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O N Nietzsche's "We Good, Beautiful, Happy Ones!'' : Michel Henry
O N Nietzsche's "We Good, Beautiful, Happy Ones!'' : Michel Henry
Michel Henry
When he writes "we the noble, we the good, the beautiful, the happy,"
Nietzsche has two things i n mind: explicitly, the condition of the strong,
implicitly, yet fundamentally, the essence of life.
The condition of the strong is only known by opposition to that of the
weak. T h i s opposition between the weak and the strong permeates
Nietzsche's work, to the astonishment and perhaps the embarrassment
of the c o m m e n t a t o r ; w i t h the a i m of e l u c i d a t i n g t h i s o p p o s i t i o n
between the strong and the weak, I shall pose four questions:
1. Who are the strong, i n what does their strength consist?
2. Who are the weak, what is the nature of weakness?
But, since Nietzsche states that the weak inevitably prevail against
the strong, and that the strong must be protected f r o m the weak, one
must also understand:
3. W h a t i t is that allows the weak to subjugate the strong, i n what
does their strength consists and by extension,
4. H o w do the strong come to be defeated by the weak, what is the
nature of their weakness?
The first question—in what does the strength of the strong consist—
seems easy to answer: the strong are strong insofar as they are, i f the
essence of being is strength, what Nietzsche calls w i l l to power. So it
becomes necessary to say something about the w i l l to power which is
o n l y i n t e l l i g i b l e by w a y of a k n o w l e d g e of S c h o p e n h a u e r ' s W i l l .
Schopenhauer's w i l l is a "starved reality," an unquenchable thirst, a
desire that is unsatisfied and unsatisfiable because it is the desire for a
reality t h a t does not exist, because there is no r e a l i t y beyond this
object-less desire. Hence the indefinite reiteration of this v a i n desire.
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H E N R Y / O N NIETZSCHE'S ' W E GOOD, BEAUTIFUL, H A P P Y ONES!'
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GRADUATE F A C U L T Y PHILOSOPHY J O U R N A L
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H E N R Y / O N NIETZSCHE'S "WE GOOD, BEAUTIFUL, H A P P Y ONES!'
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H E N R Y / O N NIETZSCHE'S "WE GOOD, BEAUTIFUL, H A P P Y ONES!"
We shall see more clearly that this break w i t h the immanence of life
constitutes the essence of weakness i f we now examine the struggle of
the weak against the strong, and i n particular, the way i n which the
former set about overthrowing the latter. This destruction of strength
depends on t h i s v e r y same break w i t h i m m a n e n c e to the self a n d
occurs wherever the weak succeed i n insinuating their own weakness
into the souls of the strong, "undoubtedly i f they succeeded i n poisoning
the consciences of the fortunate w i t h their own misery, w i t h a l l misery,
so that one day the fortunate began to be ashamed of their good fortune^
and perhaps said to one another: 'it is discraceful to be fortunate, there
is too much misery^'' {GM, 111.14) Strength and weakness thus clearly
assume the characteristics of happiness and shame, of the immanence
of life and its disruption.
B u t it is the impossibility of this disruption that finally leads us to
the very foundations of weakness and to its true essence. F o r the weak-
ness of the weak is ultimately determined not just by that which lurks
i n the m u d of shame and self-loathing: "It is on such soil, on swampy
ground, that every weed, every poisonous plant grows..." {Ibid.)—i.e.,
the monstrous project of self-destruction: it is the failure of this project
which ultimately constitutes the essence of weakness. Life's w i l l not to be
itself, the self s w i l l to renounce the self, is weakness itself because this
w i l l necessarily collides w i t h a force greater than itself, w i t h the great-
est of forces, the force of life. This radical text tells us how i n the inner
relation of life to itself, the weakness of the w i l l not to be oneself con-
fronts the strength of this self and thus constitutes the essence of weak-
ness, the essence of the "unfortunate" and the "ill-constituted": "Where
does one not encounter that veiled glance w h i c h burdens one w i t h a
profound sadness, that inward-turned glance of the born failure which
betrays how such a man speaks to himself—that glance which is a sigh!
Tf only I were someone else,' sighs this glance: 'but there is no hope of
that. / am who I am."^ H o w could I ever get free of myself? A n d yet—I
am sick of myself {GM, 111.14). Such is the essence of weakness.
T h i r d question: how are the weak able to defeat the strong? This
question seems to lead to an insurmountable aporia i f it means under-
standing how the weakness of life's project of self-renunciation could
ever defeat the unsurpassable strength of its cohesion to itself i n i m m a -
nence. In fact, i f weakness seems to and does t r i u m p h over the greatest
strength it is because it bears it w i t h i n itself—because it is, and, like
even the most i n s i g n i f i c a n t weakness, i t coheres w i t h i t s e l f i n the
hyper-power of life: life's desire to renounce itself never ceases for a
moment to belong to life, nor to bear its essence w i t h i n itself.
T h i s is w h a t Nietzsche says i n his extraordinary analysis of the
ascetic priest. Here, for the first time, casting a retroactive light on the
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H E N R Y / O N NIETZSCHE'S ' W E GOOD, BEAUTIFUL, H A P P Y ONES!"
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power. It is this unveiling of the will to power which constitutes the infinite
pleasure to be derived from tragedy. To be more precise, this unveiling is, at
the same time, suffering and joy. The spectacle of the hero's suffering gives
us occasion to remember and to relive i n ourselves the infinite suffering of
life which is also its happiness, the pleasure of existence.
H o w can this be? L i f e is that w h i c h experiences itself, or more pre-
cisely, the fact that it experiences itself, without distance; i t is i m m e d i -
ate suffering, the suffering of self in-itself w h i c h is the possibility of a l l
suffering. B u t to suffer oneself for the sake of life is also to come into
oneself, to grow f r o m oneself, to take pleasure i n oneself. S u f f e r i n g and
joy are thus not two different, separate, opposed modalities, each suffic-
ing to itself and able to exist independently of the other. O n the con-
trary, each constitutes the substance of the other, and this creates this
"surprising mixture of affects" which reveals "the duplicity of Dionysian
madmen," i.e. of those who are identified w i t h the god, w i t h the unique
essence of things. T h i s surprising m i x t u r e of the affects is "the phe-
nomenon by w h i c h p a i n begets joy" (BT, § 2). The ''phenomenon'' by
which pain begets joy is the originary essence of phenomenality, the
originary coming into itself of being i n the f o r m of suffering of self, i n
self-accretion and self-enjoyment. B e i n g is not, it is a coming, the eter-
nal coming into itself of life. Such a coming is neither i n the future nor
relegated to the past. It is the coming of joy f r o m suffering such that
the latter, the phenomenological movement of the suffering-itself of life,
is identical w i t h its self-enjoyment. Moreover, life tests itself by intensi-
f y i n g its suffering and i n the final paroxysm of its suffering, the more
powerfully and profoundly it takes hold of itself, the more intense its
pleasure.
T h i s i n t e r n a l connection between suffering and joy appears as a n
unnoticed support throughout Nietzsche's work. L e t us consider, for
example, the genealogy of morals. It ostensibly develops f r o m a n i n i t i a l
social relationship posited between debtor and creditor, a relationship
w h i c h results f r o m men's exchange of the goods they produce. T h i s first
relationship generates debt, the feeling of personal obligation, the need
to remember and thus the need to raise a n a n i m a l capable of m a k i n g
promises, the existence of h a r m and of punishment as a means of com-
pensating this h a r m . T h i s network of relationships is so dense that it
explains i n t u r n the relation of the i n d i v i d u a l to society, to his ances-
tors and ultimately, to God.
B u t the essential sequence i n the genealogy of morals occurs w h e n
the debtor fails to reimburse the creditor, who then claims the right to
a strange f o r m of compensation, consisting not i n money or i n nature,
but i n the right to make the debtor suffer, to strike h i m , to mistreat
him, to insult, even to violate h i m . Hence the abyssal question posed by
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the genealogy: "...to what extent can suffering balance debts or guilt?"
A n d the no less abyssal answer: "To the extent that to make suffer was
i n the highest degree pleasurable, to the extent that the injured party
exchanged for the loss he h a d sustained, i n c l u d i n g the displeasure
caused by the loss, an extraordinary counterbalancing pleasure: that of
making suffer—a genuine festival {GM, IIL6).
One might say that it is merely a question of revenge. B u t revenge
just leads us back to the same problem: "How can m a k i n g suffer consti-
tute a compensation?" {Ibid.) One might say that it is just a question of
cruelty. B u t is not cruelty itself a pleasure derived f r o m suffering?
In cruelty and i n revenge, suffering and joy seem to be external to
each other, l i n k e d to two different i n d i v i d u a l s : the s u f f e r i n g of the
debtor and the pleasure of the creditor (who takes pleasure i n causing
the suffering of the person who has injured h i m and thus i n avenging
himself on him). B u t this is just how things appear. F o r one must still
explain how, i n the creditor, the suffering f r o m the i n j u r y that has been
done to h i m can transform itself into the joy of causing suffering. In the
same way we must account for the transformation of suffering into joy
i n the theater spectator—and ultimately, i n Dionysus himself—in the
very essence of life. L i k e the strong, like the weak, revenge and cruelty
are merely the figures of life, they divide the components w i t h i n the
One so that they may be exposed to view. A m o n g the horrors of ancient
Greece which most fascinated Nietzsche was the sacrifice of a young
m a n whose lacerated and bloody limbs were dispersed and then strewn
a l l about so that his blood might fertilize the earth and give it life.
Nietzsche's philosophy is this r i t u a l murder, it is the dis-junction and
the pro-jection, magnified against the backdrop of the sky of myth, of
the structure of absolute subjectivity.
NOTES
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