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THE PUBLIC HANGING of General Mengistu Neway he has become a legend himself-that of a wise ruler
in Addis Ababa on March 30 may seem to have who knows how to combine social progress with po-
brought to a close the unexpected episode in Ethiopian litical stability.
history that began with a short-lived coup d'etat by Incredible as it may seem, this image has scarcely
the Imperial Bodyguard last December. The rebels been shaken by the revolutionary events of last De-
have been identified as a perverse group of power- cember. Instead of attending at last to the realities
seekers. Emperor Haile Selassie's clemency has been of present-day Ethiopia, the Western press has al-
manifest once more by his lenient treatment of rebel lowed the rhetoric of the restored regime to revive
sympathizers. The Emperor's own modernization pro- our old credence in the myth of Haile Selassie. Per-
gram has been resumed with new purpose, as appears haps we would not be so ready to do this if we could
from the appointment of several younger men to high- have heard General Mengistu's inspired reply to
er positions and his recent upbraiding of the bureau- the judges who sentenced him to death: "I will not
crats for failing to carry out their responsibilities to appeal your decision. You have already denied me
the people. And so the West can breathe easily once justice by not letting me have proper defense in this
again: all is well as usual in Ethiopia. trial. I have done what you say, but I am not guilty.
The West has long been more disposed to wax Ethiopia has been standing still, while our African
sentimental about Ethiopia than to grasp its reality. brothers are moving ahead in the struggle to over-
For Medieval and Renaissance Europe, Ethiopia was come poverty. What I did was in the best interests
the land of "Prester John," a legendary bastion of of my country."
Christianity in the Orient which European rulers eyed As all who knew him will attest, General Mengistu
with fantasy as an ally against the Mussulmans. Since was no ideologist, but a bon vivant. The fact that he
the late Nineteenth Century, when she emerged the was led to sacrifice his easy life and enviable position
only native polity to survive the imperialists' scramble and to betray the Emperor's trust in him should sug-
for Africa, Ethiopia has been a beacon for suppressed gest to all concerned that there is precious little
Negroes-in the United States, in the West Indies, and progress or stability in the Empire of Ethiopia.
at the London School of Economics. Among Western
Jews, Ethiopia has been romanticized as the home of HERE IS NO DOUBT that Haile Selassie wants to go
Falashas, an obscure tribe of potters and metalsmiths down in history as the builder of modern Ethio-
practicing a pre-Exilic form of Judaism. In recent pia. Indeed, some of the most radical Ethiopians assert
decades Ethiopia, as Mussolini's victim, became a cry- that he does not lack good intentions.
ing symbol of innocence in the face of Fascist aggres- The tragedy is that he has been kept from realizing
sion and of the need for a world compact more serious his progressive ideals by characteristics traditionally
than the League of Nations. connected with the Ethiopian monarchy. Consistent
Haile Selassie I, Regent of Ethiopia after 1917 and with the traditional attitude that delegation of author-
Emperor since 1930, has inherited the awe and good ity deprives the ruler of some measure of dignity, he
will felt for his fabled kingdom by so many outsiders. has insisted on retaining the powers of an absolute
His own reputation was elevated by the dramatic despot. Similarly, believing that the welfare of the
stand at Geneva, and has soared ever since thanks to sovereign is more important than that of the people,
a spate of Western writers who have gilded his regime he has diligently amassed a huge personal fortune.
and a censorship system which assures that every- (Estimates which I have been unable to verify state
thing published in his country rings with eulogy. Thus that his assets exceed US $200,000,000, a large part
MAY 196196
BOOK REVIEWS
African Anthologies
BOOK OF SOUTH AFRICAN VERSE. Guy neurotic preoccupation with the South
Butler, Editor. London: Oxford African race bogey. The poets know The serf who held his master's fate
well enough that there is a cancer In hollow of his swarthy hand.
University Press, 1959. 270 pp.
gnawing at the heart of South Afri- -A. S. Cripps
$2.90. or
can society-but the trouble is they
AN AFRICAN TREASURY.Langston know it too well: awareness of the The butterfly whose bite can kill a
Hughes, Editor. New York: Crown, disease somehow takes second place man. W. Plomer
1960. 207 pp. $3.50. to a self-conscious absorption with or as in "Cape Colored Batman,"
the symptoms. The man the Empire made,
Tension is necessary for vigorous From lesser breeds, the Child of
As selections of literature and po- cultural activity, and activity pro-
etry thrown to the surface in the Trade,
duced by this tension is a catharsis, a Left without hope in History's
tempestuous readjustment of the Af- self-expression that is creative, with-
rican continent, these two books rep- shade. -Guy Bi;tler
out which the spirit would succumb to
resent, respectively, an emergence a compromised or enervated condition. And their action is too often repre-
and a decline. It is not Afrophilic to Tension should act as a catylist. But sentative, not personal, as Roy Camp-
claim that the treasury of Black Af- here the creativity is consumed with bell says, "to plough down palaces
rican literature-although the selec- and thrones and towers," or as he
treating the tension itself, which is
tions are poor-represents the emer- reasonable enough as a backdrop to jibes less reverently in another place,
gence. the central action. But there was "politics and little else besides." In
If the white South Africans who never a more boring play than one other words, the subjects of the poems
contribute exclusively to the book of in which the center of interest is the are not the people but are generali-
South African verse are to survive backdrop. The actors in this play are zations and stereotypes.
as true muses of their unhappy coun- not the people of South Africa; they The themes of travel, exile, home-
try, a cure will be required for their are coming, savage and innocent Nature,
14 AFRICA TODAY