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The History of R&B Part 2: The Motown Era (1959-1969)
The History of R&B Part 2: The Motown Era (1959-1969)
The History of R&B Part 2: The Motown Era (1959-1969)
4. Stax Records
The 1960's soul and R&B music (whose lead singer Curtis Love of Blackness was shown in
reflected the times of optimism, Mayfield would change music James Brown's revolutionary song
social change, pain, joy, and forever). The 1960's expressed of: "I'm Black and I'm Proud." That
creativity at the same time. The diverse styles of R&B, even proto- song would inspire the youth to
start of the 1960's was massively funk by the 1960's with people like love their God-given Blackness a
different than the late 1960's. Early Sly and the Family Stone, James great deal. Dynamic soul
1960's music had a Motown touch Brown, and other artists. Aretha encompassed the expression of
with men and women wearing Franklin spoke about the dignity musicians from the Marvelettes to
their Sunday-best clothing. Ballads of a woman with songs like Odetta. There is no way that any
about love plus romance were Respect. Aretha was an active human being can have a
commonplace from the Supremes, member of the Civil Rights comprehensive look at music in
the Temptations, Stevie Wonder, Movement along her father, who general without listening plus
Otis Redding, Jackie Wilson, was a preacher plus friend of the studying the music of the 1960's
Smokey Robinson, Jimmy Walker late Dr. Martin Luther King Jr. period. Staxx Records and Jimi
and the All Stars, Ben E. King, Rya With the Tet Offensive, Hendrix's sounds flourished
Charles, Fontella Bass, Etta James, assassinations of heroic people, during that time period too. The
and the Miracles, and the Four protests, and rebellions, everything demand for social change outlined
Tops. With the growth of the Civil that we see now in 2020 is a the essence of the human urge to
Rights Movement, the reflection of the 1960's. Militancy be free. Oppression of any kind is
counterculture, and the anti-war was the order of the day by the late wrong, and the 1960's R&B have
movements, music did evolve to 1960's. The activism of the Black shown the power of the black
promote more political causes like Panther Party for Self-Defense human spirit. In 2020, we continue
the songs from the Impressions captivated our people plus others. to fight for the prize of liberation.
Motown Starts
Motown is a word that stood the test of time as a large part of music. It showed music made by African
Americans, and its songs have been beloved by people of every race or color. It broke down barriers and has
been embraced by human beings globally. Also, it gave many musicians’ opportunities to not only tour the
world. It gave them the chance to fully express their own personal identities. When you think of the music of
the 1960's, you think of Motown constantly. It was created by Berry Gordy Jr. as Tamla Records on January 12,
1959. It was incorporated as Motown Record Corporation on April 14, 1960. It was originally an American
owned record label. It promoted soul music, pop, and R&B. Universally, people from across genres of music
loved Motown. By 2018, Motown was inducted into the Rhythm and Blues Music Hall of Fame in a ceremony
held at the Charles H. Wright Museum at Detroit, Michigan. Berry Gordy is a businessman. He made a record
store called the 3D Record Mart. Gordy visited Detroit's downtown nightclubs to study music. Later, he was a
songwriter. He, his sister Gwen Gordy, and Billy Davis wrote songs for Jackie Wilson. Wilson's first hit was
Reet Petite from November of 1957. Gordy helped to write Lonely Teardops in 1958. Berry Gordy and his
siblings Ann, Gwen, and Robert helped to write many forms of music for artists. Smokey Robinson met Gordy
in 1957. Smokey was just 17 when he was in the group called the Matadors. Gordy loved doo-wop. Smokey was
in the Miracles too. Anna Records was made by Gordy and his sister Gwen on April 1959. Gordy and secretary
Janie Bradford wrote Barrett Strong's Money (That's What I want). Smokey Robinson was the vice President
of Talma. Hitsville USA was the first headquarters of the Motown company. Motown signed Mable John,
Eddie Holland and Mary Wells. By 1960, the Miracles' Shop Around was the first number R&B hit in 1960. The
Marveletts hit Please Mr. Postman was famous in 1961. From 1961 to 1971, Motown had 110 top 10 hits. That fact
is just amazing. By 1960, Marvin Gaye signed with Motown. The Twist was popularized by Chubby Checker.
In 1961, the Temptations signed with Motown. They were once the Elgins. Stevie Wonder signed with them
too.
The Supremes signed with Motown, and they were once called the Primettes. Eddie Holland recorded "Jamie."
In 1962, Brian Holland, Eddie Holland, and Lamont Dozier started to work as songwriting, music production
team. Motown toured the East Coast and the South with their Motor town Revue. Groups like the Miracles,
Martha and the Vandellas, the Supremes, Mary Wells, Stevie Wonder, Marvin Gaye, the Contours, the
Marvelettes, and the Choker Campbell Band. The Contours released Do You Love Me. Demos grew by 1963.
Mary Wells was on American Bandstand with Dick Clark in 1963. Martha and the Vandellas were nominated
for Love is Like A Heatwave. The song was written by Brian Holland, Lamont Dozier, and Edward Holland Jr.
The Motown's Artist Personal Development started in 1964. Maurice King, Maxine Powell, and Cholly Atkins
worked with artists. The Miracles perform in London in the same year. Smokey Robinson and Bobby Rogers of
the Miracles wrote the Temptations hit The Way You Do the Things You Do.
On December 11, 1964, the talented singer Sam Cooke passed away. He was an American singer, songwriter,
civil rights activist, and entrepreneur. Clarksdale, Mississippi was the place of his birth, as his birth was on
January 22, 1931. He could sing, play the guitar, and toured the world. Back in the early 1960's, he was called the
King of Soul. Some of his greatest songs were You Send Me, A Change is Gonna Come, Cupid, Wonderful
World, Chain Gang, Twistin' the Night Away, and Bring it On Home to Me. His distinctive vocals contributed
to many soul artists' growth like Aretha, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, etc. He
was raised in Chicago. Sam Cooke sang gospel, as his father was a preacher. From 1957 to 1964, he had many
popular songs. Sam Cooke was one of the first modern black performers and composers to work on the
business side of the music industry to promote ownership of resources. As early as 1956, his first pop/soul
single was Lovable. In 1961, Sam Cooke created his own record label called SAR Records (with J. W. Alexander
and his manager, Roy Crain). The label had artists like the Simms Twins, the Valentinos (who were Bobby
Womack and his brothers), Mel Carter, and Johnnie Taylor. Etta James and Muhammad Ali were some of Same
Cooke's friends. Sam Cooke was a great songwriter, and he focused on creating singles. Sam Cooke was not
perfect, and I make no justifications for his mistakes. His death has been disputed. What we do know that he
died in Los Angeles by one gunshot wound to the chest. Many women (like Bertha Franklin and Elisa Boyer. In
1979, Elisa Royer was found guilty of the 2nd degree murder of her ex-boyfriend. Bertha Franklin shot a patron
at the Hotel six months prior to Cooke's death) were there at the time of his death, and they accused him of
improprieties at the Hacienda Motel.
Sam Cooke's family and fans dispute those allegations to this day. Whatever the truth is, we are clear that we
should always stand on acting righteous towards any human being that we encounter. In Chicago and Los
Angeles, thousands of his fans lined the streets to mourn Sam Cooke's passing. When Etta James (a great
singer) saw Cooke's body, she said that Sam was so badly beaten that he was almost decapitated on both of his
hands were bruised plus completely crushed. She said that Cooke's nose was mangled. Sam Cooke lived for 33
years on this Earth. If you want to read a book that chronicles the life of Sam Cooke in a fair, accurate way, I do
recommend the book, entitled, "One More River to Cross: The Redemption of Sam Cooke" by B.G. Rhule. The
editors of the book are DONNA H. RICHARDS and JOANNA KATSUNE.
In 1965, Motown reached into new heights of power. Motown had its foreign label, Tamla-Motown in London.
Brenda Holloway performed with the Beatles on their North American Tour. Motown released its first 8 track
tapes. The Four Tops' I Can't Help Myself was released and the Supremes' "Stop in the Name of Love" was
released in 1965. Stop in the Name of Love just caused the Supremes to reach new heights of popularity. James
Brown recorded, "Papa Got a Brand New Bag" in 1965 too. By this era of time, the British musical invasion
sweep America with acts like the Beatles and the Stones. The irony is that many of these groups from the
British invasions profoundly acknowledged the contributions of black artists that came before them in
developing the sound of soul music, R&B, and rock and roll.
Norman Whitfield (1940-2008) was credited as one of the creators of the The legendary actress
Motown Sound and of the late 1960's subgenre of psychedelic soul. Maxine Diahann Carroll started in
Powell was the woman who helped Motown's musicians to develop their the title role of the show
Julia on September 17,
character, fashion, and other aspects of their performance. She told the Supremes 1968. She was the first
about talking, dressing, and eating food. Maxine Powell said the truth that each African American actress to
person is beautiful. She lived to be 98 years old. She worked with Marvin Gaye, star in her own television
Smokey Robinson, Tammi Terrell, and Stevie Wonder. Powell wanted to show series where she didn’t play
the black excellence in the world by presenting the best out of artists. That was a domestic worker.
her gift. Smokey Robinson helped Motown with writing hit records too. Cholly
Atkins was involved in the artistic development department as a dance teacher.
Back in the day, many Motown artists were too rigid in their dance moves, so
Atkins came about to help many artists to be more fluid in how they performed or
danced on stage. His lessons worked. Cholly Atkins worked with the
Temptations and the Four Tops. He also worked with the Pips and the Supremes.
Honi Coles also worked with Motown musicians to improve their dancing skills.
Atkins choreographed for the Temptations until his passing in 2003.
The 1967 film of In the Heat of the The Learning Tree of 1969 is The tragic 1966 film of Black Girl A Man Called Adam deals
Night stars Sidney Poitier as a a look of African American life has Mbissine Therese Diop with a tormented man
Philadelphia police detective in 1920’s Kansas. Its shows playing a maid in France. The (played by Sammy Davis Jr.)
traveling into Mississippi in order the complexities of life from French couple mistreats her making a music comeback
to solve a murder case. He slaps a romance to town events. extremely bad, and it outlines the with a civil rights activist
white man in self-defense which truth that anti-black oppression is and her grandfather (played
was a first in motion pictures. He a global phenomenon. by Louis Armstrong). Cicely
also befriends a hostile police chief. Tyson is in the film as
Claudia Ferguson.
Gone Are the Days! was a 1963 The 1960 film of Sergeant The 1963 film of Ganga Zumba is Guess Who’s Coming to
drama and comedy film starring Rutledge (who is played by the film about the life story of the Dinner is a 1967 film that
Ossie Davis, Ruby Dee, and Woody Strobe) is about a escaped former slave who led the deals with interracial
Godfrey Cambridge. The movie black sergeant falsely accused Quilombo dos Palmares in Brazil marriage. Back in those days,
wanted to expose stereotypes and of murder and rape. It shows that fight for their liberation. The interracial marriage was a
use satire and humor to make light the truth at the end of the film Afro-Brazilian actors and massively big deal in
of how evil it is for one to harbor of one white person guilty of actresses in the film are Antonio America. It was only in 1967
racist views. the crimes. Pitanga, Lea Garcia, Eliezer when interracial marriage
Gomes, Luiza Maranhao, Jorge was legalized federally in
Coutinho, etc. America. That wasn’t that
long ago.
Stax Records
Stax Records is one of the most underrated record labels of R&B and soul music. It is based in Memphis, and
people called it the area of Memphis soul. It has been part of a large movement of musical expression. It was
founded in 1957, and shared its operations with Volt Records. Southern soul music was common back in the
day. Stax helped to release gospel, funk, and blues records too. Jim Stewart and his sister Estelle Eaxton
founded the record label. It had many ethnically integrated bands like Booker T & the M.G.'s. It also had
multiracial groups of artists and writers that was unprecedented during the 1960's. According to
ethnomusicologist Rob Bowman, the label's use of "one studio, one equipment set-up, the same set of musicians
and a small group of songwriters led to a readily identifiable sound. It was a sound based in black gospel, blues,
country, and earlier forms of rhythm and blues. It became known as southern soul music." Otis Redding was
the biggest artist on the label. He passed away in 1967. Its main rival was Motown Records in Detroit. Al Bell
controlled Stax in 1968. It ended in 1975 because of financial solvency issues. Stax issued new singing acts
again in 1978. It was reactivated in 2004. Current R&B and soul performers released material there. The
Veltones made Fool in Love during the early years. Rufus Thomas and his daughter Carla made music. Their
song was Cause I Love You. In 1962, Booker T. Jones (who could play many instruments) helped to expand
Stax into the next level with drummer Al Jackson Jr., bassist Donald Dunn, and others. Isaac Hayes was also in
the label back in the 1960's.
Redding's first single, "These Arms of Mine," issued in October 1962, hit both the R&B and the pop charts.
Though the label had enjoyed some early hits with the Mar-Keys and Booker T. & the M.G.'s, Redding became
the first Stax/Volt artist to consistently hit the charts with each release—in fact, each of Redding's 17 singles
issued during his lifetime charted. (Carla Thomas also charted with some consistency, but her pre-1965 releases
were on Atlantic, not Stax or Volt.). Between January 1962 and December 1964, Stax and Volt released several
chart hits each by Otis Redding, Rufus Thomas, and Booker T. and the M.G.'s. However, despite dozens of
other releases, only three other Stax/Volt singles charted during this time, and all just barely: William Bell's
"You Don't Miss Your Water" hit #95 in early 1962; the Mar-Keys' "Pop-Eye Stroll" hit #94 in mid-1962
(although it was a big hit in Canada, hitting #1 on Toronto's CHUM Chart), and Barbara & the Browns' "Big
Party" made it to #97 in mid-1964.
Beginning in 1965, when the label formalized its distribution agreement with Atlantic, Stax/Volt artists made
the charts much more frequently. Later, Sam and Dave, the Mad Lads, and other artists came on the scene. Don
Covay and Wilson Pickett recorded at the label too. Stax artists toured across America and in Europe. Stax
broke with Atlantic records in 1968. Johnnie Taylor gave Stax its first big post-Atlantic hit in 1968 with
"Who's Making Love", which became the label's best-selling single to that point. Producer and songwriter Isaac
Hayes stepped into the spotlight with Hot Buttered Soul. Originally seen just as a solo artistic project for
Hayes to make up the numbers, it went on to sell over three million copies in 1969. Stax had the Staple Singers
too. Al Bell worked with Rev. Jesse Jackson and funded Operation PUSH. People know about Wattstax that
was organized by the Stax label on August 20, 1972. It featured Richard Pryor when he was a young man. It was
called Black Woodstock with over 100,000 mostly African American people there. It was made into a film
released by Columbia Pictures in February of 1973. Artists as diverse as Shirley Brown and Elvis would work at
Stax Records. Stax made an iconic movement that we appreciate to this day.
Artists assert themselves
By the time of 1966, American society was changing. Shows had more integrated audiences even in the South.
Black music was the soundtrack of the lives of millions of Americans. Motown was already reaching new
international acclaim. Yet, social justice activists like Ella Baker, Dr. King, Kwame Ture, Rosa Parks, Gloria
Richardson, etc. continued to fight for change. By this time, the Civil Rights Movement at its core dealt with
more complex issues of housing, education, police brutality, economic inequality, the Vietnam War, and other
issues. The Black Power movement was reaching tons of young people. Music reflected this new reality in
American society. In 1966, Norman Whitfield was producing the Temptations. Motown grossed $20 million.
Motown signed many great artists like Gladys Knight and the Pips, Tammi Terrell, and the Isley Brothers. Nick
Ashford and Valerie Simpson were staff writers at Motown. Stark Trek was born. Color TV started to be
popular. I Spy was there. The Freedom of Information Act was signed by LBJ. The Black Panthers were created
in 1966 as well. By early 1966, James Brown had a record called I Got You (I Feel Good). Joe Tex had A Sweet
Woman Like You. Singles form Stevie Wonder, The Supremes, the Four Tops, and The Temptations dominated
the charts in 1966. The Temptations had 4 chart topping records of Get Ready, Aint Too Proud to Beg, Beauty
is Only Skin Deep, and I'm Losing You. June was when James Brown had the song of "It's a Man's Man's Man's
World." Wilson Pickett was showing music. The Supremes had recorded like You Can't Hurry Love and You
Keep Me Hangin' On. Stevie Wonder had Uptight and Blowin' in the Wind. Percey Sledge's When a Man
Loves a Woman was an anthem of 1966. Sam and Dave's Hold On! I'm a Comin' was popular. Ray Charles and
Lou Rawls expressed themselves with music in 1966 as well. It was a very soulful year indeed. Maurice King
was also part of the Motown's artist development department too.
As a tenor with a four octave During his performances, he
range, he was a great soul singer. would dance creatively, do the
He was part of the transition of splits, and other actions that
rhythm and blues into soul. He inspired people like James
loved to perform a show in front Brown, Elvis, and Michael
of crowds. He was born in Jackson. Jackie Wilson worked
Detroit. He could do pop, doo- with legends like Count Basie,
wop, and easy listening. He was LaVern Baker and gospel singer
one of the most influential Linda Hopkins. The Funk
musical artists of all time. Music Brothers were involved in his
from Jackie Wilson includes comeback of the late 1960’s. By
songs like lonely Teardrops, the 1970’s, he had songs like
Your Love Keeps Lifting Me Beautiful Day and You Got Me
Higher, and Baby Workout. Walkin. I make no justifications
Jackie Wilson was a man who for his imperfections. Yet, we
was born to outline his musical understand his life in order to live
expression. better lives ourselves.
"...We, the Supremes, can’t take all the credit. The writers and producers at Motown gave us the
music and sound that people loved. And then there was the glamour. My whole life is like a dream. I
tell you – if I were not a Supreme, I would want to be a Supreme. I’m living the dream..."
-Mary Wilson
1967-1969
During the year of 1967, one woman dominated the charts. R&B music expanded greatly internationally. The
most successful artist of 1967 was Aretha Franklin. She spent seven weeks at number one between March and
May 1967 with the song, "I Never Loved a Man (The Way I Love You)." She released the song Respect in 1967
with 8 weeks in the peak position and the song Baby I Love You by the end of the year. By this time, she was on
Atlantic Records. The Queen of Soul was already one of the greatest singers of all time by the 1960's. There
were other artists who had number one hits for the first time in 1967 too. One was Aaron Neville. Aaron Joseph
Neville is a legendary R&B and soul vocalist plus musicians. He had 4 platinum albums and he was born on
January 24, 1941. New Orleans was the place of his birth. His niece is the famous journalist Arthel Neville.
Aaron Neville's song Tell It Like It Is was powerful. Freddie Scott and Bettye Swann had songs like Are You
Lonely for Me and Make Me Yours respectively. The songs I Heard It Through the Grapevine by Gladys Knight
& the Pips reached the top spot in the Billboard by December of December 1967. The Supremes was the
greatest singing group of women during the 1960's and possibly of all time with music like Love is Here and
Now You're Gone. The Supremes also had their funky tune in 1967 called The Happening. Sam and Dave's Soul
Train was a classic example of excellent artistry. Martha and the Vandellas' Jimmy Mack described romance.
Stevie Wonder released the song I Was Made to Love Her, which showed his massive growth as an artist. Back
then, he was a teen making classic songs that remain timeless to this very day.
By September of 1967, James Brown had his music of Cold Sweat and Wilson Pickett had the song of Funky
Broadway. Stevie Wonder in 1967 toured Europe, Motown had five major labels (Tamla, Motown, Gordy, Soul,
and V.I.P.), and Dr. Martin Luther King's anti-war speech of "Why I Oppose the War in Vietnam." R&B in 1968
dealt with tons of somber songs, political songs, and songs of reflections about life in general. By 1968, Otis
Redding had the posthumous number one with the song of Sittin' on The Dock of the Bay. Marvin Gaye
dominated the charts in 1968 with Ain't Nothing Like the Real Thing, You're All I need to get bay both duets
with Tammi Terrell. By the end of 1968, Marvin Gaye had his version of I Heard It Through the
Grapevine." Gaye’s version would stand out in an extraordinary fashion. Archie Bell & the Drells had Tighten
Up and Hugh Masekela had the song of Grazing in the Grass. Hugh Masakela was a South African trumpeter.
1968 saw new people on the top of the R&B charts like Tammi Terrell, the Intruders, the Dells, and Johnnie
Taylor. One of the most revolutionary songs of all time was James Brown's "Say It Loud - I'm Black I'm Proud."
The message of the song is self-explanatory. It wanted to promote Black Unity and being thankful of being
Black as Black is Beautiful. It gave confident to black youth about the greatness of their black identity. The
song was an anthem for the Black Panther movement. James Brown promoted black empowerment and self-
reliance. What I disagree with conservative black capitalism as promoted by Nixon, I do agree with James
Brown in black empowerment and loving black identity.
It is important to celebrate the life of another legend. She is not here physically, but her legacy lives on as a
heroic singer. Her journey in life's road has been rough. We know of the stories. Books, an episode from
Unsung that I watched, and other sources documented her valleys. Yet, she was a kind soul who wanted love
and respect as an equal human being. Her sound magnificently flourished despite the pain that she had
experienced in her life. She was Tammi Terrell. Tammi Terrell was an icon of Motown music, and her wit plus
strength were admirable. Every song from her was like a pure exercise of talent. One of her best friends was
Marvin Gaye. Their chemistry as friends was undeniable. He was her support and vice versa. When Marvin
Gaye was very shy back in the 1960's, Tammi Terrell inspired him to be more expressive with his personality.
Tammi Terrell was from the streets of Philadelphia. Philadelphia is home to many soul singing legends then and
now. She went into Germantown High School in Philadelphia. She sang duets with Marvin Gaye and made solo
records. Your Precious Love is one of the great records from her. If This World Were Mine was another one of
her classics too. Tammi Terrell was engaged to a real man named Dr. Ernest Garrett, who was a doctor. She
passed away in 1970 of brain cancer at the age of 24 years old. Marvin Gaye, or his close friend, has never gotten
over her passing. Marvin Gaye was a real friend to her. Tammi's life signified the beauty of music, and how we
have to do our part in treating our neighbors as ourselves. Tammi Terrell was a nice, gentle soul who only
wanted peace and love.
Afraid, ashamed, misunderstood These are Motown artists in London back in 1965.
But I'll always love you..."
1969 was the final year of the 1960's. As with the times, music evolved into a more funk direction by 1969.
Psychedelic R&B grew, and society was becoming more progressive with social movements flourishing. Marvin
Gaye continued to make classic records like Too Busy Thinking About my Baby. James Brown had music along
with the Temptations. James Brown increasingly used the funk style that was developed since the 1960's.
Tyrone Davis had his single Can I Change My Mind. Sly & The Family Stone had the funk record Everyday
People. Sly Stone had developed the funk and psychedelic soul into another level. The Isley Brothers, Joe Simon,
and the Originals had their first numbers of the careers during 1969. Diana Ross and the Supremes released
Someday We'll Be Together which was the prelude to the end of the Supremes with Diana Ross in the group.
Jr. Walker and the All-Stars topped the chart with What Does it Take (To Win Your Love). Jerry Butler in
April 1969 had the popular hit of Only the Strong Survive. The Isley Brothers had the 1969 song of It's Your
Thing. Joe Simon, the Dells, Aretha Franklin, and the Originals had many of their records.
Marlena Shaw's version of California Soul is my favorite version of the song. Marlena Shaw is a great soul
singer. 1969 also saw the Jackson Five perform at the Daisy Disco in Los Angeles with an Introduction from
Diana Ross. Diana Ross promoted the Jackson Five and became a very close friend to Michael Jackson. 1969
was the birth of Michael Jackson and his family taking the country by storm with their inspirational music. In
1969, the Jackson Five released the single "I Want you Back." Michael Jackson had the lead vocals in the song. It
was performed on the band's first television appearances, on October 18, 1969 on Diana Ross's The Hollywood
Palace and on their milestone performance on December 14, 1969 on The Ed Sullivan Show. The Jackson family
blessed the world not only with their musical talent but with their grace and compassion for fellow people. The
Temptations' I Can't Get Next to You was number one on the pop charts in 1969. 1969 saw R&B music in a
new space with old school sounds plus mixed with new school flavor. The 1970's would see the greatness of
music continue to come alive. 1969 saw the birth of Earth, Wind, and Fire too (they were the Salty Peppers
back in 1969 with records like La La Time and Uh Huh Yeah).The Funk Brothers and other producers made
some of the greatest music of all time.
CELEBRATING THE 40TH YEAR ANNIVERSARY OF BLACK ENTERTAINMENT TELEVISION (BET)
Amanda Lewis was Ever since January 25, 1980, BET has existed to BET+ is a streaming
one of the many provide information, entertainment, movies, political service that shows many
hosts of BET’s Teen views, and other insights to inspire and promote the black shows along with
Summit. It lasted interests of black people. With all of the changes in exclusive new generation
from 1989 to 2002. the world now, we certainly honor the diverse black black TV shows as well.
She (who supports voices and black talents who enlighten the human
the Humane race. From award shows to massive documentaries,
Society) majored in
Black Entertainment Television remains powerful. It is
history at Howard
University, in
always important to love our black identities as a
Washington, D.C., means to be free. Black Lives always Matter and our
from which she black excellence is truly sacrosanct.
graduated, cum
laude, in 1995. Rihanna awarded the legend Mary J. Blige the
BET Lifetime Achievement Awards during the
2019 BET Awards.
Aretha Franklin stood up for our rights, so we could live in this generation found in 2020. Artists like Ray
Charles, the Miracles, the Four Tops, The Drifters, Sam and Dave, Ben E. King, the Impressions, Booker T. the
M.G.s, the Chi-Lites, Donny Hathaway (who had the song of I Thank you, Baby with singer June Conquest.
Hathaway's other early single was The Ghetto Part 1 in 1969 too), the Shirelles, Jimi Hendrix, The Isley
Brothers, The Midnighters, the 5th Dimension, and other unsung musicians excelled greatly. People can't sleep
on artists like Barbara Lewis, Garnet Mimms & The Enchanters, The Five Stairsteps, Percy Sledge, Dee Dee
Sharp, Peaches & Herb, Eddie Floyd, Dinah Washington, Inez and Charlie Foxx, Ruby and the Romantics,
Justine Washington, The Ronettes, Ramsey Lewis, and Maxine Brown. Many of these artists had gospel
influences, as gospel is the cousin to R&B music. Also, many of these artists came from the South or their
ancestors originated from the South. Many people of the Midwest and the North including the West had their
ancestors from Mississippi, Alabama, Louisiana, Texas, Georgia, North Carolina, Virginia, and other places of
the South. The 2 Great Migrations of African American improved the cultural strength of America completely.
The Southern African American experience gave a lot of soul to R&B culture. I want that to be known too.
By Timothy