City,

Cuadra San Cristobal, Mexico
Mexico, 1962 3
City, Mexico, 1968
PREPARED BY: JEFFERY MORALES JUCO
James Stirling (1926-1992),
(1926 1992) of Great Britain
is considered by many as the premier
architect of his generation, an unparalleled Engineering Building, University of Neue Staatsgalerie,
innovator in postwar international Leicester, United Kingdom, 1963 Stuttgart, Germany, 1983
architecture. Stirling was born in Glasgow in
1926. He was educated at the University of
Liverpool
p School of Architecture and began g
his own practice in partnership with James
Gowan in London in 1956. Over a seven-year
period they designed some of the most
significant projects of the time, most notably
the garden apartments at Ham Common
(1955-58), the seminal Engineering Building
at Leicester University (1959
(1959-63),
63) and the
Cambridge University History Building (1964-
67).
History Faculty Library, Cambridge
In 1971, Stirling began to work in association
University, Cambridge, United Kingdom,
with Michael Wilford. From this point on, the
1967
scale and number of his projects broadened
to include museums,, galleries,
g , libraries and
theaters. Since 1980, he has completed a
major social sciences center in Berlin; a
Performing Arts Center for Cornell University;
and such major museum projects as the
Clore Gallery expansion for the Tate Gallery
in London; the Arthur M. Sackler Museum, an
dditi to
addition t Harvard's
H d' Fogg
F M
Museum; andd th
the
competition winning design for the Neue Engineering Building, University of
Staatsgalerie in Stuttgart, Germany. Leicester, United Kingdom, 1963

4
PREPARED BY: JEFFERY MORALES JUCO
 United Nations Plaza I & II and
UNICEF Headquarters,
New York
York, New York
York, 1976

Kevin Roche, the 1982 recipient of the Pritzker

Architecture Prize,
Prize is no stranger to awards and praise
praise.
With good reason, since the body of work
accomplished by him, and with his partner of 20 years,
John Dinkeloo, who died in 1981, is truly prolific.
Born in Dublin, Ireland in 1922, Roche received his
College Life Insurance Company
undergraduate degree in architecture from the National
Headquarters, Indianapolis, Indiana, 1971
University y of Dublin in 1945. He continued his studies
in the United States in 1948 with Mies van der Rohe at
Illinois Institute of Technology in Chicago, but left after
only one semester. His search for the humanist side of
architecture led him to the office Eliel and Eero
Saarinen in Bloomfield Hills, Michigan. His future
partner, John Dinkeloo, joined the firm in 1951, shortly
after
ft Roche.
R h From F 1954 until
til Eero
E S i
Saarinen's
' ddeath
th iin
1961, Roche was his principal associate in design.
Upon Saarinen’s death, Roche and Dinkeloo
completed the ten major projects underway, including
the St. Louis Arch, the TWA Terminal at JFK
International Airport in New York, Dulles International
Airport outside Washington, D.C., Deere and Company
Headquarters in Moline, Illinois, and the CBS
Headquarters in New York.
Roche's first design after Saarinen's death was the
Oakland Museum. The city was planning a
monumental building to house natural history,
technology and art. Roche gave them a unique
concept, a building that is a series of low-level concrete
structures covering a four block area, on three levels, Ford Foundation Headquarters, New Knights of Columbus Headquarters, New
the terrace of each level forming the roof of the one York, New York, 1963 Haven, Connecticut, 1970
below—a museum (actually three museums) with a
park on its roof. This kind of innovative solution 5
became Roche's trademark. PREPARED BY: JEFFERY MORALES JUCO
Ieoh Ming Pei’s architecture can be characterized by
its faith in modernism, humanized by its subtlety,
lyricism and beauty
lyricism, beauty. Pei was born in Canton China in
1917 and came to the United States in 1935 to study Le Grande Louvre
first at the University of Pennsylvania and then at the
Massachusetts Institute of Technology (B. Arch.
1940) and the Harvard Graduate School of Design
(M. Arch. 1946). In 1948, he accepted the newly
created p post of Director of Architecture at Webb &
Knapp, Inc., the real estate development firm, and
this association resulted in major architectural and
planning projects in Chicago, Philadelphia,
Washington, Pittsburgh and other cities. In 1955, he
formed the partnership of I.M. Pei & Associates,
which became I.M. Pei & Partners in 1966. The
partnership received the 1968 Architectural Firm Bank of China Tower
Tower,
Award of The American Institute of Architects. In National Gallery of Art, Washington, DC, 1978 Hong Kong
1989, the firm was renamed Pei Cobb Freed and
Partners.
Other outstanding examples of his work include: the John F. Kennedy Presidential Library
Bank of China in Hong Kong (1989), the John
Fitzgerald Kennedy Library (1979) near BostonBoston, The
Morton H. Meyerson Symphony Center (1989) in
Dallas, Texas; the Society Hill development in
Philadelphia, Pennsylvania, completed in 1964; the
Overseas Chinese Banking Corporation Centre (1976),
the West Wing and renovation of the Museum of Fine
Arts in Boston (1981 and 1986); the Fragrant Hill Hotel
(1982) near Beijing, China; Creative Artists Agency
Headquarters (1989) in Beverly Hills, California; an
IBM Office Complex (1989) in Somers, NY and another Luce Memorial Chapel, Taichung
in Purchase, NY; the Everson Museum of Art (1968),
Syracuse, New York; and the Texas Commerce Tower 6
(1982) in Houston. PREPARED BY: JEFFERY MORALES JUCO
At 49, Richard Meier was the youngest architect
to receive his profession's highest accolade, the
Pritzker Architecture Prize. Shortly after receiving
that honor, he was awarded what is probably one
The Atheneum, New
of the twentieth century's most important Jubilee Church, Rome
Harmony, Indiana, 1979
commissions, the design g of The Getty y Center, the
Los Angeles art complex funded by the J. Paul
Getty Trust.
Explaining his own roots, Meier says, "Le
Corbusier was a great influence, but there are
many influences and they are constantly
changing. Frank Lloyd Wright was a great
architect and I could not have done my parent's
architect,
house the way that I did, without being
overwhelmed by Falling Water." Meier continued,
"We are all affected by LeCorbusier, Frank Lloyd
Wright, Alvar Aalto, and Mies van der Rohe. But
no less than Bramante, Borromini and Bernini.
Architecture is a tradition,, a long
g continuum.
Whether we break with tradition or enhance it, we
are still connected to that past."
In 1963, he established his private practice, and
working from his apartment, launched the Douglas House (interior), Harbor High Museum of Art,
business with a commission for his mother and Springs, Michigan, 1973 Atlanta, Georgia, 1983
father, a residence in Essex Fells, New Jersey. In
1965 one off hi
1965, his early
l residential
id ti l commissions,
i i
Smith House in Darien, Connecticut propelled
him into national prominence

7
PREPARED BY: JEFFERY MORALES JUCO
 Museum Abteiberg
Hans Hollein was born in Vienna, Austria in
Moenchengladbach (view from the
1934. From his earliest school days, he
garden),
g ) Moenchengladbach,
g
manifested a talent for drawing.
drawing Although he
Germany, 1982
chose architecture as his profession, his
works of art are in many public and private
collections around the world.
He has been described as far more than an
architect—artist, teacher, author, and a
designer
g of furniture and silverware. He
graduated from the Academy of Fine Arts,
School of Architecture, in Vienna in 1956. He
was awarded a Harkness Fellowship which
afforded him the opportunity travel in the
United States. He undertook graduate work at
the Illinois Institute of Technology in Chicago,
andd completed
l t d hi
his M
Master
t off A
Architecture
hit t
Jewellery Store Schullin II,
degree at the University of California,
Vienna, Austria, 1983
Berkeley in 1960. During those same years,
he was able to meet and study with some of
the architects he most admired, including
Mies van der Rohe, Frank Lloyd Wright and
Richard Neutra. Retti Candleshop (interior),
Vienna, Austria, 1965

8
PREPARED BY: JEFFERY MORALES JUCO
The work of Gottfried Böhm ranges from the
simple to the complex, using many different kinds
of materials, with results that sometimes appear
humble, sometimes monumental. He has been
described in the sixties as an expressionist, and
more recently as post-Bauhaus, but almost always Dwelling house, Cologne Weiss, 1955 Neviges Mariendom Pilgrimage Center
he stands alone in departing from the conventions
of established architecture
architecture, seeking to go one step
beyond.
Gottfried Böhm was born in Offenbach-am-Main on
January 23, 1920, the son of Dominikus Böhm,
one of Europe's most respected architects of
Roman Catholic churches and ecclesiastical
buildings.
g Since his p paternal g
grandfather had been
Museum of the Diocese,
Diocese City Hall,
Hall Bensberger,
Bensberger Germany,
Germany 1969
an architect as well, it is not surprising that
Paderborn, Germany, 1975
Gottfried started on that path.
His academic career began in 1942, when he
attended the Technische Hochschule in Munich.
He received degree in 1946. For another year, he
continued his education, studying sculpture at the
A d
Academy off Fine
Fi Arts
A t in
i Munich.
M i h Th Thatt ttraining
i i h has
been important for the clay models he develops
during the design process of his buildings.
He worked in his father's office as an assistant
architect from 1947to1950. During that time he
collaborated with the Society for the
Reconstruction of Cologne under the direction of
Rudolph Schwarz. In 1948, he met and married
Elisabeth Haggenmueller, who is also a licensed
engineer and architect. They have four sons, three
of whom have become architects. 9
PREPARED BY: JEFFERY MORALES JUCO
Kenzo Tange (1913-2005),
(1913 2005) winner of the 1987
Pritzker Architecture Prize, is one of Japan’s most
honored architects. Teacher, writer, architect, and Yoyogi National Gymnasium for
urban planner, he is revered not only for his own the 1964 Summer Olympics,
work but also for his influence on younger architects. Tokyo, Japan, 1964
He was born in the small city of Imabari, Shikoku
Island, Japan
p in 1913. Although g becoming g an
architect was beyond his wildest dreams as a boy, it
was Le Corbusier’s work that stirred his imagination
so that in 1935, he became a student in the
Architecture Department of Tokyo University. In
1946, he became an assistant professor at Tokyo
University, and organized the Tange Laboratory. His
students included Fumihiko Maki,
Maki Koji Kamiya,
Kamiya Yokohama Museum of
Arata Isozaki, Kisho Kurokawa, and Taneo Oki. Art, Yokohama, Japan,
Tange was in charge of the reconstruction of 1989
Hiroshima after World War II. The Hiroshima Peace
Center and Park begun in 1946 made the city
symbolic of the human longing for peace. Fuji TV Headquarters
Architecturally,
y, the Peace Center shows a deep p
understanding of traditional culture while at the
same time is a signpost in the search for a modern
style in Japan.

Tokyo City Hall Complex,

Tokyo, Japan, 1991
10
PREPARED BY: JEFFERY MORALES JUCO
Gordon Bunshaft was born in 1909 in Buffalo,
New York. He studied architecture at the
Massachusetts Institute of Technology, earning
his bachelor's degree in 1933 and his master's Haj Terminal, Jeddah San Francisco New Terminal
degree in 1935. Bunshaft was awarded both the
MIT Honorary Traveling Fellowship and the Rotch
Traveling Fellowship,
Fellowship which allowed him to travel
in Europe from 1935 until 1937. Upon his return
to the United States he took a job in the New
National Commercial Bank, Lever House, New
York with Edward Durell Stone. After a brief stint Sears Tower
Jeddah, Saudi Arabia, 1983 York, New York, 1952
with Stone, he joined Louis Skidmore of
Skidmore, Owings & Merrill, where he worked
until 1942. One of his earliest assignments
g was to
work on designs for some of the buildings for the
New York World Fair of 1939. World War II
intervened with Mr. Bunshaft serving in the Army
Corps of Engineers and upon his return in 1946
he rejoined SOM, where he remained until 1979.

G d B
Gordon Bunshaft
h ft (1909-1990)
(1909 1990) hhas b
been
credited with opening a whole new era of
skyscraper design with his first major design
project in 1952, the 24-story Lever House in
New York. Many consider it the keystone of
establishing the International Style as
corporate America
America'ss standard in architecture,
at least through the 1970s. In recent years, it
has been declared a historic landmark, New
York's most contemporary structure to hold
that distinction. 11
PREPARED BY: JEFFERY MORALES JUCO
 Walt Disney Concert Hall
Born in Canada in 1929, Gehry is today a
naturalized U.S. citizen. In 1954, he
graduated from the University of Southern
California and began working full time with
Victor Gruen Associates, where he had been
apprenticing part-time while still in school.
After a year in the army, he was admitted to
Harvard Graduate School of Design to study
urban planning. When he returned to Los
Angeles, he briefly worked for Pereira and
Luckman and then rejoined Gruen where he
Luckman,
stayed until 1960. Pritzker Pavilion, Chicago, Illinois, 2004
A project in 1979 illustrates his use of chain-link
fencing in the construction of the Cabrillo Marine
Museum, a 20,000 square foot compound of
buildings that he "laced together" with chain-link
fencing These "shadow structures" as Gehry
fencing.
calls them, bind together the parts of the
museum.
The belief that "architecture is art" has been a
part of Frank Gehry's being for as long as he can
remember. In fact, when asked if he had any
t
mentors or idols
id l iin th
the hi
history
t off architecture,
hit t hi
his
reply was to pick up a Brancusi photograph on his
desk, saying, "Actually, I tend to think more in
terms of artists like this. He has had more
influence on my work than most architects. In MIT Stata Center
Guggenheim Museum, Bilbao, Spain, 1997
fact, someone suggested that my skyscraper that
won a New York competition looked like a
Brancusi sculpture. I could name Alvar Aalto from
the architecture world as someone for whom I
have great respect, and of course, Philip
Johnson." 12
PREPARED BY: JEFFERY MORALES JUCO
Aldo Rossi (1931-1997) has achieved distinction as a
theorist, author, artist, teacher and architect, in his
native Italy as well as internationally. Noted critic and
historian Vincent Scully
historian, Scully, has compared him to Le
Corbusier as a painter-architect. Ada Louise Huxtable,
architectural critic and Pritzker juror has described
Rossi as "a poet who happens to be an architect."
Rossi was born in Milan, Italy where his father was
engaged in the manufacture of bicycles, bearing the
familyy name,, a business he says y was founded byy his Bonnefanten Museum,
grandfather. While growing up during the years of Maastrict, Netherlands, 1995 San Cataldo Cemetery, Modena, Italy, 1984
World War II, Rossi’s early education took place at
Lake Como, and later in Lecco. Shortly after the war
ended, he entered the Milan Polytechnic University,
receiving his architecture degree in 1959. Rossi served
as editor of the Architectural magazine Casabella from
1955 tto 1964
1964. “La
La Conica” Espresso Coffee Maker,
Maker 1982
Although early film aspirations were gradually
transposed to architecture, he still retains strong
interest in drama. In fact, he says, "In all of my
architecture, I have always been fascinated by the
theatre." For the Venice Biennale in 1979, he designed
the Teatro del Mondo, a floating theatre, built under a
joint commission from the theatre and architecture
commissions of the Biennale. It seated 250 around a
central stage. It was towed by sea to the Punta della
Dogana where it remained through the Biennale. Rossi
described the project in its site, as "a place where
architecture ended and the world of the imagination
Quartier Schützenstrasse, Berlin,
began." More recently, he completed a major building
Germany, 1998
for Genoa, the Carlo Felice Theatre which is the
National Opera House. In Canada, the first Rossi
project in the Western Hemisphere was completed in
1987 when the Toronto Lighthouse Theatre was built 13
on the banks of Lake Ontario. PREPARED BY: JEFFERY MORALES JUCO
 Fire Station #4, Columbus, Indiana, 1968

Robert Venturi has been described as one of

the most original talents in contemporary
architecture He has also been credited with
architecture.
saving modern architecture from itself. He has
done this by being eloquent verbally with his
writings and visually with the appearance of his
buildings. Like other Pritzker Architecture Prize
Laureates before him, he is a writer, a teacher,
an artist and p
philosopher,
p as well as an
Vanna Venturi House,
House
architect.
Philadelphia, Pennsylvania, 1964
Venturi graduated summa cum laude from
Princeton University in 1947 and received his
Master of Fine Art degree, also from Princeton,
in 1950. He furthered his studies as a Rome
Prize Fellow at the American Academy in
Rome from 1954 to 19561956. Shortly after his
return to the United States, he taught an
architectural theory course at the University of
Pennsylvania, School of Architecture. In the
following three decades, he has lectured at
numerous institutions including Yale,
Princeton,, Harvard,, Universityy of California at
Los Angeles, Rice University and the American
Academy in Rome.
Venturi's early professional work was in the
office of Eero Saarinen, where among other
projects, he worked on the design of the
Milwaukee County War Memorial Center. He
also worked in the offices of Louis I. Kahn and Gordon Wu Hall, Princeton
Allen Art Museum
Oscar Stonorov in Philadelphia. University, New Jersey, 1983

14
PREPARED BY: JEFFERY MORALES JUCO
"Every design," says Siza, "is a rigorous attempt to
capture a concrete moment of a transitory image in
all its nuances. The extent to which this transitory
quality is captured,
captured is reflected in the designs: the
more precise they are, the more vulnerable."
While working on a sizable office building design
for Porto, Siza discounted any possibility of
blending the new building by imitating its
Facultad de Arquitectura, University of
surroundings. The area was too important since it
Centro de Art Gallego, Spain, 1993 Porto, Portugal, 1993
was between the historic center of the cityy and a
bridge that has great significance because it was
built by Eiffel in 1866. He explained, "We have
gone beyond the stage whereby unity of language
was believed to be the universal solution for
architectural problems. Recognizing that
complexity is the nature of the city,
t
transformational
f ti l movements
t take
t k on very different
diff t
forms."
Siza, whose full name is Alvaro Joaquim de Meio
Siza Vieira, was born on June 25, 1933 in the
small coastal town of Matosinhos, just north of
Porto, Portugal. Siza studied at the University of
Porto School of Architecture from 1949 through
1955, completing his first built works (four houses
in Matosinhos) even before ending his studies in
1954. That same year he opened his private
practice in Porto.
In 1966, Siza began teaching at the University, and
in 1976, he was made a tenured Professor of
Bouça Housing Complex, Servei de Meteorologica,
Architecture. In addition to his teaching there, he
Porto, Portugal, 1973 Barcelona, Spain, 1992
has been a visiting professor at the Graduate
School of Design, Harvard University; the
University of Pennsylvania; Los Andes University
of Bogota; and the Ecole Polytechnique of 15
Lausanne. PREPARED BY: JEFFERY MORALES JUCO
 Tokyo Metropolitan
Gymnasium, Tokyo, Japan,
1990

Makuhari Messe I,
Fumihiko Maki calls himself a modernist, Tokyo, Japan, 1989
unequivocally. His buildings tend to be direct, at
times understated,
understated and made of metal,metal concrete
and glass, the classic materials of the modernist
age, but the canonical palette has also been
extended to include such materials as mosaic tile,
anodized aluminum and stainless steel. Along with
a great many other Japanese architects, he has
maintained a consistent interest in new technology gy
as part of his design language, quite often taking
advantage of modular systems in construction. He
makes a conscious effort to capture the spirit of a
place and an era, producing with each building or
complex of buildings, a work that makes full use of
all that is presently at his command. Maki often Spiral, Tokyo, Japan, 1985
National Museum of Modern Art
speaks of the idea of creating "unforgettable
Kyoto, Kyoto, Japan, 1986
scenes"—in effect, settings to accommodate and
complement all kinds of human interaction—as the
inspiration and starting point for his designs.
Maki, who was born in Tokyo on September 6,
1928, studied with Kenzo Tange at the University
of Tokyo
y where he received his Bachelor of
Architecture degree in 1952. Maki then spent the
next year at Cranbrook Academy of Art in
Bloomfield Hills, Michigan. After completing a
Master of Architecture degree at the Graduate
School of Design (GSD), Harvard University, he
apprenticed at the firms Skidmore, Owings and
M ill N
Merrill, New Y York
k anddSSertt JJackson
k and
d
Associates in Cambridge.
Tokyo Church of Christ,
Tokyo, Japan, 1995
16
PREPARED BY: JEFFERY MORALES JUCO
 LVMH Tower, New York

Cidade da Musica, Rio de Janiero

Christian de Portzamparc,1994 Pritzker

Architecture Prize Laureate. He is the
seventeenth person and the sixth European to be
so honored since The Hyatt Foundation
established the award in 1979.
Highly respected by architectural cognoscente Park Avenue, South
throughout the world, this relatively young French Residential Tower
architect explains that he was “a designer who Manhattan
painted before he decided to study architecture.”
While he still p paints, he says,
y “I am not a p painter
or sculptor, yet.” He is however a frequent
lecturer and author. Although he has no built Le Monde Headquarters, France Renaissance Paris Wagram Hotel
works in the United States, he was one of the
finalists in the competition for Chicago’s new
Museum of Contemporary Art and an Art
Museum for Omaha. Most recently he has gained
recognition in Japan where he designed
apartment buildings for the city of Fukuoka.
Most of his completed projects are in France,
perhaps the most visible being the City of Music,
a group of structures situated on the edge of the
La Villette suburban park in Paris. The project
actually y has two pphases. The first p
part,, housingg
the National Conservatory of Music and Dance
was completed in 1990. The second part with
public spaces for concerts will open next January.
Portzamparc says when he began work on the
City of Music in 1984, his thoughts were carried
back to a house in Brittany, the first thing he ever
b ilt “In
built, “I th
thatt design,
d i eachh room was like
lik a
separate little house,” he says. “I have discovered
that each new project is the sum of all my De Citadel Housing & Commercial Center
previous works. No new work springs to life
without some relationship to past inspiration.” 17
PREPARED BY: JEFFERY MORALES JUCO
Tadao Ando of Osaka, Japan is a man who is at the
pinnacle of success in his own country. In 1995, the
Pritzker Architecture Prize was formally presented to him
within the walls of the Grand Trianon Palace at Versailles,
France. That work, primarily in reinforced concrete, defines
spaces in unique new ways that allow constantly changing
patterns of light and wind in all his structures, from homes
and apartment complexes to places of worship, public
museums and commercial shopping centers.
“In
In all my works,
works light is an important controlling factor
factor,”
Church on the Water, Tomamu, Church of the Light (interior),
says Ando. “I create enclosed spaces mainly by means of
Hokkaidō, Japan, 1988 Ibaraki, Osaka, Japan, 1989
thick concrete walls. The primary reason is to create a
place for the individual, a zone for oneself within society.
When the external factors of a city’s environment require
the wall to be without openings, the interior must be
especially
p y full and satisfying.”
y g
In his childhood, he spent his time mostly in the fields and
streets. From ages 10 to 17, he also spent time making
wood models of ships, airplanes, and moulds, learning the
craft from a carpenter whose shop was across the street
from his home. After a brief stint at being a boxer, Ando
began
g his self-education byy apprenticing
pp g to several
relevant persons such as designers and city planners for
short periods. “I was never a good student. I always
preferred learning things on my own outside of class. When
I was about 18, I started to visit temples, shrines, and tea
houses in Kyoto and Nara, there’s a lot of great traditional
architecture in the area. I was studying architecture by
going
i tto see actual
t l buildings,
b ildi and d reading
di b books
k about
b t Naoshima
N hi C
Contemporary
t A
Artt
them. “ He made study trips to Europe and the United Museum, Naoshima Island, Japan Rokko Housing I,II, and III,
States in the sixties to view and analyze great buildings of (aerial view), 1995 Kobe, Hyogo, Japan, 1999
western civilization, keeping a detailed sketch book which
he does even to this day when he travels. 18
PREPARED BY: JEFFERY MORALES JUCO
José Rafael Moneo was born in the small town
of Tudela, Navarra, Spain in May of 1937. His
mother, Teresa, was the daughter of a
magistrate from Aragón
Aragón. His father
father, Rafael,
Rafael
whose family roots were in Tudela, worked there
all his life as an industrial engineer. He has a
sister, Teresa, who studied philosophy and
literature. His late brother, Mariano, studied
engineering. Moneo confesses that as he grew
up,
p, he was first attracted to philosophy
p p y and
Bankinter Madrid,
Bankinter, Madrid Spain
Spain, 1977 Logrono Town Square
Square, Logrono
Logrono, Spain
Spain, 1981
painting; he did not have a clear calling to be an
architect, but attributes his inclination toward
architecture to his father’s interest in the subject.
It was with some difficulty that he left his close
family ties in 1954 to go to Madrid to study
architecture.
H obtained
He bt i d hi his architectural
hit t l degree
d in
i 1961
from the Madrid University School of
Architecture. He credits his professor of the
history of architecture, Leopoldo Torres Balbás
with influencing him greatly While still a student,
he worked with architect Francisco Javier Sáenz
de Oiza, saying “II wanted to become an
architect in the same fashion as Oiza with all of
the enthusiasm professed by him in his work.”
When Moneo completed his degree, he went to
Hellebaeck, Denmark to work with Jørn Utzon,
“whom I saw,” says Moneo, “as the legitimate
heir of the masters of the heroic period.” Utzon
was working on the design of the Sydney Opera
Atocha Station, Madrid, Spain, 1992 L'illa Diagonal, Barcelona, Spain, 1993
House in Australia. Before returning to Spain in
1962, Moneo says, “I traveled around the
Scandinavian countries where I was lucky
enough to be received by Alvar Aalto in 19
Helsinki.” PREPARED BY: JEFFERY MORALES JUCO
Sverre Fehn (1924-2009) has long been
The Bodker House, Oslo, Norway, 1967
recognized in Europe as one of Norway's most
gifted architects. Categorized as a modernist
by most architectural writers, Fehn himself
says, “I have never thought of myself as
modern, but I did absorb the anti-monumental
and the pictorial world of LeCorbusier
LeCorbusier, as well
as the functionalism of the small villages of
North Africa. You might say I came of age in
the shadow of modernism.”
Born in Kongsberg, Norway in 1924, he
attended the Oslo School of Architecture and
received his degree in 1949
1949.
Fehn, along with Norberg-Schulz, Grung, Mjelva
Aukrust Museum, Alvdal, Norway, 1995
and Vesterlid, all other Norwegian architects of
the same generation, and Jørn Utzon (the
Danish architect who later gained fame for the
Sydney Opera House, Australia) formed an
organization
g which was the Norwegiang branch
of CIAM (International Congress of Modern
Architecture), called PAGON (Progressive
Architects Group Oslo Norway) that had a
profound influence, creating architecture which
had a firm foundation in the Modern Movement,
but was expressed in terms of the materials and
l
language off th
their
i own region
i andd titime.

The Hedmark Cathedral Museum,

Hamar, Norway, 1979
20
PREPARED BY: JEFFERY MORALES JUCO
 Centre Georges Pompidou

Renzo Piano, the 1998 Pritzker Prize

winner, is perhaps best known for his
controversial design of the Centre Flat Pack Auditorium
Georges Pompidou,
Pompidou located in the
heart of Paris and completed in 1978.
Conceived in collaboration with
English architect, Richard Rogers
and described by Piano as “a joyful
urban machine ... a creature that
might
g have come from a Jules Verne
book,” Beaubourg, as it is called, has
become a cultural icon, expressive of
Piano’s love of technology.
Born in Genoa in 1937, Piano comes
from a family of builders. Following
his graduation from Milan Polytechnic
A hit t
Architecture School
S h l ini 1964,
1964 h he
worked in his father’s construction
company and later was associated
with the offices of Louis Kahn in
Philadelphia and Z.S. Mackowsky in Tjibaou Cultural Centre,
London. He formed Renzo Piano Nouméa, New Caledonia, 1998 Astrup Fearnley Museet
Building Workshop in 1980, which
now has offices in Paris, Genoa and
Berlin.

21
PREPARED BY: JEFFERY MORALES JUCO
Norman Foster was born in Manchester
in 1935.
1935 After graduating from
Manchester University School of
Architecture and City Planning in 1961
he won a Henry Fellowship to Yale
London City Hall
University, where he gained a Master’s
Degree in Architecture.
He is the founder and chairman of
Foster and Partners. Founded in
London in 1967, it is now a worldwide
Queen Alia Airport, Amman Jordan Hong Kong and Shanghai Bank
practice, with project offices in more
than twenty countries. Over the past
four decades the company has been
responsible for a strikingly wide range of
work from urban master plans
work, plans, public
infrastructure, airports, civic and cultural
buildings, offices and workplaces to
private houses and product design.
Foster has established an international
reputation with projects as diverse as
the New German Parliament in the
Reichstag in Berlin, Chek Lap Kok
International Airport and the Hongkong
and Shanghai Bank in Hong Kong,
Commerzbank Headquarters in
Frankfurt, Willis Faber & Dumas Head
Office in Ipswich, and the Sainsbury
C t for
Centre f Visual
Vi lA
Arts
t in
i NNorwich.
i h Si
Since
its inception, the practice has received
more than 400 awards and citations for
The Reichstag New
excellence and has won numerous
German Parliament, 22
international and national competitions.
Berlin, Germany, 1999 The Gherkin Building, London
PREPARED BY: JEFFERY MORALES JUCO
 Netherlands Dance Theatre, The
Educatorium, Utrecht, Netherlands, 1997
Hague, Netherlands, 1988

Born in Rotterdam, Rem Koolhaas spent

four years of his youth in Indonesia, where
his father served as director or a newly
formed cultural institute. Following in the
footsteps of his literary father, Koolhaas
began
g his career as a writer. He was a
journalist for the Haase Post in The Hague,
and later tried his hand at writing movie
scripts.
Koolhaas's writings won him fame in the
field of architecture before he completed a
single building. After graduating from the
Architecture Association School in London Nexus Housing,
Housing Fukuoka
Fukuoka, Japan
Japan, 1991
in 1972, he received the Harkness
Fellowship for travel and research in the
United States. During this period, he wrote
Delirious New York, which he described as
Seattle Central Library
a "retroactive manifesto for Manhattan" and
which critics hailed as a classic text on
modern architecture and society.
In 1975, Koolhaas founded the Office for
Metropolitan Architecture (OMA) in London
with Madelon Vriesendorm and Elia and
Zoe Zenghelis. Focusing on contemporary
design, the company won a competition for
an addition
dditi tto th
the P
Parliament
li t iin Th
The H
Hague
and a major commission to develop a
master plan for a housing quarter in
Amsterdam. CCTV China
23
PREPARED BY: JEFFERY MORALES JUCO
Herzog & de Meuron Architekten is a Swiss
architecture firm, founded and headquartered
in Basel, Switzerland in 1978. The careers of
founders and senior partners Jacques Herzog
(born 1950), and Pierre de Meuron (born
1950), closely paralleled one another, with
both attendingg the Swiss Federal Institute of
Technology (ETH) in Zürich. They are perhaps
best known for their conversion of the giant
Bankside Power Station in London to the new
home of the Tate Museum of Modern Art Central Signal Tower SBB,
(2000). Jacques Herzog and Pierre de Meuron Allianz Arena
Basel, Switzerland, 1997
have been visiting professors at the Harvard
U i
University
it G
Graduate
d t S School
h l off D
Design
i since
i
1994 and professors at ETH Zürich since
1999. Grand Stade de Bordeaux’ in France The Beijing National Stadium
Herzog & de Meuron received international
attention very early in their career with the Blue
House in Oberwil, Switzerland (1980); the
Stone House in Tavole, Italy (1988); and the
Apartment Building along a Party Wall in Basel
(1988). The firm’s breakthrough project was
the Ricola Storage Building in Laufen,
Switzerland (1987). Renown in the United
States came with Dominus Winery in
Yountville, California (1998). The Goetz
Collection, a Gallery for a Private Collection of
Modern Art in Munich (1992), stands at the
beginning of a series of internationally
acclaimed museum buildings such as the
Küppersmühle Museum for the Grothe 24
Collection in Duisburg, Germany (1999). PREPARED BY: JEFFERY MORALES JUCO
Glenn Murcutt, the son of Australian parents, was
born in London in 1936. He grew up in the Morobe Arthur & Yvonne Boyd Education
Done House, New South Wales,
district of New Guinea, where he developed an Centre, New South Wales, Australia,
Australia, 1991
appreciation for simple, primitive architecture. His 1999
father introduced him to the architecture of Ludwig g
Mies van der Rohe and the philosophies of Henry
David Thoreau, both of which influenced his
architectural style.
Murcutt studied at the University of New South
Wales, graduating in 1961 with a degree in
architecture. After completing his university studies,
Murcutt traveled for two years
years, returning to Sydney
in 1964 to work in the office of Ancher, Mortlock,
Murray and Woolley. He remained with this firm for
five years before he established his own practice in
1970. His small, but exemplary practice is well
known for its environmentally sensitive designs with
a distinctive Australian character. His architecture
has remained consistent over time. His buildings,
which are principally residential, are a harmonious
blend of modernist sensibility, local craftsmanship,
indigenous structures, and respect for nature. They
Simpson-Lee House, New South Magney House, New South
are both unusual in character, and yet curiously
Wales, Australia, 1994 Wales, Australia, 1984
familiar. He has been a visiting professor at many
schools
h l off architecture,
hit t mostt recently
tl att Yale
Y l andd
Washington universities in the United States. His
work is internationally acclaimed and he is a highly
regarded as a teacher, critic, and lecturer around the
world ... 25
PREPARED BY: JEFFERY MORALES JUCO
 Fredensborg Housing, Fredensborg,
Danish architect Jørn Utzon was born in 1918 1918.
Kuwait National Assembly, Kuwait, 1982 Denmark, 1962
While in secondary school, he began helping his
father, director of a shipyard in Alborg, Denmark,
and brilliant naval architect, by studying new
designs, drawing up plans and making models.
This activity opened another possibility—that of
training
g to be a naval architect like his father.
Most of Utzon’s projects have been completed in
his native Denmark, but he is best known for the
Sydney Opera House, an iconic building of
curving roof forms. Construction began in 1959
and was not complete until 1973, and Utzon left
the p
project
j in 1966 after bitter arguments
g with
Australian officials regarding cost and schedule
issues.
His other well known projects include the
Fredensborg Housing Estate (1959-62), the
Kingo Housing Estate (1956-58), Bagsvaerd
Church ((1973-76),
), and the Skagen
g Nature
Center (2001), all in Denmark.

Sydney Opera House, Sydney, Australia, 1973

26
PREPARED BY: JEFFERY MORALES JUCO
 One Thousand One Museum Tower, Miami City Life Milano

Born in Baghdad Iraq in 1950, Zaha Hadid

commenced her college studies at the American
Universityy in Beirut, in the field of mathematics.
She moved to London in 1972 to study
architecture at the Architectural Association and
upon graduation in 1977, she joined the Office
of Metropolitan Architecture (OMA). She also
taught at the Architectural Association (AA) with
OMA collaborators Rem Koolhaas and Elia
Zenghelis
Zenghelis.
She began her own practice in London in 1980
and won the prestigious competition for the Changsa Meixihu Intl Culture & Art Center Sheik Zayed Bridge, Abu Dhabi
Hong Kong Peak Club, a leisure and
recreational center in 1983. Painting and
drawing, especially in her early period, are
important
p techniques
q of investigation
g for her King
g Abdullah Financial District
design work. Ever since her 1983 retrospective Metro Station, Riyadh
exhibition at the AA in London, her architecture
has been shown in exhibitions worldwide and
many of her works are held in important
museum collections.
Known as an architect who consistently pushes
th boundaries
the b d i off architecture
hit t andd urban
b d design,
i
her work experiments with new spatial concepts Vitra Fire Station, Weil am Rhein, Germany,
intensifying existing urban landscapes and 1993
encompassing all fields of design, from the
urban scale to interiors and furniture. 27
PREPARED BY: JEFFERY MORALES JUCO
Thom Mayne was born in Westbury, Connecticut in
1944. He lived for part of his childhood in Gary,
Indiana. When he was ten, his mother moved the
family to Whittier, California. Although he enrolled in
California State Polytechnic University, Pomona, he
received his bachelor of architecture degree from
the University of Southern California in 1968. He
then worked for two years as a planner for Victor
Gruen. He began his teaching career at Cal Poly at
Pomona, but soon he, along with six colleagues,
was fired. That was the genesis of the founding of
the Southern California Institute of Architecture
(SCI-Arc) in 1972. He returned to school and
received his master of architecture degree
g from
Harvard University in 1978. He has held teaching
posts at Columbia University, Harvard University,
Yale University, the Berlage Institute in the
Netherlands and the Bartlett School of Architecture
in London.
Thom Mayne,
y , the 2005 Pritzker Architecture Prize
laureate, is a founder and design principal of
Morphosis, an interdisciplinary and collectively
organized architecture firm.
Morphosis has always been known for Diamond Ranch High School in Pomona, Wayne L. Morse United States
uncompromising designs and a drive to surpass Calif., 1999 Courthouse, Eugene, Oregon, 2006
the bounds of traditional forms and materials, while
also working to carve out a territory beyond the
limits of modernism and postmodernism.

28
PREPARED BY: JEFFERY MORALES JUCO
 “Paulistano” Chaise Forma Store, São
Lounge, ffurniture
L it Paulo, Brazil, 1987
design, 1957

Cais das Artes

Vitoria, Brazil

Born in Brazil in 1928, Mendes da Rocha began

his career in São Paulo in the 1950s as a
member of the “Paulist brutalist” avant-garde.
He received a degree in architecture in 1954,
opened his office in 1955 and soon thereafter
created an early masterpiece, the Athletic Club
off São
Sã Paulo
P l (1957)
(1957).

The Paulistano Athletic Club, São Paulo, Brazil, 1958

29
PREPARED BY: JEFFERY MORALES JUCO
 Centre Pompidou, Paris, France, 1977 National Assembly for Wales, Cardiff,
Wales, 2005

He was born in Florence, Italy in 1933 to British

parents. He studied at the Architectural Association
School (1953-1959) in London and received the
Diploma of Architecture in 1959. The following year
he studied at the Yale University School of
Architecture in New Haven, Connecticut on a
Fulbright scholarship, and received the Master of
Architecture degree in 1962. Returning from America,
Rogers formed a partnership with Norman and
Wendy Foster and Su Rogers (1963-1968) in London,
called Team 4. They completed an industrial building
(1967) at Swindon, Wiltshire, England, for Reliance
Controls Ltd.
Ltd The Team 4 arrangement was followed
by the partnership of Richard and Su Rogers (1968-
1970) and subsequently Richard Rogers Partnership
(RRP), founded in 1977.
Richard Rogers is best known for such pioneering
buildings as the Centre Pompidou in Paris, the
h d
headquarters
t ffor Ll
Lloyd’s
d’ off L
London,
d th
the E
European
Court of Human Rights in Strasbourg and the
Millennium Dome in London. His practice, Richard
Rogers Partnership (RRP), was founded in 1977
and has offices in London, Barcelona, Madrid and
Tokyo. RRP has designed two major airport 175 Greenwich Street,
projects—Terminal
projects Terminal 5 at London’s
London s Heathrow Airport World Trade Center Site, Lloyd’s
Lloyd s of London,
and the New Area Terminal at Madrid Barajas The Leadenhall Building, New York, London, United Kingdom,
Airport, as well as high-rise office projects in London, England, 2006 New York, 2006 1986
London, a new law court complex in Antwerp, the
National Assembly for Wales in Cardiff, and a hotel 30
and conference centre in Barcelona.
PREPARED BY: JEFFERY MORALES JUCO
“Since the beginning of his architectural career in
the 1970s, Frenchman Jean Nouvel has broken the
aesthetic of modernism and post-modernism to
create a stylistic
y language
g g all his own. He p places
enormous importance on designing a building
harmonious with its surroundings,” said Bill Lacy in
his book, One Hundred Contemporary Architects.
Lacy, who was executive director of the Pritzker
Architecture Prize from 1988 until 2005 when he
retired, continued, “In the end that building’s design
may borrow from traditional and non non-traditional
traditional
forms, but its presentation is entirely unique.”
Jean Nouvel’s projects transform the landscapes in
which they are built, often becoming major urban
events in their own right. His unique approach,
driven by the specificities of context, program, and
site has pproven effective in numerous successes
around the world.
Institut du Monde Arabe (IMA or
One such success, a building that first brought Agbar Tower, Barcelona,
Arab World Institute), Paris,
Nouvel international recognition is the Institut du Spain, 2005
France, 1987
Monde Arabe (IMA) in Paris where one of its
facades is made entirely of mechanical oculi
operated by photoelectric cells that automatically
open and d close
l iin response tto lilight
ht llevels.
l ThThe
French critic, Alain de Gourcuff, said of it, “The
overall effect is at once highly decorative in a Middle
Eastern way and projects state-of-the-art
electronics.” 31
PREPARED BY: JEFFERY MORALES JUCO
 Swiss Sound Box, Swiss Pavilion,
Expo 2000, Hanover, Germany 2000

Peter Zumthor was born on April 26, 1943, the

son of a cabinet maker, Oscar Zumthor, in Basel,
Switzerland. He trained as a cabinet maker from
1958 to 1962. From 1963-67, he studied at the
Kunstgewerbeschule, Vorkurs and Fachklasse
with further studies in design at Pratt Institute in
New York.
In 1967, he was employed by the Canton of
Graubünden (Switzerland) in the Department for
the Preservation of Monuments working as a
building and planning consultant and architectural
analyst of historical villages, in addition to Apostle of the Real
realizing some restorations. He established his
own practice in 1979 in Haldenstein, Switzerland
where he still works with a small staff of fifteen.
Zumthor is married to Annalisa Zumthor-Cuorad.
They have three children, all adults, Anna
Katharina, Peter Conradin, and Jon Paulin, and
two grandchildren.

LACMA (Los Angeles County Museum of Art) 32

PREPARED BY: JEFFERY MORALES JUCO
 New Art Museum

Nanjing Museum

In 1995, Kazuyo Sejima (born in 1956) and Ryue

Nishizawa (born in 1966) founded SANAA, the
Tokyo architecture studio that has designed
innovative buildings
g in Japan
p and around the
world. Examples of their, groundbreaking work
include, among others, the Rolex Learning Center
in Lausanne, Switzerland; the Toledo Museum of
Art's Glass Pavilion in Toledo, Ohio; the New
Museum of Contemporary Art in New York, NY:
the Serpentine Pavilion in London; the Christian
Dior Building in Omotesando in Tokyo; and the
21st Century Museum of Contemporary Art in Vitra Campus, Germany
Kanazawa. The latter won the Golden Lion in 2004
for the most significant work in the Ninth
International Architecture Exhibition of the Venice
Biennale.
Bocconi University
Born in
B i JJapan’s
’ prefecture
f t off Ibaraki
Ib ki ((northeast
th t off C
Campus, It
Italy
l
Tokyo), Kazuyo Sejima received a degree in
architecture at the Japan Women's University.
Upon completion of her studies, she began
working in the office of architect Toyo Ito. In 1987,
she opened her own studio in Tokyo, and in 1992,
she was named the Japan Institute of Architects’
Architects
Young Architect of the Year in Japan. Kazuyo
Sejima has taught at Princeton University, the
Polytechnique de Lausanne, Tama Art University,
and Keio University. 33
PREPARED BY: JEFFERY MORALES JUCO
 Burgo Tower, Porto, Portugal, 2007
Municipal Stadium, Braga, Portugal, 2003

Eduardo Souto de Moura was born in Porto,

Portugal in 1952. His father was a doctor
(ophthalmologist) and his mother a home
maker. He has one brother and one sister.
The sister is also a doctor and his brother is a
lawyer with a political career—formerly he Paula Rego Museum, Cascais, Cinema House Manoel de
was Attorney General of Portugal. Portugal, 2008 Oliveira, Porto, Portugal, 2003
Along with his architecture practice, Souto de
Moura is a professor at the University of
Oporto,
p , and is a visiting
gpprofessor at Geneva,,
Paris-Belleville, Harvard, Dublin and the ETH Casa das Historias Paula Rego Casa das Historias Paula Rego
Zurich and Lausanne.

34
PREPARED BY: JEFFERY MORALES JUCO
 Ceramic House

Architect and Professor Wang Shu was born

in 1963 in Urumqi, a city in Xinjiang, the
western most province of China. He received
his first degree in architecture in 1985 and his
Masters degree in 1988, both from the Nan
Nanjing
j g Institute of Technology.
gy
Wang Shu is Professor and Head of the Ningbo History Museum
Architecture School at China Academy of Art,
Hangzhou. In 2011, he became the first
Chinese Kenzo Tange Visiting Professor at
the Harvard Graduate School of Design in
Cambridge,
g , Massachusetts.
Vertical Courtyard
Apartment

Xiangshan Campus
35
PREPARED BY: JEFFERY MORALES JUCO
 Serpentine Gallery Pavilion

Toyo Ito
2013 – Pritzker Winner Tower of Winds Sendai Mediatheque

Toyo Ito was born on June 1, 1941 in Keijo (Seoul),

Korea (Japanese). His father was a business man
with a special
p interest in the early
y ceramic ware of
the Yi Dynasty of Korea and Japanese style
paintings. He also was a sports fan of baseball and
golf.
Toyo Ito began working in the firm of Kiyonori
Kikutake & Associates after he graduated from
Tama Arts University Main Stadium, World Games
Tokyo
y University’s
y Department
p of Architecture in
1965. By 1971, he was ready to start his own
studio in Tokyo, and named it Urban Robot (Urbot).
In 1979, he changed the name to Toyo Ito &
Associates, Architects.

Tods Omotesando Bldg . Meiso No Muri Municipal Funeral 36

PREPARED BY: JEFFERY MORALES JUCO