I. Related Literature: History of Landscape Architecture

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Between these extremes of the city scale and the pounds of oxygen, enough for a family offer on

I. RELATED LITERATURE regional landscape lie business parks, land reclamation a daily basis.
and urban regeneration, forestry, public realm,  Plants control runoff and erosion.
INTRODUCTION streetscapes and urban design.  Plants reduce noise pollution up to 50 percent.
 Plants creates green space for human rest and
Landscape has six main compositional elements: recreation.
landform, vertical structures, horizontal structures, History of Landscape Architecture
vegetation, water, and climate.
 The term landscape architecture was invented PRINCIPLES OF DESIGN
Landscape Design is the art of arranging these by Gilbert Laing Meason in 1828.
elements to make good outdoor space.  Frederick Law Olmsted, Calvert Vaux and a is a process that defines and ties all individual
man named George Oskar gave a different components together to create unity within a design.
slant to the meaning of 'landscape
architecture', using the term to describe the Unity
whole professional task of designing a One of the basics of landscape design is creating a
composition of planting, landform, water central theme to build your outdoor plan upon. A
paving and other structures and adopted it in unified look is important to a beautiful landscape
1863 as a professional title. design.
 Their first use of the term was in the winning
entry for the entry for the design of Central
Park in New York City.

1.Landform
2.Water Importance of Landscape Architecture
3.Horizontal structures
4.Vertical structures Economic Benefits:
5.Vegetation  Landscaping enhances property values.
6. Climate  Proper placement of shade trees and
evergreen reduces cooling costs
Landscape Architecture is a discipline which deals with
the design of the built environment. Specifically, it Environmental Benefits:
encompasses the design and planning of all external  one tree removes 26 pounds of carbon dioxide
spaces ranging from the design of the city, the urban from the air every year and releases about 13
Volcanoes inspired landscape
square and the city park to the regional landscape.
Variety is mixing up the form, texture, and color Example of formal balance:
combinations in a landscape to create extra interest
without sacrificing the simplicity of the design.

Emphasis
Japanese Tea Garden Theme  Plants and plant groupings provide a
representation of the types of plants that will
occupy an area once the landscape design is
Simplicity means understanding what is, and is not completed. A plant grouping might show a
important in a landscape design. Details that will not Balance is the relationship between elements in the
shrub border between properties, or it may
have a major impact on the landscape are omitted to landscape. Formal balance would usually mean that represent a perennial bed location.
keep it in order. one side of the landscape is a mirror of the other,  Specimen plants can be part of a larger
while informal balance is when plant sizes and planting, but usually stand alone in the
numbers are only relatively similar on both sides. landscape. Specimen plants provide specific
seasonal interest or color through flowers,
Example of informal balance: fruit, or leaves.
 Accent plants are plants of special interest
that are usually part of a larger planting.
Accent plants provide interest throughout the
seasons through specific forms, textures,
colors, etc.
 Key plants are plants that are usually placed in
highly visible location. They can be used alone
or in groups of three or more. They are
associated with screening or softening of
architectural features, such as building
corners, steps, fences, etc. They can provide
emphasis if the chosen species provides Sequence is a gradual transition from one area to Line
interesting seasonal interest, form or texture. another within a landscape. A landscape with
 Plant groups are plants of the same species sequence has one element changing at a time rather Landscape designers use lines to create patterns,
spaced so that when mature, they just touch than several changing at once. A landscape with a develop spaces, create forms, control movement,
each other and you can still see the outline of coarse-textured plant next to a fine-textured plant is establish dominance, and create a cohesive theme in a
each individual plant. an example of poor sequence. landscape. Landscape lines are created several ways:
 Massed plants are plants of the same species when two different materials meet on the ground
spaced so that when mature, they grow plane, such as the edge of a brick patio meeting an
together to form a solid area of that species. expanse of green turf; or when the edge of an object is
You will not be able to discern individual plants visible or contrasts with a background, such as the
in a mass. outline of a tree against the sky; or by the placement
of a material in a line, such as a fence.

Direction or Line (Line of Sight)

Eye movement is unconsciously affected by the way


plant groupings fit or flow together, both on the
horizontal and vertical planes.

Hedges or rows of plants direct the attention to a focal


point or specific area.
ELEMENTS OF DESIGN
Meandering lines or curves slow movement and create
are the criteria used in selecting and organizing plants a natural, undisturbed feeling.
and hard-goods into the landscape. Using these criteria
the designer will be more likely to use a wider variety Linear patterns are used to direct physical movement
of plants. and to draw attention to areas in your garden.
Color
 Paving and building materials along with plants
It is important to use a complementing color scheme with varying textures can add to the
throughout the yard. Sometimes, contrast can create atmosphere of your outdoor area.
some interest and excitement.
A simple way to unity is to:

Form can be expressed through built objects or trees


and shrubs of various shapes and sizes which create
natural patterns.
 Match warm colors to warm colors (red,  Tall plants create a vertical look drawing the
yellow, and orange) eye upward.
 Cool colors to cool colors (blue, purple and  Low spreading plants draw the eye to the
green) horizon.
Proper use of color theory can influence the mood felt
 Use individual specimen plants to break
in a yard
monotony and create interest.
 Warm colors tend to excite the viewer colors
A mixture of a variety of form becomes confusing.
like red are natural for focal points
 Cool colors are more likely to relax the viewer.
Colors like blue are a logical choice for
Texture
meditation gardens.
Texture is the touch or visual surface quality of an
Form object, or plant.The texture of a plants' foliage or
bloom can be viewed as coarse, medium or fine. Scale
In landscape design terminology, form is the shape of a
plant. Scale is the visual relationship of the landscape
Strategies:
It can be: components relative to size.
 Upright
 Mix plants with larger leaves and smaller
 Oval Your outdoor design should balance the size of the
leaves to avoid monotony in a planting bed
 Columnar buildings or established plants it surrounds, while
and to add visual interest.
 Spreading maintaining a comfortable human environment for the
 The greater the distance the plant is, the
 Broad Spreading individuals who will use the area.
smoother the texture appears to be.
 Weeping
Softscape

 Element of a landscape design that comprise


live, horticultural elements. The all natural
area of the landscape consists ofplanting beds,
lawns & ground covers, plants, shrubs, trees,
organic mulch and other more transitory
elements that continue to change.
 The purpose of the softscape, from a design
perspective, is to lend character to the
landscape and create an aura and ambience
that reflects the sensibilities of the owners of
the home.
 Softening the landscape is the job of plants,
from turf to towering trees from minimal
planting schemes consisting of a single
specimen to massed planting in vast swathes
of colour, the options are boundless.

Softscape
scale
Hardscape STEP BY STEP STRATEGIES IN LANDSCAPING

 The part of a building's grounds consisting of 1. Decide why you want to landscape.
structures, such as patios, retaining walls, and Most homeowners think of landscaping as a way to
walkways, made with hard materials. add beauty to their homer to improve the resale value.
 Many examples are cobble stone, bricks, Other reasons to landscape might prove more
pavements, fence, metal railings, rocks, pots, problem-oriented, such as trying to reduce noise,
fountains, gnomes and more. create a microclimate or lure wildlife to a yard.
Function:
o creates links between buildings 2. Set goals for use and maintenance.
o enclose space Determine how the client wants to use the property.
o cater for pedestrian and vehicular Do you need a play area for their children, or perhaps
movements Water fountain would they like to focus on entertaining their family
o visually link a development with its and friends outdoors? Determine how much time they
surrounding want to spend in their yard.
o creates a path
1. Hardscape materials should be selected not 3. Analyze the existing site.
only for their appearance but also for their Walk around the property, noting conditions that
ability to withstand the use for which they're make the yard unique. Does the site demand plants
being put. Stone features that are tolerant of cold, wind, full sun, shade,
drought, occasional flooding? Look at existing plants
and decide which ones you want to keep. Plants that
always seem to have one problem or another
throughout the year are good candidates for removal.

4. Plan using gathered strategies on landscape


planning.

Gazebo
STRATEGIES IN PLANNING LANDSCAPE a great spot to listen to the sounds of a nearby
stream away from a busy house or play area.
Mix plant heights and the depths of planted beds.
 A standard approach to arranging plants is to
put the tallest at the rear, then stair-step
forward to the smallest. In some places, play
with the idea of putting a few taller plants
toward the front, or running a row or two of
ornamental grasses through a bed in an
undulating line. Once you have decided on the
character of the individual groups, then start
to group the groups so they fit together as a
unified whole. Create Understory Screens
 Sometimes, plantings are done to “screen out”
unwanted views, and sometimes just to add
plant diversity. Be sure to choose a mass of
different species to allow for flower and leaf
changes throughout the growing season and to
give you a change of scenery without ever
leaving your site.

Shrubs and trees with different heights harmonize


together
Select a dominant color, tone or theme. Rainforest structure
 The overall design should have a dominant Use Structural Devices Illuminating Approaches
color throughout its different parts to unify the  Simple or even complicated decks and gazebos  Often used just for security, light has the
plan as a whole. The other colors play a can be freestanding, located away from potential to add another unique texture to the
smaller role but add detail and variation. buildings and surrounded by plants. Decks can landscape simply by how it illuminates the
also provide a comfortable platform for things around it. New technologies give
enjoying significant views, and a gazebo can be designers more ways than ever to direct light
up, down, around and through different
elements. Of course how you use light will
make all the difference between good,
mundane or bad design.

Landscape Lighting Systems

1. Solar Landscaping Lights - This is the easiest


type to install. No electricity is used. Power is Birdbaths and feeders
supplied by the sun. This is an easy solution.
 Large accessories such as benches, water
2. Low Voltage Lighting - An easy system to fountains, stone features, urns, and statues
install. Wiring is located just slightly under the
ground. A transformer is needed typically on
the house for power. This is a general choice.

3. 120-Volt Lighting -This uses typical electrical


wiringwhich must be install to code. This tends
to be most expensive type.

Landscape Lighting Fixture


 Path Lighting for pathways Use Landscape Accessories
 Up and down lighting for trees  Trellis, arbors, and arches add height.
 Outdoor accent lighting LANDSCAPE SITE CONCERNS
 Post lights for more light
 House lighting Site concerns that are treated in a landscape plan
include the following:

Buildings
 Building and associated site developments are
typically comprised of a standard set of
components which include the following: main
entries, minor entries, service areas, Parking
foundation walls, parking areas, sidewalks, and  The use of vegetation in parking area islands
support utilities. Landscape elements such as can greatly improve the visual appearance as
earth berms, vegetation, fences, and walls can well as help define vehicular and pedestrian
screen parking areas or other undesirable circulation. Landscape islands help reduce
views. Plantings at a building’s foundation glare and temperatures in hot climates
serve to visually tie the structure into the through the use of properly spaced large
landscape and accent building entries. shade trees.

Landscape islands articulate vehicular circulation


routes and provideshade and visual relief for parking
areas.

Streets
 Trees can define and reinforce roadway
circulation, reduce glare, provide shade, and
The harmonious blend of site elements enhances the Earth berms effectively screen parking areas from view physically separate pedestrian from vehicular
building’s entry. along roadways. circulation routes. Planting arrangements
include the following:

- Formal Planting - Trees of equal size, spacing, and of


the same species should be reserved for prominent
primary roadways. If a tree dies or is damaged, the
total scheme can be adversely affected.
- Informal Planting - Trees of various species, sizes, and
spacing are a lower maintenance roadway treatment.
If a tree dies in a naturalized, informal setting there
will be less visible disruption to the total scheme.

Landscape treatment provides a softening effect to Design parking areas to include enough vegetation to
typically harsh industrial architecture. provide avisual screen and shade. Trees and shrubs can
be used together foreffective screening.
line pavement arrangement reinforced with a
regimented planting design. Informal
walkways are characterized by curved
alignment, and are appropriate in park settings
or along streets within naturalized landscape
settings.

The regular spacing of trees along streets is especially


effective inarticulating primary vehicular traffic routes. Handicapped access (Ramp)
Repetitious treatment of trees and lights reinforces the
formal statement; Separation of pedestrian and
vehicular circulation improves safety.

Walking, jogging, and biking trails should be designed


within thenatural environment for maximum shade
Informal Planting and visual interest.
Entrance sidewalk and the handicap access ramp. Light
Pedestrian and Bicycle Movement
bollards restrict vehicular movement, as well as allow
 Pedestrian walkways can be formal or Handicapped Accessibility pedestrian access.
informal, depending on the pavement  Consideration for the needs of the disabled is
configuration and vegetation arrangement. necessary for each of the previously discussed
Formalized walkways generally have a straight- landscape site concerns.
II. CASE STUDY

LOCAL
Ayala Triangle Gardens

The trees were chosen to create a contrasting color


that would make an interest and excitement. The
colors of the flowers were used to form the flag of the
country.

 with a landscaped expanse of over 2 hectares Use of illuminating approaches


 situated at the middle of Paseo de Roxas,
Makati Avenue and Ayala Avenue that forms a
triangle
 considered as a refuge for the fast-
paced Makati life
 an ideal spot for people who want to distance
themselves from the everyday hustle bustle to
relax, unwind and get in touch with nature
 enjoyable for jogging, brisk walking or people-
watching
 with an open-air dining spots and pleasing
public art around the garden Created understory screens to “screen out” unwanted
 an spectacular holiday display of dancing lights views, which are the buildings
and sounds Trees are chosen to fit the country’s climate.
The public art serves as a hardscape too.
The trees create a pattern that indicates the pathway.
 with the lagoon that winds its way here and
there, little waterfalls and fountains that break
the monotony, sides that are choked with
variety of plants and trees, surprising corners
of “Zen garden", touches of local whimsy and a
dome-shaped Chapel of Santo Niño de la Paz
(Holy Infant of Peace)

Form is seen through the plants and designed


according to height.
Created understory screens to “screen out” unwanted
views, which are the buildings
Greenbelt Park

 located in and around the Greenbelt Mall


 offers many sights to give pause to both the
harassed office worker and the shopper Mixed plant heights and the depths of planted beds Use of structural devices such as gazebo
 Statues  Stone features

Use of illuminating Approaches

Use of Landscape Accessories:

 Statues  Water fountains

 Trellis
FOREIGN
Pureland Japanese Garden Views- UK (Europe)

Lantern-lit evening garden

 Japanese garden and meditation Centre


 approximately 2 hectares
 Buddha Maitreya acquired the land in 1973
 It was then a flat wasteland, the site of an old
farm house.
 Space used as, relaxation and meditation

 Bridges and Walkways

 Waterfalls (manmade)  Steps and grassy mounds.


 Traditional Japanese garden elements combine
to create a special peaceful and relaxing space. Beautiful ponds, bridges, reeds, lillies and carp, and the
sound of gently flowing waterfalls.
of peace and beauty including a pagoda. This
shows unity.

 Pagoda used as hardscape (-was built using


scrap materials he found in the out-buildings, a
Zen garden, which consists of rocks and
chipped marble)
 The variety of textures, shapes and patterns.

 (softscapes and hardscapes together) the use


of stepping stones

 Example of color  The Japanese garden, built with inspiration of


the flowing hills and fields of Japan, is a place
III. Summary, Conclusion and design. Landscape architecture also comes architecture plays an important role in the
with different landscape elements which are environmental protection through proper
Recommendation
the criteria used in selecting and organizing designs and implemented projects that respect
Summary plants and hard-goods into the landscape. It both the needs of people and of our
includes line, direction, color, form, texture environment. the relationship between the
Landscape architecture is the and scale. Using these elements, the designer determining factors, such as the materials, the
profession that encompasses the analysis, will be more likely to have a better landscape. cultural and natural processes, as well as
planning, design, management and There are also types of landscaping, which is environmental, social and psychological, must
stewardship of the natural and built the soft and hard landscaping. Soft landscaping be determined because it is which landscape
environment. Specifically, it encompasses the which includes all natural area of the architecture is better achieved and realized. Its
design and planning of all external spaces landscape consists of planting beds, lawns & main objectives are also very similar to the
ranging from the design of the city, the urban ground covers, plants, shrubs, trees, organic design of the architectural design of the home
square and the city park to the regional mulch and other more transitory elements itself but the main difference is that the room
landscape. the term "landscape architecture" that continue to change. On the other hand, are outside, not inside. It holds various
has been used since it was adopted as a hard landscaping consists of structures, such elements and principles that should be used
professional title when Frederick Law Olmsted as patios, retaining walls, and walkways, made and developed through proper landscaping
and a man named, George Oskar used it as a with hard materials. strategies and methods. And as individual, it is
term to describe the whole professional task In achieving a better landscaping, important for us to know about and
for their winning entry for the design of there are step by step strategies that we can understand the application of these principles,
Central Park in New York City. Since then, use. First, you need to decide why you want to to be able to achieve a well designed property,
landscape architecture has been used as a landscape. Next, you should set goals for use which is properly integrated with its
professional title after his works had been and maintenance. After that, analyze the surroundings, accessible, secure and
recognized and widely admired. existing site given. Then finally, plan using your aesthetically pleasing from the outside. But
There are also principles when it gathered information and strategies on most of all, we therefore conclude that the
comes to landscaping architecture. There landscape planning. premium landscape architecture places on the
comes the unity simplicity, variety, balance, relationship between society and the natural
which is the use of equilibrium in the world, where sustainability was applied
Conclusion
landscape design, emphasis, and sequence. All through natural resources while at the same
of these principle defines and ties all individual time minimizes environmental degradation
Based on what we have learned from
components together to create unity within a and consumption, which aims to provide a
our topic, we can say that landscape
healthy, productive and meaningful life for all landscape that is not just helpful to us, but also
members of society so that the needs of future not harmful to our environment.
generations are not compromised.

Recommendation References:

The best way to create a better


landscape is to deeply understand the http://www.asla.org/ContentDetail.aspx?id=12200&Pa
geTitle=Education&RMenuId=54
relationship between the people and our
environment. As much as possible we must http://www.sustland.umn.edu/design/module2.htm
maintain sustainability and consider it as an
http://www.ed.ac.uk/polopoly_fs/1.84183!/fileManag
integral part of the design process. Your goals
er/Landscape-Architecture.pdf
should be associated with creating a
sustainable built environment, which includes: http://www.nrcs.usda.gov/wps/portal/nrcs/detail/nati
avoiding or otherwise minimizing the impacts onal/ndcsmc/?cid=nrcs143_009159
on resources; conserving ecosystems; using
http://www.commonsenselandscaping.com/articles/pr
renewable resources; avoiding waste where incipleelementsoflandscape.htm
possible by reuse; recycling and recovery;
supporting the general realization of human http://www.gardenvisit.com/landscape_architecture
potential and happiness.; and creating healthy http://www.ext.colostate.edu/mg/gardennotes/413.ht
built environments and landscapes for present mlhttp://edis.ifas.ufl.edu/mg086
and future generations. We can also
encourage the community and business http://www.ed.ac.uk/polopoly_fs/1.84183!/fileManag
er/Landscape-Architecture.pdf
leaders to bring the existing built environment
up to sustainable design standards and to http://www.nrcs.usda.gov/wps/portal/nrcs/detail/nati
reflect to the philosophy of sustainability in onal/ndcsmc/?cid=nrcs143_009159
the design and management of their
http://www.businessballs.com/pureland_japanese_ga
communities. We must be able to apply all the rden_meditation.htm
strategies to the different elements to create a

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