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English 9 Unit Four: Purple Hibiscus by Chimamanda Ngozi Adichie Unit Test
English 9 Unit Four: Purple Hibiscus by Chimamanda Ngozi Adichie Unit Test
It rained heavily the day that Ade Coker died, a strange, furious rain in the middle of the parched
harmattan. Ade Coker was at breakfast with his family when a courier delivered a package to him. His
daughter, in her primary school uniform, was sitting across the table from him. The baby was nearby, in
a high chair. His wife was spooning Cerelac into the baby’s mouth. Ade Coker was blown up when he
opened the package – a package everybody would have known was from the head of state even if his
wife Yewande had not said that Ade Coker looked at the envelope and said “It has the State House seal”
before he opened it.
When Jaja and I came home from school, we were almost drenched by the walk from the car to
the front door; the rain was so heavy it had formed a small pool beside the hibiscuses. My feet itched
inside my wet leather sandals. Papa was crumpled on a sofa in the living room, sobbing. He seemed so
small, Papa who was so tall that he sometimes lowered his head to get through the doorways, that his
tailor always used extra fabric to sew his trousers. Now he seemed small; he looked like a rumpled roll
of fabric.
“I should have made Ade hold that story,” Papa was saying. “I should have protected him. I
should have made him stop that story.”
Mama held him close to her, cradling his face on her chest. “No,” she said. “O zugo. Don’t.”
Jaja and I stood watching. I thought about Ade Coker’s glasses, I imagined the thick bluish lenses
shattering, the white frames melting into sticky goo. Later, after Mama told us what had happened, how
it had happened, Jaja said, “It was God’s will, Papa,” and Papa smiled at Jaja and gently patted his back.
Papa organized Ade Coker’s funeral; he set up a trust for Yewande Coker and the children,
bought them a new house. He paid the Standard staff huge bonuses and asked them all to take a long
leave. Hollows appeared under his eyes during those weeks, as if someone had suctioned the delicate
flesh, leaving his eyes sunken in.
My nightmares started then, nightmares in which I saw Ade Coker’s charred remains spattered
on his dining table, on his daughter’s school uniform, on his baby’s cereal bowl, on his plate of eggs. In
some of the nightmares, I was the daughter and the charred remains became Papa’s.
• “The baby was nearby, in a high chair. His wife was spooning Cerelac into the baby’s
mouth. Ade Coker was blown up when he opened the package…”
• “…I imagined the thick bluish lenses shattering, the white frames melting into sticky
goo.”
• “I saw Ade Coker’s charred remains spattered on his dining table, on his daughter’s
school uniform, on his baby’s cereal bowl, on his plate of eggs.”
• “He seemed so small, Papa who was so tall that he sometimes lowered his head to get
through the doorways…”
a. metaphor
b. allusion
c. symbol
d. juxtaposition
6. What is the main impact of the literary device used in number 5 on the reader?
a. It highlights for the reader the conflict between the military government and the journalists
who are writing about them.
b. It further characterizes Ade Coker for the reader by revealing that he is not just a newspaper
editor, but also a father.
c. It emphasizes for the reader the devastating impact that the violence in Nigeria has on the
everyday lives of the people.
d. It reveals to the reader the impact that this assassination has on both Ade Coker’s family
and Kambili’s family.
7. The purple hibiscus is a central symbol in the novel. What does the flower symbolize?
a. hope
b. sacrifice
c. family
d. freedom
“The rain was so heavy it had formed a small pool beside the hibiscuses.”
a. The wet hibiscus communicates to the reader that the conflict between freedom and
oppression is intensifying.
b. The wet hibiscus communicates Papa’s brokenness and the family’s deep concern for him in
this moment.
c. The wet hibiscus communicates that love has been lost in both Kambili’s family and in the
country of Nigeria.
d. The wet hibiscus communicates that the sacrifices Kambili made to bring the hibiscus home
were for nothing.
9. Which of the following best expresses how the setting mirrors the mood of this passage?
a. The Achike family is in their living room and the mood is very peaceful.
b. It is an unusually rainy day and the mood is unusually somber and subdued.
c. It is the harmattan season which is normally dry and the mood is one of being surprised.
d. They are inside their home during the rain, and the mood is one of being sheltered and
protected.
Directions: Use the poem above as well as your knowledge of the novel, Purple Hibiscus, to write a well-
crafted essay in response to the prompt below.
Prompt: In the poem, “Quilts” by Nikki Giovanni and in the novel, Purple Hibiscus by Chimamanda Ngozi
Adichie, the writers develop the theme of identity, specifically how identity can change over time. Use
evidence from both texts to explain how each writer conveys this theme.
FCA #1 – Thesis: Begin with a universal idea/theme statement that is accurate and can be supported
with examples from the text
FCA #3 – Structure: Two paragraphs each revealing a way the author reveals theme