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RUN ... 41 GENERATE ... 46 Compliment ... 52 Not The One ... 57 CROWN ... 64 Bonus Song - She Said ... 69
RUN ... 41 GENERATE ... 46 Compliment ... 52 Not The One ... 57 CROWN ... 64 Bonus Song - She Said ... 69
RUN ... 41 GENERATE ... 46 Compliment ... 52 Not The One ... 57 CROWN ... 64 Bonus Song - She Said ... 69
41
GENERATE ... 46
COMPLIMENT... 52
CROWN ... 64
~®
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2
TREMBLE FOR MY BELOVED
. mf
. -t
fr
II
Elec. Sitar c
1144
Cont. in notation
f
-
t
~
....-....
~ (II
~.
~
.. b•. !: !: ""-
....
e;
.
f - -
~
"'"
" " .. "
~~~ ... ~.
.. " 1'\
-
,;',
'--" -
q.. ~
"'"Band
enters
Gtr.2 RilTA
-"' ,,~
• fw/wah - _I
ililJSIC
UGilf,RY
IYI 3
11,,:,t>I~
C.CoSD(.,
Iq~~
2 2 4 2
"
2 a 2 a
end RifT A
1~'l'~~J~
tr
The hour _ _ has _ be - gun. _
Verse:
xii D
132
end RifTB
7 7
9 7
II I 144
~
;;
~ j~ - I- t ~ p
Your eyes _ have now_ 0 pened._
Your in no cence_ takes flight. _
wlRiffB (Gtr. 3)
D
Ii 132
l### r e
t - 1- 'l
To a world
=1 i,
Chorus:
Bm E Bm
13421
,,1I~
II II231
II1342 [
~
------
,
• _ where
r r
mad· ness
I r
craves. _
I
To a world _ where
r r
hope's _ en
I
. ------
slaved. _
RiffC
i-'Gt~ 4l! ~ !: ~ ~ '"" ----. i2-• ~ ~ !: !: ~ ,..---...
~
•
"!f
""
E Bm E
II 231
II II
---- .
13421 231
~ 1I I
-----
. '0,,/
, r r I I I r' I
.
- Dh, I'll trem . ble for_ my love_ al
end RiffC
~1I"""'" ~
!:
- ~ !: !: It.------I"'
'"
-
v
"
,.
....
Tremble for My Beloved - 6 - 3
0342B
5
I 144
.. It
• ways.
end Riff A
ce.z
,I ""
'--'-" '--'-" ~
""'
~ i Il44
I
I
• I
ways.
V .. It
- -
.. . II.
. . - __ IL __ . __ . fIl
fIl /l fIl r- r- r fIl
• 1:=
== 1:=
... .. .. .. 12 12 12 14 14 14 12
i-i
D
. "
""'
• = = = Cont. in slashes
.~ .':.
II 132
i : : 1: : ?Hi :
AS
I: : ¥R
II .
.;
*Gtr.2
"' <l
1144
! 'X X X ~
1t EDt t 1t ~ I
'"' * Rock wah pedal with an eighth-note rhythm pattern.
Gtr,2)
'. n n )
D
132
~3~ ~
•
lE§,rem'Pi~CL-~- --- --------------------- ~- -----------------------""
Chorus:
wlRiffC {Gtr. 4)
Bm E Brn
!1m II !1m
'#j~~~m~
23 I 13421
_
E
where mad - ness
M 'craves.L
Brn
I~~r
It', a world _ where
E
hope's _ en slaved.L
II
231
II13421
II
231
=!#tg§ ~
~- ~~222Wf~
I ~:zg
Oh, I trem ble for __ my love _ al
Trembling for My Beloved -- 6 - 5
0342B
7
A5
J,j. oft
III 144
• I
ways. It's a world _
Glr.2
,,', ~"
wlRitTC to». 4)
Bm E Bm
II
13421
II231
II
13421
,#t'~
~~~o/~
~-----.£~
Bm E
x e cc
II
..-----.. 13421
II 23 I
wlRitT A «i». 2)
0/
Yeah,
~
trem ble
wr Mfor __ your love __
t ~:
al
A5
II
"
I 144
"
I
ways.
~
Glr.4
"l! 10-
••• ~~~!: . ,..'
= • • ~~'
~
!: . =~.
-
~ ~
'"
Gtr. 2 ~
!: ".. =~ .
/"'
~!:'
,,' "l! 10
••• • • '\ t:I
- ..
~
~
•
~
'-./
rit.
~ . • ....
1..- .n n .. •n .n n
n
'"
®-E~ ®-G~
®-A~ ®-B~ Words and Music by
ED ROLAND
0-00 (j)-E~
Gtr.l
11
,./, ... 011
i-i
-,
.;, "II:
"
Gtr. I tacet
Gtr.2 RilTA
end RilTA
Heavy-7-1
0342B © 1999 WARNER-TAMERLANE PUBLISHING CORP. and SUGARFUZZ MUSIC, INC.
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
9
Verse:
G
.. 11
II
21 34
~
------- ---------
- 1. Com
2. Hold_
- pli
me
-
I
cate
up
this
to
world __
all
you
whom
r r
wrapped _
you _ _
for
de -
me._
ceive. _
V .
Glr.2
~ ,~ -------=== ===---- ;:::::::- ::-----... ~
- ~~~~ :::::::::::::::~
~
,:::::::--
------....:: -:::=::::'I
:......-------
..
A
i'
Gtr.3 (Verse 2 only; Verse J facet)
V .. ~
I
"
E5
.. 11
II
"
- -
-
,; ... 11
- ~ ~ ~ ~~ ..~
f
it ~ ~ iI ~~-.tJ' iI iI iI i1"~ i+ i iI iI i1~~-.tJ'
P.M. ___ _ _ ~ P.M. _____ .,
P.M. __ - - - - -1
P.M. ___ _ _ -l
... =
"
,; .~ ~
-.
. . . •
.l1
"Heavj-7-2
m·ns
10
G
ib
21 34
.. * ~ ~
• I'm ac -
I
quaint - ed with _ _ your
I
suf - fer - ing._
Prom - is - es you break _ _ you still be - lieve. _
I'
V .. *
•
"
E5
.. . II
"
~
• -
, ....
• it it it it9·~ ~ it it ~ ~~P-.tJ ~ ~ ~ ~1'~ i ~ ~ ~ ~~P-.tJ
P.M. _____ ; P.M.------.-l P.M. _____ ; P.M. _____ ;
"
, .. * ~
"Heavy-7 - 3
03428
- - - - , - , - - --- ~------
II
~ Chorus:
D A
xoo xo x
II I ~2
1m'"
" <I
1.3. And
2. And
all
all
your
your
weight,
weight, _ _ _ _
it
it
I
falls
falls
on
on
me,_
me,_
-----
Glr.2 Rhy. Fig. 1
V ,,*
qil I~ I
-e- -e-
I'
A
9
9
It I
V
Synth.
" <I
Rhy. F;g.1A
.. . .. .. .. . . .. .. ..
•
mf
I!
'"
7
7
5
7
7
5
7
7
5
7
7
5
7
7
=t¥
5
6
5
5
6
5
5
6
5
5
6
5
5
c *
•
G G/F#
J2 I
82I 34
II
, 34
"*
• ~ 'I . I
---------
-----
il
it
brings
brings
me
me
down.
down.
!'
. 2
V " <I
_. q~
• !: • ~ . ~ ~ -
. end Rhy. Fig. lA
.
-
n n n n n
a • a a a
l
• , a a a a
4 4 4
G G/F#*
.. If
8
21
.--......
34
8
I 34
Elec. Gtr. 3
". u If
• mf
clean, wlde/ay
D.S.~
G/F#* G/F#*
ill
I 34
ill
I 34
Interlude:
E5
Gtr.2
gII
7 7 7 7 7 7 7 7
e e e B B e e e B B e B e e B B
Heavy -7 - 5
03428
13
Guitar Solo:
G
Glr.4
II 21 34
./
~# IjIll - E - ~.
I
grad. bend-
f trcm. pick
wldlst. & wah
't
.11
"
Glr.2
v, .. 11 ....
, eLLLL
Rhy. Fig. 2
e, ->: ---...
• =t=
1O-1l
>=
1I
>==
1I11
>=1I >=:=
1I'1
=:= >=
lI'lI1I
>::±=
~1I
>=
1I
>= =
1I 1I
9~tJ:~
g 9 9
7
9
7
9 9
7
9
7
9 9
l~ l~ 1~ l~ be 7
9
7
9 9
7
9
7
9 9
l~ 1~ l~ l~ EI I
E5
II II
.. - - I':~-~
f'fb , - -
~ - - - - ;;=
- - , trem. pick _ -j
/
1
)~
1
)
. 1
)
1
... ... , ... •
)
1
. 1
)
'" ...
15 1
1
)
1]
15 15/ 15) 15/
, I
• '.../
'.../
~---I = = >~>=1I'"= >=... >=:= i:i= >=i >=
= = >=
i i ... >==
ii
'.../
12121'1
.... -1 . . , . 7 7 7
-, 9 9 9 9 9 9
Heavy - 7 - 6
03.1. .28
14
di
wlRhy. Fig. 2 (Gtr. 2)
G
21 J4
Gtr 4 . .-/'
~ q /"'. . * "., -
-'*~b~'1
I hold -; 'ck:
trem. piC ~ _ -i
grad. bend
1 1/2
.J
Chorus:
wlRhy. Figs. I to». 2) & lA ( Synth.) both 2 times
D A c
Ii 1 32
II g di..
21
G
H
G/H*
! 34
D
132
A
III
c
321
Outro:
wlRiff A «». 2)
•
G G/F#* E5
Ii
21 J4 I J4
Ii
t t
~
,,1I ~
r
- .~ j - 9 ~
Gtr.3
V
t ~r"'gI-_: <;-
" #
•
¥!I
n n n n n n
9 9 9
" 5 5
.11
"Heavy -7-7
0341B
15
NO MORE, NO LESS
@-Db CD-Eb
Moderately J = 88 F c
Intra:
N.C.
Drums Drums & Bass
it
13421 I
Gtr,l "
II
32 14
Cont. rhy. simile
2 "'!
Verse:
F c F
1i
134211
II
32 \4
1i
Gtr, 1 e
134211
'f
1_ lie,_
y- here, _
I I
catch me if you can. __ My prop er ties_ of
on ly to ex - pose. _ A weak er sense ~ and
C F C
II 1i II
~
13421 J 32 14
j'1
no de fense, _ so strike at _ your _ com - mand. _ ~
straint, __ But don't bring me down ,
no con now my trueL, self shows. \
Pre-chorus:
Am F Am
ill
231
,-:::--... ~
1i
1]421 J
~
ill
231
Gtr.2
~
~
~
~
i!:'
~
--
al - right.
~
~~E'
j:::
+-
Don't bring me down _ _
~
-
~
!:
=
~.
~
•cause there's
nrJ
~M ______________ ~ ~M _________________ ~ hold _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ~
wtdelay
"
No More, No Less - 9 - I
© 1999 WARNER-TAMERLANE PUBLISHING CORP. and SUGARFUZZ MUSIC, INC.
0342B
All Rights Administered by W ARNER·TAMERLANE PUBLISHING CORP.
All Rights Reserved
16
Chorus:
F C
11
J 3421 [
II -
32 14
,
pur - pose
l~~l this night. Save me come to - mor - row,
Rhy.Fig.l
Glr.21"
"'. 1=
!:
- ~ ~ ~ ~ ~ ~ ~ ~
..
.. 12
•
mf
hM __________________________ ~
clean
"
G F
II .
-
'l J 34
It•
13421 I
lead me to my
,
--
ur - gen - cy. _ _
V ~ ~ ~ ~ F: Rhy. Fig. 2 ~
I
,--...
mf -
wfwah (set midway as tone mod.}
~
--
..
7
r-
V I -
..J
end Rhy. Fig. lA
. i •
hM _______________ ~
~
3
..... 3
No More. No Less - 9 - 2
9
Q
1
Q
t= [ I
0342B
C G F 17
g32 J4
8
21 34
II
134211
Gtr.4
--
~U ~ ~U ~
II 21333
FiliI
Piano
-'
mf
No More, Nol1ss-9-3
Q342B
18
~.
,/
GIr.4
...
• f
wldisl.
.... ··
r-
I-' GIr.5
r-
~ ~ ~ ~ =i ~
·· "
-, 3 1
Guitar Solo:
F c F
Glr.l <>
i1
134211
II
32 14
Cont, rhy. simile
It
J 34211
"'
Glr.5
~
- ~ u
, ,
3 3
--------
r-- ..
: ' ... ~ -~ -
- - - •
I"....oJ
) } .~
----'
-
A X --x---x
. . ....
"
18
C
--
II
F
.
32 14
~-~-~-;-i~~~ ?
134211
,.,t,
.
"'- . - --- ~ ~ ~ ~----~
3
'--3-'
,. •
8 = 8 19 19
. -- --- 1/2
n,;:---'
-,
c F
II
31 J4
/
II
134211
-
8 8 -
9
19_ _ - ,
8 8'
r' 1
I 13 IS
13 131S'
1
I 13 IS
13 13 IS'
1
I
No More, No Less - 9 - 4
0342B
19
Pre-chorus:
c Am
II
32 14
II 231
-
•
D';;"t bring me down. _ _ al
Gtr.5
!:
!: ~ ~"'~ f!:- !: f!:
f!: ~
- ;-- Gtr.2
V. = = f= - - != f=
• ~~---------------------------~
r' I
-
"
•
F Am F
II II
•
,
134211
r
----
231
r -
134211
,
right. Don't bring me down _ _ and there's still prom-ise in this night.
V, ~ ~
C G F
8
21 34
•134211
Y ~~1Y ~t~I~-~~¥~
-
Save me come to - mar - row. lead me to my ur - gen - cy. __ See,
II 8 II
~'l~I~_~~
I'm no more, no less of an an - gel than you'd have me be. Yeah,
No More. NoLess-9-5
03428
20
wlRhy. Figs.! «sir. 2) & IA (GIr. 3) wlRhy. Fig. 2 to». 4)
C G F
II 8 jJ
32 14
- 21 34
•
( 34211
--
'"
save me come to- mor - row,
Gtr.~;.5.-.------
•
/
,..--
lead me to my ur - gen - cy. __
------~ ---- -
~.
-- --- -------- - ~
-;.--:--..-----....-------19'~ . See,
wtfdbk:
1
....
C~iJ
wlRhy. Figs. I to». 2) &!A (GIr. 3) wlRhy. Fig. 2 (Glr. 4)
C G F
II 8;;.. II
...
32 14 21 34 13421 I
• ...r.... :f:-'
"E' ~~ ~'
1=
f-
~
~
-
--
-- ~
f-
----~ .--...~,
~ ~
... 1
. .. ••••
• •
.. •
I'·
)
,'VI
....
II
21333
. -
this. (Like this, like
, ,
this.) (A Iit- tIe bit, a lit - tie bit
-
like this.)
'" Gte. 4
~ ~ ~ ~
"'No"
More. No Less - 9 ~ 6
0342B
21
(A lit - tie bit, a lit - tle bit.) (A lit - tie bit, well, shake a lit - tle bit like
-
C C7
Gtr.lo-
II
32 14 _ - - - - - - - - - - - - _
--(10
3241
0
this.)
Dutro:
-
C7
3241
• • • ~., . .. . ..
'" ,
i9- • •• • • •• -
~
• • ." ... • • • • •
...
So More, No Less - 9 - 1
Q3.42B
22
.;
Gtr.6 -- -- -
• mf
wloctave pedal
• .... • • .
r
V Gtr.S
• • 1\.r---#.
.
•
....
/- - ---:!!:--- ---~-- -
•
• • •• . • •
Ii
'"
5 7
] 5 6 8 8711> 8
W
7
iJ I
*Gtr. 6 using octave pedal, sounding wntten pitch and 1 octave lower (8vb).
I
.;
- ~~.
#C~ ~ ~
....
-- - ~.
1::
----
:;:~ =
~ ~ ~ f-~ ~ ~ ~ ~ ~
~ ~
•
- -
1/2
~ .. ..
I ...
•• 18 12 18 12 18 ,
D
I'
-
V. ~~.
~
~~ (~) ....
- --- ~.
• • •
~----~ ~ ~ ~ ~ ~ ~ ~ ~
- ~ ~
- 1/2
~ -
"
No More, No Less ~ 9 - 8
0342B
23
1 1
r>. .r>.
18 18
____=1
•
C7
3241
Gtr.!} , t
.. , ,
~ =, ........ =- ....... -=- ,=
24
NEEDS
All grrs. tune down 1/2 step:
Words and Music by
®~E> @~G~ ED ROLAND
®~A~ @~B~
<D~Db CD~E~
Moderately J = 100
Intro:
-
G C(9) G/B G5/F#
21 34 • 2 134 I 34
8
j J4 Play 4 times
~]U~~~
mf hold throughout
a a 3
1
a
2Kf
a 3
o 0 0 9 0
a
2
Verse:
* wlRhy. Fig. 1 (Acous. Gtr. ) 4 times
•
G e(9) GIB G5IF#
II
2I J4
'g 2 J 34
Ii
i 34 , H
*Aeons. r----r---r---,
Gtr. ) ) ) J ) ) ) J Cont. rhy. simile
(2nd time)
tI
I 3..
&
21 34
_
21 34
Ii
I H
tI
I 34
~t¥~~_
Am a thorn in the side? Am I a pic - lure per - fect sub - ject to- night?
Am a source of dire news? Am I a pic - ture per - feet rea - son for you?
Needs-6-1
0342B © 1999 WARNER-TAMERLANE PUBLISHING CORP. and SUGARFUZZ MUSIC. INC.
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
25
~ Chorus:
G Em
8
21 34
II
23
Aeons'i
Gtr./
)
) ) r: ) n Cont. rhy. simile
mf
clean, neck pickup
c G
~
II
342 I
di
21 34
G C(9) G/B G Em
8 IIB8 II
~~~.ns)
21 34
) ) ) )
2J
)
34
))
I 3421 34
Seeds-6-2
0..,'\428
26
c
II
.. ~-
342 1 To Coda-$
t.
need -
to learn _ -
the depth , . ---
or doubt- of faith_ to fall in - to. _
~
8 -,
~ ----+-----~
-B-------
-1- ---
------------
~8
.
wlRhy. Fig. 1 (Elee. Gtr. 3) 2 times
G C(9) G C(9)
•
G/B G5/F~
2134
-. 2134 I 34
g
I 34
8
21 34
II
21 34
A~~~~) ) ) J )r--)""-)"""'-J
~ 4EE _-----= =1==~~~~
-
Elec.Gtr.l
1
r----..
JESsI
•
G/B G5/F~
I 34
8J 34
In this ume ;
- ------- -~- -
•
1
r----..
Needs - 6 - 3
03428
27
Bridge:
.0
Am
0
c
Aeons. )
II 231
II
342 I
.
Elec. Gtr, 3
I-'
• , I
- I
-
!
""'
l-'
" - ~-
- -
• r I- I ~
•
. .
Am C
m
.0 0 o 0
II 231 342 I
~ ~
that I in - vest L, turns to sig nals of dis - tress _ all the while.
~eeds-6-4
0342B
28
Interlude:
wlRhy. Fig.! (Aeous. Gtr.) 11.2.3.
114~1B D.S.!75 al cOdal
•
G C(9) G/B GS/F# G5/F#
xoo
8
21 34
II
21 34
• I 34
II"
I I J4
8
I 34
~§:~~~E~~~:1 - ~
-€t
Coda
G
Aeons.
8
2J 34
'¢' _ _- - - - - - -_ _ "
w/Strings
f=F -
Outro:
wlFilil (Elee. Gtr. 2) 9 times
Em C
Acous.
liI)r--.....,.--,.---, II
23 342 I
Gtr, ) ) J ) ) ) J
Bkgd. Vocal Fig. 1
-
d-- kd ;--r-----
@
-
(Ooh. _
G Em C G
8
21 34
II
342 I
8
2J 34
Fill!
Elec. Gtr, 2
hold throughout
Needs-6-5
0342B
29
Em C G Ern C
0 000 c 0 0 000 o 0
1m
"
1m
~42 I
II
21 J4
~
1m
"
1m
342 I
,~ f t ~z§f t q
diJ=o 'f t 'I
F
deep. Yeah, you're all I need._ Now ,
G c G
8
2\ 34
Em C G Ern C
0
1m
"
000
m o
342 I
0
II
21
00
J4
0
II
"
000
m c
342 I
0
,#~ g:
'I 'I
~
You're all I
~ "'f
need.~~~_
'I d
•
G Em C G
00 0 000 c 0 00
II 21 J4
1m
" 342 I
Ii , 1 J4
l~ t 'I
Ft¥~
You're all need.
'I at 'I
~
You're all I
~
need. _
II B
000
m
342 I
o 0
II
21
00
q
0
1m
"
000
m
341 J
c 0
II
21
00
J4
30
SLOW
•131
lliffA
II
134
• 231
II234
,
GIr.!
• fwlwah
.,
• •
E A
•
E A E A E A
231
II
234 231
II
234
Ii 231
X•
234 231
II 234
Synth.
..---..
RiffB end RiffB
.",: "If ~ ~ ~ • ~ ~ ~ • ~ ~ #-. ..; :..
. mf
..
-,
Verse:
wlRiff A (Gtr. I) 4 times
•
E A E A E A E A
III
231
r-3 ---.,
II 234
,---3----,
III
231
II
234
Ii
2Jl 234
Ill.231 234
.
"If .i->:
----
""'
• • • • • • .X• 23/
E A
234
E
23!
A
234 231
E A
234 23!
E A
234
~~~~l~~~~~I
r Glimp - ses of peace por - tray all that you nev - er could show'l
Star - ing through rea - son, can tent with your new-found de cor.
Slow-4-1 © 1999 WARNER-TAMERLANE PUBLISHING CORP., SUGARFUZZ MUSIC, INC. and GLOBAL SLANT MUSIC
0342B All Rights foe SUGARFUZZ MUSIC. INC. Administered by WARNER-TAMERLANE PUBLISHISG CORP.
All Rights Reserved
31
~ Chorus:
•
E Asus2
23 ,
id 23
Glr.3 )
mf
) ) ) )) Cont. rhy. simile
" # - - '""'
• I r r I r
,
I'm not weak-ened by the fears that you have ap - plied. See
Glr.2
V
•
,,#
=
"lI =
"lI
- =
"lI =
"lI
- ;; ;;
"'
mf hold throughout
~
clean
. n
"
E Asus2
m
0 00 .0 00
:!.11
II
--»:
23
I'm now learn - ing in these walls that have been sup - plied.
mf
E Bm Asus2
II 1342 I
id
23
'Ii2;
To Coda~
.. ;/ .J. . . t -
~
Slow, _ _ _ _
f
F
slow,
~~
slow down now._
t j J
-
k
11 I
~ :0 I
i
(} 5 e
3
T
Ea; e
e
1
e
1
J
==±::2::::::
2
3 9 e
liJ 2
t2 ~ ~ 2
J
'Ii
234
II 234
II
234
II
234
9 9 9 9 11
9911111111
• •
E A E A
23 I
II234 2 31
II 234
Slow-4-J
03428
33
Bridge: (w/spoken vocal)
Dsus2/A * Asus2 E
II" II II
...
Glr.2
•
"If
:;;; ~.
-
:n
:;;;
- I
23 I
Gl r. 1
-
I passed the darkened vaults of late doorways as if I were a king.
-
... ..
-,
* Bass plays A.
E A Dsus2/A* Asus2
0 00 xo 0 xc c 0 xo 00
II II II" II
---, ... l!
•
231 2J4
-
:;;; ~'
-
2~
:;;;
I
II
234
II
234
~ Asus2
Coda
II 23
II
9
Sb<--4-4
tLU2B
34
DANDY LIFE
II'"
1333
11
I 333
7f
,
.,
Drums
,,# 2
Gtr.1
Rhy. Fig. 1 ~ • • •••• =rJ • ••
= ...
~ ~
-.t -.t
...
"
"'C#m7
m 2 333
9fr
Verse:
wlRhy. Fig. 1 (Grr. 1) 4 times
E EIB C#m7
11 m'"
x x
7f
1333
'
~llr
I 333 2 333
E EIB
11
1333
7f
' 11
I 333
71
'
m
E
2 333
9 fr
11 1333
71
'
'--" I
mine. And I don't ev-er reaI-Iy un-der-stand all the things
don't you _ go try?_ To try any-way. And I sup - pose I was
Dandy Life - 7 - 1
0342B © 1999 WB MUSIC CORP. and COFFEE AND MUSIC
35
C#m7
m
2 333
9 fr
'I t
born
that we say, but I
yes - ter- day 'cause I
try
nev
to an - y - way, _ _
er thought of
------
things quite in that way
;.
.'"
E
1333
for
EIB C#m7
II"
I 333
II'"
X~X
2 333
'llb~'1
what's in a day _ of this dan - dy life? ev - 'ry-thing.
Chorus:
A E5 B5 F#5 A5
II 213
Il
I
Rhy. Fig. 2
J3
_
8
IJ
- --- - --- - ----- - - - -- - - -- - - -- - - --- - - - --- ---- -- ---1
Gtr.4 J
mj'
J
f wldist.
1
'
"
_
" mf
hold throughout
Gtr.6
~ - - - Rhy. Fig. 2B. __ - - - __ - - -------- ---------- -- --- ,
f wldist.
1
' _
" " "
mf wlLeslie cabinet effect
36
wlRhy. Figs. 2 tc« 4), 2A (Gtr. 5) & 2B (Glr. 6) each 3 times
E5 B5
g I
F#5 A5 E5 ~ A5
di
13
Ii
I
i 13
~@,
Ev - 'ry - one_ wants to be loved. _ (Ooh. ) Loved in their _ own way.
)
'I
Gtr.6
Dandy Life - 7 - 3
0342B
37
Guitar Solo:
AS C#m7
.~rr
13
m
2 333
9 fr
Rhy. Fig. 3
) ) ) ) r': ) ) ) ) ) ) ) ) J
.. jj
. way.
I
10 10 10 9 9 ·,5
...
I'
Rhy. Fig. 3A
Gtr.5
v. .. jj I I I I I 1 I I 1--
. 'ii 'ii ...
hold throughout
.
A
"
117[,
•r:
E/B A Asus2
'0 x xo 00
I 3 JJ 21}
1m 21 end Rhy. Fig. 3
r: ) ) ) ) ) ) ) ) j ) ) ) ) ) ) )
/
) J
/'
o o
38
wlRhy. Figs. 3 (Gtr. 4) & 3A (Gtr. 5) both 2 times
8 or,
C#m7 E/B
tin, II
A
2 I3
Asus2
II 21
2333 1333
8 or,
C#m7
2333
ElB
tin,
1333
~#b
Ii 5 5 4 4 \9 /5 5 4 4 /7 4 4 ',9 /5 4 4
II 213
II 21
Ii
21
9 9 9 12 2 2 2 2 /4
t 4 4 q /5 5 5 5 5 5
Interlude:
•
E B(I I) E A(9) E B(I I)
mf
0 00 0 00 xo 0 0 00
II
rr
II II II
<[,
Gtr.6 J J J J J J
Bkgd. Vocal Fig. 1 -------------------------1
Ooh. _ Ooh.
Dandy Life - 7 - 5
0342B
39
Chorus:
wlRhy. Figs. 2 to». 4), 2A «ur. 5) & 2B (Gtr. 6) each 7 limes
w/Bkgd. Vocal Fig. 1, 8 rimes
•
E E5 B5 F#5
231
Il
I
fI
13
on _ ev - 'ry way._
Il
E5 B5
m'"
F#5
fI m
A5
sr
• m
E5 B5
41rtt=~t~~~~~
13
F#5 A5 E5 B5 F#5 A5
xxxx
II 13
ill'"
13
fI
13
m
E5 F#5 A5 E5 B5
Il I
fI sr
, Il ill'"
xxxx
~~~;~~~
13
/
40
F#5 A5 E5
II
"
8" srl
li,
II
lOO(X
117fr II
XIOO(
II II Sf'
, 13 rs
" 13
Gtr.4 J J ) ) ) ) ) ) ) )
¥9J
GIr.7
r-..--------- ----------",
11 11 11 11 11 11 11 11
x x x X X X --r----c
19 19 19 19
Gtr.5
9 9 9
9-- 9 e 9 9
9 -------4-
Dandy Life - 7 - 7
0342B
RUN •
All gtrs. tune down 1/2 step:
®-E, 0-G' Words and M.il:1!r
EDROLAllD
®-A, ®-B'
0-0; G)-E,
Moderately J = 100
Intra:
C
II)r--).,.--.,.--,
Aeous.
342 I
Gtr.
) ) ) ) ) ) Com. rhy. simile
Am
If
231
) ) ) ) )
t y y
I've nev - er
From this
II
J 34211
--....-
been this bored _ "-'
be- fore._ ' Is
'--'
this_ the prize _
'--'
I've
Band enters
•
C G C
•• •• ••
342 I
iii
21 34
II
342 I
",,-
wait
- ~
ed _ _
~
for? _ _ Now with the
voice that __ sings. __ Now in this
Am
•• •
II 231
42
F c G
fI
(3421 I
~~
I long _ to
to a - wak - en
find _ a
some _ old
mes
qual
sen ger.-l
ties._
Chorus:
•
F C
~ o 0
II
13421 I
> >
342 I
> >
Acous-)
Glr. ) ) ) ) ) ) ) ) )J ) ) ) ) ) ) ) /)
• to run? ~
i I
mf hold throughout
wlciean tone
" , ..
3 (a)
G
00
II
21 34
) )
>
) ) ) ) ) ) ) r:
>
) )
>
) ) ) ) ) ) ) r:
>
'I ~ F
~
,I
- - end Lead Fig. 1
• I I
3 a
T
~
...
Run-5-2
9~ 9
9
t9 9
9
I
0342B
43
wlLead Fig. 1 (Etec. c«. J) 2 times, simile
F c G
e
1342 II
II 342 I
II
21 34
~i;:te~
Have I got a long __ way to run? __
F G
fI II 13421 I 342 1 21 34
4ft ±D i-~~Z~~~=~~-~4~¥II
Yeah, _ I __ run. _
•
F G
Ii
1342 I I
Yeah, _ L_ run. _
Guitar Solo:
F c G
fI
IH2l1
II
342 I
II
2I 34
F c F
Ii
134211
II
342 j
Ii
13421 I
Run - 5 -:;
03428
44
co 0
G
1m
,{42
~
I
di
21 34
_ way?
Glr.2
~--
~ ~
x-x
j
Have I got a to run?_
F G
M
134211
II
21 34
~ t
to run?_ Yeah, _ I ... _
Outro Chorus:
wlLead Fig. 1 (Elee. Gtr. 1) 2 times, simile
F c G
II I J421 I
II
342 I
Ii
21 34
>
.>
8 7 5
Run - 5 - 4
O;::'~~B
45
•
F C
~ c 0
II
134211 ~42 I
... ~- ..---..
--. ~
Have I got a Iong_ way to run? _
c~
- Jr .. -- »->: ..:::::.-.:::::
--.
Yeah, _
-
I~ run.
l"
~
-e ~
>
-e
-
~
.0.
j!:" ~
• A.H.
~
- - -
,
-,
- .
'"'
~---
~
fit·
I
Fade
Gtr.lPiano taeet
46
GENERATE
Cant. simile
-->-
"Bass Gtr.
---=--- ill
-----
.~~-~-~-~ --~ ~
---=--~~~
wtdist.
LtiC=--------~~~~~~---=-BTIj
Verse I:
w/Lead Fig. 1 (Bass Gfr.) 2 times, simile
N.C.
~------. ~
=m-~~~-?2f=--Y-~
Hey, _ you give me no choice. _ en-ter
Interlude:
C5 G/B
II 14
1iI
14
>,-..,....--r---,
GIr.! ) ) ) ) Cont. rhy. simile
f;= -
Generate- 6 - 1
0342B © 1999 WARNER-TAMERLANE PUBLISHING CORP. and SUGARFUZZ MUSIC, INC.
All Rights Administered by WARNER-TAMER LANE PUBLISHING CORP.
All Rights Reserved
47
N.C.
Glr.l
Lead Fig. 2 end Lead Fig 2
'" "
..
-, .
Verses 2 & 3:
,#b==~r ~
Hey, _ I'm flirt - ing in side.L, I need the
Hey, _ I swal-lowed your pride ~ to gath· er
C5 OIB
Ii II
14
-=-t~:~~b~ :is
Oh, oh,_ oh.
~ Chorus:
•
D5 06
srr
II'"
p
> > > >
r: p
> >
n
13~ I.'
-Glr.2 I 7 7
P 7 7
P
~ ~
·Elee. gtr. w/distortion 1st & 2nd time only; D.S. tacet.
48
{II'" D5
~
133
I n ~
1 } 1 }
G6 G6
mr
Jl,1 :.
XXl<)(
il
"r--;
srr
t ~ ~ i ~ ~ ~ i ~ ~ ~ i ~ ~ ~ 'i ~ ~ ~ i ~ ~ 'i ~ ~
~ "!f wtciean tone
Guitar Solo:
; ; ~ ~ h ; ~ ; ; ; ~#t ; ~ ~ ~ ~ ~ 9
]
E5
Ii
2.'13
.Iorr C5
,., xxx
233
Glr.2
= e 9
];::~ 9 9 ()
! a 5 5 9
;74 9
.D.
I
" Otr. 1 (db/d.)
,/,
Rhy. Fig. 1
" - -
• = -,j
=
...
-,j
t::/ t . *----..
t
mf wlportiol dist.
hold throughout
--i
...c ,
" 2~ -1 M
19
19
10
19- ___
--
Generate - 6 - :;
0_';428
49
A5 D5
>
. . . . . "''' ..
>
>
E5 C5
Gtr.2
II
233
> >
m" xxx
233
lOrr
> >
>
m
A5 D5 E5
II
" xxx
'II'"
.r:
B3
----------------------------------------------~
23.3
> >
•
3
hold bend - - - - - _ - _ - -i
9 9
9
1,m;m;m,m,;;,m?1.
50
A5 D5
Bur
C5
m
"" ..
"'-xxx
V3
lO fr
~
2"
>
II
>--.. ~
1/\
•
. F--'--'r
.......
-
e e
_Iorr
C5
AXl<X
2~3
5 .
1..'--=-----
$
Coda Chorus:
G6 D5
1m'"
133
> >
L.~~-+---+---5--5
Generate - 6 - 5
03-\-2B
51
G6
> >
wlclean tone
P.M. . . . . . . • . . . . . . . . . . . . . . . . . ,
9 7 7 7 9
9 9 9 9 9 9
D5
'm'"
133
~ ~ ~ ~ ~ ~ ~ 1i~ 9 9 9 9 9 9 M~ 9 9 9 9 9 9
G6
B"'
I.'
wlclean tone
Outro:
7
5
7
5 5~
Generate - 6 - 6
03..:.28
52
COMPLIMENT
tIl
234
> >
II231
>i-...,.-.,....""::;>
Ii
234
> >
Elee. Glr. 2 rT7l-. ) ) ) ) ) ) )~) ) ) ) ) ) ) i-rrt:
(clean tone w/chorus)
Elec. Glr. 1
T
2 2 2 2 2 2 2 2 2 2
II231
> >
•234
> >
II23 J
> >
II
134
..
2 2
-,
Verse:
wlRhy. Figs.l (Elee. Gtr. 1) & lA (Elee. Gtr. 4) 2nd & 3rd rime only
E E= E Estis
II 231
Coru, rhy. simile (Efec. Gtrs. 1 & 2)
tIl
2J4
E Estis
Compliment - 5 [
0342B © 1999 WARNER-TAMERLANE PUBLISHING CORP., SUGARFUZZ MUSIC, INC. and GLOBAL SLANT MUSIC
All Rights for SUGARFUZZ MUSIC, INC. Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
53
~ Chorus:
•
C#m A E B
II'"
1 ~ 421
fir'
134211
g
231 1333
, , .......
• t ~>
I I
9 9 9
11
9
9
ft
12 12 12 12 12 12
9ZJii 9 9
I
"
Elec. Gtr. 1 (2nd & 3rd time anly)
V ,,If
Lead Fig. 1
.
~ __ .f!- .~f!-. __ . ~ f!- • f!
end Lead Fig. 1
•
n , , , ,
,
...
D
"' **2nd
"Composite arrangement of two gtrs.
& 3rd time only; 1st time taeet.
wlLcad Fig. 1 (Elec. Gtr. J) simile, 2nd & 3rd time only, I lJ2 times
C#m A E To Coda-$
And here I lie with words to swear. There's some- thing more
Complirnem - ;. - :
03..12B
54
E Esus E Esus
II
'31
II
234
Iii
231
-----oft
t
= I
= I
= I
= I
~ ~ ~ ~
hold throughout
3
-..I! ti t j
9 9 9
0
2
1
;go 2
2 2
2
2
Synth. Solo:
-
II'"
1.3421 I
II
HI
E Esus
liI
'34
Ii
E
VI
Synth.
8va __ _
...
~
Elec. Gtr. 1
-2---- 2
Compliment - 5 - 3
034):B
55
•
Esus E
0 00 0 00
(8va) _ ~34
II 231
D.S. ~ al Coda
--------------1
.-" " . "'- . - -&
-.
r-.
[.., " .
:::;; >1 :: >1 :: >
:;;=
I
=
:;;
I
> i i
.
-;;-
'"
~
Coda Outro Chorus:
wlLead Fig. 3 (Etec. Gtr. 1) 2 times. simile
B C#m A
II
13J3
> >
II'"
IJ411
Ii'"
134211
Glr;.-
• ..;.4""T'"-'-
Acous.Gtr. ))J)-) ) ) ) ) ) ) ) Com. rhy. simile
-- --
.II'"'
........ 1.....1 ~ ~
[.., El,~cllGtr. 1
-. Y ~
,
Compliment - 5 - ~
03428
56
Ii x-III'"
C#m
~
13421
1m
[F-~--~ Is ¥
I'm dy - ing here for a com - pli - ment. And here I lie
with words to swear. There's some-thing more than the world out c..
G# A
it'"
I <411 I
1I
~
: 3421 I
sr
,
~ If .kr ~ ,
t I
------ I
---------
r
f1
Do
• 8 " •
;;
;;
;.,;
"
----
llr
G#
.5r,
~
A
0
II
E
00
rrn
j 342 I 1 134211 2] I
) ) ) ) ) ) ) ) ) '"
Elec. Otr. 4 )
> >
l~
poco rlt.
'"
....
.ll
poco rit.
:0:
....>
Compliment - 5 - 5
0341B
57
NOT THE ONE
Slowly J. = 60
Intra: D5 G5 D5 G5 D5 G5 D5 G5
Drum machine enters
*Keybd
-', 1I
. "'P
I - I
I I I
• • • • •
D5 G5 D5 G5 D5 G5 D5 G5
·*Elec. Otr. 1 (dbld. by Piano)
Rhy. Fig.l end Rhy. Fig. I
,/
" 1 1 I I I I I I " I I
= =
~>
mf
~c
wtpick: and fingers
~
'>
~c
t= ~c- =
~
c
~c
hold throughout
I'
• .
***Bass Gtr.
Lead Fig.l end Lead Fig. 1
V 1I
" '*@=D.
Verse 1:
wlRhy. Fig. 1 (Elee. oi« I) simile wlRhy. Fig. 1 (Elee. Gtr. I) 2 times, simile
wlLead Fig. 1 (Bass) simile wlLead Fig.! (Bass) 11/2 times, simile
D5 G5 D5 G5 D5 G5 D5 G5 D5 G5 D5 G5
SotlheOne-7-1
0342B © 1999 WARNER·TAMER LANE PUBLISHING CORP. and SUGARFUZZ MUSIC, INC.
All Rights Administered by \\'ARNER-TA\.1ERLA~E PUBLISHING CORP.
All Rights Reser, cd
58
m ill ill m ill G5 ill m
~lIj~ F7Jf+-fft 1fs=t-==b~~~-M4
~ ~
LA
"'--' .. -....I J
'-'
on - ly to _ be - come a mel o - dy c,., you nev - er sang;
~ Chorus:
wlRhy. Fig. 2A (Acous. Gtr.} 2 times, simile all D.S. only
05 G5 05 G5 Em G
" ,
.. ..
- IV J
I'm not
•
the one.
----
Oh, _
--- "------'
oh,_ oh,
;l~
I'm
•
not
~
the_
Elec. Gtr. 1 (dbtd. by Piano)
Bass Gtr,
Rhy. Fig. 2
V .. •
I
I
~. ~ --.
~
-i =
~
~>
-~
hold throughout
, 3
ill
n
4
a---- 3
5
-
""'
. D5 G5 05 G5 Em G
- --
J¥-~; -~ J
one. Oh. oh,_ oh, I'm not the _
end Rhy. Fig. 2
V
. =
-"
'!>
I I
=
. '!>
I
=
- . '!>
~
~ ~.> ~
... >
e 3
.,
.
n
5
n
3 3
e
n
3 3
5
e
3
F
t
2
2
e
0 e
5
5
4
3 3
J
To Coda-$
D G D G
xxo 00 xxo
II 1.~
Rhy.Fig.1A
2
II
" "
II I ~2
II
21 34
> >
>
3 3 3 3 3 -3 3
- e
Ii>
132
II
" "
>
Iic-
132
iii"
11
>
end Rhy. Fig. IA
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
~
> >
> >
Verse 2:
: n
3 •
9
2
3 3
5
9
3
ill
wIRhy. Figs.! (Elec. Gtr.1) & IA (Acous. Gtr.) 2 times, simile
D G D G D G D G
II 132
II
21 34
II 132
Ii
21 34
II Ii
132 21 34
~:
Clouds of thought you fil ter through. nev er to_ rea - son, while
D G D G D G D G
IIIi II fI
132
II
21 34
II 1:12
Ii
21 34
II 132 21 34 132 21 34
~w~~ ~~~~:g~~~~
@ff: ~:
pa tient - Iy your world still bleeds; who shall be_ the _ one?
Chorus:
Em G
00
II 23
iii
21 34
Rhy. Fig. 2A
c- », > >
)
-- ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
Aeons.
)
---
Glr.
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Verse 3:
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wlLead Fig. 1 (Bass) 1 112 times
wlVocal Fig. I, simile
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Not the One - 7 - 6
034~B
63
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64
CROWN
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Verse:
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21 34
8
·11 34
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21 34
*
'i"~_ ff 'I'
swer _ _
herd _
to all of my ques - tion ing?
to lead this poor boy back _ _ home?
I Well, I
*Harmony on Verse 2.
Pre-chorus:
D C(9)
II II
'i 132
hope I'm not lost, but I think that hope is now dis - tancing, and the
words that se - cure a cause_ are now faint L whis - per - ings. _
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G D
dI
21 34
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Who's gon-na wear _ my crown?_
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tl342B
66
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I've just got_ to go_ my ____ way.
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hold ___________________________
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Crown~5-4
03428
68
0g
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II
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23 4 2 I 34
I:::
------------------------------~ Cont. ad lib.
1< 15 17
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76 16 16 16 16 16 16 16 16 117 16 17 16 17 16 17 17 17 15 17 17
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m 231
Outro:
G
8
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Crown-5-5
03428
69
SHE SAID
Moderately J = 90
Intro: Verse 1:
• •
Csus2 G Csus2 G
2 34
8
21 34 2 34
8
21 34
'\
She said that time is un - fair (a) to a worn-an her age. And now that wis-dom has
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Verses 2 & 3:
•
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Ii2 34
821 34 1 34
,
back <a) to her days of youth, WhaL she thought were
ing for sal- va- tiori's light. Yeah, she wish-es all
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• lies she lat - er found was_ truth.
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She Said - 7 - 2
0342B
71
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• She said her dad - dy_ had dreams, _ but he drank them , a - way.
She said she won't speak _ of love,_ 'cause love she nev - erknown.
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And her moth - er's to blame for the way she is to - day.
And it's rna - ments like these, she hates to be a - lone.
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0.342B
72
Csus2 G Csus2 G
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9
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2J 34
Rhy. Fig. 2
II.34 2 I 34
end Rhy. Fig. 2
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then on - Iy _ the strong shall sur-vive., She said.c, "But I'm fee] - ing _ quite ,
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21 34
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_ weak." She said, _ "Will you com - fort , and _ for- give (a) me?" _Mm, (a) she said.;
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She Said ~ 7- 4
03428
13
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She Said-7-6
03428
75
Chorus:
G G/A C(9)
8
21 34
BE
34 21 34
II
21 34
tr
"But I'm feel - ing i, quite _
C(9) G C(9)
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g 2 34
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for ~ give me.
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