SEND IN THE CLOWN

Things Are Not As They Appear

by Tom Erb

(c) 2018 Tom Erb

941-716-0970
stagerightcom@gmail.com
 1.

SEND IN THE CLOWN

BY TOM ERB

SYNOPSIS: The year is 1960 and "The Bobo The Clown Show"
is the most popular children's show aired once a week.
Since viewership has been declining the producers decided
to go for a bigger sponsor, which means they will lose
some of their creative control. The new sponsor "Cue
Toothpaste" wants to see "Bobo The Clown" with a young
sidekick to sell their toothpaste to a younger audience.
After a long audition the sponsors and producers hired
Tommy Edwards to be Bobo's new CO-Star. Stu Kerr the actor
who portrays Bobo, who has a drinking problem and a very
bad disposition despises the networks decision, which
creates a tough working environment.

CAST OF CHARACTERS

(1 (f), 7 (m), 5-10 audience members, parents and adults)

CONNIE BAKER (f).............Mid 30's, Associate Producer

TOMMY EDWARDS (m)..................6 year old boy, talent

JOHNNY (m)............7 year old boy, Audience contestant

HAL TURNER (m)30's, Director of "The Bobo The Clown Show"

DON LIVINGSTON (m)- 40's, Writer "The Bobo the Clown Show"

ALAN SANDBURG (m)...30's, Producer of "The Bobo the Clown"

LARRY COLVIG (m).....40's, Executive Producer and Creator

THOMAS "STU" KERR (m)................40's, Bobo the Clown

FRAZIER THOMAS (m)........Stage/Floor Manager. (Optional)

MARSHALL BRODIEN (m)...........Sound Engineer. (Optional)

A.J. ADELMAN (m)...........Lighting Technician.(Optional)

HENRY MAAR (m).......................Cameraman.(Optional)

PRODUCTION NOTES

ACT ONE SCENE TWO Studio Audience is members of the actual

audience and extras

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ACT I
_____

Scene One
_________

SETTING: Dark and dim 1960's WDC-TV regional television

studio on the set of "Bobo The Clown".

Enter through center arch is a janitor with a

mop on wheels who mops the floor in the shadows
and exits off SR.

Work lights come up on stage.

Enter Tommy Edwards and Connie Baker

CONNIE
Tommy you sit here and I will get Frazier the Floor
Manager.

TOMMY
OK, Miss Connie. (Tommy sits quietly on the lower
bleacher swinging his legs and lightly kicking his
feet against the bleacher boards and the sound echos
throughout the dark studio).

Enter CS Hal Turner

HAL
Good morning Tommy. This is your first day at work. I
got your contract signed by your mother and we will
give you a signed full copy to give to your mother.

TOMMY
Yes sir, Mr. Turner.

HAL
Tommy, you can call me Hal? We will be working
together hopefully for a while...so lets keep in by
first names. At least with me I don't know what the
others will think. (Laughs)

Hal crosses to the directors chair with

"Director" on the back and puts down his
briefcase on the floor next to the chair.)

Enter Connie carrying a cup of coffee with WDC-

TV on the cup and some papers.

CONNIE
Hal here is your coffee and today's toothpaste
scripts for your approval for Frank and Tommy to

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rehearse this morning.

HAL
Has his majesty arrived?

CONNIE
Yes, he is sleeping or past out on the couch in the
green room. Sam told me he staggered in at 2:30am
this morning.

HAL
Really?

CONNIE
Should I wake him up?

HAL
No, wait till Don, Alan and Larry get here. They
should be here any minute. We have to sign Tommy's
contract that his mother signed last night before we
can start. Could you get all the copies ready?

CONNIE
Sure Hal.

Exit Connie SL

HAL
Tommy come over here and sit with me.

Tommy rises and crosses to director chair next

to Hal and climbs up and sits.

CONT.
Would you like something to drink?

TOMMY
What do you have?

HAL
I don't really know. We can ask Connie when she comes
back.

Enter through center arch Don Livingston, Alan

Sandburg and Larry Colvig talking business as
they appear.

LARRY
Well, we need to look at that before we start
rehearsal this morning.

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Crosses to director's chair marked "Executive

Director", and sits next to Tommy.

DON
I have them in my briefcase, Good morning Hal.

Crosses and rest his briefcase on the seat,

opens and removes the contracts.

HAL
Good morning gentleman. I have been waiting for you
so we can get these papers signed and start
rehearsals.

Alan

We met with Tommy's Mother last night and got her

signatures. We just have to sign, and we are done.

DON
Lets do it.

Enter SL Connie.

HAL
Connie what do we have to offer our young co-star to
drink?

CONNIE
Well, coffee is out, but we have Dr Pepper, Lemonade
and Cherry Kool-Aid. What would you like Tommy?

TOMMY

With glee.
I will have a Dr Pepper please.

DON
Connie could you also roll out a table?

CONNIE
Sure Mr. Livingston.

Connie Exits SL.

ALAN
Has Stu arrived?

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HAL
Yes, apparently he has been sleeping on the couch in
the Green Room since 2:00am.

LARRY
Why?

DON
Larry, it's Stu. Why does Stu do anything?

Enter SL Connie pushing a stage table on wheels

and hold a bottle of Dr. Pepper.

CONT.
Thank You Connie.

CONNIE
You welcome Mr. Livingston.

Connie hands bottle of Dr. Pepper to Tommy.

TOMMY
Thank You Connie.

Don rises and crosses to the table and puts the

three contracts on the table.

DON
Alright lets get these contracts signed.

Alan and Larry cross to the table.

ALAN
So, that is done now we can get to work.

DON
Connie you can take the table back to the green room.
Tommy your Mom already has a copy that we all signed
last night.

CONNIE
Sure!

Exit Connie with table.

TOMMY
OK.

Finishing his last gulp of Dr. Pepper.

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ALAN
Are the scripts for the "CUE Toothpaste" promos ready
for Stu and the kid to rehearse?

DON
They are on your desk for approval.

Alan exits SL.

LARRY
I will go in the green room and wake Stu....Wish me
luck.

Exit Larry laughing.

HAL
Tommy when Connie gets back I will have her take you
to wardrobe.

TOMMY
Wardrobe?

HAL
Yes, we have different costumes for you to were for
every show. You will also have to have make-up
applied and of course you won't need your hair done.

Tommy chuckles.

Enter Connie.

CONNIE
Hal, I think I should take Tommy to wardrobe.

HAL
See....I told you.

Tommy rises and follows Connie off SL.

Enter Allan carrying several scripts.

ALAN
These scripts are good. I only worry about the kid
pulling this off.

HAL
Its not the kid I am worried about.

ALAN
What? You mean Stu?

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HAL
He has been drinking more these days.

ALAN
He is fine.

HAL
Fine? Last week when he tripped and fell into the
bleachers on top of three little girls and injured
one, that was fine?

ALAN
Well.... be sure to keep an eye on him and if he get
worst let me know. I have a meeting with the
sponsors. I will be back by air time.

HAL
He is already worst, Alan.

Alan Exits UC.

Enter Larry and Thomas "Stu" Kerr

LARRY
Did Alan approve the scripts?

HAL
Yes he did.

Stu crosses over to directors chairs and sits in

Larry's chair.
Good morning Stu.

Stu ignores Hal.

LARRY
Stu, Hal said good morning.

STU

Slurring his words.

I heard him. I am not deaf.

HAL
Christ Stu, listen to yourself. Try to remember that
starting today you are not only performing for
children you will be working with and performing with
a kid.

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STU
Woo...Hoo...Yippee. I know, I was at the auditions
remember? I met the kid. He is going to be trouble.

HAL
Why is that?

STU.
Because he is a kid. He won't remember his lines and
he will mess up on every commercial. You watch.

LARRY
Stu, we talked about this. This is the direction that
"Cue Toothpaste" wants to go.

STU
Well it is stupid and they will see it after the
first show.

LARRY
No, Stu this is the way this is going to go down. You
will except this new direction, and you will be nice
to your new cast member, and support him in every
way. Do you understand?

STU
Yeah...Yeah.

LARRY
No really Stu, I mean it.

STU
Or what?

LARRY
Or what?

Surprised by Stu's challenge.

STU
Yes, or what.

LARRY
I will tell you what you sack of shit.

Angered by Stu's double down.

CONT.
I created "Bobo" and wore that costume for four years
before you fell from grace with the networks. I would
do it again to just throw your ass out on the street

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for breach of contract. If you don't do what I tell

you to do you will be in breach of contract. So you
follow the scripts as written. There will be smiles
and happiness on our new cast members face because he
feels so lucky to be working with "Bobo". Just once,
if I see him sad or crying because of something you
said, or did, you have my word that day will be the
last day you will be able to cover up your sad
existence with Bobo's smile.

Stu unmoved by Larry's comments.

Enter Connie and Tommy SL, Tommy is wearing a

blue button down shirt and tan corduroy pants
and brown shoes.

CONNIE
Hal, how does this look for the first spot?

HAL
Come over here Tommy let me see. Looks good. What do
you think Stu?

Stu completely changes his demeanor.

STU
Well, Hal this looks great.

Very energetic.

CONT.
The only change I would make is roll up his pant
legs.

CONNIE
Tommy come and stand on this bottom bleacher.

Tommy steps up on bleacher and Connie rolls up

his pant legs in a small roll.

STU
Now that is perfect.

HAL
OK, it's different, but I like it.

LARRY
Great! Hal, I believe it is time to get the rehearsal
started.

Hands scripts to Hal.

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HAL
I believe you are right.

LARRY
I will leave you to it.

Exit Larry.

HAL
Stu and Tommy here are the four scripts for this
week.

Hands scripts to Stu and crosses to bleachers.

CONT.
I know it is short notice.

Hands scripts to Tommy.

CONT.
We will make sure you have copies the night before so
you have time to prepare. Oh Tommy, you can get down
off the bleacher now.

Tommy climbs down and sits.

STU
Why? It will change overnight?

HAL
But at least you won't be working from scratch like
today.

STU
Is that good with you Tommy?

TOMMY
Sure?

Tommy seems confused.

HAL
Here is the way we will run the rehearsals. I will
read your part Tommy with Stu, and you will listen.
Then you will try it with Stu after that. You
understand?

TOMMY
Yes sir.

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HAL
OK, Stu are you ready?

Falling asleep in his chair.

STU
Oh yes, I guess so.

HAL
OK Tommy, you are going to be sitting here at the end
of the bleachers, and a minute before we cut to the
"Cue" Toothpaste commercial the camera will pan to
stage right. When that happens Tommy you will cross
behind the cameras....so lets rehearse that...Tommy
follow me.

Hal walks slowly behind the camera over to the

commercial platform.

CONT.
Now Tommy, once you are here you will take your
place. For these first four commercials you will be
standing on this apple crate, and your face will be
centered on this fake mirror. To your left is your
toothbrush...There will be a new one every time, and
to the right is a tube of "CUE Toothpaste". Make sure
you hold the tube up so the name can be seen on
camera. The sink actually works so you will be able
to really brush your teeth. Please be as animated as
possible. Do you know what that means Tommy?

TOMMY
I guess...you mean funny faces like when I play in
front of the mirror at home?

HAL
Exactly!

TOMMY
I can do that.

HAL
Once you are in place the lights will go dark on the
commercial platform. You will have your face up
looking at the camera, the toothpaste and toothbrush
in your hands. When the lights come up "Bobo" will
step into the scene. Do you understand that Tommy?

TOMMY
It means he will come on the platform, and we will
start the commercial?

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HAL
Yes Tommy, that is correct. When the lights come up
and "Bobo" is in the scene, he will say...

Hal is expecting Stu to say his line...There is

silence...Hal looks back to see Stu is sleeping
in his chair. Hal calls out.
Stu.....

No response.

CONT.
Stu!....Stu wake up.

Stu is startled and awakes suddenly.

STU
What? What is happening?

HAL
We are rehearing that is what's happening. Please
begin with the opening line.

STU
OK...OK!

Clears his throat and reaches deep for his Bozo

voice.

BOBO
Good morning Tommy are you excited to start your day?

Hal reads for Tommy.

HAL
Yes Bobo, but first I have to brush my teeth with
"Cue Toothpaste". It is my favorite. After you
deliver that line Tommy you need to open the tube of
toothpaste like this.

Hal opens the tube of toothpaste.

CONT.
Put toothpaste on the toothbrush like this.

Hal put toothpaste on the toothbrush, making

sure the name was visible.

CONT.
Then begin to brush your teeth. Make sure you are

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looking straight into the camera, and have a happy

face on.

Hal pretends to brush his teeth looking through

the fake mirror and straight at the camera.
while Bobo says his line.

Hal again expecting Stu to say his line, but see

him sleeping.

HAL
STU!

Stu jumps out of his seat.

STU
What! What?

HAL
Your line please...

Stu steps into scene on commercial platform.

BOBO
It should be Tommy. Did you know that it has
Fluoraction and "Cue Toothpaste" can be picked up at
your local grocery and pharmacy.

HAL
Now... Tommy this is very important that you get the
timing right on this. As soon as Bobo says "It should
be Tommy" that is your cue to bend down and rinse
your mouth. But don't rise up till Bozo says the word
pharmacy, and look at the camera with a big smile and
happy face and deliver your line.

Hal pretends he is Tommy and delivers his line.

Yes I did Bozo! I like that it will give me a
lifetime of fewer cavities.

Stu is awake this time and ready for his

finishing line.

BOZO
That is right Tommy. Cue Toothpaste simply makes your
teeth tougher. Make sure to pick up yours today.

Hal surprised Stu jumped in..

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HAL
CUT! OK, so you get it? Tommy?

TOMMY
Yes.

HAL
Stu?

Staring down Stu.

STU
Yes! I get it.

HAL
Great lets go back to position one and run it.

Hal hands Tommy his script, Tommy crosses back to the

bleachers and Stu sat down in his chair.

CONT.
Are you ready?

TOMMY
Yes.

STU
Yes.

HAL
Alright, it's is a minute before the first
commercial. The blue light on top of the camera will
go one. That is your cue Tommy to cross behind the
camera and take your place on the commercial set.

Blues light goes on.

Tommy rises, leaves the script on the bleacher

seat, crosses behind the camera, and takes his
place on the commercial set.
Great Tommy!

Tommy gets into position in the dark with his

face up looking at the camera, the toothpaste
and toothbrush in his hands waiting for the
lights to come up and Bobo stepping into the
scene.

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HAL
OK, lights up on commercial set....Action!

Bobo steps into scene, holding a script.

BOBO
Good morning Tommy are you excited to start your day?

Tommy goes right into his lines without the

script.

TOMMY
Yes Bozo, but first I have to brush my teeth with
"Cue Toothpaste". It is my favorite.

Tommy put toothpaste on the toothbrush, and

begins to brush his teeth looking straight into
the camera, with a happy face.

Stu reads from the script.

BOBO
It should be Tommy.

Tommy bends down and rinses his mouth.

Did you know that it has Fluoraction and that "Cue
Toothpaste" can be picked up at your local grocery
and pharmacy.

Tommy rises up, looks into the camera, with a

big smile, happy face, and delivers his line
without his script.

TOMMY
Yes I did Bobo! I like that it will give me a
lifetime of fewer cavities.

Stu appears troubled that Tommy knows his lines.

He delivers his closing line reading the script.

BOBO
That is right Tommy, "Cue Toothpaste" simply makes
your teeth tougher. Make sure to pick up yours today.

HAL
CUT! Tommy that was great. How did you learn those
lines so fast?

TOMMY
I don't know. I just remember things when I read

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them.

STU
Show off.

Blackout

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 18.

ACT ONE
_______

Scene Two
_________

SETTING: Dark Bobo Set

Enter Stu CS looking very ragged with wrinkled

clothes and a six day shadow. His hair has not
been combed in days, and his shoes are untied.

LARRY
There you are. You are twenty minutes late Stu. I am
a busy man, and I don't appreciate you being so late.

STU
Sorry Larry, I was sleeping in the Green Room and my
alarm didn't go off.

LARRY
What alarm? There is no alarm clock in the Green
Room.

STU
Oh? I thought there was.

Larry getting frustrated.

LARRY
Stu what was so important that you needed this
meeting?

STU
Well Larry, frankly it is the kid. I don't think he
is going to work out.

LARRY
Really? Why do you say that?

STU
Because I think the kids don't like being reminded by
another kid to brush their teeth.

LARRY
Is that it?

STU
Honestly, he is a distraction.

LARRY
For who Stu? You?

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STU
Well, yes, and the audience as well.

LARRY
I see. So, what is your suggestion?

STU
We should go back to the old format.

LARRY
And what do we tell our sponsor Cue Toothpaste?

STU
Bobo can do their commercials.

LARRY
And what about the kids contract.

STU
Just buy it out.

Larry begins to finally laugh.

LARRY
Stu I want you listen very closely, so you can hear
me loud and clear. We will not tell our biggest
sponsor ever that our new format that has increased
our viewership by 20 point that we want to go back to
our BORING old format. That will never happen.
Secondly, the kid stays! From what I have been seeing
and hearing from the producers and crew, the kid is
great! I think you are threatened by him. He's making
you look bad.

STU
What? Don't be ridiculous! I have more training in my
pinky, than he will ever have.

Very defensive.

LARRY
It has nothing to do with your training Stu. It is
about production and performance right here and now.
Not what you learned, or did in the past. Jesus man,
look at yourself. You have been on a downward slide
ever since your were taken off the evening news desk,
and brought to this show.

STU
Yes, Evening News anchor, to playing a clown.

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LARRY
Not just any clown Stu, "Bobo the Clown"! The number
one clown in the country. Any other actor would
except the challenge, and run with it. Just forget
about your training and embrace this important, and
amazing opportunity to entertain and shape young
peoples hearts and minds.

STU
Forget my training? How could I do that? This
situation is a tragedy.

LARRY
And in some ways its a comedy.

STU
I am sure you see it that way.

Larry looks at his watch.

LARRY
Stu, I have another meeting. You need to get on board
with the new format, and find a way to work with the
kid. As your friend, I can tell you that you are
being watched very closely and any mistakes could get
you tossed out. Clean up your act.

STU
So, this is my final resting ground?

LARRY
Or your comeback, it all depends on how you look at
it. It's your choice buddy.

Stage lights come up

Enter Frazier Thomas the Stage/Floor Manager,

Marshall Brodien the Sound Engineer, A.J.
Adelman the Lighting Technician, Henry Maar the
Cameraman, Don Livingston and Alan Sandburg from
SL and CS going about their business to get
ready for show time.

Larry exits CS and Stu stumbles off SL.

ALAN
Don is that finalized script done so I can get Larry
to sign off on it?

DON
Yes.

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 21.

Reaches in his folder and pulls out the script

and hands it to Alan.

ALAN
Great! I will get this to Larry before he leave.

DON
Just a note Alan.

ALAN
Yes?

DON
I have strengthened the kids character, and lines
like we talked about.

ALAN
Hopefully, Larry will like it.

Exit Alan CS and Don SL.

FRAZIER
OK, everyone lets get this floor ready for a show.
Marshall lets get the boom checks ready, A.J. lets
run through the lighting plot and Henry turn on Big
Bertha (the camera) and get her warmed up.

HENRY
Bertha has been cold for two days so it will take
about five minutes to have her ready for rehearsals.

FRAZIER
OK.

MARSHALL
The mics and boom will be ready at that time as well.

A.J.
Same here boss.

They all go about their business running cable

and setting up stage.

BLACKOUT

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ACT ONE
_______

Scene Three
___________

SETTING: Many months later the setting is a dark set with

work lights on, camera is SL with three director's chairs
CS. Tommy is seated in the SR chair holding the new
scripts, and Stu is seated in the SL chair with his
scripts. Hal standing CS behind holding a scripts.

HAL
How does that feel? I believe we are ready for this
weeks show. I will be right back I need to get these
final drafts typed, to Larry and the sponsor.

Exit Hal.

STU
I think I will head back to the green room for a nap.

TOMMY
You take a lot of naps.

STU
Oh, the kid speaks. I think that is the first time
you have actually spoke to me other than at audition,
rehearsals, or on the show.

TOMMY
You make it hard to speak to you.

STU
It should be hard to speak to me.

TOMMY
Why?

STU
Because I am the star of the show.

TOMMY
No! Bobo is the star of the show.

STU
And that is me.

TOMMY
No, you are Stu.

STU
You are right. Bobo is a role I play.

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TOMMY
I may be a kid, but I know the difference. Bobo is a
lot more fun than Stu.

STU
You have no idea how hard it is to be me.

TOMMY
I'm glad I don't have to try.

STU
What do you know? You're just a kid.

TOMMY
I know that a lot of kids love you when you are
hiding behind the make-up in front of the camera.

Enter Hal.

STU
Hal, the kid thinks I am hiding behind Bobo's make-
up.

Stu begins to laugh out loud.

HAL
Oh?

STU
Yeah, he is such and expert in these matters.

HAL
Now Stu there is no reason.....

Stu cuts Hal off.

STU
This wet behind the ears kid thinks he knows me.
Thinks he could possibly understand the bullshit I
have been through.

HAL
Stu you really should watch your language, and change
your tone before this gets out...

Stu cuts Hal off again.

STU
Before this what Hal? Before I lose my cool! Well, TO
LATE!

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 24.

HAL
Tommy, we should head back to the green room.

STU
That's it, take the bratty kid away from scary Stu.
What's wrong kid? Can't you hang with the big clowns?
Am I going to hurt your whinny little feelings?.

Tommy climbs down off his seat. He steps closer

to Hal to avoid any contact with Hal.

HAL
Stu, I am warning you right now. You better stop.

Enter CS Larry.

LARRY

Feeling the tension in the air.

What's going on here?

Stu's demeanor changes and Hal is very upset.

HAL
Why don't you ask Stu.

LARRY
What's going on here Stu?

STU
I was just letting off some steam.

Larry noticing how shaken Tommy appears.

LARRY
Are you OK Tommy?

STU
He is fin...

Larry raises his hand for Stu to stop talking.

LARRY
I am not talking to you Stu. Tommy are you OK?

TOMMY
Yes sir.

Trembling.

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 25.

LARRY
Tommy you know where the green room is, right?

TOMMY
Yes sir.

LARRY
Why don't you go there and wait for me or Hal. I want
to talk to Hal and Stu for a few minutes.

Exit Tommy USL.

STU
Larry before you....

LARRY
Stu sit down.

Stu sits in his chair.

Hal you sit too.

Hal sits in his chair.

CONT.
I have tried to be as clear as I could about this new
format, and I know that it has been a big adjustment
for everyone involved. We have seen our viewership
increase over 20 percent. For the first time
potential sponsors are coming to us instead of us,
discounting and begging them to contribute. Do you
think that is a good thing Hal.

HAL
Absolutely Larry. I have received many letters and
comments after the show from parents, grandparents,
as well as the kids.

LARRY
That's great Hal. What about you Stu?

STU
Honestly, I like to old format.

LARRY
We all know that. What did you like the most about
the old format Stu?

STU
(Frustrated)Bobo was king! There was no other clown.
You have been adding new clowns like Cooky, Wizzo,

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Ringmaster Ned and Oliver O. to work with Bobo. Plus,

Bobo was the promoter for our sponsors. Now we have
Bobo and a kid doing scripted spots. How stupid is
that?

LARRY
Trying to stay calm.

Well Stu, Bobo was the promoter of our sponsors who

were just local businesses. Since we are now working
with larger regional sponsors it require us to shift
to a new format that the sponsor has some say in its
development.

STU
It's stupid to think that the sponsor knows what is
best for our audience.

LARRY
The sponsor is only interested in what's best for
them. Since they are paying for all of us to be here
we to have change.

STU
Bobo is able to promote them just like before.

LARRY
Stu there was a time I would have agreed with you.
You have become a angry, disruptive, drunken clown
that thinks everyone owes you something. Your Bobo
was the best I have ever seen, until you were turned
down for that Head Newscaster job you applied for in
Richmond two years back.

STU
That is not true.

LARRY
Yes it is. Ask your fellow workers. Hal do you agree?

HAL
I am sorry Stu, but Larry is right.

STU
Bringing that kid into the show was a big kick in the
balls.

LARRY
No, the kid was a big kick in the ratings and studio
ticket sales. Like it or not Stu, the kid is here to
stay. I am going to say this with Hal as my witness.

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 27.

You have a choice to get on board with this format or

you can walk out that door right now.

HAL
Larry!

LARRY
No Hal. I have the final word on all that goes on
here. I could find dozens of actors to play "Bobo the
Clown" at the level that Stu has been play him the
past six months. Right? Do you disagree?

HAL
No, but that was a harsh way to put it.

LARRY
I am tired of being nice to Stu, Hal. This is going
to be resolved right here, and now. What's it going
to be Stu.

HAL
Larry, please.

LARRY
Stu?

Stu rises and turns to exit.

Blackout

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 28.

ACT TWO
_______

Scene One
_________

SETTING: It is five months later. the setting is the Bobo

set during a "Cue Toothpaste" commercial segment during a
live performance. The bleachers are full with adoring Bobo
fans, and some parents. The boom mic, sound technician,
camera and cameraman are SR focused on the scene with Bobo
and Tommy. Tommy is looking into the false mirror, and
camera with Bobo behind him framed in the mirror. Tommy is
brushing his teeth.

Hal, Larry, Alan and Don are behind the camera

watching the action.

BOBO
That's a good boy Tommy. Up and down with your
toothbrush with Cue Toothpaste will make your teeth
cleaner.

Tommy leans down to rinse his mouth. Bobo leans

into the mirror.

CONT.
To all those Mothers out there looking for the right
toothpaste...well you have found it in "Cue
Toothpaste". It will make your kids, and your teeth
cleaner, brighter and....and

Bobo struggling for his next line, Tommy rise up

into frame.

TOMMY
...and stronger. Thank you Bobo now my mouth feels
clean and fresh.

Bobo seems lost and Tommy continues to ad-lib to

cover for him.

CONT.
You can pick-up "Cue Toothpaste" at your local
grocers and pharmacies, along with other "Cue"
products.

Bobo is recovering.

BOBO
That is great Tommy! Now a big thanks to all the
people at "Cue Toothpaste", who make this show
possible. The Bobo Show we will be right back after

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 29.

this message.

HAL
Cut!

The floor crew start setting the floor up for

"Bobo's Treasure Chest", moving in the spinning
wheel and chest with prizes.

Alan, Larry and Don turn away from the scene as

the floor shifts back to show.

LARRY
Stu is getting worse, and it is just a matter of time
before his actions affect the sponsors and our
viewership. We have to do something.

Hal moves to the group discussion.

HAL
You have to do something about Stu. He is making us a
laughing stock.

DON
Well, the way I see it the kid has covered Bobo, Stu
and the sponsors. Not just in these two spots, but a
few prior.

ALAN
That is for sure.

HAL
The kid is great.

Sarcastically.
Maybe we should have him do the commercials.

They all chuckle.

LARRY
Wait, Hal you may be on to something.

HAL
Larry I was just kidding.

DON
Yeah Larry, I think Hal was just kidding.

LARRY
No, hear me out. What if we made the kid the

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 30.

commercial boy? What if we had a few ads with the

kid, without Bobo? Of course, he would mention Bobo.

ALAN
Larry you could be right. If we do a few we would be
able to see how the sponsors like it, as well as
watch our viewership, and their responses.

DON
I could write a few spots with just the kid and we
could have him rehearse them without Stu.

LARRY
OK, lets keep this to ourselves.

HAL
We are at 30 seconds.

Bobo takes his spot as the camera and boom mic

move in place. Tommy takes his place on the
bleachers.

LARRY
Don, get on these scripts right away.

HAL
3...2...1 Action.

BOBO
Welcome back. Now it's time for Bobo's Treasure
Chest. Now every one knows you were all given a
number when you arrived today, Right?

Crowd reacts and Bobo crosses to Treasure Chest.

CONT.
In this box I have all the numbers in the studio
audience. If I call your number, you will have a
chance to win some great prizes. Are you ready?

Loud cheers from the audience.

CONT.
OK, here we go! Number 29, please come up.

A nervous little boy stands, and is pushed

forward. He moves to hide behind the treasure
chest and Bobo doesn't see him.

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 31.

CONT.
Number 29 are you out there.

The audience is calling out and pointing at boy

behind the chest and calling out his name.
Where is number 29?

The audience is pointing and calling out Johnny.

CONT.
What is their name? Did you say Johnny?

Bobo see Johnny behind the treasure chest.

CONT.
Johnny? Oh there you are. Is your name Johnny?

JOHNNY
Yes?

BOBO
Are you ready to play the Bobo Treasure Chest Game?

JOHNNY
Yes!

BOBO
Do you see some toys on the chest you would like to
win?

JOHNNY
Yes!

BOBO
Which ones do you want?

JOHNNY
The Spy Detector Game.

BOBO
Anything else?

JOHNNY
The Etch-A-Sketch.

BOBO
Good Johnny. Lets move over here to the wheel. You
will see that the two toys you wanted are right
here...and here.

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 32.

Bobo points at their locations.

JOHNNY
Yes.

BOBO
Johnny grab the board and give the big wheel a giant
spin.

Johnny give the wheel a hard spin.

CONT.
Let's hope that it lands on your toy.

The wheel comes to a slow stop on a Barbie Doll.

CONT.
Oh, the wheel landed on a Barbie Doll.

JOHNNY
I don't want that!

BOBO
Well Johnny, you have one more chance, if you give
your gift away to someone in the audience.

Bobo crosses to treasure chest and pulls out the

Barbie Doll and crosses back to Johnny.

CONT.
Here you are Johnny. Go give a lucky girl in the
audience your toy.

JOHNNY
OK!

Johnny takes the Barbie Doll and crosses to

audience. Looks into the audience of screaming
girls calling out his name. He notices one girl
in the second row not screaming, and gives the
Barbie Doll to her.

BOBO
Great job Johnny! Now come over here, and give this
wheel one more big spin, and we hope you will get the
toy you want. Remember this is your last spin.

JOHNNY
OK.

Johnny spins the wheel very hard. It spins fast

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 33.

and stops on a Chatty Cathy Doll.

BOBO
You have won a Chatty Cathy Doll.

JOHNNY
I don't want a Chatty Cathy Doll!

BOBO
Well Johnny, that was your last spin. I am sorry, but
you have to take the Chatty Cathy Doll.

Bobo reaches into the treasure chest and pulls

out the Chatty Cathy Doll and tries to hand it
to Johnny.

JOHNNY
I don't want a Chatty Cathy doll!

BOBO
I'm sorry Johnny, but that was your second spins. You
know you only get two spins. Johnny you'll have to
take your Chatty Cathy Doll home, and give it to your
sister.

JOHNNY
I don't have a sister!

Begins to throw a tantrum.

BOBO
Well, I am sorry Johnny, but that is the rules.

Johnny kicks Bobo in his leg, throws the Chatty

Cathy Doll at him. It hits him in the mid
section which makes him bend over and knock his
nose off, and it rolls in clear site of the
audience and the camera.

JOHNNY
There you stupid clown!

BOBO
Did you call me a stupid clown you bratty little
punk.

Very angry Stu loses his cool and grabs Johnny

by his shirt, lifts him off the ground, and
brings him nose to nose.

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 34.

LARRY
Hal, get us out of this...

CONNIE
Oh....this is bad.

DON
Take us to a commercial.

HAL
And now a word from our sponsor.

Directs the camera to pan to the commercial set

where Tommy is standing ready to do the next
commercial. Lights go up on Tommy. He is a bit
shocked by what is happening with Bobo and
Johnny, but he collects himself and goes on with
the "Cue Toothpaste" commercial, as if it was
written just for him.

TOMMY
Before I go to bed at night my mom always makes sure
that I brush my teeth with Cue Toothpaste. The
toothpaste that makes your teeth stronger cleaner and
whiter.

Bobo and Johnny are still fighting along with

adults trying to pull them apart while the
commercial is going on. Bobo has lost his head
gear reveling Stu's hair.
...I really like the minty taste and how it makes my
mouth tingle long after I am finished.

Hal motions to Tommy to wrap it up while the

audience is rushing out of the studio because
Stu is throwing toys at them and screaming
obscenities.

CONT.
You can get your "Cue Toothpaste" at your local
pharmacy and grocers. Get the perfect smile on cue
with "Cue Toothpaste" all of America is talking
about.

HAL
And we are OUT!

HENRY
Well there is something you don't see everyday.

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 35.

MARSHALL
That was fun to watch.

LARRY
Really? You thought that was fun to watch.

HAL
I think I am going to be sick.

Larry crosses to Tommy in the commercial set.

LARRY
Tommy, you were great. I am going to have Miss Connie
take you to the green room for a snack.

TOMMY
OK.

LARRY
Connie could you please?

CONNIE
Yes Mr. Colvig.

LARRY
Henry you and Marshall go out for a smoke before you
clean-up. A.J. bring up the work lights, and join the
boys for a smoke.

Henry, Marshall start to exit.

Thanks boys. Give us fifteen.

HAL
Larry you want me to leave?

LARRY
Absolutely not. Don, you and Alan stay as well.

Larry crosses over to the bleachers that are

covered with broken toys and scenery scattered
all over. He sits on the bottom seat.

Stu is CS with his hair piece in his right hand

and his nose in the other and one of his shoes
under his right arm.

Hal crosses to his directors chair and Don and

Alan follow him. They all sit.

There is a moment of dead silence.

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 36.

Work lights come up.

LARRY
I am still trying to process what just happened
because if there ever was a time that one should
think before he speaks, that would be right now.

No one moves or dares to speak.

My problem right now is I am having trouble thinking.

Larry rises and crosses to CS and begins to walk

around Stu.
I am not really sure what is worst. The worlds most
beloved clown actually not only grabs a kid but
throws toys from the treasure chest at the audience
or our regional sponsors witnessing the worlds most
beloved clown having his nose and hair ripped off
while the kid was doing the commercial alone. Hal,
thank you for your quick thinking and shifting the
focus on the sponsor. Thank goodness Tommy is a quick
learner.

HAL
Larry, I actually think considering the situation
Tommy saved the show.

LARRY
I agree totally, but now I have to make a decision
about what to do with you Stu. I am thinking I should
step back before I decide what to do. Since we have a
few days to figure this out, what damage has been
done.

DON
I think that is a good idea Larry.

ALAN
Agreed.

HAL
No argument from me.

LARRY
Stu?

STU
Can I go now?

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 37.

LARRY
Yes Stu, you can go now.

Stu crosses USL looking dejected and broken and

exits.

HAL
Larry can I let the boys in to breakdown?

LARRY
Yes.

Enter Connie USL.

CONNIE
Wow! Stu looks terrible. Is he OK?

LARRY
Who knows. What is it Connie?

CONNIE
There is a call for you from Cue Toothpaste in the
Green Room.

LARRY
And so it begins.

Exit Larry and Connie USL.

Enter CS Henry Marshall and A.J.

HAL
OK boys, lets wrap this up.

HENRY
So, what is happening?

HAL
Larry is taking so time to decide.

MARSHALL
Is he going to fire Stu?

A.J.
He should.

ALAN
That's enough for now.

DON
Less commentary please.

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 38.

HAL
Right, get to work.

Enter Larry USL.

LARRY
That was an interesting call from our sponsor.

HAL
Good? Bad?

LARRY
I'm not sure. Because of your quick thinking Hal it
seems that the episode with Bobo, Johnny and the
audience was not seen by the public. At least they
didn't say anything about it.

ALAN
What did they say?

LARRY
They wanted to know why Tommy did the commercial
without Bobo.

DON
Really? What did you say?

LARRY
I said the audience was at capacity, and that raised
the heat of the room and Bobo's make-up melted and
smeared, we had to fix it, but didn't get him back in
time to get into the commercial.

DON
So, you lied?

LARRY
You bet I did.

ALAN
How did they handle that? Surprisingly very well.
They wanted to know who wrote the copy for the kid's
spot.

DON
I hope you lied and told them I did.

LARRY
No, actually I told the truth and gave Tommy his much
deserved credit. I told them the kid improvised on
his own.

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 39.

HAL
Wow. How did that go over?

LARRY
They are committing to the rest of the season and
would like to see one commercial of each show to just
be with Tommy.

DON
Are you kidding?

LARRY
Not at all. In fact, they even want to close each of
his spots with "Get the perfect smile on cue with
"Cue Toothpaste" all of America is talking about".

DON
So, the kid created a new slogan?

LARRY
Apparently.

HAL
Good for Tommy.

LARRY
Don you get on a few scripts with the kid that I can
show to the sponsors. Alan connect with your
marketing people at Cue, and set-up some rehearsals
with Tommy.

Larry turns to exit.

I am going to go legal to see what we can do about
Stu, and get the kid a new contract.

HAL
Stu is not going to like this.

LARRY
I don't care what Stu likes or dislikes at this
point.

Larry Exits.

HAL
OK, let get this wrapped up.

Blackout

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 40.

ACT TWO
_______

Scene Two
_________

SETTINGS: Two months later. Work lights are up on stage.

Enter Connie Baker and Tommy Edwards

CONNIE
Tommy have a seat. Larry, Don and Alan should be here
to finalize your new contract. It is just a
formality. Your mom already signed the papers this
morning.

TOMMY
Good, I would like to talk about my contract.

CONNIE
I am going to the Green Room to put on a pot of
coffee.

Exit Connie.

Tommy goes to sit in the new director's chair

that has his name on it.

Enter Don and Alan both carry briefcases CS.

DON
He has been behaving for almost six months.

ALAN
Yes, but "HIS" behavior has not changed. He still
drinks excessively. He is constantly late for
rehearsal and somethings he is hungover, or still
inebriated.

DON
But when he puts on his make-up, he has been
behaving.

Enter Larry CS.

ALAN
Good morning Larry.

LARRY
Good morning everybody.

Crosses to his directors chairs and puts his

briefcase down and pulls out a folder.

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 41.

DON
Where is Stu?

LARRY
I sent him to the green room so we can get this
contract thing done. OK, Tommy this is a one year
contract for you to stay on as the Cue Toothpaste
commercial talent. Your mother already signed it, but
we are required to go over it, and have you initial.

TOMMY
I went over it last night with my mom.

LARRY
Good.

TOMMY
I have a couple of changes I would like to see.

Larry surprised.

LARRY
Changes? What kind of changes?

TOMMY
Well, first I would like to always have Dr. Pepper in
the cooler in the green room.

LARRY
That's not unreasonable.

TOMMY
Plus, I would like my costumes for the commercials to
be more hip and fun. I want to look cool.

LARRY
I guess we could work on that.

ALAN
Connie could help with that.

TOMMY
I saw some clothes in the Sears Catalog that I liked.

ALAN
We will have you and Connie pick some stuff out.

LARRY
Is that it?

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 42.

TOMMY
Just one more thing.

LARRY

Getting Frustrated.
Yes?

TOMMY
I would like to be the first line in all the
commercial scripts.

LARRY
What?

TOMMY
Stu never follows the script. I have to keep up with
him half the time. If I start I can control him, and
keep him on script.

ALAN
You think so?

HAL
Wait! I think the kid is on to something.

LARRY

Surprised.
You know that might work.

ALAN
Stu is not going to like this.

LARRY
I will have Connie type up an addendum to this
contract with Tommy's contract demands. Young man
that was your first and I am not sure your last
contract negotiation.

Exit Larry.

HAL
Good Job, little man.

DON
I got a lot of re-writes to do.

Exit Don.

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 43.

ALAN
Hal lets get this studio ready for a show.

Enter Stu, Henry, Marshall and A.J through the

archway.

HAL
Henry, lets get the camera working up, Marshall be
ready for a sound check in thirty and A.J start
warming up the studio lights.

Enter Larry and Connie.

LARRY
Here is the addendum to Tommy's contract. I have a
call into the sponsor on script the adjustments.

HAL
Have you spoke to Stu?

LARRY
No, he is in his dressing room putting on make-up and
costume for a photo shoot this morning. I will tell
him when he is done. Tommy please initial, and sign
this addendum.

TOMMY
Did you change the pay rate my mother requested?

LARRY
Yes, your rate is sixty dollars an episode with union
hourly rates for photo shoots and promos. You mom
signed and approved last night.

TOMMY
OK, I will initial.

Tommy climbs down off his chair and crosses to

Larry and Connie, and signs the contracts.

LARRY
Great, Connie take Tommy and get him ready for this
photo shoot with Cue. Oh, and make him look cool.

CONNIE
Yes sir.

Exit Connie and Tommy.

LARRY
Hal, the Cue people are in the lobby. Once you are

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 44.

set-up for the shoot let me know. I will be in the

lobby.

Looks at his watch.

HAL
We are almost ready.

LARRY
We have twenty minutes.

Exit Larry.

HAL
OK boys, quick smoke break.

Exit Henry, Marshall and A.J.

Enter USL Bobo in full costume. He walks around

the studio waiting for the photo shoot to start.

Enter Tommy USL crossing to his seat followed by

Larry and Connie.

LARRY
Where is everybody?

Enter Hal.

HAL
There you are Larry. We should be ready in ten
minutes to start the shoot.

LARRY
Is the photographer her yet?

HAL
Yes, he is setting up for the shoot in the lobby.

Enter Henry, Marshall and A.J.

LARRY
Are we ready boys.

HENRY
Yes sir.

Enter Don and Alan.

DON
The scripts have been changed.

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 45.

LARRY
Great! I just got off with Cue, and they have
approved the change, with the option to change back,
if it doesn't work.

Alan crosses to his directors chair and Hal

follows to his chair. Henry takes his place
behind the camera, Marshall sets up boom,

Exit A.J to lighting booth.

Stu we have to talk.

Stu stops pacing and crosses to Larry looking

over everyone in the room.

STU
OK.

LARRY
There have been some changes with the Cue Commercial
scripts.

STU
Such as?

LARRY
We all feel that the scripts should have Tommy taking
the opening lines this season.

STU
(Surprised, but calm) Why is that?

LARRY
Frankly, the audience likes the kid, so we are going
to give him a chance to develop.

STU
Last I look this is the "Bobo The Clown Show" not
Bobo and the Kid show.

LARRY
Stu you know how this works. Sponsors and ratings
matter. Bobo is still in three of the commercials.

There is a sudden change in Stu's demeanor.

STU
(Hint of sarcasm) So.....our precious sponsor feels
the character that the kid is portraying is more
compelling than the most beloved clown in America?

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 46.

ALAN
Stu that isn't exactly what we....

Stu cuts off Alan.

STU
No! Larry just said, the ratings and the sponsors
want this change.

LARRY
Stu I don't appreciate your demeanor.

STU
You don't appreciate my attitude?

Laughs.
Larry doesn't appreciate my attitude?

Stu crosses very slowly UC, with his hands

behind his back and his shoulder slumped
forward. He stops with his back to the audience
and the group. Everyone is watching him closely
waiting for his next response. Stu slowly begins
to turn and steps forward and takes a regal
stance.

Pause
To be, or not to be, that is the question:

Whether 'tis nobler in the mind to suffer.

The slings and arrows of outrageous fortune,

Or to take Arms against a Sea of troubles,

And by opposing end them: to die,

to sleep no more; and by a sleep,

To say we end the heart-ache,

and the thousand natural shocks that Flesh is heir

to?

'Tis a consummation devoutly to be wished.

To die, to sleep, To sleep, perchance to Dream;

Aye, there's the rub, for in that sleep of death,

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 47.

What dreams may come, when we have shuffled off this

mortal coil, must give us pause.

There's the respect that makes Calamity of so long

life:

For who would bear the Whips and Scorns of time,

The Oppressor's wrong, the proud man's contumely,

The pangs of despised Love, the Law's delay,

The insolence of Office, and the spurns that patient

merit of the unworthy takes,

When he himself might his Quietus make with a bare

Bodkin?

Who would bear, to grunt and sweat under a weary

life,

But that the dread of something after death,

The undiscovered country, from whose bourn no

traveler returns, puzzles the will,

And makes us rather bear those ills we have,

Than fly to others that we know not of.

Thus conscience does make cowards of us all,

And thus the native hue of resolution is sicklied

o'er, with the pale cast of thought,

And enterprises of great pitch and moment,

With this regard their Currents turn awry,

And lose the name of action.

Soft you now, The fair Ophelia? Nymph, in thy Orisons

Be all my sins remember'd.

Everyone who witnessed this is frozen, shocked

and speechless. Stu's performance was flawless
and believable, despite he was in a clown suit
and make-up.

Stu Exits USL.

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 48.

There is silence, and then the sound of a

slamming dressing room door.

HAL
Whoa, that was unbelievable.

TOMMY
What was that?

DON
If I'm not mistaken that was the soliloquy from
Hamlet by William Shakespeare.

ALAN
Yep, done incredibly well.

LARRY
No one will ever believe what we just saw.

HENRY
Hell, I don't even believe it.

MARSHALL
I don't even like Shakespeare, but that was crazy
good. I even recorded it.

LARRY
Marshall! You recorded that?

MARSHALL
I was doing a sound check just before Stu started,
but when he began, I just let it run.

TOMMY
I want to be able to do that.

ALAN
Tommy most people don't know that Stu studied acting
at the the Royal Shakespeare Company with Glen Byam
Shaw from 1957-1959.

TOMMY
Who is that?

ALAN
He was a famous Shakespearean teacher in England.
After his studies he came to America to be a
Newscaster in Washington D.C.

TOMMY
Wow!

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 49.

HENRY
What happened? Why is he here in this small market
playing Bobo the Clown?

LARRY
Because he is a pompous, overbearing drunk. He got to
big for his britches. This is his last ha rah.

DON
Larry, that wasn't necessary.

TOMMY
That is sad.

LARRY
You know what Tommy, it is sad. Now let's get back to
work.

Blackout

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 50.

ACT TWO
_______

Scene Three
___________

SETTINGS: Same day after show.

The studio is all closed up, work lights on on.

Tommy is sitting in his directors chair.

Enter Stu carrying a overstuffed leather

briefcase crossing toward the CS exit when he
notices Tommy.

STU
Hey kid, what are you doing sitting here in the dark?

TOMMY
I am waiting for Connie, and my ride home. Stu I have
something for you.

STU
What would that be?

Tommy holds up a big star the says "Bobo".

TOMMY
This fell off you door when you slammed it earlier.

STU
You keep it. It doesn't mean anything.

Tommy rises and crosses to Stu and stuffs the

star in Stu's briefcase.

TOMMY
Yes it does! You are Bobo the Clown and that
character matters to a lot of kids. That is
something.

Tommy crosses back to his chair. Stu crosses to

the bleachers, and puts his briefcase down on
the bench.

STU
There was a time when I believed that.

TOMMY
Stu can I ask you a question?

STU
Sure, OK.

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 51.

TOMMY
What was that this morning?

STU
What?

TOMMY
The long speech you made when you got mad?

STU
That was something from another life, and time.

TOMMY
How can I learn how to do that? It was the neatest
thing I have ever seen. Can I learn how to do it?

STU
Anyone can learn how. But it take a tremendous
commitment and sometimes a sacrifice.

TOMMY
I would commit.

STU
Look kid...you can't learn it over night it takes
years, decades.

TOMMY
I can do it. What was that you did, from? Where can I
get a copy?

Stu reaches in his briefcase and pulls out a

book of William Shakespeare plays.

STU
Tommy, what you saw was one of William Shakespeare's
most known, and love plays titled "Hamlet". It is
most know for the line "To be, or not to be". It is
the opening phrase of a soliloquy spoken by Prince
Hamlet in the nunnery scene, Act Three, Scene One.

TOMMY
What is a soliloquy?

STU
It is a speech that you say out loud to yourself.
Though it is called a soliloquy Hamlet, is not by
himself. He makes this speech because Ophelia, is on
stage pretending to read, in the hopes that Hamlet
will see her. Claudius and Polonius who are hiding
close by have put her in Hamlet's way, so they can

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 52.

hear their conversation to figure out if Hamlet is

really mad, or just pretending.

TOMMY
So it is not a soliloquy?

STU
Since Hamlet thinks he is alone and has no reason to
believe that there is no one else is on stage that
can hear him before he talks to Ophelia, makes it a
soliloquy.

TOMMY
So what exactly did he say?

STU
Hamlet is very upset. He is thinking about death and
suicide, complaining about the unfairness and pain of
living, and admits that the alternative might be
worse. The actual meaning of the speech depends on
who you ask, but I believe it is clear that Hamlet's
upset about his hesitation to avenge his fathers
murder, that was discovered by his uncle Claudius at
the beginning of the play.

TOMMY
It seemed like it was in a different language?

STU
In some ways it is. That is the way they spoke in
England in the 18th century.

TOMMY
I want to read some Shake..speare plays. Where do I
get one.

Stu seems to be moved by this conversation. He

pulls a hard copy book out of his briefcase.

STU
I was about your age when I fell in love with the
words of William Shakespeare. I had to sneak my
fathers books out of his library to read them under
my covers at night, when I was suppose to be
sleeping. I didn't have someone to explain it all to
me till I was much older, and in college. If you
really are sincere about this then I will offer this
book to you under one condition.

TOMMY
What? Anything?

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 53.

STU
That when you are older, and wiser, you will pass
this book off to someone deserving, who whats to
become a lover of William Shakespeare too.

TOMMY
OK, I will.

Stu crosses to Tommy and hands him the book.

STU
Everything you want to know and read for now will be
in that book.

TOMMY
Kitt..redge's Complete Works of William Shakespeare.
It has pictures and everything.

STU
It is the Illustrated Edition....Enjoy Kid.

Stu crosses to the bleachers.

TOMMY
Thanks Stu.

Stu picks up his bag and puts it over his

shoulder. He slowly pulls the star from his door
out. He takes a short gaze at it and moves
toward Tommy.

STU
Tommy today's commercials felt good. You have been
doing an exceptional job this past year. You deserve
this too.

Stu hands the star to Tommy, he takes it with

one hand, while holding his new book in the
other. Looks up at Stu.

TOMMY
Thanks Bobo!

Stu exits CS,

Tommy opens the book in amazement.

Blackout

The End

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