Professional Documents
Culture Documents
Women and Entrepreneurship
Women and Entrepreneurship
Introduction
Women owned businesses are highly increasing in the economies of almost all
countries. The hidden entrepreneurial potentials of women have gradually been
changing with the growing sensitivity to the role and economic status in the
society. Skill, knowledge and adaptability in business are the main reasons for
women to emerge into business ventures. ‘Women Entrepreneur’ is a person
who accepts challenging role to meet her personal needs and become
economically independent. A strong desire to do something positive is an
inbuilt quality of entrepreneurial women, who is capable of contributing values
in both family and social life. With the advent of media, women are aware of
their own traits, rights and also the work situations. The glass ceilings are
shattered and women are found indulged in every line of business from pappad
to power cables. The challenges and opportunities provided to the women of
digital era are growing rapidly that the job seekers are turning into job
creators. They are flourishing as designers, interior decorators, exporters,
publishers, garment manufacturers and still exploring new avenues of
economic participation. In India, although women constitute the majority of the
total population, the entrepreneurial world is still a male dominated one.
Women in advanced nations are recognized and are more prominent in the
business world.
Women in India are faced many problems to get ahead their life in business. A
few problems can be detailed as;
5. Indian women give more emphasis to family ties and relationships. Married
women have to make a fine balance between business and home. More over the
business success is depends on the support the family members extended to
women in the business process and management. The interest of the family
members is a determinant factor in the realization of women folk business
aspirations.
10. Low-level risk taking attitude is another factor affecting women folk
decision to get into business. Low-level education provides low-level self-
confidence and self-reliance to the women folk to engage in business, which is
continuous risk taking and strategic cession making profession. Investing
money, maintaining the operations and ploughing back money for surplus
generation requires high risk taking attitude, courage and confidence. Though
the risk tolerance ability of the women folk in day-to-day life is high compared
to male members, while in business it is found opposite to that.
11. Achievement motivation of the women folk found less compared to male
members. The low level of education and confidence leads to low level
achievement and advancement motivation among women folk to engage in
business operations and running a business concern.
12. Finally high production cost of some business operations adversely affects
the development of women entrepreneurs. The installation of new machineries
during expansion of the productive capacity and like similar factors dissuades
the women entrepreneurs from venturing into new areas.
Right efforts on from all areas are required in the development of women
entrepreneurs and their greater participation in the entrepreneurial activities.
Following efforts can be taken into account for effective development of women
entrepreneurs.
11. Activities in which women are trained should focus on their marketability
and profitability.
12. Making provision of marketing and sales assistance from government part.
16. The financial institutions should provide more working capital assistance
both for small scale venture and large scale ventures.
17. Making provision of micro credit system and enterprise credit system to the
women entrepreneurs at local level.
20. Industrial estates could also provide marketing outlets for the display and
sale of products made by women.
22. District Industries Centres and Single Window Agencies should make use
of assisting women in their trade and business guidance.
24. Training in entrepreneurial attitudes should start at the high school level
through well-designed courses, which build confidence through behavioral
games.
Goals help you map out events so that you can achieve what you want in life
and business. They can also give you focus, which increases your chances for
success. When you achieve one of your business goals, it empowers you, giving
you the momentum to become more successful. Momentum is a key element
for women achieving their business goals. It keeps you moving toward your
objective.
Achieving your business goals involves taking action steps to ensure that you
successfully attain them. The process requires that you set your goals and then
plan out strategies for achieving them. The following 10 tips can help you do
just that:
To begin the process of achieving your goals, you must first map out where you
want to go. You can achieve this by setting your goals. Your business goals
should be specific, have time frames, and be attainable by you.
Take some time to think about every specific action step you need to take to
reach each of your business goals. Utilize your skills and resources to their
fullest. Brainstorm all the possible avenues you can take to achieve your goals.
Be proactive rather than passive.
You need to create a step-by-step plan for each one of your business goals. The
more specific and detailed you are in your planning, the better your chances
for successfully achieving the goal. One method women can use involves listing
five practical steps for achieving each of their goals.
A daily to-do list helps you organize your day so that you accomplish what you
need to achieve your business goals. This list contains the things you need to
do daily. At the beginning of each business day, examine what you need to
accomplish. Focus and direct your energies toward your goals.
If your business goals are your destination points, you need to regularly
evaluate how far you have moved toward them. Did you meet your
expectations? What are you doing right? What are you doing wrong? Apply the
80/20 rule and spend your time more wisely in order to move more effectively
toward your goals.
6. Networking
Create affirmations that move you toward your business goals. If your goal is
getting more sales for your business, write out an affirmation such as “Today
and everyday I will increase the sales in my business.” Visualize in your mind
the success of your goals. Spend at least 10 minutes every day visualizing your
success. For optimum results, post your affirmation around your workspace
and read it aloud a minimum of eight times a day for at least 21 days.
Play toward your natural inclinations. This means you need to focus on what
you do well and work on the rest of your skills that are pertinent to your
business. Make an effort to delegate tasks you don’t know how to do to others
who have an expertise in them.
You are a dynamic person who is continually changing as the world around
you changes. As such, you need to evolve your goals to match the changes in
yourself and your environment. As a businesswoman, staying ahead of trends
can mean a lot to your success. When you achieve your goals, you need to
celebrate your success. This gives you the momentum to take the action steps
necessary to achieve your next business goal.
Case Study
During her childhood she was extremely obese and suffered from low self
esteem. She was a very pampered child and was never oriented towards any
kind of achievement.
A student of Bombay Scottish school and Mithibai College, Ekta was a poor
student and content with getting the minimum passing grades.
Her family wanted her to enroll in an MBA program but she was not interested
in a theoretical education and had no clue about what she wanted to do in her
life. "I was fat, lazy and absolutely aimless in life.
She was a poor student and was happy to get by with the minimum pass
marks. Even as a child she was an avid television watcher and spent most of
her free time glued to the TV. She felt guilty about letting her parents down,
but was unable to do anything about it.
The turning point in Ekta Kapoor's life came in the early 1990s when a non
resident Indian, Ketan Somayya, approached her father and requested him to
make some software for the channel he wanted to start. Ekta's father asked her
to take up the responsibility of making the software. Consequently, Ekta
Kapoor made six plots, of about three episodes each, at a cost of about Rs 0.5
million. The proposed channel, however, did not fare well and had to be sold to
Zee TV. Not wanting to waste her efforts, Ekta Kapoor started looking for other
buyers for her plots.
She was not successful in finding buyers for the first plots, but her father came
to her rescue and gave her more money to make more plots. BTL was set up in
1994 by her father. Mano Ya Na Mano, (Believe It or Not) BTL's first serial was
telecast in 1995. This was followed by Dhun Dhamaka (Musical Explosion), a
music based show aired on Doordarshan,3 which was moderately successful.
The first major success came with Hum Paanch (We Five), a comic sitcom
about 5 girls and their harassed parents, which ran for 5 years on Zee TV. BTL
came out with an initial public offer (IPO) in October 2000 to set up an
integrated studio in Mumbai and to buy advanced equipment. A day prior to its
listing on BSE, BTL entered into negotiations with Nine Network Entertainment
India Pvt. Ltd. (a wholly-owned subsidiary of Nine Broadcasting India Pvt. Ltd.)
for a merger in the ratio of 65:200 through an all-share deal.
The merger was later called off. In its first year as a public company, Balaji
showed a net profit of Rs 646 million on net sales of Rs.3.45 billion for the nine
month period ending in December 2000. The initial years in the business were
not very easy for Ekta Kapoor. There were times when she used to have 5 or 6
plots ready but none of them would get approval from the channels. People did
not take her seriously. Experienced writers would try to force her to accept
sub-standard scripts as they thought she was the "brainless daughter of a
moneyed father. She was able to overcome these barriers through sheer grit
and determination. She worked relentlessly, even foregoing holidays, to make a
mark for herself. Her time was completely occupied with thinking out stories,
finalizing scripts, deciding on sets, costumes, casting, etc.
Her hard work and commitment eventually paid off, and by the early 2000s she
had two highly successful serials, Kyunki Saans Bhi Kabhi Bahu Thi (KSBKBT,
because the Mother-in-law was also a Daughter-in-Law) and Kahani Ghar Ghar
Ki (KGGK, The Story of Every Home) to her credit. She was called the lady with
the Midas touch as she hit gold with almost all her projects. By the end of
2002, she had about 35 programming hours per week on television - no mean
task for a person in her late 20s.
Her hold on television viewers was very strong. She had shows on almost all
channels telecasting Hindi5 programs, as well as some on regional channels.
BTL became the biggest name in television and every offering of Ekta Kapoor
was lapped up by eager viewers. Ekta Kapoor believed that her initial failures
contributed a lot to her success at a later stage. As a novice, she made too
many presumptions about the tastes of her audiences. But after her first few
projects failed, she became more careful. She started watching television
carefully to analyze the programs that were succeeding and those that were
failing to understand the likes and dislikes of the viewers. She said that her
study of TV programs helped her understand viewers' preferences.
People welcomed this theme as they were fed up with stories about
extramarital affairs. They wanted feel-good serials with which they could
identify, and Ekta Kapoor gave them what they wanted. Most of BTL's serials
featured regularly in the top ten programs and, almost without exception,
enjoyed high viewership ratings. Ekta Kapoor managed to change the concept
of prime time television when she made 10:30 pm a prime time slot. When she
chose 10:30 as the slot for KSBKBT, Ekta Kapoor did not expect the serial to
become so popular. Till then, prime time on television was between 8:00 and
9:30 pm. After that, people had their dinners and went to bed. But after
KSBKBT became popular, people changed their television viewing habits and
10:30 pm became a high viewership slot. Since Ekta Kapoor was the creative
head of BTL, most of the successes of the company could be traced back to her.
She was a hands-on manager, closely involved with all aspects of the serials–
from the concept, to the script, the actors and the sets. She believed she had a
knack for choosing the right faces for the right parts. Since she felt she
understood audience preferences, she maintained full control over the
development of serials. She paid a lot of attention to detail and monitored all
aspects of BTL's serials for the first few episodes. After she was convinced that
her creative team could manage on its own, she eased off. However, she still
kept track of the ratings and responses. If there was a crisis, like a fall in
ratings, she stepped in again. Ekta was constantly on the look out for new
ideas for serials and claimed to source most of her stories from real life
situations or people.
She sourced the concept of KSBKBT from a short story she read in a magazine.
BTL productions were lavishly presented and slickly marketed. Most its new
serials could easily sail through on the basis of its past successes, but Ekta
Kapoor ensured that nothing was left to chance. She advertised constantly to
create visibility. In fact, she even made some of the characters in her serials
praise other serials. For instance, some of the characters in the serials are
shown discussing her other serials or finishing housework quickly to catch up
with them. Her unique style of naming the serials (all names started with K
and all the titles were structured in a strange manner) also drew the attention
of viewers. She was once advised by an astrologer that the letter 'K' would be
lucky for her.
As a result, she started naming all her serials with K. According to Ekta, ninety
percent of her serials beginning with that letter have been successful, so she
does not see the need to change the practice. On the human resources front,
Ekta Kapoor seemed to be something of an autocrat. She yelled at her
subordinates as she believed that if she did not shout, things would not get
done. She was also completely indifferent to star status and expected all the
actors in her serials to toe her line.
Erring or rebellious actors were replaced by others, or the character done away
with in the serial to dispense with the actor. Analysts felt that Ekta Kapoor was
able to succeed because of some of the shrewd business decisions she took.
Firstly, she did not depend on any one channel, but catered to a wide range of
channels. This reduced over dependence on one channel. Secondly, BTL
diversified risk by distributing resources between commissioned and sponsored
serials. This ensured a good mix of risk and returns. Thirdly, the cost of
production was kept under control by shooting most of the serials in BTL's own
studios.
In addition, the actors were also employed on a contractual basis which gave
the producer more control over them. This contract system also helped BTL
reduce costs. In 2001, Kapoor was selected by the Confederation of Indian
Industries, (CII) to head the committee on entertainment. She also received a
number of awards in the early 21st century. Some of the awards are: One of
"Asia's 50 most Powerful Communicators," from Asia week magazine in 2001;
Ernst and Young Entrepreneur of the Year in 2001; "Corporate Excellence"
from Bharat Petroleum in 2002; and "Rajiv Gandhi Award" in 2002. The
entrepreneurial style of Ekta Kapoor may smack of authoritarianism, but
analysts felt her refusal to compromise on quality and her attention to detail
contributed greatly to her success. Her perfectionism seemed to have helped
make BTL one of the most powerful television software companies of the 2000s.
Making a Mark
Entrepreneurial Style
Ekta was a completely hands-on manager. She was closely involved with every
aspect of her serials, be it the script, cast, sets, the dress and make-up of the
characters, or the marketing of serials. As the creative head at BTL, she
provided all the story ideas.
She did not actually write the scripts of the serials but supervised a team of
associate creative directors and executive producers, who wrote them.
She personally auditioned the actors who played the various parts in the
serials, as she believed she had a knack for choosing the right faces for the
right parts..
The Flak.
Ekta has had to face a lot of flak for her serials as well as her attitude. On the
human resources front, Ekta was totally unpredictable. She acquired the image
of an ogre and most of her subordinates were reluctant to approach her
cabin...
According to some analysts, Ekta was successful because she was present in
the right place at the right time and was able to identify a niche market and
cater to it successfully...
BTL achieved a lot within a short period of time. But analysts wondered
whether this success could be sustained...
She thus had the advantage of growing up in a traditional family and receiving
a modern education. She was married at the age of 15 and was a mother by the
next year. When her husband was posted in Teheran, Iran, she developed an
interest in beauty treatments and decided to study cosmetology.
To support the expenses of the training financially, she wrote articles for the
Iran Tribune on various topics under different names. In the course of her
studies, she learnt of the harmful effects of chemicals on the human body.
Consequently, she turned her attention to Ayurveda (Refer Exhibit III), which
she believed was the ideal alternative to chemical cosmetics, which not only
harmed the human system but also led to the deterioration of the environment
in the long run.
After leaving Teheran, she trained extensively in cosmetic therapy for 10 years
in some of the leading institutes of London, Paris, New York and Copenhagen.
On her return to India in 1977 she set up her own salon at her house in Delhi
with an initial investment of Rs 35000. In contrast to salons offering chemical
treatments, Shahnaz offered Ayurvedic products.
Shahnaz Husain uses the Ayurvedic method of treatment, which uses natural
formulations to cure ailments. She is the pioneer and leader of Ayurvedic
beauty products in the world offering “Natural Care and Cure”. The Shahnaz
Husain Group offers exclusive salon treatments geared to individual needs as
well as a number of commercial formulations for the treatment of specific
problems like acne, pimples, pigmentation, dehydration, alopecia (hair loss),
etc.
According to the Group, ayurvedic products are well suited to human skin and
hair as they are non-toxic and have no harmful side effects. The human body
adapts well to the natural treatments of Ayurveda while it has an inbuilt
resistance toward chemical treatments...
The turning point in her business came when she represented India at the
Festival of India in 1980. Her team was given a counter in the perfumery
section of Selfridges in London. She managed to sell her entire consignment in
3 days and also broke the store's record for cosmetics sales for the year...
Diversification
The Group has diversified into Ayurvedic centers for Panchkarma, Dhara and
Kerala massage. It has also set up two Shahnaz Husain Ayurvedic Health
Resorts, one near Delhi and another in collaboration with the Hyakumata
group of Japan in the US island of Saipan. These resorts which can
accommodate about 200 people at a time, aim at providing urbanites
treatments and programs designed to counteract the stress of modern life. The
Group has also been holding discussions with major five star hotels in New
Delhi and New York to set up health spas...
Conclusion