Professional Documents
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Building Services and System (III) : Topic
Building Services and System (III) : Topic
Building Services and System (III) : Topic
(III)
TOPIC:
GREEN WALLS
SUBMITTED TO:
AR. SANA ALEEM
SUBMITTED BY:
AYESHA JAVAID
1725103004
SEMESTER: VI
B-ARCH III
Plants have served humanity since the dawn of time, supplying food, clothing, building materials
and a host of other goods. With the advent of the modern industrial city, now home to more than
half of the world’s population, planners, designers and urban advocates are once again turning to
plants – green infrastructure - as a key strategy to provide cleaner air and water, while improving
living environments, human health and mental well-being.
NOMENCLATURE
A ‘Green Wall’, also commonly referred to as a ‘Vertical Garden’, is a descriptive term that is
used to refer to all forms of vegetated wall surfaces. Green wall technologies may be divided into
two major categories:
Green Facades
Living Walls
GREEN FACADE
LIVING WALL
BONFIM BUILDING
The artist Paulo Monteiro creates in his pictures delusional depths, with great formal freedom,
joining elements of diverse densities in fabrics structured by excess of pictorial layers.
For the composition of the vertical garden installed in the Bonfim Building, Paulo Monteiro
plays with the construction's margins, surpassing any usual pictorial scale of his production. He
creates through the chosen plant species, several layers, colors and textures, which refer to traces
of paint that run organically, as if the building functioned as an immense canvas inserted within
the urban landscape.
MACKENZIE BUILDING:
The landscape artist Blanche focused on the rehabilitation of degraded or underutilized urban
spaces through the identification of community use needs and the use of sustainable technologies
that can bring improvements to environmental conditions.
Mackenzie building is the last one of the Minhocão in the direction of Consolação street,
Blanche created a great dialogue of the garden with the elevated road, so that the garden visually
relates to the emptiness of this content and the city. In order to imprint a pictorial character into
the vertical garden and generate a light symbol, he inserted a focal point in the vertical garden,
which reinforces the conduction to the emptiness, and refers to the eye of a bird that flies
eastward.
REFERENCES:
https://criticalconcrete.com/fifty-shades-of-green/
http://m90.studio/urban-projects
https://geographical.co.uk/places/cities/item/3465-sao-paulo
https://www.curbed.com/2015/7/14/9940962/sao-paulo-elevated-park-embraces-art-while-awaiting-
its-future
http://www.csaec.org/wp-content/uploads/2017/04/greenscreen_Introduction-to-Green-Walls.pdf
https://books.google.com.pk/books?
id=jl3WCgAAQBAJ&pg=PA124&lpg=PA124&dq=green+wall+at+minhocao+sao+paulo+brazil&source=bl&
ots=pIfm9JFj0G&sig=ACfU3U1LBbWvi8okoJ8trLL3rhATyOW1RQ&hl=en&sa=X&ved=2ahUKEwiapemji6nq
AhWNzoUKHaUPDlsQ6AEwD3oECAoQAQ#v=onepage&q=green%20wall%20at%20minhocao%20sao
%20paulo%20brazil&f=true