HA229: The Art of Byzantium 843-1261

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Bibliography
38-48 minutes
HA229: The Art of Byzantium

843-1261
Bibliography
Contents
General
History
Art
Introductory/thematic
Surveys
Exhibition catalogues
Useful collections of essays
Reprints of articles
Sources
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8th/9th century
10th century
11th century
12th & 13th century
Art after Iconoclasm
Hagia Sophia
Koimesis church, Nicaea
Khludov Psalter
Homilies of Gregory of Nazianzus (Gk 510)
Imperial Art
Ninth century
Tenth century
Eleventh century
Twelfth century
Patronage
The 'Macedonian Renaissance' & Luxury art
The past
Gender
Icons
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Ivories
Enamels
Manuscripts
Light and Colour
Ritual & processions
Cults
Art, Iconography and liturgy
Text and Image in Byzantium (ekphrasis)
Discussions of ekphrasis
Constantinople
Cappadocia
Monuments of the eleventh century
Hosios Loukas [c.1000]
Nea Moni on Chios [c.1045]
Daphni [c.1100]
Kievan Rus
Monuments of the twelfth-century
Constantinople (Pantokrator Monastery)
Kastoria
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Cyprus
Macedonia (St Panteleimon at Nerezi)
Byzantium and the West
Sicily
Cappella Palatina in Palermo
The Martorana Church
Monreale Cathedral
Venice
San Marco
Pala d'Oro
Southern Italy
Serbia
Byzantium and the East
Georgia
Armenia
History
Art
Armenian Cilicia
The Fourth Crusade
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Gardens
* = recommended
+ = reference
General
+ Kazhdan A. ed., Oxford Dictionary of

Byzantium, (Oxford, 1991) 3 vols [ref]
Mango C., Byzantium: The Empire of New
Rome, (London, 1980)
Cavallo G. ed., The Byzantines, (Chicago, 1997)
Vryonis S., Byzantium and Europe, (London,
1967)
Laiou A.E., H. Maguire, Byzantium: A World
Civilization, (Washington, DC, 1992)
History
Ostrogorsky G., History of the Byzantine State,

(Oxford, 1968)
* Angold M., The Byzantine Empire 1025-1204,
(Oxford, 1984)
Whittow M., The Making of Orthodox Byzantium
600-1025, (London, 1996)
Jenkins R.J.H., Byzantium: The Imperial
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Centuries AD 610-1071, (London, 1968)

Haldon J., Byzantium : a history (Stroud, 2000)
Kazhdan A., A.W. Epstein, Change in Byzantine
Culture in the Eleventh and Twelfth Centuries,
(Berkeley, 1985)
NB: Avoid John Julius Norwich's volumes.
Art
Introductory/thematic
* Cormack R., Writing in Gold. Byzantine

Society and its Icons, (London, 1985)
* Safran L. ed., Heaven on Earth. Art and the
Church in Byzantium, (University Park, PA, 1998)
Mathews T.F., The Art of Byzantium: between
Antiquity and the Renaissance, (London, 1998)
Surveys
* Cormack R., Byzantine Art, (Oxford, 2000)

* Lowden J., Early Christian and Byzantine Art,
(London, 1997)
* Mango C., Byzantine Architecture, (London,
1976)
Ousterhout R., Master Builders of Byzantium,
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(Princeton NJ, 1999)

Durand J., Byzantine Art, (Paris, 1999) [good
pictures]
Cutler A., J.-M. Spieser, Byzance Mediévale,
700-1204, (Paris, 1996) [good pictures]
Velmans T., V. Korac, M. Suput, Rayonnement
de Byzance, (Paris, 1999) [good pictures]
NB: the following surveys are either boring, out-

of-date or both. You are advised to read them
with caution:
Rodley L., Byzantine Art and Architecture. An
Introduction, (Cambridge, 1994)
Beckwith J., Early Christian and Byzantine Art,
(Harmondsworth, 1979)
Talbot Rice D., Art of the Byzantine Era,
(London, 1963)
Exhibition catalogues
* Evans H.C., W.D. Wixom eds., The Glory of

Byzantium. Art and Culture of the Middle
Byzantine Era, A.D. 843-1261, (New York, 1997)
Buckton D. ed., The Treasury of San Marco,
Venice, (Milan, 1984)
Buckton D. ed., Byzantium. Treasures of
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Byzantine Art and Culture from British

Collections, (London, 1994)
Durand J. ed., Byzance, L'art byzantin dans les
collections publiques françaises, (Paris, 1992)
Morello G. ed., Splendori di Bisanzio, (Milan,
1990)
* Vassilaki M. ed., Mother of God.
Representations of the Virgin in Byzantine Art,
(Athens, 2000)
Piatnitsky Y., O. Baddeley, E. Brunner, M.M.
Mango eds., Sinai Byzantium Russia. Orthodox
Art from the Sixth to the Twentieth Century,
(London, 2000)
Karakatsanis A.A. ed., Treasures of Mount
Athos, (Thessaloniki, 1997)
Baumstark R. ed., Rom und Byzanz.
Schatzkammerstücke aus bayerischen
Sammlungen, (Munich, 1998)
From Byzantium to El Greco: Greek frescoes and
icons, (Athens, 1987)
Useful collections of essays
Maguire H. ed., Byzantine Court Culture from

829 to 1204, (Washington DC, 1997)
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Ousterhout R., L. Brubaker eds., The Sacred

Image East and West, (Urbana & Chicago, 1995)
Durand J. ed., Byzance et les images, (Paris,
1994)
Hutter I. ed., Byzanz und der Westen, (Vienna,
1984)
Magdalino P. ed., New Constantines: the
Rhythm of Imperial Renewal in Byzantium,
4th-13th Centuries, (Aldershot, 1994)
Brubaker L. ed., Byzantium in the Ninth Century:
Dead or Alive?, (Aldershot, 1998)
Eastmond A. and L. James, Icon and Word. The
Power of Images in Byzantium (Aldershot, 2003)
Pevny O.Z. ed., Perceptions of Byzantium and
Its Neighbors (843-1261), (New York, 2000)
Littlewood A.R. ed., Originality in Byzantine
Literature, Art and Music, (Oxford, 1995)
Moss C., K. Kiefer eds., Byzantine East, Latin
West. Art-Historical Studies in honor of Kurt
Weitzmann, (Princeton, 1995)
Reprints of articles
If you are looking for an article by one of the

following, it is worth checking whether it has
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been reprinted in the following:

Cormack R., The Byzantine Eye, (Variorum,
1988)
Cutler A., Late Antique and Byzantine Ivory
Carving (Variorum, 1998)
Magdalino P., Tradition and Transformation in
Medieval Byzantium (Variorum, 1998)
Maguire H., Rhetoric, Nature and Magic in
Byzantine Art (Variorum, 1998)
Mango C., Studies on Constantinople,
(Variorum, 1993)
Mango C., Byzantium and Its Image, (Variorum,
1984)
Also, recent publications by Dumbarton Oaks,
including Dumbarton Oaks Papers can be found
on-line at: http://www.doaks.org/Etexts.html
Sources
* Mango C., The Art of the Byzantine Empire

312-1453, (Englewood Cliffs N.J., 1972;
reprinted Toronto, 1986)
8th/9th century
Brubaker L., J. Haldon, Byzantium in the
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Iconoclast Era (ca 680-850): The Sources. An

Annotated Survey, (Aldershot, 2001)
Cameron A., J. Herrin eds., Constantinople in
the Early Eighth Century: The Parastaseis
Syntomoi Chronikai, (Leiden, 1984)
10th century
Constantine VII Porphyrogennetos, De

Administrando Imperio, eds. G. Moravcsik;
R.J.H. Jenkins, (Dumbarton Oaks Texts: 1),
(Washington, D.C., 1967)
Liutprand of Cremona, Antapodosis, trans. F.A.
Wright, The Works of Liutprand of Cremona
(London, 1930)
11th century
Michael Psellos, 14 Byzantine Rulers, trans.

E.R.A. Sewter, (Harmondsworth, 1953) [on-line
at: http://www.fordham.edu/halsall/basis/psellus-
chronographia.html]
12th & 13th century
Anna Comnena: The Alexiad, trans. E.R.A.
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Sewter, (Harmondsworth, 1969) [ on-line at:

http://www.fordham.edu/halsall/basis
/AnnaComnena-Alexiad.html]
John Kinnamos, Deeds of John and Manuel
Komnenos, trans. C.M. Brand, (New York, 1976)
Eustathius of Thessaloniki, The Capture of
Thessaloniki, trans. J.R. Melville Jones,
(Canberra, 1988)
Niketas Choniates, O City of Byzantium, the
Annals of Niketas Choniates, trans. H.
Magoulias, (Detroit, 1984)
Robert de Clari, The Conquest of
Constantinople, trans. E.H. McNeal, (Columbia,
1936)
Art after Iconoclasm
Cormack R., "The Arts during the Age of

Iconoclasm", in A.A.M. Bryer, J. Herrin eds.,
Iconoclasm, (Birmingham, 1977), 35-44
Cormack R., "Painting after Iconoclasm", in
A.A.M. Bryer, J. Herrin eds., Iconoclasm,
(Birmingham, 1977), 147-64
Elsner J., "Image and Iconoclasm in Byzantium",
ArtH 11, (1988), 471-91
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Brubaker L., "The Chalke Gate, the construction

of the past, and the Trier ivory", BMGS 23,
(1999), 258-85
Barber C., 'From Transformation to Desire: art
and Worship after Byzantine Iconoclasm', Art
Bulletin 75 (1993), 7-16
Barber C., 'The Truth in Painting: Iconoclasm
and Identity in Early Medieval Art', Speculum
72/4 (1997), 1019-36
Barber C., 'Writing on the body: memory, desire,
and the holy in iconoclasm', in L. James ed.,
Desire and Denial in Byzantium (Aldershot,
1999), 111-20
Barber C., Figure and Likeness. On the limits of
representation in Byzantine iconoclasm
(Princeton, 2002)
Hagia Sophia
Cormack R., "Interpreting the Mosaics of S.

Sophia at Istanbul", Art History 4, (1981), 131-49
Photios, Homily 17, in Mango C. ed., The
Homilies of Photius, Patriarch of Constantinople,
(Dumbarton Oaks Studies: 3), (Cambridge,
Mass., 1958); also excerpted in Mango C., The
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Art of the Byzantine Empire 312-1453, 187

Mango C., E.J.W. Hawkins, "The Apse Mosaics
of St Sophia at Istanbul. Report on work carried
out in 1964", Dumbarton Oaks Papers 19,
(1965), 113-52
Mango C., E.J.W. Hawkins, "The Mosaics of St
Sophia at Istanbul. The Church Fathers in the
North Tympanum", Dumbarton Oaks Papers 26,
(1972), 3-41
Koimesis church, Nicaea
Barber C., 'The Koimesis Church, Nicaea',

Jahrbuch der österreichischen Byzantinistik 41
(1991), 43-60
Khludov Psalter
Corrigan K., Visual Polemics in the Ninth-

Century Byzantine Psalters, (Cambridge, 1992)
Homilies of Gregory of Nazianzus (Gk 510)
Brubaker L., Vision and Meaning. Image as

Exegesis in the Homilies of Gregory of
Nazianzos, (Cambridge, 1999)
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Der Nersessian S., "The Illustrations of the

Homilies of Gregory of Nazianzus Paris Gr. 510.
A Study of the Connections between Text and
Images", Dumbarton Oaks Papers 16, (1962),
197-228
Brubaker L., "Politics, Patronage, and Art in
ninth-century Byzantium: The Homilies of
Gregory of Nazianzus in Paris (B.N. Gr. 510)",
Dumbarton Oaks Papers 39, (1985), 1-13
Brubaker L., "Miniatures and Liturgy: Evidence
from the ninth-century Codex Paris. Gr 510",
Byzantion 66, (1996), 9-34
Brubaker L., "Perception and conception: art,
theory and culture in ninth-century Byzantium",
Word & Image 5, (1989), 19-32
Brubaker L., "When pictures speak: the
incorporation of dialogue in the ninth-century
miniatures of Paris gr. 510", Word & Image 12,
(1996), 94-109
Imperial Art
Grabar A., L'empereur dans l'art byzantin, (Paris,

1936)
Cormack R., "Interpreting the Mosaics of S.
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Sophia at Istanbul", Art History 4, (1981), 131-49

Cormack R., "The Emperor at St Sophia: Viewer
and Viewed", in J. Durand ed., Byzance et les
images, (Paris, 1994), 223-54
Maguire H., "Style and Ideology in Byzantine
Imperial Art", Gesta 28, (1990), 217-31
Ninth century
Maguire H., "A Murderer among the Angels: The

Frontispiece Miniatures of Paris. Gr. 510 and the
Iconography of the Archangels in Byzantine Art",
in R. Ousterhout, L. Brubaker eds., The Sacred
Image East and West, (Urbana & Chicago,
1995), 63-71.
Brubaker L., "To Legitimize an Emperor:
Constantine and Visual Authority in the Eighth
and Nineth Centuries", in P. Magdalino ed., New
Constantines: the Rhythm of Imperial Renewal in
Byzantium, 4th-13th Centuries, (Aldershot,
1994), 139-58
Kalavrezou-Maxeiner I., "The Portraits of Basil I
in Paris gr.510", Jahrbuch der österreichischen
Byzantinistik 27, (1978), 19-24
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Tenth century
Oikonomides N., "Leo VI and the narthex

mosaic of Saint Sophia", Dumbarton Oaks
Papers 30, (1976), 151-72
Whittemore T. [look under Byzantine Institute
of America], The Mosaics of Haghia Sophia at
Istanbul. First Preliminary Report. Work Done in
1931-32. The Mosaics of the Narthex, (Boston,
Oxford, 1935)
Gavrilović Z., "The Humiliation of Leo VI the
Wise", Cahiers Archéologiques 28, (1979)
Corrigan K., "The Ivory Scepter of Leo VI: A
Statement of Post-Iconoclastic Imperial
Ideology", Art Bulletin 60, (1978), 407-16
Gerstel S.E.J., "Saint Eudokia and the Imperial
Household of Leo VI", Art Bulletin 79, (1997),
699-707
Rodley L., "The Pigeon House Church,
Çavuşin", Jahrbuch Der österreichischen
Kalavrezou-Maxeiner I., "Eudokia
Makrembolitissa and the Romanos Ivory",
Cutler A., "The date and significance of the
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Romanos Ivory", in C. Moss, K. Kiefer eds.,

Byzantine East, Latin West. Art-Historical Studies
in honor of Kurt Weitzmann, (Princeton, 1995)
Liutprand of Cremona: http://www.fordham.edu
/halsall/source/liudprand1.html
Arab ambassador to Byzantium:
http://www.fordham.edu/halsall/source/byz-
arabambas.html
Eleventh century
Cutler A., "The Psalter of Basil II", Arte Veneta

30, (1976), 9-19
Crostini B., "The Emperor Basil II's Cultural
Life", Byzantion 66, (1996), 55-80
Whittemore T. [look under Byzantine Institute
of America], The Mosaics of Haghia Sophia at
Istanbul. Third Preliminary Report. Work Done in
1935-8. The Imperial Portraits of the South
Gallery, (Boston, Oxford, 1942)
Maguire H., "The Mosaics of Nea Moni: An
Imperial Reading", Dumbarton Oaks Papers 46,
(1992), 205-14
Hill B., L. James, D.C. Smythe, "Zoe: the rhythm
method of imperial renewal", in P. Magdalino ed.,
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New Constantines. The Rhythm of Imperial

Renewal in Byzantium, (Aldershot, 1994), 215-30
Oikonomides N., "The Mosaic Panel of
Constantine IX and Zoe in Saint Sophia", Revue
des Etudes Byzantines 36, (1978), 219-32
Kovács E., Lovag Z., The Hungarian Crown and

other Regalia, (Budapest, 1980)
Maguire H., "The Crown of Constantine
Monomachos and its Images", Jewish Art 22,
(1996)
Twelfth century
Magdalino P., R.S. Nelson, "The Emperor in

Byzantine Art of the Twelfth Century",
Byzantinische Forschungen 8, (1982), 123-83
repr. in Tradition and Transformation in Medieval
Byzantium (Aldershot, 1991), study VI
Mullett M., D.C. Smythe eds., Alexios I
Komnenos, (Belfast, 1996)
Magdalino P., "Manuel Komnenos and the Great
Palace", Byzantine and Modern Greek Studies 4,
(1978), 101-14 repr. in Tradition and
Transformation in Medieval Byzantium
(Aldershot, 1991), study V
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Kalavrezou I., "Imperial Relations with the

Church in the Art of the Komnenians", in N.
Oikonomides ed., Byzantium in the 12th Century.
Canon Law, State and Society, (Athens, 1991),
25-36
Eastmond A., "An Intentional Error? Imperial Art
and "Mis"-Interpretation under Andronikos I
Komnenos", Art Bulletin 76, (1994), 502-10
Patronage
Cormack R., "Patronage and New Programs of

Byzantine Iconography", in 17th International
Byzantine Congress. Major Papers, (New York,
1986), 609-38
Cutler A., "Art in Byzantine Society: Motive
forces of Byzantine patronage", Jahrbuch der
österreichischen Byzantinistik 32, (1981), 759-87
Cutler A., "Sacred and Profane: the Locus of the
Political in Middle Byzantine Art", in A. Iacobini,
E. Zanini eds., Arte profana e arte sacra a
bisanzio (Rome, 1995), 315-38
Cormack R., "But is it art?", in J. Shepard, S.
Franklin eds., Byzantine Diplomacy, (Aldershot,
1992), 218-36
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The 'Macedonian Renaissance' &

Luxury art
Glory of Byzantium, 219-33.

Cutler A. ed., "Uses of Luxury: on the functions
of Consumption and Symbolic Capital in
Byzantine Culture", in J. Durand ed., Byzance et
les images (Paris, 1994), 287-328
Weitzmann
K., The Joshua Roll, (Princeton NJ, 1948,

reprinted 1970)
Schapiro M., "The Place of the Joshua Roll in
Byzantine History", in his Late Antique, Early
Christian and Medieval Art, (London, 1980),
49-66
Weitzmann K., "The Character and Intellectual
Origins of the Macedonian Renaissance", in H.L.
Kessler ed., Studies in Classical and Byzantine
Manuscript Illumination, (Chicago, 1971),
176-223
Cutler A. ed., "The Mythological Bowl in the
Treasury of San Marco at Venice", in D.
Kouymjian ed., Near Eastern Numismatics,
Iconography, Epigraphy and History. Studies in
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Honor of George C. Miles, (Beirut, 1974), 235-54

Kalavrezou-Maxeiner I., "The Cup of San
Marco and the 'Classical' in Byzantium", in K.
Bierbrauer, P.K. Klein, W. Sauerländer eds.,
Studien zur mittelalterlichen Kunst 800-1250
Festschrift für Florentine Mütherlich zum 70.
Geburtstag, (Munich 1985), 167-74
Buchthal H., The Miniatures of the Paris Psalter,
(London, 1938)
Mathews T.F., "The Epigrams of Leo Sacellarios
and an Exegetical Approach to the Miniatures of
Vat. Reg. Gr. 1", Orientalia Christiana Periodica
43, (1977), 94-133
Magdalino P., "The Bath of Leo the Wise and
the 'Macedonian Renaissance' Revisited:
Topography, Iconography, Ceremonial, Ideology",
DOP 42, (1988), 97-118
Maguire H., "Epigrams, Art and the 'Macedonian
Renaissance'", DOP 48, (1994), 105-15
The past
James L., ""Pray Not to Fall into Temptation and

Be on Your Guard": Pagan Statues in Christian
Constantinople", Gesta 35, (1996), 12-20
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Mango C., "Antique Statuary and the Byzantine

Beholder", Dumbarton Oaks Papers 17, (1963),
55-75
Grigg R.J., "Byzantine Credulity as an
Impediment to Antiquarianism", Gesta 26,
(1987), 3-7
Gender
James L. ed., Desire and Denial in Byzantium,

(Aldershot, 1999)
James L. ed., Women, Men and Eunuchs.
Gender in Byzantium, (London, 1997)
Kalavrezou I ed., Byzantine Women and their
World
Laiou A.E., "The role of women in Byzantine
society", Jahrbuch der österreichischen
Herrin J., "In search of Byzantine Women; 3
avenues of approach", in A. Cameron, A. Kuhrt
eds., Images of Women in Antiquity, (London,
1983), 167-90
Herrin J., "The Imperial Feminine in Byzantium",
Past and Present 169, (2000), 3-35
Garland L., "'In the Eye of the Beholder':
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Byzantine Imperial Women and their Public

Image from Zoe Porphyrogenita to Euphrosyne
Kamaterissa Doukaina (1028-1203)", Byzantion
64, (1994), 19-39, 261-313
Galatariotou C., "Holy women and witches:
Aspects of Byzantine Conceptions of Gender",
Byzantine and Modern Greek Studies 9,
(1984-85), 55-94
Taft R.F., "Women at church in Byzantium:
where, when - and why?", Dumbarton Oaks
Papers 52, (1998), 27-88
Gerstel S.E.J., "Painted sources for female piety
in medieval Byzantium", Dumbarton Oaks
Papers 52, (1998), 89-112
Talbot A.-M., "Women's space in Byzantine
monasteries", Dumbarton Oaks Papers 52,
(1998), 113-28
Icons
Weitzmann K. ed., The Icon, (London, 1982)

Belting H., Likeness and Presence. A History of
the Image before the Era of Art, (Chicago, 1994)
Cormack R., Painting the Soul. Icons, Death
Masks and Shrouds, (London, 1997)
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Maguire H., The Icons of their Bodies. Saints

and their Images in Byzantium, (Princeton, 1996)
Nelson R.S., "The Discourse of Icons, Then and
Now", Art History 49, (1989)
Ousterhout R., L. Brubaker eds., The Sacred
Image East and West, (Urbana & Chicago, 1995)
Carr
A., "Court Culture and Cult Icons in Middle

Byzantine Constantinople", in H. Maguire ed.,
Byzantine Court Culture from 829 to 1204,
(Washington DC, 1997), 81-100
Sevcenko N.P., "Close encounters: Contact
between Holy Figures and the Faithful as
represented in Byzantine works of Art", in J.
Durand ed., Byzance et les images, (Paris,
1994), 255-86
Sevcenko N.P., "Vita Icons and "Decorated
Icons"", in B. Davezac ed., Four Icons in the
Menil Collection, (Houston, 1992), 56-69
Sevcenko N.P., "The Vita Icon and the Painter
as Hagiographer", Dumbarton Oaks Papers 53,
(1999), 149-66
Carr A.W., "The Presentation of an Icon at
Mount Sinai", DChAE 17, (1993-94), 239-48
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Dagron G., "Holy Images and Likeness",

Anderson J., "The Byzantine Panel Portrait
before and after Iconoclasm", in R. Ousterhout,
L. Brubaker eds., The Sacred Image East and
West, (Urbana & Chicago, 1995), 25-44
Corrigan K., "Text and Image on an Icon of the
Crucifixion at Mount Sinai", in R. Ousterhout, L.
Brubaker eds., The Sacred Image East and
West, (Urbana & Chicago, 1995), 45-62
Brubaker L. , "Conclusion: Image, Audience,
and Place: Interaction and Reproduction", in R.
Ousterhout, L. Brubaker, The Sacred Image East
and West, (Urbana & Chicago, 1995), 204-21
Weitzmann K. ed., "Crusader Icons and Maniera
Greca", in I. Hutter ed., Byzanz und der Westen,
(Vienna, 1984), 143-70
Kartsonis A., "The Responding Icon", in L.
Safran ed., Heaven on Earth. Art and the Church
in Byzantium, (University Park, PA, 1998), 58-80
Freedberg D., "Holy Images and Other Images",
in The Art of Interpreting, (University Park,
1995), 69-87
Carr A.W., "Originality and the Icon: The Panel
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Painted Icon", in A.R. Littlewood ed., Originality

in Byzantine Literature, Art and Music, (Oxford,
1995), 115-24
Ivories
Cutler A., The Hand of the Master:

craftsmanship, ivory and society in Byzantium
(9th-11th centuries), (Princeton, 1994)
Connor C., The Color of Ivory. Polychromy on
Byzantine Ivories, (Princeton NJ, 1998)
Connor C., "New Perspectives on Byzantine
Ivories", Gesta 30, (1991), 100-111
Beckwith J., The Veroli Casket, (London, 1962)
Cutler A., "On Byzantine boxes", Journal of the
Walters Art Gallery 42-43, (1984-85), 32-47
Maguire H., "Magic and Money in the Early
Middle Ages", Speculum 72, (1997), 1037-54
Keck A.S., "A Group of Italo-byzantine Ivories",
Art Bulletin 12, (1930), 147-62
Enamels
Wessel K., Byzantine Enamels from the fifth to

the thirteenth century, (Shannon, 1967)
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Manuscripts
Weitzmann K., G. Galavaris, The Monastery of

Saint Catherine at Mount Sinai. The Illuminated
Greek Manuscripts, (Princeton NJ, 1990)
Dolezal M.-L., "Manuscript studies in the
twentieth century: Kurt Weitzmann
reconsidered", BMGS 22, (1998), 216-63
Cutler A., The Aristocratic Psalters in Byzantium,
(Paris, 1984)
Sevcenko
N.P. ed., "Illuminating the Liturgy: Illustrated

Service Books in Byzantium", in L. Safran ed.,
Heaven on Earth. Art and the Church in
Byzantium, (University Park, PA, 1998), 186-228
Dolezal M.-L., "Illuminating the liturgical word:
text and image in a decorated lectionary (Mount
Athos, Dionysiou Monastery, Cod 587)", Word &
Image 12, (1996), 23-60
Carr A.W., "Gospel Frontispieces from the
Comnenian Period", Gesta 21, (1982), 3-20
Nelson R.S., The Iconography of Preface and
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Constantinople", in L. Brubaker ed., Byzantium in

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Restle M., Byzantine Wall Painting in Asia Minor

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Pantokrator", Revue des Etudes Byzantines 54,

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Monreale Cathedral
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Gardens
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© Antony Eastmond 2003
51 sur 51 11/10/2020 à 18:58

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Bibliography about:reader?url=https://warwick.ac.uk/fac/arts...

HA229: The Art of Byzantium

Useful collections of essays

1 sur 51 11/10/2020 à 18:58

12th & 13th century

Art after Iconoclasm

Koimesis church, Nicaea

Homilies of Gregory of Nazianzus (Gk 510)

The 'Macedonian Renaissance' & Luxury art

2 sur 51 11/10/2020 à 18:58

Light and Colour

Ritual & processions

Art, Iconography and liturgy

Text and Image in Byzantium (ekphrasis)

Monuments of the eleventh century

Hosios Loukas [c.1000]

Nea Moni on Chios [c.1045]

Monuments of the twelfth-century

Constantinople (Pantokrator Monastery)

3 sur 51 11/10/2020 à 18:58

Macedonia (St Panteleimon at Nerezi)

Byzantium and the West

Cappella Palatina in Palermo

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Cormack R., "Interpreting the Mosaics of S.

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Art of the Byzantine Empire 312-1453, 187

Koimesis church, Nicaea