Viennese Violone 5

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Which brings Beethoven to mind… A minute ago, we read about the low F
as the lower limit in the composer’s earlier works (Stephen G. Buckley:
“Beethoven, the Viennese Violone, and the Problem of Lower Compass”, in The Online
Journal of Bass Research.) But even without considering musicological
evidence, purely for practical reasons, it’s a good idea to be flexible about
the tuning of our lowest string. No matter if you play the Viennese bass or
the modern instrument in fourths.

A little bit of historical insight, in this case the fact that musicians (not only
bass players) sometimes adapted their instruments to the music and
escaped the rigid confines of a fixed “standard” tuning – like they did in
Viennese Tuning by changing the tuning of the lowest string according to
what was convenient for the left hand – can give us the inspiration and the
justification (if needed) to find clever solutions to technical problems today.

On the modern bass, apart from the traditional E-tuning, both the F- and
the D- variants are sometimes extremely useful. (I never saw the need for
an Eb- tuning, by the way, but there might be some piece out there where it
would be justified.)

In Beethoven’s 6th Symphony we find a perfect example of a passage where


tuning the 4th string (of the modern bass) to F instead of E is such an
evident solution. There are in fact many works in which a flexible approach
to tuning makes life much easier, thereby improving our rendition of the music.

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Maria Theresaʼs final years: widowhood and death

The sudden death of her husband in 1765 in Innsbruck, where the imperial family was staying to
celebrate the marriage of Archduke Leopold and Luisa of Bourbon-Spain, was a severe shock to
Maria Theresa and was to have an enduring effect on her life and personality.

Maria Theresaʼs immediate reaction to the death of Franz Stephan was one of profound grief.
From then on she appeared in widowʼs weeds, cutting her hair short and wearing a widowʼs veil.
She observed the Catholic Churchʼs catalogue of virtues for widows, which required the
renunciation of worldly pleasures. Pomp and circumstance were not deemed becoming for a
grieving widow. In her youth Maria Theresa had been all for courtly amusements; now she was
transformed into a priggish matron.

The main purpose of her life became the preservation of Franz Stephanʼs memory. She
developed a veritable cult of grieving focused on her late husband. After her death a scrap of
paper was found in her prayer book on which she had calculated the exact duration of her
marriage: ʻ29 years, 6 months, 6 days; that makes 29 years, 335 months, 1540 weeks, 10,781
days, 258,744 hoursʼ.

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