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10 Contemporary Filipino Artists To Know
10 Contemporary Filipino Artists To Know
Artists to Know
After a 50-year hiatus, the Philippines’ participation in the 2015 Venice Biennale helped
bring a new wave of local artists into the limelight. We profile 10 contemporary Filipino
artists you should know.
He is a graduate of the University of the Philippines, with a Bachelor in Fine Arts while
under the mentorship of pioneer conceptual artist Roberto Chabet. After graduation, he
moved to New York in 2002 and spent a significant amount of time in Brooklyn, where
he participated in art residences for the Bronx Museum of Art Artists-in-the-Marketplace
(AIM) Program, the Artists Alliance Inc. Rotating Studio Program, and the Lower
Manhattan Cultural Council (LMCC) Workspace Program.
Concepcion returned to Manila in 2013 with a triumphant solo show at the U.P. Vargas
Museum, after participating in the El Museo del Barrio La Bienal in New York. He
remains active on the Asian art scene and is a recent recipient of the 13th Artists Award
by the Cultural Center of the Philippines.
In the sand dunes of Paoay, Ilocos Norte, Leeroy collaborated with the local
government to convert discarded water tanks and cement fountains into a post-
apocalyptic park filled with sculptures. His most recent grant from the Burning Man
Global Arts foundation was used to transform the most polluted waterway in Manila,
the Pasig River, with floating installations – challenging views on the environment.
He once filled a room with thousands of bullhorns in his show Mga Damong Ligaw
(‘Wild Weeds’) in 2014, at the Light and Space Contemporary in Fairview, Manila. The
bullhorn installation was made to look like a terrain of weeds when viewed at a certain
angle. Villamiel’s work reflects the current socio-political situation in the country,
highlighting elements of poverty, consumerism, and religion. His massive installation
Payatas, which features thousands of doll heads, was chosen to represent the
Philippines in the Singapore Biennale exhibition in 2013. It took him two-and-a-half
years to finish this work.
Fernandez has exhibited extensively in top galleries in the Philippines and abroad,
including in Paris, New York, and the Singapore Biennale. He recently participated in
the Melbourne Art Fair 2018 with fellow Filipino, Melbourne-based artist Diokno Pasilan.
Currently based in Manila, he has become known for his paintings that hold multiple
layers, using different mediums to expose new forms. Pasilan’s work has been
represented by the Drawing Room of Manila, Artinformal Gallery, and West Gallery. A
notable collaboration with Raffy Napay was featured in Art Fair Philippines in 2017.
In 2011, he initiated the Ax(iS) Art Project, promoting the local artist community in the
chilly hill station of Baguio and the Cordilleras. Kawayan has held numerous solo
exhibitions in the Philippines and abroad. He was a guest curator for the Singapore
Biennale in 2013.
'The Mountain is Coming', Palais de Tokyo, Paris 2016 © Patricia Perez Eustaquio /
Silverlens Gallery
Martha Atienza (1981-present)
Born to a Dutch mother and Filipino father, Atienza continues to live both in the
Philippines and Holland. After receiving her Bachelor in Fine Arts from the Academy of
Visual Arts and Design in the Netherlands, she accepted residency grants from
England, Australia, New York and Singapore. Her video art reflects snapshots of reality
and the environment drawn from her Filipino and Dutch roots.
She is currently interested in using contemporary art as an aid to bring about social
change. In 2017, she won the Baloise Art Prize at Art Basel International Fair for her
video installation Our Islands, 11°16`58.4” 123°45`07.0”E., which shows a traditional
Catholic procession from the Philippines under water.
Elmer Borlongan (1967-present)
The Manila-based artist often refers to Filipino culture in his paintings, drawing from
everyday scenes of local urban life, which sharply depict an imperfect world.
Borlongan’s work is a favorite among collectors and at auctions. In his first major work,
Rehimen (1988), he uses bold brushwork to manipulate the Marlboro emblem, which is
guarded by a pack of dogs as an emaciated figure lays in despair in the foreground. The
painting represents the marginalized Filipino people who are living in poverty, with no
way of moving forward. In February 2018, Borlongan celebrated a retrospective of 25
years in art, showcasing more than 150 paintings and 50 drawings featured in the
Metropolitan Museum of Manila.