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Fabric Embellishment: Shazmah Basharat Ph.D. Scholar Textiles & Clothing College of Home Economics
Fabric Embellishment: Shazmah Basharat Ph.D. Scholar Textiles & Clothing College of Home Economics
Fabric Embellishment: Shazmah Basharat Ph.D. Scholar Textiles & Clothing College of Home Economics
SHAZMAH BASHARAT
Ph.D. Scholar
Textiles & Clothing
College of Home Economics
Introduction
• Textiles is a non verbal language of the people.
• Raw materials speak of Geo- Climatic region & trade
linkages.
• Techniques speak of Civilizations as well as links with
others.
• Motifs tell us of their beliefs, legends & myths.
• And, Embroidery is an expression of creativity that
embodies all the above.
• Embroidery is the fascinating cloth art that involves the use of
needles and thread.
• According to Mary Norden “Embroidery encompasses many different
types of fabric decoration, so beautiful and detailed that it is difficult
to believe that a needle created them”.
• . It is an art rightly described as "painting by needle"
• Embroidery is the art of handicraft of decorating fabric or other
material with design stitches in strands of threads or yarns using
a needle. Embroidery may also incorporate other material such
as metal strips, pearls, beads, quilts and sequins.
• Sub continent embroidery is a craft that epitomizes the
enchanting confluence of cultures.
• Indian embroidery owes its amazing array to the resulting cross-
fertilization of cultures. That is why, practically all stitches known
the world are employed in India.
The origin of Indian textiles can be traced to the Indus
valley civilization. The art of embroidery is clearly of the
Eastern origin and is of such ancient lineage that our
knowledge of it stretches into pre-historic ages.
• This time consuming art seems to have initiated through contact with
the African ports.
Chamba Rumals
• The Chamba Rumals are made of fine cotton
or muslin and are embroidered with silk and
sometimes with silver and silver gilt wire.
• The rumals, handkerchiefs, were used on all
festive occasions as a symbol of goodwill and
affection. They were presented as gifts and
were used for wrapping gifts exchanged at
weddings.
• Colors are bright and bold—orange, red,
black, yellow, ultramarine, purple, pink and
green.
• The work was so exquisitely done that it
looked exactly alike on both sides.
Chikankari
• Chikan is a traditional embroidery style from
Lucknow, India. Literally translated, the word
means embroidery. Believed to have been
introduced by Nur Jehan, the wife of Mughal
emperor Jahangir, it is one of Lucknow's best
known textile decoration styles.
• Chikankari is a delicate and artfully done hand
embroidery on a variety of textile fabric like
muslin, silk, chiffon, organza, net etc. White
thread is embroidered on cool, pastel shades
of light muslin and cotton garments.
Sindhi Ajrak
• The word Ajrak is derived from an
Arabic word “azrak” which means
‘blue’. It is a cloth of 2.5 – 3 meters
length, decorated mostly with rich
crimson and a deep indigo color but
a little bit of white and black is also
used to give definition to the
geometric patterns. It is commonly
used in Sindh as men use it as a
turban and curled it around the
shoulders while women use it as a
shawl.