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Chandramukhi (Transl. Moon-Faced Beauty) Is A 2005 Indian: Apthamitra Manichitrathazhu
Chandramukhi (Transl. Moon-Faced Beauty) Is A 2005 Indian: Apthamitra Manichitrathazhu
Chandramukhi (Transl. Moon-Faced Beauty) Is A 2005 Indian: Apthamitra Manichitrathazhu
Contents
1Plot
2Cast
3Production
o 3.1Development
o 3.2Casting
o 3.3Filming
4Music
5Release
6Marketing
7Home media
8Reception
o 8.1Critical response
o 8.2Box office
8.2.1India
8.2.2Overseas
9Accolades
10Legacy
11In popular culture
o 11.1Parodies
12Other versions
13Sequels
14See also
15Notes
16References
17Sources
18External links
Plot[edit]
Saravanan, a psychiatrist, meets up with his friend Senthilnathan “Senthil”, and his wife Ganga while
on vacation. Senthil's mother Kasthuri wanted Senthil to marry Priya, the daughter of his father's
cousin Kandaswamy, to reunite the two branches of the family after 30 years of separation because
Senthil's father chose to marry Kasthuri instead of Kandaswamy's sister, Akhilandeshwari, who is
also his cousin. Saravanan learns that Senthil had bought the Vettaiyapuram mansion, despite
attempts by the local village elders to dissuade them, and moves in with them. Akhilandeshwari is
jealous of Saravanan and plots to kill him with the help of her assistant Oomaiyan.
When the family visits their ancestral temple, the chief priest reveals the reason everyone fears the
mansion. 150 years ago, a king named Vettaiyan travelled to Vizianagaram in Andhra Pradesh,
where he met and fell in love with a dancer named Chandramukhi. However, she did not reciprocate
his feelings as she was already in love with another dancer named Gunasekaran. As a result,
Vettaiyan took her back to his palace by force. Unknown to him, Chandramukhi made Gunasekaran
stay in a house nearby and met him secretly. When Vettaiyan discovered this, he beheaded
Gunasekaran on Durgashtami and burnt Chandramukhi alive. As a result, Chandramukhi's ghost
tried to take revenge on Vettaiyan, who with the help of various priests and sorcerers from all over
the country, tamed the ghost by locking it up in a room located in the palace's south-west corner.
Priya is in love with Vishwanathan, a dance professor who reciprocates her feelings. Their love is
supported by Saravanan, who requests Kandaswamy to arrange their marriage.
After hearing Chandramukhi's story, Ganga, who thinks that the story was fabricated to scare thieves
from stealing treasures in the room, wishes to go there. She gets the room key from the gardener's
granddaughter Durga and opens the door to the room. Later, Saravanan receives an email to attend
a patient. Saravanan assures Senthil to call him if anything happens. Subsequently, strange things
begin to happen in the household: a ghost frightens the people in the house, things inexplicably
break, and Ganga's sari catches fire. Suspicion turns towards Durga. Senthil immediately calls
Saravanan to solve the case. As soon as Saravanan returns, a mysterious being tries to kill Priya.
Saravanan also investigates other incidents such as the attempts to kill Senthil are made with
poisoning his coffee and by pushing a fish tank on top of him, as well as a mysterious voice singing
during the night.
Ganga mysteriously disappears during Priya and Viswanathan's engagement. Saravanan notices
her absence and searches for her, but is attacked by Oomaiyan—who has been sent by
Akhilandeshwari. Saravanan subdues Oomaiyan and with Senthil's help finds Ganga, who is
supposedly being sexually harassed by Viswanathan. Saravanan reveals to Senthil and
Viswanathan that Ganga suffers from split personality disorder. Saravanan tells them that
Chandramukhi inside Ganga tried to kill Priya and Senthil, and framed Viswanathan for sexual
harassment because from Chandramukhi's view, Viswanathan is her lover Gunasekaran since he
stays at the same place Gunasekaran did. By framing Vishwanathan and also framing Durga via
possession, Chandramukhi planned to stop the engagement. The only way to stop Chandramukhi is
to make her believe she killed Vettaiyan on Durgashtami since Saravanan impersonated Vettaiyan
and disrupted one of the pujas conducted by the exorcist Ramachandra Acharya by conversing with
Chandramukhi to know its wish. Before carrying out his plan, Saravanan asks Senthil to trigger
Ganga to see for himself whether she turns into Chandramukhi or not. When Senthil does so, she
turns into Chandramukhi, which shocks him. A worried Senthil shouts at Ganga, turning her back to
normal.
Akhilandeshwari overhears Saravanan's idea of self-sacrifice and apologises to him. On
Durgashtami, in the dance hall, the family and Ramachandra Acharya allow Chandramukhi to burn
Saravanan alive. Ramachandra Acharya then blows smoke and ash on Ganga's face when she is
given a torch to burn Saravanan. Senthil then opens a trapdoor to let Saravanan escape, and an
effigy of Vettaiyan gets burnt instead. Convinced that Vettaiyan is dead, Chandramukhi leaves
Ganga's body, curing her. The two families are reunited after 30 years, Saravanan and Durga fall in
love, and the couple Swarna and Murugesan become parents after eight years of marriage.
Cast[edit]
Rajinikanth as Dr. Saravanan and Vettaiyan Raja
Prabhu as Senthilnathan
Jyothika as Chandramukhi and Ganga Senthilnathan
Vadivelu as Murugesan
Nayanthara as Durga
Nassar as Kandaswamy
Vineeth as Viswanathan and Gunasekaran
Vijayakumar as Durga's grandfather
Sheela as Akhilandeswari
K. R. Vijaya as Kasthuri
Avinash as Ramachandra Acharya
Suvarna Mathew as Swarna Murugesan
Malavika as Priya Viswanathan
Vinaya Prasad as Lakshmi Kandaswamy
Manobala as a fake exorcist
Sonu Sood as Oomaiyan
Thyagu as Kumar
Mohan Raj as Senthilnathan's work opponent
Madhan Bob as a car owner
T. P. Gajendran as Senthilnathan's assistant
Sudha Rani as Ganga's mother
Sujibala as Kandaswamy's youngest daughter
Unnikrishnan Namboothiri as the temple priest (uncredited)
Sivaji Ganesan as Senthilnathan's father (uncredited, only photo shown)
Director P. Vasu, producer Ramkumar Ganesan and Raj Bahaddur make guest appearances in the
song "Devuda Devuda".[3][4]
Production[edit]
Development[edit]
Four weeks ago, [Rajinikanth] called me on a Sunday afternoon, and asked what I was doing. I told him I had had
[sic] a lot of biryani and was spending time with my sons! He laughed in his stylish way, and then asked if I was doing
any new production. I told him we are thinking of doing a Hindi film with Rajkumar Santoshi in March. We are also
doing a Telugu serial which my cousins are looking after. I was quite free at the time. That's when he asked me,
'Shall we do a film, Ramu?' It came as a pleasant surprise. On a Sunday afternoon, after a heavy lunch, this
suggestion from Rajnikanth was like superb dessert! I said, 'I am very happy sir.' He told me he had heard a subject,
and we would make a film on that.
— Ramkumar Ganesan on how Chandramukhideveloped, in October 2004[5]
During the success meet of Mannan (1992), Rajinikanth announced that he would act in Sivaji
Productions' 50th film,[6]which would eventually become Chandramukhi.[7] In September 2004,
Rajinikanth congratulated P. Vasu on the success of his Kannada film Apthamitra (2004) and was
impressed with the film's screenplay. Vasu then requested to remake the film in Tamil with
Rajinikanth, who in turn, called Ramkumar Ganesan and asked him to produce it under Ramkumar's
banner, Sivaji Productions.[8]
Ramkumar telephoned Vasu, who was offering worship in a temple in Guruvayoor at that time,
informing him of Rajinikanth's wish to do Apthamitra in Tamil under his direction.[8] Vasu reworked
the script he wrote for Apthamitra to suit Rajinikanth's style of acting.[9] The film dealt mainly with the
concept of dissociative identity disorder, commonly known as "multiple personality disorder" (MPD)
or "split personality disorder". Another film titled Anniyan (2005), which featured Vikram in the lead
role, and was released two months after Chandramukhi, was also based on the same disorder.[10]
Thota Tharani was the film's art director,[8] and also designed the costumes used in the film.
[11]
Regarding the designing of the Vettaiyapuram palace, he watched both Apthamitra and its source
Malayalam film Manichitrathazhu (1993) to get the basic idea of the film's plot. Vasu wanted Tharani
to make the sets more colourful and grand and did not want the realistic look of the original film.
Tharani designed Chandramukhi's room and placed a corridor in it, which was quite different from
the original and its Kannada remake. The corridor resembled those commonly seen in palaces
in Kerala.[11] Sidney Sladendid additional costume designing in the film.[12]