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Nimzowitsch Larsen Attack Raymond Keene PDF
Nimzowitsch Larsen Attack Raymond Keene PDF
Preface VI
Symbols VIII
I ntroduction IX
This book deals with one of the most interesting opening systems available
to t he modern player a system in which theory is still in a state ofllux and
therd(Jre is id�al for those who wish to avoid long theoretical lines and force
comparatively cerebral middle games.
The book has been constructed to a novel plan which I will now attempt
to explain . The period when I was commisioned to write a book on the
Nimzo Larsen Attack for Batslord coincided with a particularly busy
phase in my over-the-board activities, the demands of which simply did
not lea\· e me time to do all the necessary spade-work req uired by a
comprehensive opening work such as this. Accord ingly I solicited help
from a number of quarters to amass all of the vital references constituting
the raw material for the book. Tim H arding and I.M. Bob Wade came
forward to coll ect all recent games available from western sources, while
Sm·iet and I nternational Grandmaster Eduard Gufeld was kind enough to
provide me with a host of little-known games from obscure Soviet
publications. Finally Nevil Coles, with whom I had already enjoyed a
fruitful collaboration on our book Howard Staunton the English world chess
champion, dug into his archives to produce a wealth of 1 9th century games
by Owen , Skipworth, Bird, Chigorin, etc . . . which demonstrate
conclusively that I b3 and its oiTshoots are by no means the exclusive
prerogati\·e of the moderns.
I n order to gain experience with this opening at the in ternational level,
to equip myself thoroughly for the task of wri ting the book , I also began to
employ the l\"imzo Larsen At tack in my own international games, and
references to these as White i n this volume i nclude such opposi tion (my
resu lt given in parenthesis) as Korchnoi ( �), Tim man (0), Bellon ( I ) ,
Schmidt (I ), R adulov (A), Penrose (I ) and Sosonko ( � ) ; whilr with Black I
have defended it against Larsen (0). Ljubojevic OJ and Andersson ( � ) .
Preface v
Once I had been presented with the basic material and acq uired some
personal experience with the opening, my task of producing a coherent
narrative was considerably simplified, but there still remained huge
problems of organization of material in this devilishly amorphous opening.
These were solved when Nevil Coles came to the rescue, offe ring to classify
and type the confusing variety of analytical sections I had concocted, and
in the course of this he also pruned any stylistic excesses, adding his own
common sense touches to the explanations.
I n conclusion, I would like to thank all those mentioned above
(especially Nevil-without him God alone knows when Batsford would
have received the typescript) and in addition: V. Buerger, for the loan of
Nimzowitsch scoresheets; Bill H artston for translations from R ussian;
David Levy (and his wife jacqueline-my sister) for access to their library;
ditto for Kevin O'Connell, and also Peter Kemmis-Betty of Batsford lor
not tearing up the contract after the second year overdue!
I n lieu of a detailed bibliography (which simply does not exist as yet
with this opening) I should mention Andrew Soltis' booklet on Larsen's
Opening which was an early attempt to come to grips with I b3, and one
which I found q uite useful. Also my own book Aron Ni�"T�.Zowitsch, A
Reappraisal, the preparation of which granted me many insights into
Nimzowitsch's hand ling of the b3 systems.
In view of the predominantly positional strategic nature of my treat
ment of I b3 and the absence of any alarming innovations since the first
edition, it has not seemed necessary to revise this part of the book in any
way.
Raymond Keene
London, May 1 986
P.S. And many special thanks to Annette (my wife) for being her.
Symbols
I b3 as a means ofopening the contest was noted by Lucena in his L' Arte de
Axedres as long ago as 1 497 , only a few years after the Europeanisation of
the moves of the pawn, bishop and q ueen. To modern eyes Lucena's 'Arte'
looks pretty artless. Two lines he quotes are: I b3 d5 2 ..Q.b2 c5 3 g3 .£Jc6 4
..llg2 e5 5 .£Jc3 Jle6 6 .£Jf.3 h6 7 h3 a6 8 e4 d4, with Black for preference;
and secondly, I g3 e5 2 .ilg2 d5 3 b3 c5 4 ..Q.b2 .£Jc6 ( arriving at the same
position but continuing differently) 5 .£]f3 Jld6 6 .£Jc3 Jle6 7 .£Jb5 a6 8
.£jxdb+ 't'f x d6 9 .£Jg5 h6 10 .£j x e6 � x e6. White's double fianchettoes in
these examples show the still persisting influence of the older I ndo-Arabic
version of the game. The opening is also noticed by the author of the
practically contemporary Gottingen MS: I b3 d5 2 Jlb2 c6 3 g3 b5 4 .ilg2
e6 5 d4 f5 6 e3 g6 7 f4 .£lffi 8 .£lf.3 Jlg7 9 .§0 Jlb7 10 �el -gl ( the king's
Leap, which ultimatt'ly evolved into modern castling) 10 . . a5 I I .£jd2.
A
B
1 3th and 1 5th moves to secure himself. He cannot, however, save the loss of
a piece. (P. Sergeant, 1 9 1 5 ) . 1 0 Jtx c6 be 1 1 fe Jtx e5 1 2 d4 Jtd6 1 3 c5
i!Y x e3+ 1 4 <;!i>g2 Jte7 1 5 .§ e l f)g4 1 6 J,tcl i!Yc3 1 7 Jtd 2 i!Y x d4 ! 8 .§ x e7
i!Yx c5 19 i!Ye2 d4 20 b4 i!Yd5+ 21 <;!i>gl d3? 22 Jtc3 ! ! (B)
B
B
the first time with a supporting body of deep theoretical ideas, based on his
experience with the Queen's I nd ian Defence and methods of control and
exploitation of the key diagonal of the fianchettoed QB. Nimzowitsch's
ideas will be found q uoted throughout the book, but as a curiosity we give
one of his odds games at the open i ng .
c
B
2
w
6 a3!
6 J,tb5 Jld6 7 .£je2 0- 0 8 .£lbc3
.£jb6 9 0-0 15 is nothing special for
White, but even stronger for Black
is the pawn sacrifice 6 J,tb5 .£ldb4!
and if 7 J,txe5?! Jll5 or 7 . . . a6 S
Here White has: Jlxc6 + be!
a) 6 d3 d5 7 cd i!Yx d5 S .£lc3 i!Yd6 9 Now after 6 a3! Black has to
.£lf'3 J,t15 10 �c2 §. fdS II §. d I h6 choose between e7 and d6 for his
1 2 h3 "Y:lfe6 1 3 .£jd2 .£ld7 1 4 Jle2, KB. The former looks inferior, e.g.
Fischer-Tukmakov, Buenos Aires 6 . • .Jle7 7 �c2 a6 8 .£11'3 .Jlffi 9
.
Michell- N imzowitsch
Marienbad 1 925
I e4 c5 2 .:£Jf3 .:£)ffi 3 e5 .:£Jd5 4 .:£Jc3
.£):--<. c3 5 de b6?! ('A conception ol
hypermodern boldness'- N imzo
witsch) 6 Jtd3?! Jtb7 7 Jtf4 #c7 8
White placed all his hopes on 1 4 Jtg3?! (8 Jlc4! , threatenting 9
. . . #h4, which would have been Jt,x.f7+ \t> x f7 1 0 e6+, 8 . . . e6 9
followed by I S .§ g2 jfhi-+ 1 6 Jl£1 jfe2 would be a direct transposition
Jt'.g4 1 7 �,x.e4 § he8 1 8 Jle5 ffi into the Larsen- Spassky game
19 .:£Jc3 and White might still try to above! ) 8 . . . e6 9 0-0 Jle7 10 .:£)d2
resist. ( L ) hS I I h3 g5 1 2 Jte4 .:£Jc6 1 3 § e l
Classical Defence (I . . . e5): 3 c4 5
0--0-0 1 4 .f)c4 b5 1 5 .f)d6+ Jl x d6 24 fe .§.g8 25 ltf'2 fe 26 i!fd2 e3 27
1 6 ed i!fb6 1 7 11.1'3 g4 18 hg hg 1 9 i!f x e3 "¥f x g2+ 28 �e2 .§.17 29
Jlx g4 f5 20 11.1'3 .§. h7 (5) �d I �b8 30 .§. gl .§. .>< f'2! 3 1 .§. x g2
.§. fxg2 32 b3 .§. gl + 33 �d2
.§.8g2+ 34 �d3 .§..x:a l 35 i!f.>Cc5
.§. d l + 36 �e3 .§. e l + 37 �d3
Jle4 + 38 �d4 .§.d2+ 39 �e5
.§.d5+ 40 "¥¥ .x d5 Ah l + o- 1 .
A brilliant game by Nimzo
witsch, bu t his opening idea would
be rendered extremely dubious by
the pawn sacrifice 6 e6! . e.g. 6 . . . fe
7 .f)e5 or 6 . . . de 7 i!rxd8+ �xd8
8 .f)e5 �e8 9 l,tb5 + Jld7 1 0
21 �0 e5 22 Jl x c6 i!f x c6 23 1'3 e4 .f) x d7 .f)xd7 I I Af4±±.
2 Classical Defence (l . . . e5): 3 e3 d5
9 s ... f6
w S . . . i!fe7 6 c4 �f6 7 cS A x eS 8
� x eS 0-0 9 � x c6 be 1 0 -'te2
Jl.d6, Zwaig-- Poulsson, Sandef)ord
i 97S, and now II d I! Thl"
advances of the c-pawn arc straight
out of Owen's old repertoire!
!Compare S teele-Owen, Liverpool
1866, p. l i S) .
6 c4 a6!
li k And now (after 6 . . . a6! ) :
Or 6 -#hS+ g6 7 '¥fh4 c .f. p. 1 1 9. a) 7 Ax c6+ bdl d4.
6 fe h) 7 cd (see Liljedahl-Cooper, p.
7 Ax eS 9).
Classical Defence ( 1 . . . e5): 3 e3 d5 9
Liljedahi-Cooper 1 3 a3
Nice O lympiad 1 974 It would be exceedingly perilous
I b3 e5 for White to castle on either wing,
2 .Q.b2 {)c6 so he seeks to close up the position
3 e3 d5 by 14 b4, followed by {)b3 and
4 .Q.b5 .Q.d6 {)c5.
5 {)f3 ffi 13 �e8
6 c4 a6! 1 4 b4 .Q.e6
7 cd 1 5 {)b3 �h5
Leading to a highly unusual 16 d5?!
position. A fter the natural-looking
7 ab continuation 16 {)c5 ,ilc4! White's
8 de be position is horrible. He therefore
9 "¥rc2 {)e7 ( II) tries fishing in muddy waters, but
they are not nearly muddy enough
11 to confuse Black.
w 16 . . . .Q.xd5
Or even 1 6 . . . {)x d5-=t .
1 7 {) x d5 {) x d5
1 7 . . . cd is also excellent for
Black.
18 � x c6 f4
1 9 §. d l {)x b4!
20 ab
Or 20 �c3 #g4 21 ab #xg2 22
10 d-P
;t>e2 .ll.:x b4 23 "¥r x b4 fe+ i�.
An error which fails to take into 20 . . . J.lxb4+
acco u nt Black's i n gen i o u s 21 .ll.c 3
rejoinder. Stronger i s 1 0 {)c3! f5 I I Either 21 §.d2 or 21 {)d2 would
{)e2! oc . be answered by 21 . . . fe 22 fc "¥rf7
10 . . . e4! and mate is looming up on the l�fi le.
A terrible surprise lor White, 21 . . . fe (12)
who is now forced back, for if I I 22 §. c 1
·!4-"' e4 ..ll.£5 12 "¥rh4 h5! 1 3 d5 c5 22 0-0 loses t o 22 . . . e2 23
and White loses material to the .ll. x b4 ed #, while the acceptance
threat of . . . {)g6. of the second minor piece with 22
I I {)fd2 15 .ll.-" h-t- loses after 22 . . . ef+ 23
12 {)c3 0-0 �d2 §. adS+ 24 �c l §.' d l+ 25
10 C/a.l.lical Drjence ( 1 . . . 6): 3 r3 d5
12 24 � x c3 .§ ad8
25 4Jd4 c5!
w
The four passed pawns combined
with Black's fearsome attack are
more than sufficient compensation
for the sacrificed knight.
26 4Je2 �d5
Threatening 27 . . . �d l + ! 28
.§ x d l .§ x d l + 29 �e l fe �+
mate!
.§ x d l � x d l + ! 26 <3rxd l 0 �+ 27 4Jg3 <3rh8
27 <3rc2 �d3+ 28 <3rb2 .§ £2+ 29 28 <3re2 t>3
<3ra3 h6 and Black, with rook and 29 �c2
three pawns for two minor pieces l f 29 <3tO e2+ ! 30 4J x e2 �d l +
and with the initiative firmly in his or 30 <3r x e2 �x g2 threatening . . .
grasp, must triu mph. .§ fe8+ .
22 . . . ef+ 29 .. . � x g2
23 <310 A x c3 30 <3r x e3 �f3 mate
3 Classical Defence (1 ... e5): 3 e3 c:£jffi
13
w
/{j
B
�g3 i!fd l 37 �f4 i!Yf3+ 38 �e5 consistent; Black need not fear the
hg 39 h6 i!Y x ffi+ 40 � x ffi �g8 4 1 exchange on d6.) 10 4Jx ffi+ Jlx ffi
� x g5 �h7 42 � f5 � x h6 43 II 4Je4. Eventually !-!-
� x e4 �g5 44 f3 1 -0. 5 4Je2 (19)
B
4 .Q.b5 1.9
I ntensifying the pressure against B
e5 , which W hi te may later
reinforce with f4. The pin may not
be oqjectively stronger than 4 4Jf3
bu t White does at least retain the
initiative.
4 . . . d6
A very interesting idea is William
Hartston 's 4 . . . .Q.d6!? (18)
Superior lo 5 4Jf3 which blocks
the f-pawn. Larsen-A ndersson,
18 Teesside 1 972, was a success for
w White, but of a psychological rather
than a theoretical nature: 5 4Jf3
Jld 7 6 0-0 Jle 7 7 Jle2 0 - 0 8 c4
.§;e8 9 4Jc3 Affi 1 0 d3 h6 II a3 a5
1 2 4Jd2 4Je 7 1 3 4Jde4 4Jg6 1 4
4Jxffi+ i!f x ffi 1 5 Ag4 Jlxg4 16
i!f x g4 c6 with a minimal White
initiative.
After the position in the
preceding diagram Black has a
The move looks insane since it mu ltiplicity of replies:
jams Black's development, bu t the B! 5 . . . g6
justification is to be found in . . . a6 B2 5 . . . a6
and if Jl, x c6 then . . . de! reaching B3 5 . . . 4Jd7
a kind of Exchange Lopez position . B4 5 . . . Jle7
Cohn-Jana Hartslon, Oxford 197 1 , B5 5 . . . Jld7
went 4 . . . Jl,d6 5 4Je2?! (5 4Ja3 BI
intending 4Jc4 deserves attention . ) 5 g6
5 . . . a6 6 Axc 6 d e 7 4Jg3 h S ! 8 Here t heory offers:
4Jc3 h4 9 4Jge4 Jl,e7? (9 . . . h3 is a) 6 d4 4Jd7 7 de Jlg7 8 4Jd4
Classical Defence ( 1 . . . e5) 3 e3 t;Y6 15
<tl x d4 9 ed c6 10 ,ile2 de I I de �e2 §. e8 1 5 §. ad l ? (Better is 1 5
Jtx e5 1 2 .i}_ x e5 <tl x e5 = although <tlf3 to avoid the pin on the e-file.)
Larsen-S . Garcia, Palma 1 97 1 , was 1 5 . . . c5 1 6 <tlc2 d4 1 7 <tld5 <tl x d5
1 -0 in 2 7 . 1 8 c d "t'rf5 1 9 �d3 �h5! 2 0 e d c4!!
b) More promising for W hite is 6 (.20)
f4! e.g. 6 . . . ef 7 <tlx f4 ( 7 0-0!?) 7
. . . .ilg4 8 ,ile2 .i}_ x e2 9 � x e2 .20
.ilg7 1 0 0-0 0-0 I I c4 d5 1 2 cd W
<tl x d5 1 3 .i}_ x g7 <tlx f4 1 4 §. x f4
� x g7 1 5 <tlc3 �d6 1 6 <tle4 �e5
1 7 §. c l <tld4 1 8 �£2 <tle6 1 9 d4
-r!fa5 20 §. ffi± Keene-Linton,
S.C.C . U . Jamboree, London 1 973.
B2
5 ... a6
R ather too simple.
Bellon-Browne, M alaga 1 972, 2 1 � x c4 { 2 1 ilfc3 c b 2 2 ab
provides an excellent example of � x d5=t=t) 21 . . . .Q.x h3! 22 <tle3
White's possi bilities in this line: 6 (22 gh �x h3 23 f4 ilfg4+ 24 �hi
Jlx c6+ be 7 d3 ..Q.e7 8 0-0 0-0 9 §.e2+ +l 22 . . . ..Q.d7 23 g3 ..llb5
<tld2 c5 1 0 e4 <tld7 I I f4 ffi 1 2 <tlc4 24 �cl .Q.e2! 25 §. fel ..\lf'3 26 <tlg2
ef l 3 <tl x f4 <tle5 1 4 <tle3 c6 1 5 �el �h3 0- 1 . This game appears to
g6 1 6 §. d l -r!fe8 17 -r!fg3 �h8 1 8 highlight the dangers of d4 for
§. £2 §.g8 1 9 §.dO h5 20 <tlh3 �h7 White rather than f4 in this line.
2 1 �hi -r!fd8 22 ..Q.x e.ide 23 <tlgl B3
..Q.e6 24 <tlf'3 §.g7 25 <tld2 -r!fd7 26 5 ... <tld7
§. x ffi ..Q.x ffi 27 §. x ffi §. e8 28 <tlf'3 6 d4 -r!fg5 7 0-0 ed 8 ..ll x c6 be 9
..Q.g8 29 -r!fg5 ..Q.f7 30 <tl x e5 -r!fd4 .:fj x d4 .Q.b7 , Bel lon-O lsson,
31 <tl x f7 �g8 32 h3 §. e7 33 <tlh6+ Skopje Olympiad 1972, (0- 1 , 42) ,
�h 7 34 §. fB §. e5 35 <tlhl5 -r!fa I + and Black's bishop pair gives him
36 �h2 .§ x l5 3 7 <tl x l5 -r!fe5+ 38 chances. I t would appear that the
g3 1 -0. advance f4 rather than d4 is more
Szilagyi- Tai manov, A l bena theoretically accurate, thus
1974, varied with 7 c4 ..Q.e7 8 d4 ed combining the action of the QB,
9 <tlxd4 -r!fd7 ! (A very good move, KR and f-pawn. For this reason 6
keeping a firm grip on 15.) 10 -r!ff'3 0-0! is the correct course.
d5 I I <tlc3 ( I I 0--0 0 0 1 2 <tld2) I I B4
. . . 0 0 1 2 0 0 ..Q.d6 1 3 h3 §. b8 1 4 5 • • • ..lle7
/6 Classical Defence ( I . . . e5) : 3 e3 !£JI6
6 d4 f5 .£ld3 18 fg hg 19 § x f7 ! ! (21)
More sensible here than in the
previous variations since the pin on
21
c6 is still in existence.
6 .. . ed B
7 .£l x d4 j}_d7 8 j}_xc6 be 9 �f3 d5
10 .£lf5 j}_ x f5 I I � x f5 Bellon
Schoneberg, S kopje 1 972. Black has
no compensation for his doubled
pawns, although this in itself by no
means constitutes a decisive
disadvantage.
85
5 ..
. j}_d7 19 . " . . '3t x f7 20 § 0 + .£l.f6 21
The most direct way of .£}. x ffi 1 -0.
challenging the pin, and probably 6 ed
Black's best choice. Lju bojevic- 7 .£lxd4 .£l x d4
U nzicker, M ilan 1 975, went: 8 .£}. x d7+ �xd7
6 d4 9 � x d4 .£l.e7
In Larsen-Eley, H as tings 10 0-0 0-0
1 97 2 / 3 , White won in crushing I I c4 d5
fashion, but Black's play is with equal chances . The
suceptible to improvement, viz. 6 continuation was 1 2 § d l § fd8 1 3
0--0 .£l.e7 ( 6 . . . a6! 7 .£}. x c6 .£}. x c6 , .£lc3 c 5 1 4 �f4 �e6 1 5 .£lb5 .£le8
avoiding the doubled pawn, 8 d4 1 6 �g3 g6 1 7 .£lc7? .£l x c7 1 8
#e7 9 c 4 g6= Bellon-S. Garcia, �xc7 de 1 9 be j}_d6 2 0 �a5
Palma 1 97 1 ) 7 f4 e4 8 .£lg3 0--0 9 � x c4+ (0- 1 in 1 27 ) . I always have
j}_x c6 be I 0 c4 d5 I I .£lc3 § e8 1 2 the impression i n these lines that
§ ci j}_g4 1 3 .£lce2 .£ld7 14 h3 White should aim for f4 rather than
Jlx e2 1 5 � x e2 .£lc5 1 6 �g4 g6 1 7 d4.
4 Classical Defence ( 1 ... e5): Other second moves
I b3 e5 2 -'l,b2 22
The following moves are now
w
examined:
A 2 . . . f6
B 2 . . . d6
And a curiosity: 2 . . . e4!? This is
an idea taken from the Polish (or
Sokol sky - o r O r a n g-O u t a n g )
Opening-which you will-where
White plays I b4, but there it has
more point, since the pawn on b4 The line was very popular during
hangs. The plan is to cramp White's the 19th century, and Steinitz
development, e.g. by 3 d3 {)f6 4 de described it as 'the most efficacious
{)xe4, with the threat . . . d5 and method of counteracting the
. . . Jtb4+ . White's best line is 3 c4 adverse bishop's command of the
followed by e3, using the pawn on diagonal ' . The line, however, has
e4 as a target and not exchanging it the disadvantage of weakening
off. Now the weakening of the Black's light squares.
d i agonal a ! - h8 cou ld be Now White has:
unpleasant for Black. AI 3 e3!?
Also see p. 23 for I {)f3 {)f6 2 b3 A2 3 e4!
d6 AI
A 3 e3! ? d6
2 . .. ffi (22) 3 . . . d5 4 c4 c6 ( 4 . . . d4 comes
Black's last move constitutes the into consideration) 5 cd cd 6 Jtb5+
Lowenthal Variation, which aims {)c6 (or 6 . . . Jtd7 c�) 7 {)e2 Jtd6
to strongpoint the square e5 and so 8 0- 0 {)e7 9 f4 0-0 1 0 {)bc3 Af5 I I
frustrate the action of the white QB. {)g3. At any time in the last three
/8 Classical Defence (I . . . e5): Other second moves
moves . . . a6 would have been
23
excellent, forcing Jlx c6 be,
B
considerably reinforcing the black
centre, S k i pworth-Wayte,
Malvern 1 87 1 .
4 c4
4 4Jf3 4Jh6 5 h3 4Jc6 6 ..llbS
Jle6 7 4Jc3 a6 8 Jlx c6+ be 9 d4
4Jf7 10 4Je2 g6 I I 4Jd2 Jlg7
(overprotection of eS ! ) 1 2 c4 0-0 1 3
i!fc2 i!fe7 14 0-0-0 a:>+ . White has 4J x f4 de 7 ..llc4± (Soltis) . White
wasted too much time in artificial obviously had other possibilities
manoeuvres, Owen-Blackburne, such as 4 d4!?
match game, M anchester 1 88 1 . b) 3 . d5?! 4 ed i!f x dS 5 4Jc3
. .
7 4Je2 ..llg7 8 Jle4?! f5+ (The q uieter 5 .:£)£3 , playing for d4,
Owen- Wisker, match game, is sufficient to put White on top.) 5
Hooton 1 87 2 . . . . g6 6 i!f£3 4J bc6 7 4Je2 §. ffi 8 g4
5 4Jc3 4Jc6 f5 9 gfdS 1 0 ed §. x f5 I I i!fe4 4Jb4
6 4Jge2 1 2 4Jbc3 Axf2+ 1 3 c;t?d i c6 1 4 de
Or 6 .:£)13 4Jh6 7 Jle2 4Je7 8 0-0 be I S ..lla 3 4Jedf> and Black
"¥rd7 9 d4;:; Owen-Skipworth, 7 th eventually won, Nimzowitsch
match game, Hooton 1 873. Winter, London 1 927 .
6 . . . i!fe7 d) 3 . . c6?! 4 f4 {4 d4!? deserves
.
25
place a firm barrier in. the path of w
White's QB. I f White plays d4
without pawn support he may fal l
behind in development, while the
plan of e3 plus d4 may allow Black
to play . . . e4, creating a dangerous
Ki ng's I ndian attacking structure.
Two main continuations are
open to White:
B t 3 g3 (Black has a crushing lead in
B2 3 e3 development.) 1 7 r.3 4:)e5 1 8 .§. d l
White has also tried: 4:) x r.3+ 1 9 �!2 � ,x d t 2 0 e f ilfd2-t
a) 3 d4?! Premature, as 21 �gl .§. e l 22 ilfc4 .§. ae8 0- 1 .
demonstrated by Bellon-Benko, Gambit play from a hypermodern
Palma 1 97 1 , which continued 3 . . . opening!
ed! 4 � x d4 4:)c6 5 �d2 4:)ffi 6 Bl
4:)c3 (6 c4 4:)e4 7 ilfc2 Al5 ) 6 . . . 3 g3 4:)ffi
d5! 7 e3 .Q.b4 8 .Q.b5 0-0 9 0-0-0 3• . g6 looks risky as it exposes
.
1'3 , but i n this case- it is Black who casual game, Liverpool 1877 0
can improve, with, for example, 1 6 d) 3 • g6• 4• c4 .Q.g7 5 lLJc3 tLJe7 6
0 0 0 lLJa60 .Q.d3?! b6 7 lLJI'3 .Q.b7 8 �c2 f5 9
B2 tLJg5 �d7 1 0 c4 lLJbc6 I I lLJd5 0- 0
3 e3 (27) 1 2 a3lLJd4 1 3 Jl x d4 ed 1 4 0-0- 0 c6
1 5 tLJ x e7+ � x e7 1 6 h4 fe 1 7
27 Jlx e4 d5 1 8 !1.1'3 � x a3+ + +
B Owen- S c h u l l , casual game,
Liverpool 18770
At this point we can resume with
some modern examples from the
position in the last diagram:
3 0 lLJffi
0 0
10 .§. d I .§. e8 I I h4 h6 1 2 h5 g5 1 3
which are strategically similar,
Ae2 e4 1 4 4Jh2 4Jffi 1 5 4JO ltg4
although differences can arise if
with a very complicated position,
White plays for a quick d4.
though Black has none of the worst
B21
of it, Lju bojevic-Savon, Wijk aan
5 4Jf3 4Jc6
Zee 1972.
5 . . . �7 is playable and can
b) 7 • 4Jg4 8 4Jc3 4Jgx e5 9
• •
_'f)
w
B 50 0 0 .ll,d 7
6 '¥¥e2
I s 6 Jlx ffi!? possible now, since
one of Black's bishops will be
exchanged?
60 0 0 Jlg7
7 .ll, x d7+ f)bxd7 8 c4 0-- 0 9 0 -0
§ c8 1 0 § d l § e8 I I d3 e5 1 2 cd
f) x d5 1 3 4Jbd2 f)b8! 1 4 a3 4Jc6
Now Black can choose between: 1 5 § ac l b6 1 6 f)c4 �c7 and Black
A 4 g6 0 0 . has equalized extremely efficiently,
B4 e6 0 0 . Larsen-Donner, Palma 1 97 1 .
A B
4 ... g6 4 ... e6
1 . . . d5 & . . . c5: &versed Qpeen's Indian 31
White now has three choices: Black's king.) 8 g4! A.b7 (8 . . . .:£)e4
Ill .'"1 .:£)e5 9 g5 ffi 1 0 J},x e4 de l l gf Jl x ffi 1 2
II".';, Jlb5+ �g4 Jlh4+ 1 3 c;ftd I ± ) 9 g5 .:£)e4
11'1 .'"1 c4 10 Jlx e4 de l l �h5 !± (40)
HI
5 .:£)e5! ? (39) 40
B
w
H
41
w
B31
•5 . • de
Concedes White a central pawn
m aj o r i t y , but Black has
counterplay. See Keene-Denman,
p. 34.
B32
5
• .. !J.e7
This position is from Larsen 6 cd ed 7 ,ile2 transposes to B33,
Wade, Teesside 1972. White had to while 7 ..l}_bS+ ..l}_d 7 transposes to
play with extreme accuracy to Keene-Nunn under B2.
maintain the advantage conferred B33
on him by his more flexible central 5 ... �c6
pawns, viz. 10 �c3 �aS I I cd ed 1 2 This is the main line.
d4 § ac8 1 3 de � x eS ( 1 3 . . . 6 cd ed (43)
A x eS!) 1 4 �d4 �e6 I S �f5 ..l}_a3 6 . . . � x d5 is inferior since
1 6 § ac l §c7 1 7 �a4 ..l}_ x b2 1 8 White gains a central initiative. Set'
� x b2 b S 19 �cS ! �b6 ( 1 9 . . . Keene-Milbers, p. 36.
� x eS 20 b4 �b6 2 1 be § x eS 22 The text creates a kind of
�d4) 20 b4± . potential Tarrasch position where
I . . . d5 & . . . c5: Reversed Qpeen's Indian 33
Black should play consistently for better after the safer text move .
. . . b5 with 1 8 . . . a6. 29 . . . .£Jac4
19 .£je2! .£Je8 30 .a_ x c4 be
20 .£jg3 a6 3 1 i'fal ffi
21 d4 Jtd6 32 Jtc3 §. e8
After 21 . . . cd 22 ed b5 the 33 Ab4 §. cc8
intention was 23 d5! ed 24 c b ab 25 Possibly the self-pin 33 . . . §. ce7
i£)15 . offered more prospects.
22 .£je4 cd 34 §. d4
23 .£j x d6 .£j x d6 I ntending 35 'l_lfd I and 36
24 ed .£la5 'l_lfx h5 .
25 .£le5 §. c7 34 . . . c3?
26 d5! ed A miscalculation in time trouble,
I f 26 . . . .£jax c4 27 .£j x c4 but if 34 . . . .£jb5 35 §. h4 i'fe5 36
i£j x c4 28 Jt x c4 §. x c4 29 de fe 30 'l_lfx e5 §. x e5 37 a4.
'jlfg6. 35 Jt x c3 .£jb5
27 cd b5 36 §.d3 'l_lff4
28 .£jg4 3 7 Jtb4 i'fe4
Threatening 29 Jtxg7 <ifi> x g7 30 38 'l_lfd I §. cd8
'l_lfal + . 39 .£jc2 i'fc4
28 h5 (47) 40 §. x e8+ §. x e8
41 .£je3 i'fe4
42 i!r x h5 g6
47
43 i'fd I 15
w
44 'l_lfd2
A more elegant win resulted from
44 .£jg4!
44 . . . .£Jc7
45 §. d4 'l_lfbl+
46 <ifj>h2 .£Jb5
47 §. h4 �al
48 a4 �e5+
I f 48 . . . �x a4 49 .£j x l5 !
29 .£le3 49 g3 g5
Probably White "can still win by 50 §. c4 1 -0
:29 Jl x g7 <ifi> x g7 30 'Jlfa l + or 29 I f 50 . . . .£Ja7 5 1 .Q.c3 or if 50 . . .
. . . hg 30 Jlffi §. e8 3 1 §.d4. But f4 51 .£jg4 fg+ 52 fg �e2+ 53
time was short and White still stood ilf x e2 §. x e2+ 54 <ifi>gt ± ± .
36 I . . d5 & . . . c5: Reversed Queen's Indian
.
52
B
58 <£)e7 mate, or
b) 23 . . . Jla3! 24 <£) x a7 Jtx b2 25
B
c4! Jtd4 26 <£lb5 .§. e8 27 �f.3 Jtc5
28 d4 Jtffi 29 c5 <£)c4 30 �x f5 and
the c-pawn should triumph;
nevertheless, this line would have
been the best chance for Black.
After the text he is swiftly crushed .
24 <£) x e7+ )f;g7
25 �h5 1 -0
25 . . . .§. a8 26 �g5+ c;f;ffi 27
<£) x 5 + )f;g8 26 �g4+ ! <£) x g4 27 Jtx ffi is decisive.
II 1 . . . d5: . . . ..Q.£5
Petkevich- Vdovin
U SSR Armed Forces Ch !-final
1 972
I �f3 �ffi
2 b3 d5 I f i 6 . . . .§ g8 I 7 g6 ± ± or 1 6 . . .
,
6 e3 Ag7
7 .£jc3 .£lge7
8 .£)ge2!
Less accurate is 8 d3?! ..lle 6! This development of the bishop is
(Positionally unsound is 8 . . . h5? 9 more thematic than 9 . . . Af5
.£)£3 .£lf5 1 0 h3 Ae6 I I .£ld5 h4 1 2 which not only fails to fight for the
g4 .£lh6 1 3 a3! f5 1 4 gf gf 1 5 .§. g l d5 square, but blocks any advance
.$1.ffi 1 6 Ah l Axd5 1 7 c d .£je7 of the f-pawn. Keene-Penrose,
Timman-Velimirovic, Amsterdam Counties Ch 1 974, continued 9 . . .
1 974. Best now is 18 .£ld2 .£lf7 19 b4 .$1.f5 1 0 0-0 i!fd7 1 1 .£)d5 .£jxd5 1 2
b6 20 be be 21 .£lc4 and f4± .) 9 cd .£le7 1 3 e4 j1h3 (Black has no
.£)ge2 (9 .£)d5?! j1xd5 1 0 cd choice but to exchange the l ight
i!fa5+ ! I I i!fd2 .£lb4 or I I c;!ile2 squared bishops, which favours
.£lb4 1 2 e4 leaving White's king White.) 14 i!fd2 .§. ae8 1 5 .§. ael h5
badly placed, though he has the 16 f4 b6 1 7 J}.c3 c;fjlh7 18 i!fb2 .£)g8
bishop pair in compensation .) 9 . . . 19 f5 Ax g2 20 c;!il x g2 .i}.h6 2 1 .£)gl
d5 10 0-0 0-0 I I .§. c l b6 1 2 cd ( 1 2 .£lffi 22 Ad2 i!fd8 23 .£)£3 .£ld7 24
e4) 1 2 . . . .£j x d5 1 3 .§.c2 i!fd7 1 4 fg+ fg 25 Ax h6 c;!ilx h6 26 i!fd2+
i!fa l .§. ads+ Williams-Radulov, c;fjlg7 27 .£jg5 .§_X fl 28 .§_X fl .£jffi
Nice Olympiad 1 974. 29 i!¥1'2! i!fe7 30 .£le6+ c;fjlf7 31 h3
8 0 0 0 0-0 .§.g8 32 g4 hg 33 hg g5 34 i!rf5 .§.g6
Black runs a number of risks ifhe 35 .§. h i i!fe8 36 .§. h7+ c;!ilg8 37
tries to push through with . . . d5 f! x a7 1 - 0.
without the tempo granted by 8 1 0 .£ld5 i!fd7
d3? , e.g. 8 . . . Ae6 9 0-0 d5 1 0 cd Or 10 . . . .§. b8 I I i!fd2 i!fd7 1 2
.£)x d5 I I .£la4 b6 1 2 d4! or even I I h4 h5 1 3 .£lec3 a6 1 4 0-0-0 b5 1 5 f4
.£)e4 b6 1 2 .£)f4!!? .£) x f4 1 3 .£lffi+ .$1.g4 1 6 .§. dfl .£) x d5 ( I f 1 6 . . . b4
J}.x ffi 1 4 Jl:x! c6+ c;fjlffi 1 5 ef .§. c8 1 6 1 7 .£)e4 and Black cannot protect
fe! ± . g5 with his h-pawn, which is one of
70 English-Related Variations
the cunning points of 1 2 M.) 1 7 81
� x d5 �e7 Larsen-Hecht, Busum B
1 969. Larsen considered . . . h5 an
essential reply to the threat of
White's h-pawn, but this opinion is
certainly open to doubt. Anyway,
Black managed to draw in this
particular case, albeit with some
difficulty.
I I M!?
White's most ambitious line. H e o\\ 11 uutt: i udica tes that Kavale k
could play positionally with I I 0-0. spent 1 6 of his remaining 28
II . . . f5 minutes over his move here, and
'The only good move was I I . . . goes on 'he was probably looking
h5.' ( Larsen) for a good continuation after 19 . . .
1 2 �d2 .§. ae8 ..Q.x c4 20 be � x c4 2 1 �e2, but it is
1 3 h5 b5 not there. I n the end he made a
I f 1 3 . . . g5 1 4 h6 Ah8 1 5 plausible move which makes i t
0-0-0± . The column i s Larsen easier for White t o start his attack.
Kavalek, Lugano 1 970, and I t is very important to find the best
Larsen's own notes appeared m in such difficult positions. I n my
Chess Life & Review, July 1 970. opinion, Black had only one good
14 hg hg move, 1 9 . . . a6 . I t looks strange,
1 5 �ec3 be but in many variations �b5 is a
16 de e4 strong move for W hi te. The move
1 7 0-0-0 �e5 chosen blocks a Oight square lor the
Aiming at the d3 square. king.' But all this is incorrect. After
18 �f4 .§.d8 19 . . . .i1, x c4!! 20 be � x c4 21 �e2
Not 18 . . . g5? 19 � x e6 �d3+ � x b2 22 r31x b2 (22 �x b2? .§. b8)
20 �xd3 ed 21 � x g7 r31 x g7 22 22 . . . �a4! (82) it is Black who
�d5+ r3ig6 23 Af3± ± . wins!
1 9 r3ib l (81) Possibly Larsen overlooked 23 .§.d4
To avoid unpleasant checks on cd! 24 � x a4 d3+ , or maybe 23
d3, but there are other drawbacks. �c2 .§. b8+ ( not 23 . . . �b4+ 24
This position is critical for an �b3+ ) 24 r3ic l �a3+ 25 �2
assessment of White's whole plan .§. b2+ . I t is clear that White has no
with h4 and 0-0-0, as well as defence to the threat of . . . �b4+
Black's omission of . . . h5. Larsen's or . . . .§. b8+ after 22 . . . �a4. I t
English-Related Variatiom 71
82 5 -'i.g2 g6?!
w Very risky, although Black's play
can possibly be justified .
6 Ax ffi
The only way to punish Black's
5th move. White devalues Black's
K-side pawns and takes fi rm
control of dS, bu t Black does obtain
some dark-square counterplay.
6 ef
seems that White's last chance 7 �c3 hS!
would have been 19 � x e6! and if 8 h4! ,ilh6! (83)
19 . . . � x e6 20 �e2, planning to
give up the exchange on d3. 83
Kavalek missed 19 . . . Jtx c4, w
continuing with the meek 19 . . .
ilP , when the game concluded
with 20 g4 � x g4 (20 . . . Jix c4!?)
21 f3 ef 22 Ax f3 �eS 23 �h2
Axc4 ( much too late now, of
course) 24 be �x f3 25 �h7+ <;!;>f7
26 �cdS .§. g8 27 � x e7 .§. b8 28
<;!tal � x e7 29 � x g6+ <;!;>ffi 30
�e6+ � x e6 31 Jl.x g7+ <;!;>e7 32 Black's last two moves constitute
Affi+ .§. b x ffi 33 .§. h7+ 1 -0. an excellent plan which gains some
space for him on the K-side and also
Keene-Bellon places the KB on an extremely
Clare Benedict, Menorca 1 974 aggressive post. By comparison, 7
I c4 cS ilg7 would be merely
2 b3 stereotyped .
Preferring this version of the 9 �f3
Nimzowitsch- Larsen Attack to the White would prefer to develop
equalizing line in the English by 2 this piece on e2 in order to maintain
�c3 �c6 3 g3 g6 with . . . e6 to contact with dS, but after 9 e3 Jlg4
follow. 10 �ge2 �eS is unpleasant.
2 �ffi 90 0 0 Jlg4
3 Jlb2 d6 10 �dS 0-0
4 g3 �c6 I I 0-0 .§. e8
72 English-&lated Variations
1 2 e3 <£je5 84
A good move which provokes
B
White into playing d4, when Black
has a target for counter-attack.
1 3 d4 cd
14 ed <£jc6
1 5 't!Yd3 1J.s7
Less consistent would be 1 5 . . .
-'tf5 1 6 't!Yc3 .§ e2 1 7 .§ ael .§c2 1 8
't!Ya l when White has the threat of
.§ e8+ followed by <£j x ffi.
16 .§ ael 't!Ya5 followed by <£lf7 + and <£Jd6± ± . I f
1 7 <£le3 f5? i n this variation 21 . . . ef+ 22
An over-ambitious advance � x f2 �d2+ 23 �gl .Q.x d4+ 24
which places Black in a precarious �h i and wins.
situation. With 1 7 . . . Ax f3 18 19 Jle6
Ax f3 f5! he would have 20 Jlx e6 fe
maintained equal chances. 21 't!Y x g6 .§ e7
1 8 . <£lg5 Or 21 . . . fe 22 fe and �h7 mate
White now destroys the to follow.
opposition with a few tactical 22 <£ld5 ! ed
strokes. 18 . . . <£J x d4 is no answer 23 .§ x e7 <£j x e7
because of 19 f3 f4 20 fg fe 21 24 �+ �h8
-'td5± ± . 25 �x h5+ �g8
18 . . . f4 26 i!Yf7+ �h8
Necessary to salvage his QB, and 27 <£le6 Axd4
if 19 gf? Af5 20 't!Yd I <£j x d4+ . 28 <£j x d4 �c3
1 9 Jld5 ! ! (84) 29 � x f4 <£Jc6
Forcing the win. 19 . . . fe 20 1 -0
Ax f7+ �h8 2 1 i!Yx g6 �f5 22 Black resigned without waiting
�x f5 Ax f5 23 fe 1J.g4 24 Ax e8 for any more.
15 Queen's Fianchetto Variations
88 89
B w
�c2 .§. d 7
'= ( !- ! m 41 ) g3 (6 ,ild3!?) 6 . . . ,ild6 7 Ag2
Lju bqjevic- Keene, Orense 197S. #e7 8 0- 0 eS! 9 fe � x eS 10 � / e5
Jlx eS I I d4 Jll:\"4 1 2 �d3 .i}_d6 1 3
c4 c6 and White has very little,
D Other Lines N imzowitsch- Strange Petersen,
I b3 �ffi Copenhagen 1 928 .
2 ,ilb2 dS b) 3 . . e6 4 �1'3 ,ile7 5 e3 (S g3!?)
.
Sm�jkai-Hubner
Wijk aan Zee 1 975
(Transposition to Reti System,
New York Variation)
I .:£)f.3 {)ffi a) 1 2 . . . b5 1 3 cb cb 1 4 b4 i!rci 1 5
2 g3 d5 i!rb2 {)b6 1 6 Ae5 i!rd7 =
105
B
25 . . . e5
26 #c5 �ffi
Alter 26 . . . � x c5 27 § x c5 all
Black's pawns drop.
27 i1_ x: d5+ R eaching a position reminiscent
94 Transpositions
of one of Larsen's ideas in the the enemy king to declare his
Modern Defence (with colours intentions.
reversed) , viz. I e4 g6 2 d4 .!J..g7 3 c3 9 . . . 0-0
b6!? 10 {)bd2 ,ile6
4 .. . d4 1 1 e4 ( 106)
A committal decision, but the
pawns are no more exposed now 106
than before, and the text move does B
have the merit of blocking White's
QB.
5 {)£3 1,td6
6 d3
Suetin recommends 6 b4, but
after 6 . . . a5 i t is not clear whose
Q-side has been weakened more. As
played, White's position bears a
strong resemblance to the normal W hite would gain nothing now
Black position m a Benoni De from ed, when . . . ed in reply
fence. maintains easy equality. So White
6 c5 adopts a typical 'Old' or 'Czech'
7 ..llg2 {)e7 Benoni set-up, but with the extra
8 0-0 {)ec6 moves b3 and 1,tb2, though that
Strengthening his grip on the gain in time may only represent a
squares b4 and e5, traditionally the structural weakness.
sensitive points for the man with the 11 . . . {)d7
centre in such Benoni positions. By Also to be taken into account was
choos i n g this ' q u a l i t a t ive' . . . {)a6 followed by . . . {)c7 , . . .
developing move rather than the a6 and . . . b5.
'q uantitative' . . . {)bc6, he also 1 2 {)h4 g6
prepares a haven on e7 for his KB if 1 3 .il.,£3
W hite plays {)bd2 and {)e4. I ntending Ag4 with exchange of
9 e3 the light-squared bishops, or else
In view of subsequent develop tempting Black to lash out with . . .
ments e4 might seem more logical, f5 . 1 3 . . . 1,th3 will be met with 1 4
but with a closed centre Black could {)g2 and then Ag4 or ,ile2 and f4.
consider . . . 0-0-0 with K-side Even so, the text move looks a little
aggression . By thus threatening to weird .
prise open the centre, White forces 13 . . . ,ilc7
Transpositions 95
Suetin suggested the regrouping 107
. . . .§. e8 followed by . . . lf)ffi. But
w
the threat to control the diagonal
aS-e l looks to be the most positive
and promising course.
14 a3
Not 14 ..Q.g4 Jtxg4 I S "t'r x g4
JlaS 1 6 .§. ad ! Jlc3! with
advantage to Black.
14 . . . JtaS
I S .l}.c l
Scurrying away from the error in the psychological sense,
unwelcome visit of the bishop on playing into the cunning hands of
aS . Even if White were to gain a his opponent. I t is probably a
pawn on c3 (e.g. after IS .§. c l .Q.c3 positional and objective error too.
1 6 .l}.x c3 de 1 7 .§. x c3) he might 1 7 ef gf
still be at a disadvantage as a result 18 .ll(3 lf)ffi
of Black's total control of the dark 19 .llg 2 .§. ad8
squares. Nor need Black hurry to Playing for . . . e4 and . . . d3, the
surrender material in this way, stock break-through in such
since he could quietly strengthen positions, but so far Petrosian has
his position by . . . "t're7 and succeeded in placing the massive
.§. ad8 in preparation for the black centre under Nimzowitsch
episcopal incursion on c3. ian restraint, and as yet no violent
IS . . . "t're7 methods are feasible ·for Black.
Now I S . . . .l}.c3 16 .§.a2 would 20 .§. a2
be no more than a blow into empty A deep move, preparing for
space. action on the Queen's wing and on
16 ..Q.g4 15? ( 107) the d-file and e-file, ready too both
A critical moment with a far for defence and attack.
reaching influence on events to 20 . . . Jlc8
come. Where is Korchnoi's decisive 2 1 .§. e l �h8 ( JOB)
mistake in this game? Assessing the According to Suetin, the press
game at the time Korchnoi's coach, room analysts were in favour of 21
IM Osnos, said: 'Korchnoi is in an . . . "t'rg7 , but White's coming blow
aggressive mood ' . With 1 6 . . . 15 he is apparently equally efficacious
obtains a position which certainly against the press suggestion.
looks imposing, but the move is an Presumably the watching grand-
96 Transpositions
111
B 4 . . . Jlf5
4 . . . ilg4 is a very playable
alternative. Black will avoid the
normal problems associated with
the exclusion of his QB by
exchanging it for White's KN, or at
least forcing White to loosen himself
with h3 and g4 if he wants to drive
the QB out of play. Some examples:
After 32 . . . .§. x d l + 33 �g2 a) 5 Jlb2 4.Jbd7 6 d3 e6 7 {)bd2
.§.d2+ 34 �h3 Black can no longer Jle7 8 h3?! (This could wait.) 8 . . .
prevent i!fx h6 mate. The diagram Jlx f3 9 A x f3 (White would prefer
of the final position highlights to recapture with the knight, but
White's single-minded displace after 9 4.J x f3 Jla3! 10 Jl x a3
ment of obstructions from the key i!fa5+ he has nothing.) 9 . . . 0-0
a l -h8 diagonal. 1 0 0-0 a5 I I a3 ( I I a4 b5) I I . . . b5
()() Transpositions
'2 d frb6 1 3 .§abl ( 1 3 ltg2! and target, whereas now the solid pawn
t;h'2 is better.) 13 . . . b4 1 4 a4 ,ilc5 chain shuts ou t this bishop .
.'"> Jlg2 Jld4+ Ribli-Geller, Buda I I �e2 aS
>l'sl 1973. The pawn formation in 1 2 a4 �b6
Ill' cen tre is inimical to White's Not a bad move in itself, l inking
>ishop pair. the rooks and pinning the f-pawn
>) I g3 <£jf6 2 ltg2 d5 3 d3 c6 4 <£jd2 whose advance forms part of
�4 5 h3 JlhS 6 <£Jgf3 <£jbd7 7 �0 White's plan. But Black has no
h B b3 JlcS!? 9 Jlh2 0-0 1 0 e4! ( 1 0 concrete plan and the interference
·1 fre 7 I I a 3 aS gives Black an with the b-pawn reduces his Q-side
11"1 ive position . ) 10 . . . aS I I a3 play. As 1 2 . . . b5 at once would be
i!fc 7 12 eS <£Je8 1 3 i!re2 ..\le7 14 g4 wrong because of 1 3 <£jd4 �b6 1 4
a_gti 15 <£jd4 i!r x eS 16 i!r x eS ed, winning a pawn because of the
21 · eS 1 7 <£j x e6 fe 1 8 Ax eS <£jf6 unguarded black KB, Black should
9 Jlb2 JlcS 20 .§ ae l .§ ae8 21 play 1 2 . . . � b8 or 1 2 . . . <£jcS .
�r� <£jd 7 22 a4 h6 23 Jlc3 Jlb6 = 1 3 eS
/an Wijgeren-Keene, Rotterdam Or 1 3 <;fth l ! .§ ae8? 1 4 eS .
!176. I n order to make any 13 . . . <£je8
>rogress, White had to c-reate 1 4 ..\lh3 <£jc7
argels for black counterplay. IS <ifth l .§ ae8
S Jlb2 e6 1 6 <£jh4 f6
6 0-- 0 Jle7 1 7 ef ..\l x ffi
7 d3 h6 1 8 -'l, x ffi .§ x ffi
8 <£jbd2 0-0 1 9 f4 �cS
9 i!rel <£jbd7 20 <£jdf.3 �c3 ( 113)
1 0 e4 Jlh7
In the true R eti System, where 113
tVhile has played c4, he finds i t w
lillicult to attack o n the K-side and
he black pawn triangle limits the
·fli:c tivcness of his KB, so that his
,!_-side prospects are not great
it her. But now White can play eS,
!riving away the knight, and so
nake some more K-side progress.
\lso, as Nimzowitsch pointed out in
Ill' preced ing game, if c4 had been I ntending . . . d4 followed by . . .
>layed the black KB would have a <£jdS and . . . <£je3 .
Transpositions 101
2 1 -llg4 43 �e4 g5
The i ntention was 2 1 . . . J1,f5 22 44 g4 1 -0
Jth5 g6 23 g4! with a strong attack. l f44 . . . � x c5 45 e7 and not45 a7
But a more natural line was 21 � x a7 46 e7 �c8 .
.§. ae l b5 22 .§. a ! .
21 d4 Larsen-Pen rose
22 �e5 � x e5 Palma 1 969
23 fe .§. x fl + (Transposition to Queen's Gambit
Failing to scent the danger. Declined, Tarrasch D efence)
Better was 23 . . . .§. 6ffi. I b3 c5
24 .§. X fl i!Yc5?! 2 J1,b2 �c6
And here 24 . . . .§.ffi 25 .§. x ffi+ 3 c4 e6
� x ffi 26 Jth5 �d5! was to be 4 �£1 �f6
preferred . 5 g3 lte7
25 i!¥1'2 .§. £8 6 -llg2 0-- 0
26 i!Y x ffi+ i!Y x ffi 7 �c3 d5
27 .§. x ffi+ � x ffi 8 cd ed
28 �£1 c5 9 .§. c l ( 1 14)
29 �d2 �d5
30 �c4 �b4?
114
The decisive mistake. Correct
B
was 30 . . . �e7 , though W hite
retains winning chances by
bringing his king across to defend c2
or even advance c3.
3 1 � x a5 �xc2
32 � x b7 c4
33 be Axd3
34 �c5! Jtx c4
35 Ax e6 A x e6
36 � x e6+ �e7 9 d4 �e4 10 0--0 ltf6 I I �a4
37 �c5 �b4 .§. e8 is a direct Tarrasch
38 a5 �c6 transposition where Black has good
If 38 . . . d3 39 � x d3! c h a n c es for equality, as
39 a6 �d8 demonstrated in Samarian's book
40 �g2 g6 The Qyeen's Gambit Declined.
41 e6 �e7 Larsen-Spassky, W innipeg 1967 ,
42 �£1 �6 went 9 d4 Ag4 1 0 0--0 .§. e8 I I de
102 Transpositions
j},x c5 1 2 §. c l j},b6 1 3 .:£)a4 �e7! ,ilh3 or by 1 6 . . . .,il5 and if 1 7
(Black does not mind the doubling .:£)d4 ,ilh3!
of his b-pawns; in return he would 1 7 §. fd l j},ffi
control c5 and get light square 1 8 e3 �e7
counterptay due to the absence of 19 h3 h6
White's QN .) 1 4 §.c2 j},f5 1 5 §.d2 20 .\lx ffi � x ffi
.,ila5 1 6 .\}_c3 b5 ( !-- ! in 50) . 2 1 §.c3 .,ilf5
9 ... .,ile6 22 §.del §. cd8
Black allows himself to be 23 .:£)d4! ( 1 15)
intimidated and places his QB on a
passive square. 9 . . . .ilg4 merited 115
consideration, while the ultra B
sharp 9 . . . d4 10 .:£)a4 .:£)d7 is by no
means ridiculous.
10 d4 §. c8
I I 0-0 §. e8
1 2 de .\}_xeS
13 .:£)a4
The c lassic a n ti-Tarrasch
strategy. W hite occupies the dark
squares c5 and d4. Although White cannot main
13 .\le7 tain a piece on this square it is
1 4 .:£)c5 .:£)d7 necessary to prevent . . . d4. With
1 5 .:£) x d 7 the pawn position fixed Black must
Also promising and perhaps even constantly guard his d-pawn, and
stronger was 1 5 .:£) x e6 followed by the important factor becomes
e4. One feels that R u binstein, the White's control of the open c-fi le.
original anti-Tarrasch exponent, 23 .:£) x d4
would have selected that method in 24 �xd4 �xd4
preference to the text. 25 ed §. e7?!
15 . . . i!rxd7 Whatever the outcome he had to
1 6 �d2 �d8? try 25 . . . §. e2! After the move
Black wants to contest the a l -h8 chosen Black can achieve nothing
diagonal, but it is wrong, in in the e-fi le.
principle, to aim for an exchange of 26 g4 ,ile6
dark-squared bishops. I t is, in fact, 27 f4 ffi
the light-squared bishops he should Whether it 1s theoretically
swap, e.g. by 16 . . . §. ed8 and . . . possible for Black to hold this
Transpositions 103
posttlon is purely an academic 4Jdffi 1 3 f3 4J x d 2 1 4 i!fxd2 de 1 5
question. The result in practice is a _Q_x c4 d S 1 6 .ll,d 3 .§ fcS 1 7 f!ael
foregone conclusion and Black f! c7 IS e4 f! acS 19 eS 4Je8 20 f4 g6
actually ends up in the grip of a 21 f! e3! f5 22 ef 4J x ffi 23 f5! 4Je4
spectacular paralysis. 24 -'t x e4 de 25 fg f!c2 (if25 . . . hg
2S � !J...fl 26 f!g3 i!fg7-or 26 . . . i!fh7 27
29 .ll,f3 <iftf8 30 a4 .§ deS 31 a5 f!d7 .§ ffi or 26 . . . i!feS 27 i!fh6 or 26
32 b4 f! edS 33 .ll,e 2 -'teS 34 j}_d3 . . . �g7 27 d5+ e5 28 d&-27 d5 eS
f!e7 35 f! cS .§ x eS 36 .§ x eS � 28 i!fgS f! e8 29 .§ ffi) 26 gh+ �h8
37 b5 b6 3S ab ab 39 f! b8 f! e6 40 (26 . . . i!f x h7 27 .§ g3+ or 26 . . .
Jig6+ ! <iftf8 (if 40 . . . � x g6 41 � x h7 27 f! h3+ �g8 2S i!fh6) 27
·
CHIGOR I N -Skipworth 1 1 7
QU I NTEROS-Ree 20
F I L I P-Botvinnik 1 03
F I SCHER-Filip 89 RAZU VAYEV-Kapengut 2 1
ROBATSCH-Bisguier 43
G I PS L I S- Gutman 60
S I M U NEK-Cizek 1 2
Milbers 36, Pares 1 06, Penrose 69, STE.\:\ :\ I iles 1 '2 '2
Schmidt 1 05 S MYSLOV -Ado�jan 59, Trifunovic 38
KORCHNOI-Bellin 86, R t'shevsky 99 SPEELMAN - M iles 1 1 9
STAU NTON-Worrall ix
LARSEN-Balinas 6, Dominguez 7 7 , SZABO-Padevsky 9 1
Eley 1 6 K avalek 7 0 , Parma 13, SZI LAGYI-Taimanov 1 5 , Vaisman 8
Penrose 1 0 1 , Portisch 2 3 , Spassky 3
L I LJEDAHL-Cooper 9 TI M MAN- Bohm 75, Padevsky 22
LJU BOJEVI C-Kavalt'k 1 9 , Tri ngov
83 WESTER I NEN--Tal 1 09
MORPHY- Maurian ix
M U R EI-Schechtman 78 Z U K E R TORT-Biackburne 1 03
I ndex of Variations
A
I b3 e5
I . b5 74
. .
I . b6 73
. .
I . . c5.
I . d5 2 Jl.b2
. .
a) 2 . . . c5 3 e3 �c6 4 .,ilb5 7 7
b ) 2 . . . Jl.f5 50
c) 2 . . . �ffi 89
d) 2 . . . Jl.g4 48, 53, 56
l . e6 1 09
. .
f4 80) 3 . . . e5 85
I . �£6 2 Ab2
. .
Index of Variations 115
a) 2 . . b6 80
.
4 .:£)£3 e4 5 .:£)d4 I I
4 . . . d6
4 . . . Jld6 1 4
5 .:£)e2
5 .:£)£3 1 4
After 5 .:£)e2:
5 . . . a6 1 5
5 . . . .:£) d 7 15
5 . . . Jld 7 16
5 . . . Ae7 1 5
5 . . . g6 1 4
B
1 c4
a) I . . . c5 2 b3 .:£)ffi 3 Ab2 d6 4 g3 .:£)c6 5 Jlg2 g6 6 Ax ffi ef 7 .:£)c3 7 1
b ) I . . . e5 2 g 3 c6 3 b 3 d 5 4 Jlb2 93
c) I . . . f5 2 .:£)£3 .:£)ffi 3 g3 e6 4 Ag2 Ae 7 5 0-0 0--0 6 b3 86
116 Index of Variations
c
I d4
a) I f5 2 g3 g6 3 Jtg-2 Ag7 4 �f3 d6 5 0--0 �h6 6 c4 0--0 7 �c3 c6 8 b3
0 0 0
86
b) I �ffi 2 c4 e6 3 �f3 b6 4 e3 Jlb7 5 Jtd3 (5 Jle2 1 03) 5
0 0 0 d5 6 0--0 0 0 0
D
I e3
I 0 0 0 �ffi 2 f4 d5 3 �f3 Jtg-4 4 b3 �bd7 5 Jlb2 e6 53
E
I �f3 d5
I . c5 2 b3
• .
a) 2 d6 640 0 0
b) 2 �ffi 66 0 0 0
1 . . �f6 .
2 0 ffi 43
0 0
2 0 �ffi 3 Jlb2
0 0
a) 3 c6 450 0 0
b) 3 e6 37 0 0 0
2 0 Jlg3
0 0
a ) 3 Jlb2 48
b) 3 e3 46
3 e3
3 .Q.b2 ffi 29
3 ... �c6
3 0 �ffi 4 .Q.b2 "30
0 0
Index of Variationr 117
4 . . . a 6 26
4 . . . .:£!ffi 26
4 . . . Jlg4 25
F
1 f4
I . . . e6 2 e3 f5 3 g3 .:£!ffi 4 .,ilg2 d5 5 .:£!f3 c5 6 b3 79 I . f5 2 .:£!f3 ( 2 b3 .:£!ffi
. .
G
I g3
I . . . f5 2 .,ilg2 .:£!ffi 3 c4 e6 4 b3 80