GSAPP Portfolio

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Stephen Charles Smith

Master of Advanced Architectural Design


GSAPP | Columbia University
2 Stephen Charles Smith | GSAPP AAD Portfolio
TABLE OF CONTENTS
DESIGN STUDIOS

Advanced Design Studio - Summer 2016


Tower of Gas Stations..............................................................................................6

Advanced Design Studio - Fall 2016


Fracturing Borders..................................................................................................18

Advanced Design Studio - Spring 2017


The City and The City...........................................................................................36

DESIGN AND FABRICATION ELECTIVES

Make (Design Elective) - Fall 2016


Material Accumulation...........................................................................................48

Transformable Design (Fabrication Elective) - Fall 2016


Transformable Shading Structure........................................................................56

Fast Pace // Slow Space (Fabrication Elective) - Spring 2017


Candy Wall...............................................................................................................60

3
4 Stephen Charles Smith | GSAPP AAD Portfolio
Design
Studios

5
TOWER OF GAS
STATIONS
Art & Architecture...and a Gas Station

Critics: Dan Wood / Maurizio Mattioli / James Wines


TA: Seo Hee Lee
Summer 2016

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Tower of Gas Stations | Summer 2016 Studio 7
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Tower of Gas Stations | Summer 2016 Studio 9
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Tower of Gas Stations | Summer 2016 Studio 11
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Tower of Gas Stations | Summer 2016 Studio 13
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Tower of Gas Stations | Summer 2016 Studio 15
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Tower of Gas Stations | Summer 2016 Studio 17
FRACTURING BORDERS
FRACKED HOMES

Critic: Andres Jaque


TA: Eduardo Tazon Maigre
Fall 2016

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Fracturing Borders | Fall 2016 Studio 19
The Frack King
Who rules? Environment or economics?

INTRODUCTION

RISK VS REWARD

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THE FRACKING EFFECT

TEXT

Fracturing Borders | Fall 2016 Studio 21


TO SECEDE OR NOT TO SECEDE?

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Fracturing Borders | Fall 2016 Studio 23
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Fracturing Borders | Fall 2016 Studio 25
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Fracturing Borders | Fall 2016 Studio 27
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Fracturing Borders | Fall 2016 Studio 29
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Fracturing Borders | Fall 2016 Studio 31
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Fracturing Borders | Fall 2016 Studio 33
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Fracturing Borders | Fall 2016 Studio 35
COPULA HALL
THE CITY AND THE CITY

Critics: Stephen Cassell / Annie Barrett


Spring 2017

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The City and The City | Spring 2017 Studio 37

 


 




 








 



 



 



 



 



 





 





’ 



 







 


 







 



 


’ 




 

’
 

’ 

’

 


















38 Stephen Charles Smith | GSAPP AAD Portfolio


 
























 






 











 



 














 





 









The City and The City | Spring 2017 Studio 39


40 Stephen Charles Smith | GSAPP AAD Portfolio
The City and The City | Spring 2017 Studio 41
42 Stephen Charles Smith | GSAPP AAD Portfolio
The City and The City | Spring 2017 Studio 43
44 Stephen Charles Smith | GSAPP AAD Portfolio
The City and The City | Spring 2017 Studio 45
46 Stephen Charles Smith | GSAPP AAD Portfolio
The City and The City | Spring 2017 Studio 47
48 Stephen Charles Smith | GSAPP AAD Portfolio
Design
Electives

Transformable Shading Structure | Fall 2016 Design Fabrication Elective 49


50 Stephen Charles Smith | GSAPP AAD Portfolio
Transformable Shading Structure | Fall 2016 Design Fabrication Elective 51
52 Stephen Charles Smith | GSAPP AAD Portfolio
Transformable Shading Structure | Fall 2016 Design Fabrication Elective 53
54 Stephen Charles Smith | GSAPP AAD Portfolio
Transformable Shading Structure | Fall 2016 Design Fabrication Elective 55
56 Stephen Charles Smith | GSAPP AAD Portfolio
Make. | Fall 2016 Design Fabrication Elective 57
58 Stephen Charles Smith | GSAPP AAD Portfolio
Make. | Fall 2016 Design Fabrication Elective 59
60 Stephen Charles Smith | GSAPP AAD Portfolio
Candy Wall - Fast Pace Slow Space | Spring 2017 Design Fabrication Elective 61
62 Stephen Charles Smith | GSAPP AAD Portfolio
Candy Wall - Fast Pace Slow Space | Spring 2017 Design Fabrication Elective 63

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