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Challenging The Mythical Nation Liberal PDF
Challenging The Mythical Nation Liberal PDF
CHALLENGING
THE
MYTHICAL
NATION:
LIBERAL
YOUTH
ACTIVISM
IN
BELGRADE,
SERBIA
by
KAROLÍNA
KŘELINOVÁ
SERGEI
A.
KAN,
Ph.D,
LOURDES
GUTIÉRREZ
NÁJERA,
Ph.D,
advisors
A
thesis
submitted
in
partial
fulfillment
of
the
requirements
for
the
Degree
of
Bachelor
of
Arts
with
Honors
in
Anthropology
DARTMOUTH
COLLEGE
Hanover,
New
Hampshire
2014
2
ABSTRACT
This
thesis
examines
how
Serbian
youth
navigate
the
socio-‐cultural
transitions
of
their
post-‐war
and
post-‐socialist
society.
In
addition
to
analyzing
the
role
of
nationalist
narratives
among
youth
in
general,
the
study
concentrates
on
how
local
liberal
youth
activists
oppose
and
strategically
reconstruct
the
dominant
national
myth
to
promote
their
own
alternative
ideological
agendas.
The
larger
Balkans
region
remains
politically
tense
and
divided
by
irreconcilable
counter-‐narratives
of
blame
and
victimhood
stemming
from
devastating
local
wars
of
the
1990's.
The
Serbian
liberal
youth
strive
to
promote
normalization
of
regional
and
domestic
life
through
a
critical
examination
of
their
nation‘s
involvement
in
the
break
up
of
Yugoslavia.
Based
on
ethnographic
research
conducted
among
the
Belgrade-‐based
liberal
youth
activists
in
the
summer
of
2013,
this
thesis
explores
the
activists'
deeply
personal
as
well
as
collective
struggles
to
reframe
history,
myth,
and
nation.
The
study
concludes
that
the
liberal
activist
organizations
serve
as
facilitators
for
the
process
of
ideological
negotiation.
The
findings
inform
our
understanding
of
the
role
of
youth
in
the
ongoing
struggle
between
nationalism
and
socio-‐
cultural
westernization
in
the
post-‐Socialist
world,
and
highlight
the
importance
of
civil
society
involvement
in
matters
of
transitional
justice.
3
I
would
like
to
dedicate
this
work
to
all
those
who
contributed
to
it
as
well
as
to
those
who
are
genuinely
and
bravely
critical
of
their
world
with
the
hope
of
making
it
better.
4
ACKNOWLEDGMENTS
There
are
many
individuals
and
institutions
who
consciously
or
unconsciously
supported
me
throughout
this
project,
and
to
whom
I
would
like
to
extend
my
sincere
thanks
in
the
next
few
paragraphs:
First
and
foremost,
I
would
like
to
thank
all
those
at
the
Youth
Initiative
for
Human
Rights
in
Belgrade
for
welcoming
me
among
themselves
with
incredible
warmth
and
for
trusting
me
with
their
stories,
fears,
and
hopes.
This
research
would
not
have
been
possible
without
their
cooperation,
encouragement,
support,
and
thoughtfulness.
Similarly,
I
ought
to
thank
my
old
friend
Katarina
for
her
care
and
friendship
during
my
time
in
Belgrade.
I
learned
more
during
my
time
with
these
individuals
than
the
following
pages
could
show.
Hvala!
Vi
svi
ćete
uvek
ostati
velika
inspiracija
ze
mene.
I
owe
much
to
both
my
academic
mentors,
professors
Sergei
A.
Kan
and
Lourdes
Gutiérrez.
I
could
not
have
complete
this
thesis
without
the
friendship
of
Professor
Kan,
who
has
first
introduced
me
to
Anthropology,
who
encouraged
me
to
think
about
independent
research,
and
whose
wise
guidance
I
could
always
count
on
throughout
the
process.
Similarly,
could
not
be
more
grateful
for
the
help
of
professor
Nájera
who
pushed
me
to
go
deeper
and
do
better,
who
always
asked
the
tough
questions
while
having
faith
in
my
ability
to
find
the
right
answers.
I
feel
unbelievably
grateful
for
having
had
the
opportunity
to
work
with
both
of
these
great
tutors.
Much
of
my
appreciation
also
goes
to
Thérèse
Périn-‐Deville,
whose
smile
served
me
many
a
time
as
a
safe
haven
in
midst
of
academic
and
personal
storms
outside
of
her
office
door.
I
would
like
to
sincerely
thank
the
Goodman
Fund
for
the
Anthropologcal
Study
of
Human
Culture,
as
well
as
the
Kaminski
Family
Fund
for
their
generous
financial
support
which
enabled
me
to
pursue
this
research.
For
much
I
am
grateful
to
my
beautiful
and
kind
friend
Miriam
Kilimo
who
has
accompanied
me
on
this
journey
since
day
one,
and
who
always
offered
words
of
support
in
times
of
doubt.
Lastly,
I
would
like
to
extend
my
thanks
to
the
staff
of
the
Sherman
Library
at
Dartmouth
College
for
bearing
with
my
creative
mess,
and
to
all
the
friends
who
regularly
visited
me
there.
5
6
TABLE
OF
CONTENTS
CHAPTER
1:
INTRODUCTION
...............................................................................................................................9
RESEARCH
SETTINGS
AND
METHODS .................................................................................................................................12
DEFINING
MY
SUBJECT...........................................................................................................................................................17
ANALYTICAL
FRAMEWORK
AND
BACKGROUND ................................................................................................................22
SERBIAN
NATIONAL(IST)
NARRATIVES .............................................................................................................................33
THESIS
STRUCTURE ................................................................................................................................................................39
CHAPTER
2:
NARRATIVE
TRANSFORMATIONS ................................................................................................ 41
OLD
MOTIVES,
NEW
MOTVATIONS .....................................................................................................................................41
TRANSITIONAL
LIMINALITY..................................................................................................................................................43
SPREADING
THE
GOSPEL
OF
NATIONALISM .......................................................................................................................46
NEW
CHAPTERS
NARRATED
BY
YOUTH .............................................................................................................................52
CHAPTER
3:
THREE
STORIES:
PORTRAITS
OF
YOUTH
ACTIVISTS .................................................................. 57
MAŠA:
BORN
A
REVOLUTIONARY ........................................................................................................................................60
RUŽA:
THE
GENE
FOR
JUSTICE ..............................................................................................................................................64
ANITA:
CROSSING
THE
DIVIDE(S)........................................................................................................................................69
CHAPTER
4:
CIVILNO
DRUŽSTVO...................................................................................................................... 75
THE
COUNTER-‐NARRATIVES ................................................................................................................................................77
THE
ACTORS
WITHIN
CIVILNO
DRUŽSTVO ..........................................................................................................................88
FORMS
OF
RESISTANCE .........................................................................................................................................................94
WHERE
ARE
WE
GOING?..................................................................................................................................................... 102
CHAPTER
5:SREBRENICA:
THE
NARRATIVES
COME
TO
LIFE ........................................................................104
THE
MASSACRE..................................................................................................................................................................... 107
THE
GRAVES
OF
SREBENICA
: ............................................................................................................................................ 110
THE
CONTRADICTORY
TRUTHS.......................................................................................................................................... 114
AS
I
TELL
IT ........................................................................................................................................................................... 121
CHAPTER
6:
CONCLUSION ...............................................................................................................................135
APPENDIX .........................................................................................................................................................144
BIBLIOGRAPHY.................................................................................................................................................147
7
FIGURES
Figure
1:
Ethnic
outlook
of
the
Balkans
in
1992
………………………………………………………..26
Source:
CIA,
Wikimedia
Commons.
Figure
2:
Satire:
Youth
perception
of
Serbian
‘progress’.……………………………………………45
Source:
Facebook
wall
of
an
informant,
September
21st
2014
Figure
3:
The
Marriage
of
Ceca
and
Arkan
Ražnatović
………………………………………………..47
Source:
Facebook
group
“Ceca
Ražnatović
Srpska
Kraljica”,
August
15th
2014
Figure
4:
National
Enemies
according
to
Serbian
Youth…………………………………………….49
Source:
Helsinki
Committee
2011
Figure
5:
Responsibility:
Speech
by
Maja
Mićić………………….……………………………………….87
Source:
YIHR
festival
documentation
of
7th
“Days
of
Sarajevo”,
May
2013.
Figure
6:
Family
legacies...……………………………………………………………………………………….93
Source:
Facebook
,
August
12th
2014
and
October
3rd
2014
Figure
7:
Mission
Statements…………..……………………………………………………………………….95
Source:
YIHR.org,
HLC-‐RDC.org,
BGCentar.org
Figure
8:
Through
Batajnica
to
the
EU
…………………………………………………………………….97
Source:
YIHR
archives
Figure
9:
Public
Action
of
Women
in
Black…….………………………………………………………….99
Source:
Women
in
Black
archives
Figure
10:
Public
Playground
Sign
in
Voždovac…………………….…………………………………....101
Source:
Facebook
group
“Dveri
Pokret
Za
Zivot
Srbije
”,
August
7th
2014
Figure
11:
Srebrenica
UN-declared
“Safe
Area”,
1994……..…………………………………………108
Source:
Library
of
Congress,
Wikimedia
Commons.
Figure
12:
The
graves
of
Srebrenica……………………………..……………………………………………110
Source:
the
author’s
archives
Figure
13:
Srebrenica
1995-2005…………………………………………………………………………...……120
Source:
YIHR
archives
Figure
14:
The
Srebrenica
Inferno…………..………………………………………………………………...127
Source:
YIHR
archives
Figure
15:
The
process
of
ideology-formation
within
civilno
družstvo
…….…………………...138
8
CHAPTER
1
INTRODUCTION
"Never
doubt
that
a
small
group
of
thoughtful,
committed
citizens
can
change
the
world.
Indeed,
it
is
the
only
thing
that
ever
has."
-‐
Margaret
Mead
I
spent
my
first
morning
in
Belgrade
walking
through
the
streets.
The
city
was
much
warmer,
louder,
and
more
colorful
than
I
remembered
from
my
previous
short
visits.
The
sunlight
softly
covered
the
cobbled
streets.
I
noticed
a
graffiti
‘Smrt
Muslimanima’
(‘Death
to
the
Muslims’)
around
the
corner
from
my
apartment,
and
a
pile
of
books
about
Broz
Tito,
former
all-‐Yugoslav
leader,
in
many
of
the
bookstore
displays
I
passed
on
my
way
to
the
market.
I
greeted
a
shopkeeper
enjoying
a
cup
of
thick
coffee
with
a
cigarette
in
front
of
her
shop,
and
passed
a
man
sleeping
through
the
morning
rush
on
the
wooden
fountain
in
the
entrance
to
Skadarlija,
an
old
street
famous
for
fine
food
and
traditional
folk-‐style
entertainment.
People
talked
in
line
in
front
of
a
warmly
smelling
bakery
as
grandmas
and
grandpas
slowly
pulled
their
checkered
bags
on
wheels
by.
The
raspberry
season
brought
a
sweet
fragrance
to
the
marketplace.
Right
next
to
the
watermelons,
peaches
and
apricots,
a
middle-‐aged
woman
was
selling
her
arugula,
spinach
and
four
different
kinds
of
beans.
It
felt
good
to
be
back.
The
Balkans
occupy
an
important
place
in
my
heart.
It
is
almost
by
chance
that
I
got
acquainted
with
the
region
after
receiving
a
scholarship
to
spend
two
years
at
an
international
high
school
in
Bosnia
and
Herzegovina,
Serbia’s
western
neighbor.
Growing
up
in
Czech
republic,
perfectly
shielded
from
the
wars
raging
on
in
the
Balkans,
I
remember
my
sense
of
awakening
when
I
first
arrived
in
the
region
in
2008.
While
my
own
country
has
undergone
a
peaceful
revolution
and
capitalist
transition
shortly
before
my
birth,
the
Balkans
seemed
to
me
trapped
in
a
perpetual
state
of
transitioning
from
the
war
as
well
as
from
socialism.
While
our
school
was
surrounded
by
ruins
and
other
visual
reminders
of
the
violence,
my
schoolmates
from
around
the
Balkans
were,
understandably,
hesitant
to
share
their
memories
of
the
war.
I
soon
understood
that
their
stories,
while
equally
painful,
would
offer
noticeably
different
explanations
depending
on
their
ethnicity.
The
conflicting
9
facts,
figures,
and
moral
judgments
I
heard
from
each
of
my
local
friends
and
acquaintances
reflected
their
dramatically
different
interpretations
of
the
past.
By
the
time
I
reached
college,
the
Balkans
became
my
second
home,
and
I
yearned
to
learn
more
about
the
social
and
cultural
forces,
which
kept
my
schoolmates’
individual
stories
different
and
the
region
as
a
whole
in
a
state
of
political
paralysis
and
continued
ethnic
tensions.
During
my
brief
visits
to
Serbia
between
2008
and
2013
I
noticed
a
common
thread
weaving
throughout
the
brief
conversations
with
the
few
Serbian
students
I
met:
their
sense
that
the
West
was
treating
them
with
a
negative
bias,
differently
from
all
other
post-‐
Yugoslav
states.
Throughout
a
summer
school
on
Conflict
Transformation
I
attended
in
Kosovo,
the
few
Serbian
students
present
were
raising
their
hands
to
challenge
the
Western
professors’
interpretation
of
the
past.
Both
international
and
local
literature
seemed
to
confirm
my
suspicion
that
Serbian
society
was
approaching
the
past
very
differently
from
how
the
other
post-‐Yugoslav
states
in
the
region
did.
Čolović
(2002)
described
the
dominant
conservative
narrative,
which
framed
Serbia’s
war
conduct
as
a
defense
strategy,
and
Bringa
2005(a)
spoke
about
Serbia’s
hesitance
to
engage
in
the
internationally
sanctioned
means
of
transitional
justice.
Kostovicova
(2013)
asserted
that
the
Serbian
state
was
ill-‐suited
to
supervise
the
task
of
democratization
and
regional
reconciliation,
while
Obradovic-‐Wochnik
stated
directly
that
Serbian
society
as
well
as
political
elites
are
“failing
to
come
to
terms
with
[their]
past”
(2013:
210).
A
couple
weeks
after
the
summer
school
I
visited
the
office
of
the
Youth
Initiative
for
Human
Rights
in
Belgrade,
a
liberal
youth
NGO.
I
was
astonished
by
how
different
these
young
people
were
from
the
Serbian
students
I
met
previously
and
from
the
nationalist
society
described
in
the
literature.
Not
only
were
they
openly
critiquing
Serbia’s
war
conduct,
but
also
dedicating
hours
and
hours
of
work
to
teaching
these
ideas
to
others.
I
was
intrigued
to
learn
more
and
curious
how
such
deep
differences
in
interpretation
of
the
past
and
present
could
prevail
among
the
youth
who,
I
imagined,
must
have
been
subjected
to
similar
socializing
practices
through
the
state
education
system,
media,
and
the
public
sphere.
Specifically,
I
wished
to
understand
how
a
small
collective
of
individuals
growing
up
in
a
strongly
nationalist
society
acquired
their
liberal
worldviews
that
were
so
sharply
distinct
from
the
majority
of
Serbian
youth
loyal
to
the
national
interpretations
of
the
past
10
and
present.
I
was
fascinated
by
the
contrast
between
these
two
groups.
More
than
seeking
the
“truth”
about
the
past,
however,
I
was
curious
to
understand
how
the
liberal
activists
developed
the
beliefs
and
values
that
framed
their
understanding
of
the
world
despite
the
prevalence
of
the
Serbian
dominant,
state-‐sponsored
narrative.
This
very
contrast
inspired
me
to
look
further.
My
research
has
since
been
motivated
primarily
by
the
following
questions:
i. Why
do
Serbian
youth
continue
to
hold
onto
the
national(ist)
narratives?
ii. How
do
Serbian
youth
engage
with
and
transform
the
current
Serbian
national(ist)
narratives?
iii. How
do
the
young
Serbian
liberal
activists
come
to
be
critical
of
the
national(ist)
narratives?
iv. How
are
the
young
Serbian
liberal
activists
engaging
with
and
transforming
the
national(ist)
narratives?
v. What
motivates
the
Serb
liberal
youth
to
risk
their
personal
safety
and
comfort
to
challenge
the
conservative
narratives?
vi. What
forms
of
resistance
does
liberal
youth
activism
take
in
Serbia?
While
Serbian
nationalism
has
previously
been
researched,
the
literature
covering
the
contemporary
liberal
activism
within
the
conservative
environment
is
lacking.
Because
the
emergence
of
the
liberal
movements
across
the
Balkans
is
a
very
recent
and
relatively
small
trend,
few
authors
have
focused
on
analyzing
it.
A
single
collection
of
essays
contributed
exclusively
by
political
scientists
(published
in
January
2013)
focuses
on
the
issue.
These
scientists
(all
of
whom
are
Serbian
academics
living
and
engaged
outside
of
Serbia)
approach
civil
society
in
the
Balkans
from
a
critical
standpoint
of
a
top-‐down
analysis.
Focusing
on
external
actors
and
institutions
such
as
the
ICTY
(International
Court
for
The
Former
Yugoslavia)
or
the
European
Union
and
their
effect
on
the
ground,
these
essays
do
not
significantly
overlap
with
my
methodology
or
topic.
The
little
overlap
that
exists
has
to
do
with
a
marginal
debate
on
the
exclusivity
of
the
progressive
movement
or
the
possibly
counter-‐productive
radicalism
of
the
liberal
ideas
in
the
conservative
context
is
based
on
an
outsider
perspective
and
clearly
reflects
the
lack
of
contact
between
the
authors
and
the
liberal
civil
society
actors
(Obradovic
2013).
11
Instead
of
focusing
exclusively
on
one
side
of
the
political
spectrum
in
Serbia,
my
work
will
contextualize
and
briefly
outline
the
experiences
and
cultural
frameworks
developed
by
the
entire
new
generation.
While
the
limited
duration
of
my
fieldwork
forced
me
to
focus
on
the
liberal
activist
experience
more
than
on
the
experiences
of
other
youth
groups
in
Serbia,
I
gathered
enough
materials
to
describe
and
contrast
the
community,
personal
ideologies
and
visions
of
progressive
liberal
activists
within
their
context
(formed
by
those
from
the
apathetic
majority
and
the
conservative
youth
circles).
Such
approach
allows
me
to
analyze
the
fluid
meaning
of
concepts
often
used
in
describing
the
status
quo
in
the
Balkans
such
as
patriotism,
responsibility,
justice,
and
memory.
My
aim
is
not
to
conduct
a
statistically
representative
study
that
could
provide
basis
for
generalizations
about
the
community
of
Serbian
human
rights
activists
at
large,
but
rather,
to
describe
and
capture
a
specific
subculture
and
the
unique
experiences
of
those
who
share
it.
No
other
scholars
have
focused
on
internal
national
initiatives
aimed
at
overcoming
the
war-‐ignited
xenophobia
in
the
post-‐conflict
context
of
the
Balkans.
This
research
thus
contributes
to
a
larger
academic
debate
on
reconciliation
and
post-‐conflict
cultural
transformation,
going
beyond
the
existing
academic
work
on
the
subject.
It
gives
voice
to
a
generation
whose
stories
are
rarely
told
and
whose
experience
might
not
be
understood
by
others.
RESEARCH
SETTINGS
AND
METHODS
The
primary
data
used
in
my
analysis
come
from
the
fieldwork
conducted
in
Belgrade,
Serbia
between
June
and
August
2013.
I
chose
to
conduct
my
research
in
Belgrade
because
the
majority
of
the
youth
involvement
in
activism
on
either
side
of
the
conservative-‐liberal
divide
happens
on
the
streets
of
this
capital.
The
rural
activist
scene,
as
one
of
my
informants
originally
from
outside
of
Belgrade
later
remarked,
was
‘nonexistent.’
My
main
focus
was
on
interviewing
and
observing
the
work
of
Serbian
youth
between
the
ages
of
16
and
30
who
were
currently
or
in
the
past
actively
engaged
with
the
liberal
civil
society
groups
in
the
city.
Through
connections
that
I
had
built
up
at
the
beginning
of
my
fieldwork
I
gained
access
to
programming
related
to
war
crime
remembrances,
educational
and
PR
conferences,
award
ceremonies,
exhibitions,
protests,
and
other
events
related
to
the
topics
important
to
the
liberal
youth
activists
during
my
12
stay
in
the
field.
Aside
from
taking
part
in
these
progressive
circles,
I
engaged
in
participant
observations
in
places
where
the
mainstream
Serbian
youth
go
to
spend
their
time,
keeping
an
eye
on
easily
accessible
or
visible
messages
reflecting
national(ist)
ideologies
(such
as
the
graffiti
around
the
corner
from
my
apartment!).
While
I
knew
I
wanted
to
concentrate
on
the
experiences
of
young
liberal
activists,
I
made
an
active
attempt
to
connect
with
the
conservative
wing
of
the
civil
society
organizations
in
the
city
in
order
to
gain
perspective
on
the
entirety
of
the
political
spectrum
across
which
the
youth
activism
was
spread
in
Serbia.
Throughout
the
summer,
I
took
the
time
to
attend
the
rallies
and
meetings
organized
by
and
for
the
right-‐wing
youth.
At
last,
I
created
a
relationship
with
and
interviewed
a
number
of
young
students
active
in
these
nationalist
circles.
Gaining
access
to
the
conservative
youth
groups
thus
proved
difficult,
but
not
impossible.
Because
my
main
focus
was
on
the
liberal
youth,
however,
the
imbalance
between
the
two
sides
in
my
data
should
not
hinder
the
quality
of
my
analysis.
A
large
number
of
the
youth
activists
I
interviewed
and
interacted
with
I
reached
in
one
way
or
another
through
the
Youth
Initiative
for
Human
Rights
NGO
(YIHR).
After
making
my
initial
visit
to
the
their
office
in
2012,
I
chose
to
connect
with
this
NGO
further
because
they
seemed
open
to
cooperation,
and
because
they
are
a
uniquely
respected
and
well-‐
connected
group
within
the
liberal
non-‐profit
community
in
Belgrade
as
well
as
within
the
region.
The
young
people
I
met
at
YIHR’s
office
called
each
other
a
family,
and
I
soon
understood
that
the
collective
played
an
important
role
in
the
private
lives
of
its
members.
The
opportunity
to
engage
with
the
YIHR
staff
on
a
daily
basis
also
greatly
enhanced
the
level
of
relationships
I
was
able
to
form
with
them
over
the
relatively
short
period
of
time
that
I
spent
in
Serbia.
Thanks
to
my
good
command
of
Serbian
I
was
able
to
participate
in
daily
conversations
related
to
work
as
well
as
in
the
informal
ones.
In
order
to
engage
with
others
within
the
organization,
I
took
it
upon
myself
to
help
out
with
small
research
tasks,
event
planning
and
media
library
re-‐organization,
though
I
never
had
to
sacrifice
my
own
research
for
the
office’s
demands.
My
position
wasn’t
unusual
at
YIHR
because
the
office
regularly
takes
interns
from
among
the
like-‐minded
Serbian
university
students
interested
in
the
issues
and
short-‐term
interns
from
abroad.
I
soon
understood
that
education
of
newcomers
-‐
what
was
later
to
become
my
central
focus
-‐
was
critical
to
the
survival
of
the
organization
and
of
the
liberal
narratives
at
large.
13
Much
of
my
time
at
the
YIHR
office
was
spent
chatting
with
the
young
people
present
in
the
common
room,
eating
lunch
together,
and
going
about
everyday
obligations.
The
physical
set-‐up
of
the
office
facilitated
constant
interaction
-‐
common
workspace
and
familiarity
of
everyone
within
the
organization
created
a
very
relaxed
atmosphere,
where
all
daily
events,
wictories
and
losses
were
shared
communally.
For
example,
whenever
a
member
of
YIHR
was
interviewed
for
any
kind
of
a
media
outlet,
the
entire
office
would
gather
around
to
listen/watch.
Similarly,
major
decisions
were
made
after
group
discussions
that
I
was
able
to
observe
at
the
beginning,
and
participate
in
during
the
later
stages
of
my
work.
Such
environment
was
very
conducive
to
observation
and
fast
integration,
as
well
as
creation
of
rapport
and
personal
connection
with
my
informants,
which
contributed
to
the
overall
depth
of
my
data.
Within
the
liberal
circles,
I
participated
in
community
activities
such
as
protests
and
actions
in
support
of
declaring
11th
of
July
a
day
of
commemoration
of
genocide
victims,
in
conferences,
award
ceremonies,
and
in
group
bonding
activities
on
the
weekends.
These
were
mostly
directly
organized
by
Youth
Initiative
for
Human
Rights,
or
by
one
of
the
umbrella
NGO
coalition
groups.
Many
of
such
Belgrade-‐based
organizations
(Civil
Rights
Defenders,
Women
in
Black,
House
of
Human
Rights,
or
E8
Youth
Center)
were
exchanging
volunteers
and
coming
to
aid
the
others
in
their
endeavors.
Because
of
this
exchange,
I
naturally
got
to
know
individuals
beyond
the
organization
that
I
was
directly
affiliated
with.
Some
of
these
support
events
took
the
shape
of
helping
set
up
a
photography
exhibition
or
coming
to
listen
to
a
progressive
author’s
new
book
presentation.
Participation
in
such
exchanges
gave
me
a
chance
to
observe
the
relations
between
the
different
groups
of
civil
society
in
Belgrade,
and
the
support
network
that
they
developed
out
of
critical
need
for
solidarity.
Members
of
YIHR
also
actively
helped
me
meet
with
informants
who
weren’t
employed
at
the
office,
and
advertised
my
search
for
interviewees
on
their
social
media
websites.
Also
thanks
to
my
affiliation
with
YIHR
I
was
able
to
participate
in
a
trip
to
Srebrenica
organized
by
a
collective
of
Belgrade’s
liberal
NGOs.
Constituting
the
single
Serb
delegation,
a
bus
of
about
thirty
Serbian
NGO
volunteers
and
activists,
we
travelled
to
the
commemoration
ceremony
at
the
site
of
the
1995
massacre
of
6,868
Bosnian
Muslim
men
at
the
hands
of
Serbian
militias.
The
trip
provided
me
not
only
with
a
strong
emotional
14
experience,
but
primarily
with
the
opportunity
to
engage
with
a
variety
of
informants
during
their
active
pursuit
of
‘dealing
with
the
past’.
My
analysis
of
this
experience
is
presented
in
the
last
chapter
of
this
thesis.
My
involvement
with
Youth
Initiative
did
prove
slightly
problematic
when
I
tried
to
approach
the
youth
activists
on
the
conservative
end
of
the
political
spectrum.
On
my
second
night
in
Belgrade
that
summer,
a
former
schoolmate
of
mine,
Katarina,
took
me
to
meet
her
friends,
three
students
at
the
country’s
best
faculty
of
Law.
“Human
rights?
Initiative
for
Human
Rights?”
they
laughed,
when
I
admitted
which
of
Serbian
NGOs
I
was
about
to
become
affiliated
with
in
the
city.
Opening
up
the
non-‐profit’s
online
page
on
one
of
their
Smartphones,
they
didn’t
get
past
the
welcome
screen,
which
prompted
them
to
choose
the
language
of
viewing.
Albanian,
a
language
spoken
in
Kosovo,
the
former
province
and
a
war
enemy,
was
one
of
the
options.
That
night,
unquestionably
a
disaster
when
it
comes
to
my
remaining
a
neutral
participant
observer,
taught
me
how
polarized
the
Serbian
public
was
along
the
concepts
I
was
hoping
to
explore.
I
reached
out
to
a
number
of
organizations
such
as
‘Dveri’
or
‘1389’(an
extreme
right
organization
named
after
the
date
of
a
major
historical
battle
(Battle
of
Kosovo
against
the
Ottomans),
as
well
as
youth
clubs
of
conservative
political
parties
with
varied
success.
I
found
myself
balancing
on
the
edge
of
ethical
conduct
not
mentioning
my
involvement
with
YIHR
while
gathering
contacts
and
interviews
from
across
the
divide.
If
asked
directly,
however,
I
did
admit
that
I
was
working
with
the
Youth
Initiative.
Such
confession
often
resulted
in
defining
of
my
positionality
as
a
naïve,
biased
foreigner,
but
with
time
I
learned
how
to
‘pull
the
strings’
so
to
speak.
My
informants
at
large
assumed
that
my
exposure
to
local
issues
and
culture
remedied
my
participation
in
the
stereotype.
During
a
number
of
my
initial
encounters
with
them,
however,
I
had
to
fight
this
stereotype
quite
fiercely——I
call
the
treatment
that
I
was
occasionally
submitted
to
a
teaching
mode.
Within
a
conversation
where
this
approach
would
be
used,
an
informant,
an
acquaintance,
or
a
random
passer-‐by
would
feel
the
need
to
educate
me
on
the
basic
Serbian
(hi)story
reflecting
their
interpretation
of
the
national
myth.
Such
narrative
mostly
justified
Serbia’s
conduct
during
the
war
and
emphasized
the
nation’s
innocence
and
victimhood
throughout
the
20th
century.
These
defensive
narratives
were
sparked
without
invitation
after
a
single
sentence
I
contributed
15
to
the
conversation
-‐
often
a
greeting
or
an
introduction.
I
concluded
that
my
sheer
positionality
as
a
foreigner
was
enough
to
make
my
conversation
partner
feel
threatened.
As
I
became
more
aware
of
this
I
adjusted
the
manner
in
which
I
introduced
myself
to
new
acquaintances
and
I
eventually
became
more
and
more
successful
at
avoiding
the
‘teaching
mode’
entirely.
I
was
able
to
advocate
for
my
neutrality
in
the
heatedly
polarized
atmosphere
also
because
my
Serbian
improved
rapidly,
and
speaking
it,
I
was
able
to
honor
Serbian
tradition.
Speaking
the
national
language
seemed
to
make
me
seem
more
likely
to
understand
the
national
sentiments
that
many
of
my
conservative
informants
adhered
to.
Some
of
my
right-‐wing
informants
later
admitted
that
they
were
happy
they
could
speak
Serbian
with
me
rather
than
English,
and
that
it
made
them
more
comfortable
talking
about
the
topics
I
was
hoping
to
discuss.
With
time
I
was
also
able
to
develop
questions
that
disclosed
my
familiarity
with
the
situation
and
the
worries
and
frustrations
of
my
conservative
informants,
which
I
felt
facilitated
deeper,
longer
conversations
that
were
less
‘educational’
and
more
personal.
I
found
myself
lucky
to
make
and
maintain
connection
with
a
group
of
acquaintances
of
my
friend
Katarina
who
had
a
number
of
connections
within
the
conservative
youth
circles.
Having
her
referral
was
often
helpful
when
setting
up
interviews,
even
though
a
number
of
my
attempts
to
connect
with
the
more
influential
right
wing
organizers
did
remain
fruitless.
In
addition
to
private
interviews
with
the
conservative
youth
in
Belgrade,
I
participated
in
public
protests
on
Vidovdan,
Serbian
national
holiday
on
28th
of
June,
a
number
of
football
matches
between
clubs
known
for
their
extremist/nationalist
supporters,
and
followed
right-‐wing
newspaper
and
radio
outlets.
I
was
also
invited
to
join
a
very
active
online
community
of
Dveri,
which
gives
me
access
to
over
a
hundred
new
commentaries
and
multimedia
each
day
that
I
can
track
back
in
time
up
until
June
2010.
Overall,
I
managed
to
conduct
twenty
five
semi-‐structured
interviews
with
twenty
two
different
individuals.
Out
of
these
twenty-‐two,
four
were
individuals
from
the
conservative
youth
groups.
15
of
my
informants
were
female,
7
were
male,
and
most
of
them
currently
worked
or
attended
school
in
Belgrade.
All
interviews
but
one
(conducted
over
Skype
after
the
conclusion
of
my
fieldwork)
were
done
in
person.
Before
I
began
each
interview,
I
made
sure
my
informant
was
acquainted
with
the
purpose
of
the
interview
and
16
comfortable
with
my
recording
and
with
the
related
confidentiality
issues.
Interestingly,
the
majority
of
my
informants
asked
that
I
use
their
real
name
in
my
writing.
My
interviews
varied
in
length
from
35
minutes
to
three
hours,
depending
on
the
closeness
of
my
relationship
with
the
informant,
and
on
how
much
time
they
had
for
me.
In
my
interviews
with
the
liberal
youth
activists
I
generally
tried
to
follow
the
pre-‐planned,
open-‐ended
questions
(see
Appendix),
even
though
follow
up
questions
often
took
us
to
interesting
areas
I
wouldn’t
have
thought
to
ask
about.
I
was
lucky
to
enter
a
community
that
encouraged
me
in
my
language
learning
and
after
two
weeks
in
Belgrade,
I
felt
that
I
was
able
to
communicate
complex
thoughts
and
participate
in
daily
conversations.
Since
then,
I
was
able
to
arrange
my
interviews
in
Serbian
and
switched
into
English
only
if
my
informant’s
command
of
the
language
was
good
enough
not
to
disrupt
her/his
focus
on
the
topic.
Because
the
majority
of
my
informants
were
university
educated
and
accustomed
to
regional
and
global
NGO
cooperation,
over
two-‐thirds
my
interviews
were
nonetheless
conducted
in
English.
My
findings
also
draw
from
a
large
collection
of
participant
observation-‐based
field
notes
and
other
materials
collected
in
the
field.
In
addition
to
the
interviews
I
collected
newspapers
with
relevant
articles,
examined
history
textbooks
my
informants
lent
me
as
well
as
materials
pertaining
to
the
activities
of
the
organizations
that
I
was
examining
on
both
sides
of
the
liberal-‐conservative
divide
(documentation,
archives,
promotion
materials).
DEFINING
MY
SUBJECT
Before
I
begin
to
discuss
the
structures
and
mechanisms
at
play
among
the
Belgrade
based
activist
population,
I
need
to
resolve
the
crucial
problem
of
naming
and
defining
it.
Because
I
want
to
provide
an
accurate
analysis
of
my
field
I
will
move
beyond
awkward
generalized
formulations,
which
can
never
be
precise
enough
in
a
detailed
account
of
what
some
could
reduce
to
“a
movement”,
“a
community”,
or
even
“a
group
of
extremists”.
Specifically
because
each
of
these
terms
carries
positionality
in
the
form
of
emotional
baggage
or
judgment,
it
is
necessary
that
I
carefully
justify
the
usage
of
my
particular
vocabulary.
First,
I
need
to
rule
out
the
descriptive
usage
of
the
word
‘movement’,
acknowledging
the
diversity
and
inner
fractions
among
the
activist
population.
While
the
17
term
can
frequently
be
found
in
the
writings
of
contemporary
Balkan
analysts
and
even
anthropologists
focusing
on
the
region
(e.g.
Kostovicova
2013,
Ostojic
2013),
my
experience
and
the
resolute
“no!”
of
my
informants
push
me
to
denounce
the
term.
“No,
no.
No
one
will
tell
you
there
is
a
human
rights
movement
in
Serbia,”
Aleksandar
told
me,
repeating
the
words
of
all
others
whom
I
managed
to
ask
the
question
during
a
structured
interview.
“Before
it
was
easier,”
he
continues,
recalling
the
street
protests
of
the
90’s,
“we
had
a
single
enemy
-
Slobodan
Miloševič.
He
had
to
go,
that
was
at
least
one
thing
everyone
could
agree
on.
Now
it’s
not
like
that
anymore.“
While
the
contemporary
activists
draw
from
the
tradition
of
anti-‐war
protest
of
the
90’s
and
many
have
personal
connections
to
it,
the
natural
diversification
of
demands
that
followed
the
2000
democratic
revolution
resulted
in
fragmentation
of
the
movement
into
separate,
cause-‐oriented
groups.
Even
among
organizations
who
continue
to
focus
on
human
rights
violations
of
the
past
and
present,
however,
personal
grievances
and
minor
disagreements
hinder
the
formation
of
a
more
unified
and
powerful
movement.
„There
is
no
solidarity,
just
big
divisions
among
the
NGO’s.“
Ruža
sighs.
„It’s
making
us
weak.“
Similarly,
I
am
reluctant
to
call
the
Belgrade
activist
population
an
activist
‘community’,
because
the
term
implies
an
exclusively
homogeneous
association.
While
many
of
the
sub-‐groups
within
the
larger
civil
society
do
actively
call
themselves
communities,
the
very
concept,
as
noted
by
Miranda
Joseph
(2002),
highlights
a
mechanism
enacting
hierarchy
and
legitimizing
oppression
or
exclusion
of
those
outside
the
‘community’.
Joseph
defines
“community”
as
a
set
of
“social
practices
that
presume
or
attempt
to
enact
and
produce
identity,
unity,
communion,
and
purity”
(xix),
critiquing
primarily
the
idealization
of
the
concept
as
a
“utopian
state
of
human
relatedness”
(ix).
The
practice
of
community,
as
earlier
observed
by
such
scholars
as
Hannah
Arendt
in
Origins
of
Totalitarianism
(1951),
Benedict
Anderson
in
Imagined
Communities
(1983)
or
Max
Horkheimer
in
Dialectic
of
Enlightenment
(1972),
is
nothing
more
than
an
exclusionary
and
disciplining
mechanism
for
the
creation
of
homogenous,
politically
active
groups.
In
a
situation
when
the
activist
groups
of
interest
to
me
organize
around
anti-‐nationalist,
liberal,
inclusive
values,
describing
their
structures
as
a
‘community’
would
be
particularly
paradoxical.
18
The
only
other
self-‐ascribed
designation
by
which
the
small
group
of
liberal
activist
in
Belgrade
seem
to
define
themselves
is
the
term
‘civil
society’.
Western
social
science
literature,
however,
defines
civil
society
differently
from
what
I
have
encountered
in
Serbia.
The
theoretical
foundations
and
established
academic
debates
about
civil
society
emerged
from
the
West,
grounded
in
its
specific
philosophical,
political
and
socio-‐economic
backgrounds,
and
continued
to
be
discussed
in
such
context.
The
early
civil
society
debate
was
tied
specifically
to
the
context
of
a
Western
state
formation
(Hobbes
and
Locke),
the
emergence
of
class
struggle
and
capitalist
mode
of
production
(Hegel1
and
Marx),
and
democratization
and
democracy
(Gellner2).
Later,
during
the
1970’s
and
1980’s
both
theoretical
understanding
and
organized
activity
of
civil
society
concentrated
once
again
in
the
West
through
the
work
of
anti-‐war,
environmental
and
justice
based
movements
and
the
scholars
studying
them.
Contemporary
academic
debates
privilege
the
definition
inspired
by
Habermas
(1991)
or
Cohen
and
Arato
(1992),
who
understand
civil
society
as
“the
space
were
questions
of
public
interest
are
discussed
by
individuals
or
groups
organized
on
a
voluntary
basis”
(as
cited
in
Spini
2011:16).
Simply
said,
civil
society
is
traditionally
considered
to
equate
to
NGOs
and
other
non-‐state
actors
such
as
lobby
groups,
think-‐tanks,
grassroots
social
movements,
local
community
organizations,
charities
and
foundations,
spiritual
communities
and
religious
movements,
education-‐based
organizations,
as
well
as
professional
associations
(list
adapted
from
Diamond
and
McDonald
1996).
Such
definition,
dominant
in
one
form
or
another
in
global
political
discourse
and
academic
literature,
however,
needs
to
be
challenged
in
terms
of
its
capacity
to
describe
what
is
happening
in
the
field
in
general,
and
in
my
field
in
particular.
The
civil
society
space
is
inhabited
by
greatly
different
actors,
many
of
whom
are
far
away
from
sharing
characteristics
that
are
defining
to
my
informants’
sense
of
belonging
to
their
activist
groups.
Some
of
these
qualities
are
summarized
in
a
rare,
narrower—even
if
more
vague—
definition
provided
by
Falk
(1995):
“civil
society..
[is]
a
galaxy
of
groups
and
networks
involved
in
struggles
for
global
justice,
sustainability,
the
empowerment
of
women,
respect
for
human
rights,
and
so
on.”
In
order
to
define
the
group
of
progressive,
liberal,
justice-‐
1
Hegel,
G.W.F.
(1991)
Philosophy
of
Right,
Cambridge:
Cambridge
University
Press.
E.g.
2 Gellner, E. (1991) Conditions of Liberty: Civil Society and Its Rivals, London: Hamish Hamilton.
19
oriented
organizations
that
I
worked
with
in
Serbia,
and
in
order
to
avoid
complications
in
the
form
of
established
general
definitions
of
civil
society,
I
will
adopt
my
informant’s
term
directly:
‘Civilno
družstvo‘
(Srb..
civil
society).
While
the
term
does
directly
translate
into
“civil
society”,
the
local
meaning
is
different.
“Civilno
družstvo
here
is
synonymous
to
human
rights
organizations.
In
the
past
you
had
the
pro-war
regime—the
state,
and
if
you
were
against
the
war
you
weren’t
in
the
state
corpus
at
all.
You
were
civil
society.
I
know
it’s
not
according
to
registrations,
because
of
course
you
also
have
the
nationalist
organizations
who
are
technically
registered
as
NGOs,
but
no
one
is
talking
about
them
as
NGO’s.
I
have
no
other
explanation.”
-‐
Ruža
In
Serbia,
as
well
as
at
least
in
some
other
post-‐socialist
nations
of
Eastern
Europe,
civil
society
is
understood
as
an
organized,
very
small
liberal
grouping
of
those
concerned
with
freedoms
and
rights
of
all
individuals
regardless
of
their
identity
characteristics.
These
progressive
circles
as
well
as
particular
informants
have,
over
the
course
of
my
fieldwork,
referred
to
themselves
as
civilno
družstvo.
Invitations
to
events
I
attended
(press
conferences,
award
ceremonies
etc.),
which
were
organized
by
liberally
minded
groups,
carried
the
title
or
were
referred
to
as
events
for/by
the
civilno
družstvo.
Upon
asking
to
define
civilno
družstvo,
my
informant
Jasmina
outlined
a
simple
dichotomy:
“Either
you
are
working
with
the
state,
or
against
it.
If
you
work
with
the
state,
there’s
nothing
civil
about
what
you
do.”
Jasmina’s
understanding
of
the
concept
emphasizes
civility,
respectful
and
tolerant
behavior
towards
all
members
of
the
society,
as
the
primary
characteristic
of
this
community.
Before
coming
to
signify
‘polite
behavior’,
the
early
theoretical
use
of
civility
originating
from
the
Latin
civilis,
used
to
denote
the
“state
of
being
a
good
citizen”
(New
Oxford
American
Dictionary,
Third
Edition).
“To
be
civilized
is
to
understand
that
we
live
in
a
society
as
in
a
household,
and
that
within
that
household,
if
we
are
to
be
moral
people,
our
relationship
with
other
people
(our
fellow
citizens,
members
of
our
civic
household)
are
governed
by
a
standard
of
behavior
that
limits
our
freedom.
Our
duty
to
follow
those
standards
does
not
depend
on
whether
or
not
we
happen
to
agree
with
or
even
like
each
other,”
writes
S.
L.
Carter
in
his
discussion
of
the
role
of
civility
in
modern
democracy
(1998:15).
We
can
therefore
define
the
‘civilno
družstvo’
as
a
grouping
of
individuals
and
20
organizations
concerned
with
matters
of
justice
who
work
on
creating
civility
and
civil
discourse
in
Serbia
‘in
spite-‐of
un-‐civil
society’(Kostovicova
2013:10,
Bieber
2003:82).
While
coexisting
with
the
semi-‐authoritarian
Serbian
political
system
(EIU
ranking
2010),
Serbian
civilno
družstvo
should
therefore
be
understood
as
an
actor
safeguarding
civic
values
and
freedoms
in
the
Serbian
society.
The
past
three
decades
in
Serbia
saw
a
rise
of
numerous
groups
and
organizations
that
began
focusing
on
social
issues
-‐
human
rights,
democratization,
freedom
of
speech.
During
the
wars
of
the
90’s
and
most
importantly,
during
the
1999
conflict
over
Kosovo,
however,
a
large
subset
of
these
human
rights
organizations
began
focusing
exclusively
on
the
plight
and
suffering
of
Serbian
nationals
in
the
warzones
in
Kosovo
as
opposed
to
focusing
on
the
suffering
of
civilians
of
any
nationality
(Bieber
2003:
83).
Instead
of
defending
universal
liberties
and
rights
of
all
peoples,
a
large
number
of
the
Serbian
NGOs
transformed
their
programming
to
defend
the
national
agenda,
reporting
on
suffering
of
the
Serbs
and
vilifying
the
national
enemies
(Albanians,
Muslims).
The
remaining
groups
of
civil
society
which
retained
general
focus
on
universal
rights
and
freedoms
and
critiqued
the
brutality
of
Serbian
troops
in
dealing
with
Albanians
in
Kosovo
gave
rise
to
what
is
today
labeled
the
‘other
Serbia’,
or
civilno
družstvo
–
a
petite
collective
of
NGOs
and
intellectuals
seeking
to
oppose
nationalism
and
its
symptoms
within
society,
the
authoritarian
regime,
and
war
(Obradovich
2013,
Bieber
2003).
Today
there
are
no
more
than
a
hundred
of
those
employed
in
the
civilno
družstvo,
with
a
similarly
high
number
of
fluid
‘membership’
in
the
form
of
volunteers,
temporary
interns,
and
activists.
Because
the
majority
of
today’s
NGOs
and
human
rights
organizations
evolved
from
anti-‐war
and
anti-‐regime
movements
of
the
90s,
civilno
družstvo
in
Serbia
remains
in
a
clear
opposition
to
the
authorities
(Ostojic,
2013:
231,
238),
taking
a
strong
stance
against
militarism,
defending
equality
for
all
citizens
regardless
of
background,
and
promoting
secularization
and
tolerance
of
differences.
Given
this
widespread
reluctance
to
‘deal
with
the
past’
among
Serbia’s
political
leadership
and
larger
population,
the
civilno
družstvo,
Kostovicova
writes,
remains
the
only
plausible
route
to
ethnic
reconciliation
(2013:2).
The
task
of
facing
Serbia’s
violent
past
is
thus
re-‐delegated
to
an
isolated,
Belgrade-‐based
intelligentsia
of
the
non-‐profit
sector,
and
to
the
international
actors
involved
in
the
Balkans.
21
ANALYTICAL
FRAMEWORK
AND
BACKGROUND
My
interest
in
Serbian
liberal
youth
activists
is,
deep
down,
powered
by
one
of
the
questions
that
keeps
me
up
at
night:
“How
is
it
that
people
come
to
believe
what
they
believe
about
their
place
in
the
world?”
Acknowledging
the
social
construction
of
worldviews
and
the
role
nation-‐states
have
played
in
structuring
the
Balkan
people’s
understanding
of
recent
history,
I
will
therefore
briefly
examine
such
broad
questions
as
“How
does
an
individual
assume
loyalty
to
a
structure
of
power
such
as
the
state?”
and
“What
forces
determine
whether
one
will
be
receptive
towards
or
critical
of
their
nation’s
socializing
influences?”
However,
this
ethnography
will
focus
primarily
on
the
individual
experience
of
navigating
a
world
outlined
by
national
ideologies
and
narrative
interpretations
of
the
past
and
present.
I
will
therefore,
above
all,
be
asking:
“What
does
it
mean
for
the
Serbian
youth
to
live
in
a
state
with
an
unresolved
criminal
war
legacy,
a
state
that
is
consumed
by
the
romance
with
its
past
glory?”
I
will
attempt
to
answer
these
questions
anthropologically
by
taking
into
account:
1)
the
cultural
function
of
nations
and
national
myths,
2)
the
manifestations
of
fluid,
imagined
nations
within
the
real
world
and
the
Balkans
specifically,
and
3)
the
role
of
national
narratives
in
contemporary
Serbia.
At
the
center
of
this
thesis
lies
a
clash
of
national
narratives.
The
rest
of
this
introductory
chapter
will
introduce
the
two
dominant
narrative
motives
of
the
Serbian
nationalist
myth.
Both
establish
a
foundation
for
our
future
discussion
of
how
this
myth
is
reproduced
among
the
youth
today,
and
how
it
interacts
with
divergent,
alternative
narratives
in
contemporary
Serbia.
The
chapter
will
therefore
set
the
stage
for
the
forthcoming
analysis
of
the
narratives
prevalent
among
the
liberal
youth
of
the
Serbian
civilno
družstvo,
the
primary
focus
of
my
thesis.
The
dominant,
state-‐sponsored
Serbian
myth
has
at
its
center
a
fundamental
conflict
that
has
defined
and
explained
Serbia’s
historical
and
contemporary
role
in
the
world:
the
conflict
between
the
heroic,
honest
Slav
spirit
juxtaposed
against
exploitative
outsider
interests.
That
national
myth
can
be
recognized
in
the
manner
with
which
Serbian
textbooks,
media,
and
people
explain
their
historical
interactions
with
the
Ottoman
Empire,
both
World
Wars
as
well
as
the
recent
war
following
the
break-‐up
of
Yugoslavia
and
22
Kosovo
separatism.
My
hope
is
that
by
the
end
of
this
chapter,
it
will
be
clear
that
a
nation
is
a
very
intangible
and
fluid
political
concept
reinforced
by
nationalism,
a
social
force
which
has
enabled
national
elites
and
state
to
gain
loyalty
of
the
people,
and
which
has
facilitated
the
people’s
understanding
of
their
place
in
a
world
that
is
too
complex
to
be
comprehended
without
the
use
of
myth.
This
thesis
will
begin
by
explaining
what
a
nation
is
and
what
form
the
concept
has
taken
in
the
Balkans
and
Serbia
in
particular.
Before
we
focus
on
the
least
necessary
level
of
historical
detail,
however,
let’s
consider
the
cultural
function
and
meaning
of
nations
and
national
narratives
at
large.
1.
THE
CULTURAL
FUNCTION
OF
NATIONS
AND
NATIONAL
MYTHS
The
concept
of
a
nation
is
modern
in
the
eye
of
a
historian,
but
ancient
in
the
mind
of
a
nationalist
(Anderson
1983,
Eriksen
2010).
While
David
Riesman
first
used
the
term
“ethnicity”
in
a
scholarly
article
published
only
in
1953,
discussions
of
belonging,
race,
and
nation
have
been
at
the
core
of
anthropology
since
the
very
beginning
of
the
discipline’s
existence.
Since
then,
one’s
ethnicity
has
been
assumed
to
be
defined
by
individuals
based
on
their
sense
of
belonging
and
a
contrast
to
the
ethnic
‘other’.
Nation-‐alism,
therefore,
should
be
understood
as
a
political
ideology,
which
reinforces
a
recognition
of
individuals
as
the
essential
guardians
of
national
consciousness
and
the
physical
representatives
of
a
nation.
In
this
thesis
I
will
not
be
making
a
precise
distinction
between
nationalism
as
an
“official”
state-‐sponsored
ideology,
and
nationalism
as
a
grassroots
political
movement,
as
suggested
by
Theodore
Weeks
in
his
writings
on
Soviet
and
post-‐Soviet
regions
in
Europe
(1996).
While
valid
in
the
context
of
Weeks’s
focus
on
the
role
of
ethnic
minorities
in
the
break-‐up
of
the
USSR,
my
approach
is
informed
by
the
interdependence
and
inseparable
nature
of
the
state
nationalism
and
popular
nationalism
in
the
Serbian
public
space.
I
will
therefore
be
treating
nationalism
as
an
ideology
which
guides
both
the
political
elites
and
the
general
population,
and
as
a
dominant
socio-‐cultural
framework
of
reference
in
times
of
political
and
social
transition.
Today
much
of
the
academic
discourse
on
nationalism
rests
on
the
foundation
of
Benedict
Anderson’s
argument
in
Imagined
Communities
(1983),
and
my
work
follows
that
approach.
Anderson
concluded
that
national
groups
are
formed
from
relatively
large
groups
of
individuals
who
self-‐identify
as
a
homogenous,
sovereign
group
different
from
23
other
groups,
despite
not
knowing
each
other
and
never
being
able
to
experience
the
nation
in
its
entirety.
A
nation,
therefore,
is
entirely
culturally
constructed
and
based
in
nothing
but
a
collective
imagination
of
common
characteristics
within
equally
imaginary
boundaries.
Nationalism,
therefore,
serves
as
a
social
force
aimed
at
the
distribution
of
such
understanding
among
the
individuals
within
the
perceived
national
borders.
The
origin
of
the
homogeneity
perceived
by
the
individuals
belonging
to
the
same
imagined
national
entity,
however,
has
been
explained
in
various
ways.
For
simplicity’s
sake,
I
am
presenting
only
a
very
brief
overview
of
scholarly
view
on
nationalism
and
its
tools,
such
as
national
narratives.
Theorists
agree
that
nation
states
derive
legitimacy
from
their
citizen’s
perception
of
belonging
to
the
nation.
The
origin
of
their
sense
of
belonging,
however,
is
contested.
Two
major
views
on
ethnicity
prevail
within
the
discipline.
The
basic
dichotomy
distinguishes
between
the
primordialist
and
the
constructivist
models.
Such
classification
differentiates
between
theories
which
assume
a
deeply
rooted,
historical
connection
between
national
identity
and
a
political
unit
and
theories
highlighting
the
concept
of
a
nation
as
artificial,
constructed
phenomenon
with
political
and
economic
functionality
(Geertz
1973,
Shils
1957,
Barth
1969,
Cohen
1974,
Anderson
1983).
While
constructivists
consider
nations
to
be
modern
and
its
homogeneous
features
constructed,
primordialists
see
them
as
ancient
phenomena
on
which
modern
nation-‐states
are
built.
These
classifications,
however,
should
be
treated
not
as
discreet
categories,
but
rather
as
opposite
ends
of
a
continuum
along
which
scholars
and
theories
are
scattered.
For
example,
scholars
classified
as
symbolists
combine
features
of
constructivism
and
primordialism
in
that
they
recognize
the
validity
of
pre-‐modern
cultural
roots
when
used
to
consolidate
modern
ethnic
ideologies
and
nationalisms
for
political
purpose
(e.g.
Smith
1986).
Regardless
of
its
primordial
or
constructed
nature,
ethnicity,
the
natural
or
artificial
justification
of
national
unity,
is
a
criterion
demarking
cultural
groups,
classifying
peoples,
borders,
and
group
relationships.
The
classification
creates
standardized
cognitive
maps
and
detailed
categories
of
the
‘others’as
a
guide
to
the
socially
complex
world
surrounding
us
(Eriksen
2010:
72).
For
our
purposes,
however,
the
effective
qualities
of
ethnicity
and
ensuing
nationalism
will
be
crucial
regardless
of
the
theoretical
origin
of
the
claim
for
homogeneity.
Nationalism,
therefore,
has
the
capacity
to
operate
as
a
very
powerful
24
political
tool,
serving
to
reinforce
a
certain
(yet
very
much
imagined)
nation-‐specific
sense
of
belonging
to
the
world
among
the
individuals
representing
the
nation.
2.
MANIFESTATIONS
OF
THE
NATIONAL
MYTH
IN
THE
REAL
WORLD
Nation
states,
the
primary
socio-‐political
actors
of
global
society
today,
are
thus
able
to
derive
political
legitimacy
by
convincing
the
masses
that
the
state
administration
represents
them
as
a
cultural
unit
while
at
the
same
time
having
a
privileged
position
in
informing
their
citizen’s
sense
of
belonging.
The
primary
instruments
of
such
convincing
and
informing
are
national
myths
and
narratives.
The
national(ist)
myth
is,
in
fact,
a
State
ideology
of
sorts.
This
collection
of
ideas
can
be
also
be
thought
of
as
a
comprehensive
vision,
as
a
way
of
understanding
the
world
surrounding
an
individual
who
thinks
about
it
through
a
certain
ideological
lens.
Should
we
privilege
the
constructivist
perspective
with
regards
to
nationalism,
ideology
would
also
represent
a
set
of
ideas
crafted
and
sustained
by
social
elites,
and
inflicted
onto
the
remaining
members
of
a
society.
The
fragmented
legacy
of
Italian
historian
Antonio
Gramsci
might
serve
well
to
contextualize
my
writing
on
national(ist)
narratives
within
the
debates
on
ideology
and
cultural
hegemony
.
“In
every
country
the
process
is
different,
although
the
content
is
the
same.
And
the
content
is
the
crisis
of
the
ruling
class’s
hegemony,
which
occurs
…
because
the
ruling
class
has
failed
in
some
major
political
undertaking
for
which
it
has
requested,
or
forcibly
extracted,
the
consent
of
the
broad
masses
(war,
for
example)
…
A
“crisis
of
authority”
is
spoken
of:
this
is
precisely
the
crisis
of
hegemony,
or
general
crisis
of
the
State”
(Gramsci
1973:
210)
Arguing
that
the
political
and
social
elites
wield
a
form
of
ideological
hegemony
over
the
rest
of
the
society,
Gramsci
asserts
that
their
power
is
centralized
in
and
exercised
through
the
State,
as
well
as
through
media,
family
traditions
and
religious
institutions
(1973).
Not
only
is
such
theory
applicable
to
our
debate
on
nationalism,
but
his
estimate
of
the
sources
of
nationalism
fits
the
Serbian
case
perfectly.
Eriksen,
too,
reminds
us,
that
“ethnicity
is
not
shaped
by
objective
culture”,
but
rather
by
selective
manipulation
of
the
historical
myth
of
a
nation
by
national
authorities
(2010:
86).
As
the
mixed
ethnic
mosaic
of
the
Balkans
shows
(see
map
on
the
next
page),
however,
the
power
of
the
state
to
influence
self-‐identification
of
its
subjects
is
imperfect.
25
In
the
real
world,
politically
determined
borders
sometimes
fail
to
overlap
with
the
self-‐
identification
of
those
inhabiting
the
land,
especially
if
the
land
is
contested
by
competing
imaginations
of
rival
national
groups.
Because
unlike
the
real
world,
imagined
borders
of
nations
are
intangible
and
mutually
independent.
Their
overlap
is
possible
in
theory
but
complicated
and
often
violent
in
practice.
“Ethnically
mixed
regions”
such
as
large
portions
of
the
Balkans
emerge
because
to
people,
quite
understandingly,
political
changes
aren’t
in
significant
enough
of
a
reason
to
move
correspondingly
with
the
national
narratives
currently
in
place.
Throughout
history
the
ethnic
sub-‐groups
of
the
South
Slavs
have
found
themselves
both
under
separate
self-‐
governed
states
and
as
parts
of
a
larger
multiethnic
state
formation.
Because
the
separating
and
joining
of
state
administrations
repeatedly
broadened
and
then
narrowed
the
identity
divisions
specifying
one’s
ethnicity
in
the
Balkans
as
“Croat”,
“Serb”,
or
“Bosniak”,
these
identities
remain
to
this
day
questionable,
fluid,
and,
indeed,
very
much
imagined
(Anderson
1983).
For
centuries,
the
narratives
situating
the
South
Slav
people
within
history
have
also
been
changing.
Some
have
praised
the
common
origin
of
all
South
Slavs,
and
some
have
chosen
certain
identity
components
(most
often
religion)
to
present
the
Catholic
Croats,
Orthodox
Serbs
and
Muslim
Bosniaks
as
separate
cultural
units.
Figure
1
Ethnic
outlook
of
the
Balkans
in
1992
(Wikimedia)
26
When
narratives
outlining
the
borders
of
nations
change,
the
lived
experience
of
belonging
becomes
complicated,
and
the
extent
to
which
individuals
within
the
groups
adapt
to
the
change
varies.
The
narratives
used
to
justify
the
change
of
who
belongs
to
the
national
unit
and
who
does
not
are
often
based
in
a
selective
reinterpretation
of
history.
If
a
nation
needs
to
be
defined
more
narrowly,
historical
experiences
selected
will
highlight
oppression
of
the
central
group
by
the
others
or
incompatibility
of
the
cultures
considered
to
be
distinct.
If
a
nation
needs
to
be
defined
more
broadly,
common
historical
experiences
and
similarities
will
be
emphasized.
Groups
subjected
to
change
thus
experience
a
conflict
between
their
lived
experience
of
the
past,
and
the
alternative
interpretation
of
the
past.
This
combination
of
“real
and
imagined
experience
of
the
past”
in
mythical
national
histories
is
what
Benedict
Anderson
calls
the
“Angel
of
History”
(1983:
147).
In
Serbia
and
elsewhere,
such
mixing
of
the
real
and
the
imagined
created
an
opportunity
for
the
manufacturing
of
a
continuous
national
history
from
originally
disconnected
events,
ideas
and
figures
for
the
purpose
of
establishing
or
strengthening
of
a
national
community
throughout
the
20th
century
(Čolović,
2002:
5).
The
national
narrative
thus
serves
to
influence
the
collective
memory
of
the
past
and
consequently
the
nation’s
understanding
of
the
present.
Above
all,
the
Balkans
offers
an
ideal
laboratory
for
all
scholars
interested
in
exploring
and
proposing
new
theories
of
nationalism,
ethnicity,
and
conflict.
A
complex
history
of
the
Balkan
nations
as
pawns
in
the
games
of
European
Great
Powers
provides
endless
data
that
can
support
both
constructivists
and
primordialist
theories.
As
the
Slovenian
historian
Ljubišić
notes,
neither
of
the
explanations
are
wrong,
but
when
isolated
they
fail
to
encompass
the
region’s
complexity.
“Both
constructivist
and
primordialist
theories
have
simplified
the
intricacy
of
the
national
question
in
Yugoslavia
and
it
dismemberment
as
a
state.
In
fact,
both
theses
-‐
the
ancient
hatreds
and
the
artificiality
of
the
country
-‐
have
imposed
a
false
dilemma
on
Yugoslavia’s
case
by
ignoring
the
broader
international,
particularly
geopolitical,
context.”
(Ljubišić
2004:24)
My
own
view
of
contemporary
Serbian
nationalism
is
that
it
is
largely
instrumental
and
that
it
serves
the
Serbian
state
and
people
in
navigating
and
framing
the
ideological
chaos
of
transition.
Re-‐creating
the
sentiment
of
continuity
with
the
past
in
facing
the
chaos
of
modernity,
nationalism
inspires
cohesion
and
loyalty
on
a
mass
scale
(Weber
1976).
In
27
Serbia’s
case,
belonging
to
the
national
community
has
been
defined
in
opposition
to
and
as
a
means
of
mobilizing
against
‘the
(Muslim)
Turks’
who
ruled
a
significant
portion
of
the
Balkans
between
the
14th
and
the
19th
centuries,
and
in
more
recent
history,
by
extension
against
the
Bosnian
Muslims,
and
‘the
Catholics’
(the
Croats
and
the
West).
Both
the
West
and
the
Muslims
together
form
the
primary
adversaries
in
the
narrative
through
which
a
large
portion
of
Serbian
people
understands
their
place
in
the
world.
No
single
explanation
of
the
region’s
history
can
capture
the
lived
experience
of
all
of
its
Croat,
Serb,
and
Muslim
inhabitants.
Because
of
a
close
connection
between
myth
and
individual
understanding
of
one’s
contemporary
circumstances,
during
the
recent
past
the
national
narratives
in
the
Balkans
gained
almost
tangible
form
for
those
who
accepted
them
as
explanations
for
their
world
order.
3.
THE
NATIONAL(IST)
MYTH
IN
CONTEMPORARY
SERBIA
In
a
simplified
Western
view
of
the
20th
century,
Serbia
is
often
painted
in
dark
colors.
Gavrilo
Princip,
the
man
who
shot
Austrian
archduke
Franc
Ferdinand
and
contributed
a
lot
to
the
final
escalation
of
tensions
that
led
to
the
First
World
War
was
a
Bosnian
Serb.
The
prevailing
western
narrative
of
the
Yugoslav
break-up
in
the
1990's
places
blame
for
the
escalation
of
the
war
as
well
as
the
worst
known
atrocities
of
that
war
on
the
Serbs.
NATO's
bombing
of
Belgrade
in
1999
as
a
means
for
imposing
peace
upon
the
region
in
only
reinforces
that
image.
There
are
many
gross
generalizations
in
this
view,
but
picking
and
choosing
from
among
over-‐simplified
historical
facts
is
commonplace
in
the
context
of
Balkan
national
historical
consciousness.
The
Serbian
ethno-‐national-‐myth,
passed
on
from
generation
to
generation
through
literature,
folklore,
Orthodox
Christianity,
and
history
textbooks,
frames
Serbia
as
"the
single
nation
true
to
God",
the
last
bastion
of
"true
European
values"
unstained
by
"capitalist
decay",
and
as
the
victim
of
unjust
historical
"anti-‐Serb
conspiracy"
of
the
West
(Čolović
2002).
While
the
story
is
rarely
evoked
in
its
entirety,
its
fragments
continue
to
serve
to
this
day
as
a
reference,
a
moral
compass,
a
justification
and
a
rationale
for
aggressions
in
Serbia's
past.
The
myth
presents
both
a
cultural
model
of
and
a
model
for
collective
behavior
in
times
of
socio-‐political
transition
in
Serbia
and
insecurities
about
changing
power
hierarchy
(Geertz
1973:
93).
As
Geertz
first
pointed
out
in
his
analysis
of
28
religion
as
a
cultural
system
(1973),
cultural
symbols
such
as
mythical
narratives,
serve
as
explanation
charts,
models
of
reality,
"rendering
…
[it]
apprehensible"
(93).
Simultaneously,
however,
the
narratives
serve
as
models
for
what
the
people
inhabiting
that
reality
ought
to
strive
for.
In
the
case
of
nationalism
as
a
cultural
system
of
symbols,
the
narratives
serve
to
strengthen
the
loyalty
to
the
nation
state
and
to
the
old
arrangement
of
social
values
and
ideological
frameworks
familiar
to
the
majority
from
the
past.
The
continued
adherence
to
the
nationalist
myth
and
its
narratives
in
Serbia
is
natural
in
environments
where
power
structures
are
being
rebuilt
and
ideological
direction
of
societies
determined.
Jessica
Greenberg,
examining
the
peculiar
rise
of
nationalist
rhetoric,
violence,
homophobia,
misogyny
and
racism
in
Serbia
during
the
early
2000’s,
points
our
that
such
developments
are
to
be
expected
in
context
where
“those
who
were
dominant
within
nationalist
frameworks
[during
and
before
the
war]
struggle
to
retain
political
relevance,
representation
and
a
sense
of
agency”
(2006:336).
The
re-‐emergence
of
nationalism
and
particular
nationalist
narratives
in
Serbia
is
thus
not
a
direct
continuation
of
the
previous
trends
(even
though
the
actors
and
narratives
of
war-‐time
nationalism
do
continue
to
figure
in
the
public
space
with
renewed
agendas).
Rather,
the
new
nationalism
is
a
result
of
changing
order
and
the
insecurities
that
transition
brings.
While
the
battle
in
public
space
is
waged
between
straight
and
gay,
patriarchy
and
feminism,
Serbs
and
minorities,
Orthodoxy
and
Islam
or
secularism,
the
civilno
družstvo
and
the
nationalist
groups,
what
is
at
stake
is
the
ability
to
determine
the
direction
of
the
country.
“Inclusion
and
tolerance
are
not
neutral
categories,
but
sets
of
ideologies
and
practices
through
which
other
exclusions
are
produced,”
Greenberg
concludes
(2006:336).
Present-‐day
Serb
nationalism,
while
employing
narratives
that
flow
from
the
historical
Serbian
myth,
must
thus
be
understood
as
a
response
to
the
threat
of
possible
liberalization
of
society
and
the
danger
it
poses
to
old
hierarchies
of
social
significance.
Rather
than
engaging
in
an
exhausting
historical
investigation
into
the
origins
of
the
myth
like
many
have
done
before
me
(Kalajić
1993,
Vucerević
1999,
Čolović
2002,
Bringa
2005b),
I
present
only
what
is
necessary
for
our
understanding
the
existing
cognitive
frameworks
in
contemporary
Serbia.
In
order
to
contextualize
the
dominant
Serbian
narratives
that
I
am
about
to
introduce,
let
me
begin
by
very
briefly
outlining
the
last
29
couple
centuries
in
what
we
now
call
the
Balkans.
Details,
as
well
as
blame
and
justifications,
largely
omitted
in
the
following
narrative,
remain
contested
and
controversial.
(Even
mass
graves
are
at
times
disputed
as
a
valid
evidence
of
war-‐time
violence
as
I
show
in
chapter
Five.)3
:
The
Balkans,
comprising
of
the
contemporary
states
of
Slovenia,
Croatia,
Bosnia
and
Herzegovina,
Serbia,
Montenegro,
Albania
and
Macedonia,
has
long
played
a
role
of
the
chessboard
on
which
Great
Powers
of
the
time
negotiated
their
power
struggles.
The
earliest
modern
instance
of
outsider
aggression
was
the
expansion
of
Ottoman
empire.
Loosing
the
Battle
of
Kosovo
Polje
(Crow’s
field)
against
the
Ottomans
in
1389,
the
Serbs
and
allied
South
Slavic
kingdoms
fell
under
Turkish
rule
for
over
four
centuries.
The
extent
to
which
the
Ottoman
rule
was
or
wasn’t
atrocious
is
contested,
but
varying
levels
of
autonomous
rule
prevailed
as
did
cultural
Slav
heritage
and
language.
Portions
of
the
Slav
populations
converted
to
Islam
during
this
period
in
time.
With
the
decline
of
the
Ottoman
Empire
in
late
18th
century,
the
Turkish
power
grip
on
the
region
began
to
weaken.
The
Congress
of
Berlin
in
1878,
headed
by
the
German
Chancellor
Otto
von
Bismarck
and
representatives
of
the
European
Great
Powers
at
the
time,
sought
to
avoid
war
by
reorganizing
the
geopolitically
strategic
region
according
to
the
interests
of
the
Great
Powers.
Austria-‐Hungary
was
awarder
large
portion
of
the
western
Balkan
territories
including
the
territory
of
today’s
Bosnia,
independent
states
of
Serbia
and
Macedonia
were
recreated—albeit
with
smaller
territories,
and
the
reach
of
the
Ottoman
power
was
pushed
back
to
the
East.
Grievances
resulting
from
such
arrangements,
however,
lead
to
two
small
regional
conflicts
-‐
the
Balkan
Wars
of
1912
and
1913.
The
local
powers,
dissatisfied
with
the
territorial
gains
awarded
to
them
by
the
Great
Powers,
waged
common
war
against
the
remains
of
the
Ottoman
Empire
as
well
as
against
each
other
to
reclaim
territory
they
historically
asserted
as
theirs.
By
1914,
Ottoman
Empire
lost
virtually
all
of
its
territory
in
Europe,
and
rule
of
the
Austro-‐Hungarian
empire
was
weakened
by
the
Serb
westward
expansion.
When
Archduke
Ferdinand
was
killed
by
a
Serb
in
Austria-‐annexed
Sarajevo
in
1914,
Austria-‐Hungary
used
the
event
to
assert
its
territorial
claims
on
the
Balkans
by
3
This
historical
summary
is
based
on
Sell
(2002),
Ramet
&
Pavlakovic
(2006),
Ljubiscic
(2004),
30
declaring
war
on
Serbia,
and
thus
activating
a
network
of
alliance
treaties
that
shortly
after
saw
the
entire
continent
engaged
in
the
trenches
of
the
First
World
War.
Following
the
conflict,
the
Balkans
emerged
on
the
victorious
side.
A
new
Kingdom
of
Serbs,
Croats,
and
Slovenes
was
established,
uniting
the
South
Slav
nations
in
a
single
entity
covering
the
territory
of
the
entire
Western
Balkans.
Both
Ottoman
Empire
and
Austria-‐Hungary
were
officially
dissolved.
In
1939,
the
expansionist
Italy
under
Mussolini’s
leadership
attacked
the
independent
country
of
Albania,
however.
Loosing
on
the
Albanian-‐
Greek
front,
the
Italians
were
aided
by
German
Nazi
forces,
who
made
their
way
from
the
continental
North
though
the
South
Slav
kingdom.
The
Nazis
annexed
large
parts
of
the
Balkans
and
recruited
local
people
to
manage
the
territory,
while
guerilla
fighting
between
the
Croat
and
the
anti-‐Nazi
Serb
forces
broke
out;
consequently
the
propaganda
resulting
from
this
conflict
planted
the
first
seeds
of
future
strife
between
the
two.
Following
the
fall
of
Germany,
the
all-‐Slav
socialist
Yugoslavia
was
re-‐united
under
the
rule
of
General
Broz
Tito.
The
federation
included
the
south-‐Serbian
province
of
Kosovo,
densely
populated
by
Albanian-‐speaking
Muslim
population.
Yugoslavia
enjoyed
the
role
of
a
middle-‐man
spearheading
the
Non-‐Alignment
movement
during
the
Cold
War,
as
well
as
relative
security
of
socialist
life
guarantees
accompanied
by
the
continent-‐wide
economic
boom.
The
death
of
Broz
Tito
in
1980
coincided
with
the
all-‐European
economic
downfall
related
to
the
1973
Oil
crisis,
however.
Similarly
to
the
rest
of
Europe,
financial
hardship
called
into
question
the
viability
of
the
current
system.
Yugoslavia
slowly
opened
up
to
liberal
market
mechanisms
an
to
privatization.
A
new
Federal
structure
of
power-‐sharing
was
established,
but
economic
conditions
continued
to
decline,
as
did
the
people’s
satisfaction
with
the
Federation’s
governance.
Yugoslav
republics
chose
to
solve
their
problems
individually,
opening
up
to
Western
markets
and
implementing
Western
models
of
democratic
governance
at
different
rates.
Economic
issues
were
translated
into
popular
ethnic
grievances
(e.g.
“the
Serbs
controlled
the
economy
and
gained
most
profit”),
and
soon
Slovenia
and
Croatia
announced
their
secession
from
the
union
in
the
June
of
1991.
After
Bosnia
and
Herzegovina,
the
most
ethnically
mixed
republic
of
the
Federation,
declared
independence,
a
mass
movement
of
people
and
violence
ensued.
The
best
equipped
Yugoslav
People’s
Army,
now
composed
largely
of
Serbs,
as
well
the
newly
created
armies
of
Croatia
and
(predominantly
Muslim)
army
of
Bosnia,
began
fighting
over
31
territories
within
their
imagined
borders
that
did
not
align
with
the
Yugoslav
republic
borders.
All
federal
institutions
of
the
Socialist
Federal
Republic
were
dissolved,
and
a
bloody
ethnic
cleansing
campaigns
ravaged
the
region
until
1995,
when
joined
diplomatic
and
military
efforts
of
the
US
and
NATO
suspended
the
fighting
and
the
local
adversaries
were
persuaded
to
sign
the
Dayton
Peace
agreement.
The
Dayton
treaty
also
established
an
international
governance
oversight
over
the
state
of
Bosnia
and
Herzegovina,
from
there
on
separated
into
three
parts
-‐
Republika
Srpska
(the
Serb
republic),
inhabited
almost
exclusively
by
Serbs,
the
small,
ethnically
mixed
Brčko
district,
and
a
mixed,
but
largely
Bosniak
and
Croat
Federation
of
Bosnia
and
Herzegovina.
The
Serbs
and
Montenegrins,
the
only
ones
not
to
secede
from
the
Yugoslav
Federation,
joined
into
a
common
state
after
the
conclusion
of
the
war
(before
separating
again
in
2006).
Continued
ethnic
unrest
in
the
autonomous
province
of
Kosovo
quickly
escalated
into
a
full-‐scale
conflict
in
1999,
with
Kosovo
fighting
for
a
complete
independence
from
Serbia.
While
predominantly
Albanian,
a
significant
percentage
of
inhabitants
identified
as
Serbian,
and
both
sides
engaged
brutal
inter-‐ethnic
cleansing,
even
though
the
question
of
who
killed
more
remains
controversial.
The
land
carried
a
special
religious
and
historical
significance
to
Serbia,
and
international
negotiations
failed
to
contain
the
violence.
After
a
Russian
veto
in
the
United
Nations
Security
Council,
economic
sanctions
against
Serbia
and
numerous
warnings
and
attempts
to
avoid
direct
engagement.,
the
NATO
alliance,
convinced
of
Serbian
aggression
in
the
conflict,
resolved
to
intervene.
Serbia
proper,
including
the
capital
of
Belgrade
was
bombed
until
president
Milošević
agreed
to
a
cease
fire
and
remove
the
Serbian
army
from
Kosovo.
The
peace
agreement
placed
Kosovo
under
international
oversight,
and
after
an
attempted
electoral
fraud
in
2000
president
Milošević
lost
his
political
footing
in
Serbia.
The
country
has
been
struggling
with
both
economic
and
political
transition,
with
a
poorly
performing
economy
and
deep
ambivalence
towards
Western
investment,
which
they
both
need
and
resent.
The
country
has
not
recognized
Kosovo’s
independence,
declared
in
2008,
and
only
slowly
secedes
its
powers
in
the
province,
conditioned
by
the
promise
of
accession
talks
to
the
European
Union.
32
SERBIAN
NATIONAL(IST)
NARRATIVES
Very
little
of
the
Balkan
history
remains
uncontested,
perhaps
because
of
the
ferocity
with
which
separate
Serbian,
Croatian
and
Bosnian
national
narratives
needed
to
be
empowered
and
distinguished
from
each
other
in
the
run
up
to
the
war
of
the
90’s.
In
order
to
move
beyond
the
skeleton
of
historical
facts
we
need
to
assume
a
lens,
a
framework
through
which
we
will
be
able
to
observe
how
a
nation
analyzes
and
judges
its
own
participation
in
the
making
of
history.
We
should
always
keep
in
mind
that
national
narratives
are,
just
like
nations,
imagined—-‐
abstract,
and
carefully
constructed
to
serve
a
political
purpose.
Not
every
question
has
a
rational
answer,
not
every
explanation
fits
in
well
with
all
the
others.
As
I
have
shown
earlier
in
this
chapter,
national
narratives
provide
a
toolkit
of
devices
with
which
individuals
situate
themselves
within
the
larger
world
that
they
are
unable
to
see
for
themselves.
During
this
process
of
orienting
oneself,
the
contours
of
the
world
remain
only
partially
sketched
and
very
much
intangible.
The
structure
resulting
from
making
sense
of
the
world
then
resembles,
more
than
anything,
a
fluid
myth,
a
composition
of
facts
and
figures
which
together
piece
out
an
argument.
Often
that
argument
asserts
that
the
individual
belongs
to
a
group
of
the
“good
ones”,
“just
ones”,
and
that
in
the
large
scale
of
things,
their
nation
stands
on
the
right
side
of
history.
The
state-‐sponsored,
dominant
Serbian
narrative
is
no
different.
Serbians
who
adhere
to
the
myth
imagine
their
nation’s
role
in
the
world
as
that
of
a
heroic,
honest
nation
protecting
the
uncorrupted
Slavic
“spirit”,
wit,
and
morality.
In
opposition
to
such
motive
then
stands
the
motive
of
an
aggressive,
exploitative,
and
slightly
simple-‐minded
outsider.
During
my
fieldwork
I
recognized
bits
and
pieces
of
this
narrative
mirrored
in
daily
news
segments,
conversations
at
the
city
market,
as
well
as
in
the
words
of
my
informants.
The
two
opposing
motives
of
Serbia
against
the
world
were
repeated
in
the
hot
topic
of
Serbia’s
EU
accession
talks,
as
well
as
in
people’s
understanding
of
the
long-‐
gone
past
such
as
the
Ottoman
occupation.
Nowhere
was
I
able
to
read
the
narrative
from
its
beginning
to
its
end
in
a
historically
valid
order.
The
following
paragraphs
thus
summarize
and
frame
the
segments
I
collected
both
during
my
time
in
Belgrade
and
during
my
secondary
research.
Wealth
of
the
information
I
present
comes
from
a
2010
documentary
movie
by
Boris
Malgurski,
recommended
to
me
by
almost
every
one
of
my
33
conservative
and
politically
uninvolved
informants
and
acquaintances
from
outside
the
liberal
circles.
During
the
interviews,
I
asked
my
informants
to
perform
a
small
exercise
and
summarize
Serbian
history
in
a
couple
of
sentences.
While
some
outlined
parts
of
the
national
narrative
for
me
(“Serbia
was
always
a
victim
to
outsider
aggression..”),
others
insisted
I
watch
Malgurski’s
Weight
of
Chains
(2010).
Their
insistence
that
I
watch
the
movie
instead
of
having
to
tell
their
own
narrative
of
the
past
was
curious
to
me.
The
film,
which
to
me
seemed
rather
crudely
made,
has
a
strong
aura
of
nationalist
propaganda.
I
was
extremely
surprised
at
how
often
it
was
cited
by
my
informants,
sophisticated,
well-‐
educated
urbanites.
I
attribute
their
recommendation
to
watch
the
movie
and
difficulty
with
piecing
the
story
together
by
themselves
to
its
inner
contradictions
and
a
peculiar
mix
of
facts
and
historical
imagination
which
arise
from
the
narrative’s
mythical
nature.
Second
source
helpful
to
me
in
the
pursuit
of
the
dominant
narrative
was
a
book
written
by
a
Serbian
anthropologist
Ivan
Čolović
in
2002,
who
analyzed
both
folk
origins
of
the
Serbian
national
narrative,
and
its
implications
for
contemporary
Serbia.
“The
whole
remains
only
latent,”
Čolović
asserts,
“as
the
mainstream
to
which
the
scattered
parts
of
the
myth
point,
to
which
they
flow.
In
fact,
they
function
as
synecdochic
figures
of
the
whole”(2002:10).
In
the
following
paragraphs
I
will
thus
try
to
collect
manifestations
of
the
myth
and
piece
them
together
into
a
coherent
structure.
Understanding
of
such
framework
as
a
reference
point
that
majority
of
Serbs
and
the
Serbian
state
utilize
for
all
that
is
insecure
in
the
world
will
later
help
us
to
appreciate
the
contrasting
narratives
that
circulate
in
the
liberal
circles.
THE
SLAV
SPIRIT:
UNITED
WE
ARE
STRONG
Folklore,
daily
politics,
history
textbooks,
pop
culture,
as
well
as
the
media
highlight
the
Serbian
nation’s
superb
morality.
The
motive
gets
repeated
in
reference
to
the
Serbs’
peasant
origins
and
their
simple,
natural
wit,
and
in
reference
to
the
Serbian
dedication
to
the
idea
of
a
common
Slavic
state.
Yearning
for
the
old
times
of
the
Socialist
Yugoslavia
(sometimes
mentioned
in
context
of
yearning
for
a
Greater
Serbia)
—a
sentiment
known
in
the
Balkans
as
Yugonostalgia
(Boym
2001,
Greenberg
2010,
2011,
Gordy
2013)
—
illustrates
well
the
yearning
for
the
reunification
of
all
South
Slavs
that
is
central
to
the
Serbian
myth.
34
At
the
base
of
the
myth
lies
the
notion
of
a
unique
connection
that
the
Serbs
have
with
God
and
the
forces
of
nature.
The
Serbs
pride
themselves
in
maintaining
the
“God-‐
given
characteristics”
in
the
mountains
and
valleys
of
the
pristine
Serbian
nature
despite
the
challenges
of
history
(Čolović
2002:
22).
This
idealization
of
village
life
is
largely
contrasted
to
the
nihilism
of
modernity,
which
has
taken
over
the
rest
of
Europe,
making
Serbia
the
only
guardian
of
the
old
values
and
the
only
place
which
was
able
retain
“the
natural
man
and
the
natural
communities”(ibid.:
23).
“The
question
of
Serbian
belonging
to
Europe
is
so
absurd,”
Djordje,
a
young,
politically
conservative
student
of
law
said
to
me
during
our
interview.
“In
the
Battle
of
Kosovo
we
defended
the
entire
Europe,
the
European
religion,
as
well
as
our
own
nation.
Today
the
West
isn’t
very
grateful
to
us,”
he
explained
bitterly.
Such
framing
of
the
Serb
historical
role
as
the
sole
guardian
of
the
old
wisdom
and
connection
to
God
is
far
from
unusual.
“We
need
to
return
to
God
in
our
daily
lives,”
Nemanja,
another
of
my
informants
said.
“We
must
separate
ourselves
from
the
Western
influence,
we
need
to
wake
up
and
protect
our
own
identity.”
In
this
Myth
the
loss
of
Serbian
tradition
is
connected
to
the
resistance
to
the
globalizing
influences
encroaching
onto
Serbia
and
onto
the
other
Southern
Slav
people.
The
motive
of
the
Slav
spirit
further
celebrates
Serbs
as
the
Slavs
who
at
various
historical
moments
tried
to
preserve
Slav
unity
in
which
everyone
thrives
the
best.
“The
idea
was
that
as
long
as
the
South
Slavs
stay
together,
they
will
not
fall
prey
to
some
imperialist
outsider,”
Boris
Malgurski
asserts
at
the
beginning
of
his
documentary
mentioned
earlier
(2010).
Gavrilo
Princip,
the
Bosniak
Serb
who
killed
the
Austro-‐
Hungarian
Arch-‐Duke
Ferdinand
in
Sarajevo
in
1914,
initiating
the
impulse
for
a
world
war,
is
celebrated
as
a
Slav
hero
in
Serbia.
“I
am
a
Slav
nationalist,
aiming
for
the
unification
of
all
South
Slavs.
We
must
be
free
from
Austria,”
Princip
is
supposed
to
have
written,
as
cited
in
historical
textbooks
(e.g.
Lusic
2012).
After
the
conclusion
of
World
War
I,
the
myth
reminds
the
South
Slavs
that
once
again
they
prospered
under
the
leadership
of
the
Serb
royalty
in
spite
of
the
West
(Malgurski
2010,
Čolović
2002).
Fast
forward,
the
prosperity
of
Yugoslavia
in
the
1950’s
and
1960’s
represents
the
ultimate
proof
of
how
powerful
and
self-‐sufficient
the
South
Slavs
can
be,
if
united.
“Yugoslavia
was
prospering,
with
over
6%
GDP
growth
annually,
free
medical
care
and
education,
guaranteed
right
to
a
job,
literacy
over
90%,
life
expectancy
over
72%,”
Malgurski
(2010)
supplements
the
daily
conversations
35
on
the
street
corners
about
the
“good
old
times”.
Despite
the
pride
in
unity,
recognition
of
failures
to
stay
united
is
also
preserved
in
the
Serb
narrative.
“Some
of
us
had
fallen
to
the
propaganda
of
those
hungry
for
power,”
Malgurski
is
critical
of
the
war-‐time
hate
rhetoric
coming
from
Croatia,
Slovenia,
and
Bosnia
(2010).
While
some
will
be
more
ready
than
others
to
denounce
the
Serbian
war-‐time
leadership
(part
of
which
remains
in
the
current
Serbian
government),
what
all
my
conservative
informants
and
secondary
sources
have
in
common
is
the
portrayal
of
the
Serbs
as
those
who
fought
the
longest
against
the
break-‐up
of
the
South-‐Slav
unity
and
who
are
most
unhappy
about
it.
ALL
AGAINST
THE
SLAVS
The
second
motive
of
the
national
Serbian
myth
assumes
that
because
Slavs
are
dangerously
mighty
when
united,
the
outsiders
have
and
will
always
try
to
prevent
or
break
up
their
unification.
Historically,
the
anti-‐Slav
and
later
anti-‐Serb
efforts
have
come
from
two
sides.
First,
the
Muslim
Ottomans,
ruling
Serb
land
for
five
centuries
and
the
Muslim
Bosniaks,
whose
allegiance
now
lies
with
the
Muslim
world.
Second,
it
is
the
imperialist
and
exploitative
Western
states
and
institutions,
which
are
interested
in
controlling
the
Balkans
for
geopolitical
reasons,
and
motivated
by
economic
profit.
The
theme
of
the
Turkish
threat
runs
through
the
entire
Serbian
national
myth,
reminding
the
Serbs
of
their
heroic
nature
by
way
of
recalling
the
battle
of
Kosovo
in
1389,
and
of
the
horror
of
occupation
following
the
battle,
and
connecting
that
collective
memory
to
the
contemporary
Muslim
population
in
Bosnia.
As
Dubravka
Zarkov
skillfully
illustrates
when
analyzing
the
fall
of
Yugoslavia
from
the
perspective
of
gender
and
media
(2007),
gendered
media
representations
of
the
Bosnian
Muslims
depict
them
as
weak,
feminine
men
who
are
incapable
or
unworthy
of
a
fight,
but
fit
for
gendered
violence
such
as
rape.
The
Turkish
threat
was
recalled
during
the
wars
over
the
Bosnian
territory
during
the
90’s
as
well
as
during
the
conflict
with
Kosovar
Albanians
over
Kosovo.
According
to
this
national
myth,
a
larger,
more
significant
part
of
the
threat
to
the
Slav
Unity
comes
from
the
profit-‐thirsty,
scheming,
and
corrupt
West.
Beginning
with
the
Great
Power
interventions
in
the
Balkans
at
the
end
of
the
19th
century,
the
myth
depicts
the
Western
involvement
in
the
Balkans
as
colonialist
and
imperialist
(Malgurski
2010,
interviews).
“Europe
is
disintegrating
because
it
has
betrayed
the
authentic
man
and
the
36
only
natural
form
of
power
-‐
that
which
is
embodied
in
an
ethnically
conceived
nation,”
Čolović
summarizes
the
narrative
(2002:
46).
The
global
West,
understood
as
culturally
inferior,
is
then
depicted
as
obsessed
with
destroying
and
subjugating
the
Slav
people.
In
a
Cold
War-‐like
manner,
the
myth
depicts
institutions
such
as
the
International
Monetary
Fund,
the
European
Union,
and
even
the
Vatican
(!)
as
plotting
against
Serbia.
On
a
number
of
occasions
my
informants
from
the
conservative
circles
mentioned
a
document
allegedly
signed
by
the
American
president
Ronald
Reagan.
At
the
peak
of
Yugoslav
fame,
during
the
1984
Olympic
games
in
Sarajevo,
his
administration
supposedly
released
a
memo
detailing
a
plan
to
“promote
a
trend
towards
a
market
oriented
Yugoslav
economy”,
as
cited
by
Malgurski,
who,
along
with
some
of
my
conservative
informants,
frames
it
as
a
“quiet
revolution
to
overthrow
the
communist
government.”
The
policies
of
International
Monetary
Fund
as
well
as
US
economic
advisors
sent
to
Yugoslavia
after
the
break
up
of
the
Soviet
Union
are
seen
as
the
primary
cause
of
the
decline
in
the
Yugoslav
economy
in
the
90’s.
Similarly,
the
very
break-‐up
of
Yugoslavia
is
depicted
as
a
result
of
Western
inspired
media
propaganda
and
West-‐inducted
economic
crisis.
Malgurski,
for
one,
speaks
of
an
American
monetary
aid
promised
to
Slovenia
and
Croatia
in
exchange
for
secession
from
Yugoslavia
(2010).
One
of
my
informants
even
suggested
that
the
American
National
Endowment
for
Democracy
is
a
CIA
spin-‐off.
While
resembling
a
conspiracy
theory,
the
narrative
and
variations
of
the
two
motives
do
inform
the
Serbian
mainstream’s
understanding
of
the
world.
This
ethnically
centered
framework
of
the
Serbian
national
myth
clearly
sets
Serbia
apart
as
being
morally
superior
to
all
of
its
present
and
past
enemies.
As
such,
Čolović
asserts,
it
is
directly
at
odds
with
any
prospects
of
reconciliation
or
even
normalization
of
regional
relations
in
the
Balkans,
as
well
as
democratization
within
Serbia
proper,
because
it
provides
justification
for
any
crimes
committed
in
the
name
of
the
nation
(2002:81-‐82).
Any
attempt
to
challenge
the
myth,
however,
Čolović
adds,
puts
one
in
danger
of
being
accused
of
betraying
one’s
own
country
(2002:85).
That
is
the
very
allegation
that
Slobodan
Milošević
directed
against
the
rebelling
civil
society
before
his
ousting
in
the
revolution
of
2000.
Today,
members
of
civilno
družstvo
in
Serbia
are
exposed
to
similar
accusations
by
their
own
countrymen.
The
nationalist
myth
continues
to
selectively
create
an
image
of
the
past
and
present
in
Serbia.
Mobilization
of
national
consciousness
through
37
the
two
motives
has
been
necessary
especially
in
times
of
external
and
internal
threats
to
Serbian
power
structures,
but
as
we
will
see
in
the
following
chapter,
the
national
myth
continues
being
imposed
through
compulsory
public
education
programs,
the
standardization
of
historical
knowledge,
as
well
as
through
the
national
media
and
pop
culture.
38
THESIS
STRUCTURE
The
body
of
this
thesis
consists
of
five
chapters.
The
first
two
situate
the
civilno
družstvo
within
its
larger
context,
both
in
a
factual
and
an
anthropological
sense.
The
following
three
chapters
then
present
and
analyze
the
data
I
gathered
during
my
fieldwork.
Chapter
One
has
outlined
my
motivations
for
pursuing
this
research,
as
well
as
my
methodology
and
basic
theoretical
frameworks,
which
set
the
topic
within
the
field
of
anthropology.
Most
importantly,
the
chapter
has
framed
nationalism
as
a
fluid,
purpose-‐
oriented
ideology.
Here
I
have
established
that
through
the
deployment
of
national
narratives,
nationalism
assists
its
subjects
in
situating
themselves
within
their
imagined
worlds
and
mythical
nations.
Chapter
Two
elaborates
specifically
on
how
Serbian
youth
engage
the
national(ist)
narratives.
I
show
that
these
narratives
are
transformed
to
be
accessible
to
and
understood
by
he
new
generation.
I
also
describe
how
the
youth,
in
turn,
come
to
understand
themselves
as
part
of
the
myth.
All
together,
this
chapter
outlines
the
predominant
setting,
a
contemporary
Serbian
zeitgeist
of
sorts,
both
within
and
against
which
the
liberal
youth
of
the
civilno
družstvo
operate.
Chapter
Three
brings
a
series
of
portraits,
which
will
narrate
three
distinct
personal
experiences
of
coming
to
alternative
consciousness
and
becoming
a
liberal
youth
activist.
These
stories
highlight
how
the
individuals
who
have
broken
away
from
the
mainstream
handle
the
dominant
narrative
and
attempt
to
change
it.
The
chapter
gives
contours
to
otherwise
abstract
experience
of
ideological
transformation
among
the
liberal
youth
activists.
Chapter
Four
contains
most
of
my
ethnographic
data
from
within
the
civilno
družstvo.
I
show
that
the
youth
activists
create
alternative
narratives,
sustaining
themselves
and
promulgating
their
ideologies
through
the
collective
practice
of
ritual
and
actions
of
external
and
internal
resistance.
Finally,
Chapter
Five
outlines
the
intimate
and
emotionally
demanding
nature
of
individual
experience
with
seeking
ideological
grounding
within
narratives
contradictory
to
the
Serbian
national
Myth.
Focused
on
a
single
event—a
commemoration
ceremony
for
39
the
1995
massacre
of
Bosniak
Muslims
in
Srebrenica—the
chapter
presents
an
ethnographic
account
of
Serbian
activists’
experience
of
‘crossing
to
the
other
[ideological]
side’.
The
experience
reveals
the
large
extent
to
which
civilno
družstvo
acts
as
a
facilitator
of
the
intimate,
personal
process
of
ideological
change,
and
sheds
light
on
the
variety
of
individual
activists’
experiences
with
the
process.
The
thesis
concludes
with
a
discussion
of
the
functional
role
that
civilno
družstvo
plays
in
facilitating
and
enabling
the
process
of
ideological
transition
among
the
involved
youth.
I
briefly
touch
on
the
question
of
impact
that
the
civilno
družstvo
plays
in
Serbia
and
the
region
at
large,
and
finish
by
evaluating
the
limitations
and
implications
of
my
work.
-‐-‐-‐
I
would
now
like
to
invite
the
reader
to
flip
the
page
and
peek
with
me
into
the
lived
experiences
of
young
Serbian
change-‐agents
who
preserve
their
ideological
convictions
and
the
energy
to
keep
pushing
for
positive
change
despite
the
hostility
of
their
environment,
constant
critique,
and
slow-‐return
of
visible
results.
40
CHAPTER
2:
THE
MYTH
AND
THE
YOUTH:
NARRATIVE
TRANSFORMATIONS
AND
CONTINUITIES
How
is
it
that
the
Serbian
national
narrative
remains
an
influential
cultural
frame
of
reference
for
Serbian
youth
in
the
context
of
the
globalized
21st
century?
This
chapter
will
answer
the
question
and
describe
how
Serbian
youth
are
engaging
with
the
ethno-‐national
narrative.
While
remaining
grounded
in
ancient
folk
motives,
the
myth
transforms,
taking
on
curious
new
forms
to
communicate
with
the
post-‐war
generation
and
to
assist
them
in
navigating
the
ideological
transitions
in
Serbia
and
newly
perceived
threats
of
the
modern
world.
The
myth
thus
assists
in
the
youth’s
identity
formation
and
explains
Serbia’s
relations
with
outsiders
and
their
institutions,
influences,
and
powerful
symbols
such
as
NATO,
McDonalds
or
the
European
Union.
First,
I
will
illustrate
the
changing
nature
of
nationalism
and
national
narratives
as
vehicles
of
nationalism.
I
will
show
that
the
new
Serbian
generation
is
easily
susceptible
to
the
old
national
narrative
because
it
provides
a
readily
available
ideological
framework
in
the
aftermath
of
a
socio-‐cultural
disintegration.
I
will
briefly
introduce
the
manner
in
which
the
myth
is
imposed
on
and
appropriated
by
the
Serbian
youth
through
pop
culture,
media
and
education.
Second,
I
will
explore
what
sentiments
the
youth
develop
as
a
result
of
adopting
the
myth,
such
as
the
curious
nostalgia
for
times
they
don’t
remember,
or
to
close
adherence
to
the
national
narrative
explaining
their
personal
sense
of
isolation
(Greenberg
2011).
Altogether,
this
chapter
will
outline
the
predominant
setting,
a
contemporary
Serbian
zeitgeist
of
sorts,
both
within
and
against
which
the
liberal
youth
of
the
civilno
družstvo
operate.
OLD
MOTIVES,
NEW
MOTVATIONS
In
the
aftermath
of
the
post-‐war
and
post-‐socialist
political
transformations
that
Serbia
has
undergone
between
1995
and
2010,
mythical
motives
and
images
from
the
old
national
narrative
have
filled
the
sudden
ideological
vacuum
in
the
changing
socio-‐cultural
environment.
Even
though
the
dominant
narrative
of
today’s
Serbia
very
closely
resembles
local
narratives
from
the
recent
war-‐times,
the
forces
fueling
its
continued
distribution
are
inspired
by
somewhat
different,
contemporary
impulses.
Exploring
the
modern
meaning
of
41
Serbian
nationalism
will
allow
us
to
explain
why
contemporary
Serbian
youth
subscribe
to
it
in
such
overwhelming
numbers
(Greenberg
2011,
Gordy
2013,
Čolović
2002)4.
The
literature
covering
the
last
two
decades
often
portrays
Serbian
nationalism
as
a
static,
unchanging
phenomenon
of
congregated
ideological
and
social
responses
to
war-‐
related
political
prompts.
As
Burawoy
and
Verdery
argue,
because
no
other
ideological
frameworks
are
available
in
the
vacuum
of
political
transformation,
“people’s
responses
to
a
situation
may
often
appear
as
holdovers
[…]
employ[ing]
language
and
symbols
adapted
from
a
previous
order”(1999).
Greenberg
(2006),
however,
correctly
points
out
that
“nationalist
forms
[also]
draw
on
a
multitude
of
contemporary
social
categories
and
relations,
making
nationalism
less
a
regressive
backlash,
and
more
a
malleable
social
response
to
changing
conditions”
(321).
Contemporary
nationalism,
thus,
can
be
based
on
old
symbols
with
novel
content,
such
as,
in
the
case
of
Serbia,
the
experience
of
transition.
Sergei
Oushakine,
examining
socio-‐cultural
changes
in
Siberia
during
and
following
the
fall
of
the
Soviet
regime
in
1991,
proposes
that
a
rapid
change
in
socio-‐political
frameworks
(such
as
the
conclusion
of
a
war
or
regime
change,
and
significant
loss
of
territory
and
status,
all
of
which
have
influenced
Serbia)
“becomes
generative,
wounds
originate
stories,
identities,
and
communities.
The
feeling
of
personal
and
collective
loss
is
transformed
into
the
main
integrative
principle
around
which
social
edifice
is
built”
(2009:207),
he
says.
The
forms
of
nationalist
sentiment
can
thus
be
identical
to
those
used
in
the
past,
but
their
meaning
and
ultimate
purpose
will
be
related
to
the
newly
recognized
challenges
of
modernity.
In
Serbia,
the
old,
basic
dichotomy
of
the
myth
-‐
the
struggle
of
the
Slav
spirit
against
the
exploitative
invaders
and
imperialists
-‐
has
been
applied
to
issues
currently
perceived
as
the
most
threatening
to
the
socio-‐cultural
continuity:
that
is,
to
globalization
and
ideological
Westernization.
“Nationalist
masculinity
is
a
resource
that
people
in
Serbia,
and
other
post-‐socialist
contexts,
have
drawn
on
in
times
of
social
and
political
crisis
in
order
to
architect
a
sense
of
continuity,
agency
and
belonging,”
Greenbergs
explains
the
resurgence
4
Although
the
literature
on
contemporary
Serbian
youth
is
scarce,
the
existing
sources
do
seem
to
confirm
its
close
adherence
to
the
nationalist
narratives.
I
am
comfortable
arguing
that
most
youth,
while
relatively
apathetic
towards
political
matters,
do
subscribe
to
the
old
narrative
as
a
bottom-‐
line
ideology
as
a
result
of
its
overwhelming
presence
in
the
public
space
and
socialization
practices.
42
of
adherence
to
the
mythical
Serbian
ideal
(such
as
the
growths
of
anti-‐LGBTQIA
movements)
as
a
means
of
navigating
the
confusing
transformation
of
categories
of
political
and
social
belonging
in
Serbia
(2006:
321-‐2).
In
order
to
overcome
the
sudden
loss
of
the
Yugoslav
social
fabric
as
well
as
the
fragmentation
of
the
Milošević-‐era
power
networks,
the
historical
narrative
was
drawn
upon
by
the
conservative
government
as
well
as
individuals
to
facilitate
the
recreation
of
social
relations
around
the
shared
trauma
and
experience
of
liminality
and
despair.
The
trials
of
Serbian
war
commandants
by
the
International
Criminal
Court
or
the
negotiations
over
the
status
of
Kosovo,
for
example,
are
now
perceived
as
events
crucial
to
setting
the
future
direction
of
the
state
ideology.
TRANSITIONAL
LIMINALITY
One
of
the
main
reasons
why
the
old
framework
of
ethno-‐national
motives
continues
to
be
so
popular
among
Serbian
youth
is
their
experience
of
being
suspended
in
the
middle
of
a
transition,
in
what
Turner
calls
liminality
(Turner
1969).
“I
love
talking
to
my
grandparents
about
Yugoslavia,”
my
informant
Anja
told
me
at
the
beginning
of
my
summer
in
Belgrade.
“Born
in
1991,
the
feeling
of
such
a
pride
of
the
state
you
live
in
is
a
unfamiliar
emotion
to
me.
I
hope
I
will
be
able
to
experience
it
one
day.”
Anja
continued
to
tell
the
story
of
her
grandparents’
memories.
“During
the
Yugoslav
period,
people
felt
they
were
united
by
ideology,
living
through
a
great
era
of
history.”
Sergei
Alex
Oushakine
described
a
similar
experience
among
his
informants
in
newly
post-‐socialist
Siberia.
“The
disappearance
of
the
Soviet
country
often
implied
the
obliteration
of
individual
and
collective
achievements,
shared
norms
of
interaction,
established
bonds
of
belonging,
or
familiar
daily
routines.”
(2009:51)
While
the
circumstances
of
socialist
collapse
differed
dramatically
between
Russia
and
Serbia,
both
transitions
seem
to
share
the
manner
in
which
liminality
and
affected
the
lives
and
ideologies
of
individuals
subjected
to
the
changes.
Similarly
my
own
informants
often
described
a
feeling
of
stagnation,
of
“being
stuck”
in
time
between
the
past
marked
by
war
and
uncertain,
not-‐yet
peaceful
present.
When
the
all-‐encompassing
ideological
system
of
Socialist
Yugoslavia
collapsed,
the
elaborate
system
of
power
division
and
state
domination
disappeared
along
with
it.
Abandoning
the
past
institutions
didn’t
automatically
produce
a
new
alternative.
Rather,
43
the
experience
of
stagnation
took
over.
The
buildings
affected
by
the
NATO
bombing
of
Belgrade
have
not
yet
been
repaired,
perhaps
as
a
consequence
of
continued
economic
hardship,
or
perhaps
as
intentionally
placed
reminders
of
the
anti-‐Serbian
Western
aggression.
Whichever
explanation
is
closer
to
the
truth,
the
old
ruins,
surrounded
by
modern
day
consumer
product
advertisements,
provide
a
powerful
visual
contrast,
a
representation
of
precisely
such
an
‘incompleteness’
of
transition
in
the
very
center
of
the
capital.
With
every
decade
since
the
revolution
overthrew
Milošević
in
2000,
Serbia
returns
to
a
government
ruled
by
former
military
commanders.
With
every
election,
recent
reforms
get
reversed,
priorities
reorganized.
No
wonder
that
neither
the
economic
transition
to
open
market
capitalism
nor
political
democratization
could
be
described
as
“complete”
in
Serbia.
The
country’s
political
elites
seem
enthusiastic
about
Western
integration
during
one
election
cycle,
and
antagonistic
during
the
next
one.
Instead
of
progress,
the
youth
often
vocalize
the
fear
of
socio-‐economic
decline,
the
lack
of
direction
(see
Figure
1
on
the
next
page).
The
generation
of
youth
born
during
the
war
does
not
remember
the
glory
of
Yugoslavia,
but
it
does
not
yet
live
in
society
which
would
offer
convincing
alternative
ideological
frameworks
and
material
pathways
to
success.
A
liberal
informant
of
mine,
Muta,
described
his
feeling
of
stagnation
to
me
by
making
a
parallel
with
the
state
of
the
sidewalks:
“The
revolution
happened,
and
then
we
started
seeing
little
changes
in
life.
The
sidewalks
changed,
for
example.
They
started
using
different
pebble
stones
in
Belgrade,
and
it
was
very
visible
to
me.
Next
to
the
market
where
I
go
the
sidewalks
changed
completely
-
they
were
completely
new.
It
was
maybe
five,
six,
seven,
8
years
after
the
revolution
that
I
was
walking,
and
I
suddenly
realized
that
I
was
disgruntled
with
what
happened
with
the
entire
democratic
movement
in
Serbia,
because
I
saw
the
same
sidewalks.
They
were
..
again
full
of
trash,
and
gulp,
and
oil,
and
liquids.
Improperly
parked
cars.
The
only
thing
that
changed
was
the
shop
windows.
They
were
new,
and
the
shop
lights
were
new,
brighter.
That’s
all.
Everything
is
still
too
expensive,
you
still
don’t
have
enough
money
to
just
live
a
comfortable
life.
That
was
probably
five
or
six
years
ago.
I’m
30
years
old.
I
already
remember
a
time
period
long
enough
to
say
-
ok,
I
know
where
this
country
is
going.
I’m
not
trying
to
say
that
things
in
Serbia
will
not
change
in
the
way
that
I
want
them
to.
I’m
just
saying
that
when
I
take
into
account
the
last
13
years,
from
2000
to
2013,
It’s
going
to
be
another
13
years
to
get
just
to
the
point
where
we
wanted
to
be,
where
we
dreamed
to
be
in
2006.”
44
Figure
2
For
the
generation
that
grew
up
within
this
vacuum,
the
transitional
liminality
itself
became
a
default
source
of
cultural
frameworks.
In
seeking
order
and
frameworks
through
which
to
interpret
their
identity,
the
youth
employ
both
the
remains
of
the
past
ideological
structure
-‐
the
traditional
frames
of
ethno-‐national
myth
with
new
meanings
attached
to
them,
as
well
as
elements
of
their
own
experience,
such
as
growing
sense
of
isolation
and
desire
for
“normalcy”
(Greenberg
2011).
Out
of
such
combination
of
fragments
of
old
and
new
social
fabric
grew
a
seemingly
schizophrenic
system,
combining
the
ideological
contradiction
of
Serb
nationalism
and
rampant
Western-‐style
consumerism,
which
provides
an
illusion
of
prosperity
for
the
youth.
Because
of
the
prevailing
state
control
over
sources
of
information,
unreformed
schooling,
passing
of
narratives
and
memories
between
generations,
and
unchanged
trends
of
media
consumption,
the
nationalist
frame
survives
as
the
dominant
reference
for
the
young
generation.
The
means
of
narrative
dissemination,
we
shall
now
see,
have
adapted
to
suit
the
taste
of
modern
youth,
further
gaining
advantage
over
the
globalizing
influences
present
in
the
Serbian
public
sphere.
The
next
section
will
show
how
the
pop-‐culture,
schooling,
and
the
media
have
contributed
to
the
prevalence
of
a
conservative
national
narrative
among
contemporary
Serbian
youth.
45
SPREADING
THE
GOSPEL
OF
NATIONALISM
Tightly
arranged
one
next
to
each
other,
splavovi
are
where
the
young
go
to
have
fun.
They
are
boats
anchored
along
both
sides
of
the
river
Sava
that
floats
through
the
city
center
of
Belgrade.
Bars,
dance
clubs,
coffee
shops
and
more
dance
clubs
come
alive
each
Friday
and
Saturday
night
to
feature
a
wide
variety
of
music
entertainment.
Most
often,
however,
one
can
hear
the
breaking
voice
of
Ceca,
the
most
popular
singer
in
Serbia,
singing
“Bio
si
moja
nevinost
i
greh,
moja
trema,
na
usnama
od
suza
krvav
trag,
kad
god
te
nema…”
(“You
were
my
innocence
and
sin,
on
my
lips
bloody
trails
of
tears
whenever
you
aren’t
here..”),
you
can
notice
teenage
girls
with
crosses
around
their
neck
in
skirts
well
above
their
knees,
stumbling
around
the
river
promenade
into
the
line
that
has
formed
at
the
nearby
McDonalds.
The
next
morning,
church-‐bells
ring,
attracting
large
crowds
of
those
who
danced
on
the
river
the
night
before.
-‐-‐-‐
Turbofolk,
a
dominant
cultural
scene
of
the
contemporary
Serbian
youth,
is
perhaps
the
single
most
important
source
of
the
national
narrative
for
the
generation
born
during
or
after
the
recent
war.
One
begins
to
understand
how
what
sounds
as
an
inconsequential
youth
culture
perpetuates
a
national
narrative,
once
we
know
that
Ceca,
the
main
icon
of
Serbian
Turbofolk
pop,
is
the
former
loving
wife
and
now
a
widow
of
Željko
Ražnatović.
Known
as
Arkan,
Ražnatović
was
the
leader
of
Arkan’s
Tigers,
one
of
the
most
powerful
Serbian
paramilitary
groups,
an
influential
public
figure
of
the
90’s.
Ceca,
the
most
prominent
idol
of
the
contemporary
Serbian
pop
culture
thus
quite
literally
married
an
icon
of
the
Serbian
war
narrative.
As
popular
imagination
became
again
interested
in
national
traditions,
roots,
and
identities
in
the
90’s,
the
Turbofolk
scene
filled
the
niche.
The
growth
of
Turbofolk
can
thus
be
considered
a
direct
product
of
ethno-‐nationalism
(Blagojevi
2012,
Gordi
2001).
Turbofolk
unified
the
newly
revived
sense
of
ethno-‐
nationalism
in
a
format
that
was
easy
to
digest,
share,
and
engage
with.
Combining
old
folk
melodies
with
modern
lyrics
and
pop
beat
(with
a
recognizable
Turkish
influence!),
Turbofolk
is
Serbia’s
answer
to
the
influx
of
Western
pop
culture,
and
defense
of
tradition,
albeit
in
modernized
format.
Fundamental
to
the
contemporary
youth
culture,
Turbofolk
preserves
the
Serbian
tradition
and
‘Spirit’,
and
engages
the
latest
generation
of
youth
in
protection
of
the
national
heritage
and
worldview.
46
Figure
3
A
photo
posted
on
the
“Ceca
Ražnatović
Serbian
Queen”
Facebook
Page
with
over
50,000
followers
commemorating
the
marriage
of
Arkan
and
Ceca.
The
influence
of
pop-‐culture,
however,
doesn’t
remain
limited
to
the
splavovi
clubs
rocking
along
Belgrade’s
river
banks.
The
motives
and
culture
of
Turbofolk
are
strongly
linked
to
and
supportive
of
the
conservative
political
leadership.
The
artists
are
regarded
as
generally
respected
public
figures
and
frequently
tasked
to
share
their
opinion
on
political
matters.
Turbofolk
concerts
are
also
known
to
carry
a
political
significance.
The
2014
New
Year’s
concert
took
place
directly
in
front
of
the
State
Parliament,
for
example,
as
one
of
the
very
few
events
to
get
the
capital
city’s
permission
to
use
the
space.
The
national
holiday
Vidovdan,
commemorating
the
1389
battle
of
Kosovo,
is
annually
celebrated
with
a
big
Turbofolk
concert
in
Belgrade.
Turbofolk
thus
offers
an
attractive
source
of
conceptual
framing
for
an
entire
generation
which
flows
naturally
from
the
narratives
of
the
past,
directly
repeating
their
folk
motives
in
a
new
context,
with
an
updated
and
attractive
meaning
and
form.
Hand
in
hand
with
the
Turbofolk,
Serbian
school
system
imposes
a
specific
framing
of
the
past
and
present
on
the
youth
.
Through
selective
history
education,
the
national
narrative
establishes
a
commonly
held
reference
to
the
past.
Because
private
schools
are
rare,
the
vast
majority
of
Serbian
school-‐aged
children
pass
through
the
state-‐
47
sponsored
education
system.
As
Toni
Bringa
points
out
in
her
ethnography
of
a
small
Bosnian
village
during
the
90’s,
the
tradition
of
schooling
as
a
“most
powerful”
agent
of
ideology
and
identity
formation
in
the
Balkans
dates
back
“at
least”
to
early
years
of
Yugoslavia
(2005b:
75).
History,
taught
in
chronological
order,
moves
from
episode
to
episode
of
the
“Serbian
National
Pantheon”,
as
Čolović
(2002:
57)
refers
to
the
list
of
selected
historical
figures
and
heroes
that
every
kid
in
Serbia
knows
by
heart.
This
Pantheon
then
forms
the
cornerstone
of
Serbianness,
many
of
my
informants
said.
“I’ve
been
learning
all
about
that
since
the
kindergarten,”
Maša
said,
when
I
asked
her
about
what
it
means
to
be
Serbian.
“First
drama
class
show,
first
songs
we
sang
with
my
friends
were
about
St.
Sava
and
Hilandar,
and
about
other
Serbian
heroes.
You
must
learn
that,
you
cannot
be
excluded
from
that,
you
cannot
not
know!
First
time
when
you
come
into
the
national
system,
you
hear
this.
The
elementary
school,
high
school.
You
learn
that
through
your
all
life.”
The
glorious
war
heroes
get
engraved
into
the
children’s
consciousness
as
representations
of
the
past,
providing
specific
texture
to
the
contemporary
Serbian
myth.
The
history
lessons,
however,
rarely
continue
past
the
establishment
of
Yugoslavia
and
its
period
of
glory.
Stefan,
a
liberally-‐minded
high
school
history
teacher
whom
I
interviewed
about
his
teaching
experience,
told
me
about
the
hardship
of
teaching
children
about
the
issues
which
are
still
controversial.
“When
I
teach
at
the
high
school
it’s
always
a
question
of
time.
Will
I
get
to
the
most
important,
“hot”
topics?
They
are
always
at
the
end
of
each
year
and
there
are
not
enough
classes.
Our
own
education
at
the
history
faculty
ends
with
the
end
of
Cold
War
because
the
topic
of
dissolution
of
Yugoslavia
is
hugely
debated
and
contested
still.
I
try
to
teach
beyond
that,
but
it
is
hard.
Kids
are
not
really
informed,
they
only
know
what
is
in
the
media
and
what
the
politicians
keep
talking
about.
They
draw
from
there.”
He
also
mentioned
how
difficult
it
is
to
teach
children
whose
family
ideologies
inform
their
take
on
the
past.
“Some
of
tem
are
influenced
from
home,
that
is
a
huge
influence.
Family
history
is
not
always
compatible
with
official
history.
You
have
different
families.
When
I
was
talking
to
one
girl
about
Kosovo
she
was
basically
repeating
the
stance
of
her
very
conservative
father,
she
didn’t
question
it.
That
is
family
education
and
you
cannot
influence
that.
You
cannot
force
it.
The
big
issues
are
NATO
and
EU,
those
are
huge.
The
independence
of
Kosovo,
too.
We
talk
about
that
also.
Kids
see
it
in
the
news,
and
then
if
they
are
interested
they
ask,
we
talk.
At
the
same
time
there
is
a
lot
of
resistance
to
what
I
have
to
48
say
in
the
classroom.
In
some
cases
they
don’t
let
me
finish
because
they
have
their
own
arguments
and
when
I
provide
counter
arguments
they
try
to
switch
the
topic.
I
try
to
provoke
them
to
explain
why
they
believe
what
they
believe.”
Stefan’s
sense
was
that
his
teaching
style
was
very
controversial
and
unusual,
however.
Most
children
are
not
asked
to
think
critically
about
the
recent
past,
as
is
obvious
from
the
results
of
a
recent
study
among
high
school
students
(see
Figure
below).
Figure
4
Answers
to
a
survey
question
“out
of
the
following
nationalities,
______
bother
me
the
most/are
our
biggest
enemies”
among
1210
Serbian
High
School
students
in
2011.
(Helsinki
Committee
2011)
Among
the
high
school
students
asked,
the
absolute
majority
chose
the
Albanians
(41.7%),
the
Croats
(29.5%),
the
Americans
(19.4%),
and/or
the
Bosniaks
(8.0%)
as
the
people
they
dislike,
all
nationalities
which
the
national
narrative
identifies
as
enemies
of
the
Serbian
nation.
The
authors
of
the
study
also
remark
that
the
percentage
for
Bosniaks
(8.0%)
is
49
likely
under-‐representative
of
the
highs
school
students’
negative
sentiments
towards
this
population
because
of
the
naming
issue:
Bosniaks
are
most
often
referred
to
as
“Muslims”
in
the
Serbian
public
arena.
In
the
comment
area
available,
many
students
reportedly
wrote
in
“Muslims”
and
“Turks”
as
the
groups
they
despised
most
which
were
not
offered
by
the
questionnaire
(Helsinki
Committee
2011:
44).
While
the
study
offers
an
improvement
from
similar
studies
done
in
the
past
(e.g.
Ilić
2000,
Milić
2009),
it
illustrates
to
what
extent
the
youth,
influenced
by
the
Turbofolk
culture,
media,
family
narratives
and
schooling,
remain
involved
in
the
nationalist
ideological
frameworks.
“Once
in
the
preparation
period
for
Days
of
Sarajevo
we
made
a
street
campaign,
asking
people
if
they
knew
where
Sarajevo
is,”
an
informant
from
a
liberal
youth
NGO
complained
to
me.
“A
lot
of
them
thought
it
was
Croatia.
And
Sarajevo
is
300
km
away
from
Belgrade,
you
need
to
know
these
things.”
She
described
her
disbelief,
and
I
could
see
the
shock
in
her
eyes
even
as
she
was
retelling
the
story.
“The
biggest
problem
in
Serbia
are
the
kids.
They
don’t
know
their
history.
They
don’t
know
the
other
sides
at
all,
and
everyone
is
really
dissatisfied
with
their
lives.
When
it
comes
to
school,
parents,
money,
life
style.
The
only
logical
thing
is
to
adopt
this
kind
of
a
mindset,
to
start
hating,
channeling
this
dissatisfaction.
To
see
your
enemy
in
all
these
people,
Bosnians,
Albanians…
but
no
one
ever
goes
to
Bosnia,
to
Albania,
to
Kosovo,
or
to
Croatia’s
sea
side.”
Turbofolk’s
national
narrative
and
the
influence
of
the
school
system
are
supplemented
by
a
third
significant
source
of
ethno-‐national
framing:
the
conservative
grip
on
the
media.
The
media
has
historically
played
a
significant
role
in
nation-‐building
and
spread
of
ethno-‐national
tensions.
During
the
90’s,
media
blockade,
for
example,
cut
news
of
protests
in
Belgrade
to
prevent
them
from
spreading
to
the
rest
of
the
country.
As
Benedict
Anderson
points
out,
“..so
often
in
the
‘nation-‐building’
policies
of
the
new
states
one
sees
both
a
genuine,
popular
nationalist
enthusiasm,
and
systematic,
even
Machiavellian,
instilling
of
nationalist
ideology
through
the
mass
media,
the
educational
system,
administrative
regulations,
and
so
forth”
(1983:
104).
In
practice,
both
the
genuine,
and
the
imposed
are
intertwined
and
indistinguishable.
Maša,
a
young
employee
of
the
Youth
Initiative
for
Human
Rights,
shared
an
anecdote
with
me
which
illustrates
well
how
the
media
continue
to
perpetuate
the
national
narrative
of
Serbian
victimhood.
50
“A
couple
years
back
we
went
to
Tuzla
[a
city
in
Eastern
Bosnia
and
Herzegovina]
with
some
younger
volunteers
for
a
commemoration
ceremony
of
the
1995
massacre
committed
there
by
the
Bosnian
Serb
army.
We
just
entered
Republika
Srpska
[the
Serb
territory
in
B&H]
and
turned
on
the
radio.
The
news
were
on,
and
after
they
mentioned
the
commemoration
ceremony
in
Tuzla
in
one
sentence,
they
went
on
for
five
minutes
abut
Serbian
victims
of
the
war.
This
is
the
best
example
I
have
of
media
trying
to
influence
the
way
you
think
about
history.”
Reflecting
the
most
prominent
political
consensus
on
controversial
issues,
the
mainstream
media
continue
to
spread
the
conservative
line.
According
to
Reporters
Without
Borders,
Serbia
ranked
63rd
out
of
179
countries
examined
for
media
freedom
world-‐wide
in
2013
(Reporters
2014).
However,
the
media
operate
in
a
highly
politicized
environment,
and
journalists
continue
to
face
physical
and
verbal
attacks,
as
well
as
political
coercion
related
to
pre-‐electoral
reporting
(Freedom
House
2013:
326).
Freedom
House
also
reports
a
significant
decrease
in
investigative
journalism
and
increase
in
self-‐
censorship
(2014).
With
Serbia’s
most
read
dailies
costing
less
than
a
few
cents,
one
wonders,
who
is
buying
what:
are
the
people
buying
the
news
or
are
the
media
agencies
buying
people’s
attention
in
exchange
for
providing
an
illusion
of
being
informed?
It’s
a
well
known
fact
among
my
informants
from
both
sides
of
the
political
spectrum
that
high-‐
level
politicians
grant
interviews
to
only
a
selected
few
journalists
from
specific
ideological
backgrounds.
A
media
survey
conducted
by
the
Serbian
Bureau
for
Social
Research
concluded
that
political
campaigns
on
radio
and
television
lack
critical
analysis,
focus
disproportionately
on
different
candidates,
and
in
2012
in
many
cases
amounted
to
political
advertising
for
the
leading
Progressive
party
of
Serbia
(BIRODI
2014).
Ownership
of
both
print
and
broadcast
media
remains
problematic,
as
both
private
and
governmental
ownership
often
exceeds
50%
per
media
outlet
(Freedom
House
2013).
Because
of
the
economic
crisis,
independent
media
are
struggling
to
compete
with
well-‐funded
state
and
pro-‐governmental
media.
Due
to
a
negligible
Internet
penetration,
the
public
broadcast
services
hold
an
enormous
monopoly
on
information.
While
the
youth
are
more
likely
than
other
social
groups
to
have
access
to
the
internet
(as
did
all
of
my
informants),
their
views
are
largely
shaped
by
those
of
their
parents
and
older
family
members
who
have
little
51
access
to
alternative
news
sources.
Access
to
internet,
in
my
own
observation,
did
not
correlate
positively
with
knowledge
of
and
interest
in
alternative
information.
NEW
CHAPTERS
OF
THE
MYTH
NARRATED
BY
THE
YOUTH
The
new
generation
might
accept
the
national
narrative
in
forms
similar
to
those
of
their
parents
and
grandparents,
but
the
manner
in
which
they
engage
and
transform
the
ethno-‐
national
framework
is
unique
and
new.
The
youth
face
their
sense
of
liminality
and
material
insecurity
with
the
illusion
of
prosperity
and
rampant
Western-‐style
consumerism
that
quite
clearly
contradicts
the
beliefs
of
the
previous
generations.
On
the
other
hand,
the
youth
indulge
in
their
grandparent’s
stories
of
‘better
times’,
times
of
Yugoslav
prosperity
and
prominence,
and
exhibit
a
collective
yearning
for
the
past
they
never
experienced.
Similarly,
the
youth
further
the
national
narrative
by
subscribing
to
what
many
have
labeled
conspiracy
theories
en
mass.
The
youth
respond
to
the
transitional
state
they
find
themselves
trapped
in
by
expanding
the
meaning
behind
the
national
narrative
handed
down
to
them.
First,
Serbian
youth,
listening
to
the
narrative,
developed
a
sentiment
of
nostalgia,
yearning
for
times
of
greatest
national
glory,
when
(and
because)
South
Slav
nations
were
united
in
common
prosperity.
Since
none
of
these
young
people
have
a
personal
memory
of
the
time,
however,
their
collective
Yugonostalgia
is
a
curious
phenomenon
of
intergenerational
memory
and
narrative
transition.
Nationalist
sentiments
anywhere
are
inherently
connected
to
celebrating
the
times
of
a
nation’s
glory,
which
are
long
gone.
In
the
Balkans,
however,
yearning
for
and
engaging
with
the
glorious
past
constitutes
and
defines
the
very
basis
of
the
glue
that
ties
a
nation
together,
because
the
Yugoslav
past
is
the
only
place
where
the
hopes
of
the
Serb
national
narrative
were
fulfilled.
A
number
of
authors
specifically
engage
nostalgia
within
the
post-‐traumatic
transformation
in
Eastern
Europe.
Nostalgia,
the
longing
for
a
home
that
no
longer
exists,
or
has
never
existed,
“a
sentiment
of
loss
and
displacement,
but
also
a
romance
with
one’s
own
fantasy”
(Boym
2001,
xv),
plays
a
significant
role
in
shaping
the
manner
in
which
the
past
is
remembered,
interpreted
and
recalled
for
today’s
purposes.
At
the
same,
time,
Oushakine
notes
that
nostalgia
provides
a
refuge,
a
sense
of
stability
and
coherence
in
the
world
shaken
by
trauma
(2009).
As
I
established
earlier,
any
great
socio-‐political
52
transformation
inevitably
results
in
a
temporary
absence
of
social
fabric.
Storytelling
and
shared
emotion
then
replace
the
fragments
of
the
previous
order,
and
generate
the
basis
of
a
new
social
edifice
in
the
unpredictable
times
of
confusing
socio-‐economic
change
(Oushakine
2009:207).
Focusing
on
the
modern
upheavals
in
Eastern
Europe,
Boym
identifies
nostalgia
as
a
defender
of
tradition
(2001).
Personal
as
well
as
collective
histories,
ultimately
nostalgic
affairs,
then
become
a
collection
of
private
or
collective
mythology,
narratives
of
“phantom
homelands,”
for
the
sake
of
which
one
might
be
ready
to
die
or
kill
(xvi),
as
the
Balkan
wars,
among
other
conflicts,
have
shown.
Yugonostalgia,
a
term
well
established
among
scholars
of
the
Balkans
as
well
as
among
local
people,
is
universal
to
all
post-‐Yugoslav
nations,
and
in
Serbia
also,
interestingly,
to
all
generations.
I
do
not
dare
to
make
conclusions
on
the
relative
strength
of
nostalgia
in
Serbia
as
compared
to
other
post-‐Yugoslav
countries.
The
nostalgic
sentiment
in
Serbia,
however,
connects
strongly
to
the
national
narrative’s
notion
of
Serbs
as
historical
unifiers
of
South
Slavs.
Because
Belgrade
has
historically
served
as
the
administrative
center
of
both
the
kingdom
of
Serbs
and
Croats,
and
of
Yugoslavia,
it
could
be
said
that
the
break
up
of
the
Yugoslav
Federation
was
more
tangible
in
Serbia
than
elsewhere.
Rather
than
‘gaining
independence’
as
the
countries
which
seceded
from
the
Union
during
the
90’s
(perhaps
with
the
exception
of
Bosnia
and
Herzegovina),
in
Serbia
the
post-‐Yugoslav
state
‘felt’
incomplete,
with
perceived
loss
of
territory.
While
Yugoslavia
was
formally
dissolved
by
the
last
two
remaining
countries
(Serbia
and
Montenegro)
in
1992,
the
successor
state,
Serbia
and
Montenegro,
allowed
for
historical
continuity
and
romanticization
of
the
Yugoslav
idea.
Nostalgia
in
the
form
of
longing
for
the
times
of
one’s
youth
and
national
prosperity
directly
experienced
by
those
old
enough
to
remember
Yugoslavia,
has
been
selectively
transmitted
to
the
young
generation
through
practices
of
collective
remembering.
Greta
Uehling,
one
of
the
few
anthropologists
to
examine
intergenerational
transmission
of
memory,
asserts
that
we
cannot
separate
memories
of
the
past
from
ongoing
events
(2004).
Combining
neurobiological
research
on
the
nature
of
human
remembering
with
ethnography
of
Crimean
Tatars
deported
to
Central
Asia,
she
shows
that
the
way
in
which
Tatars
remember
reflects
not
only
on
the
past
but
also
on
the
sentiments
of
the
present.
The
segments
of
present
reality
which
most
contrast
with
the
older
generation’s
53
idealization
of
their
childhoods
(economic
and
political
stability)
are
thus
most
likely
to
get
transmitted
to
the
next
generation’s
imagination
of
the
past.
Those
among
my
youth
informants
who
diagnosed
themselves
as
Yugonostalgic,
largely
regretted
the
fall
of
Yugoslavia
because
of
the
different
kinds
of
guarantees
they
believe
the
state
provided
to
its
citizens:
economic
wellbeing,
respectable
leadership,
all
within
the
idealized
union
of
all
South
Slavs.
During
my
very
first
interview
in
Belgrade,
Luka
(19),
a
young
law
student
said
he
feels
sorry
Yugoslavia
is
no
longer
a
reality,
particularly
because
of
the
economic
securities
that
people
the
federation
enjoyed
at
the
time.
“Everyone
was
living
such
a
good
life,”
one
of
his
friends
later
added
over
a
coffee
meeting.
“Everyone
had
a
job,
an
apartment,
it
was
a
really
nice
living
for
most
people.
It’s
really
true
that
in
Yugoslavia
people
had
a
good
life.”
In
the
minds
of
politically
conservative
or
apathetic
Serbian
youth
that
I
interviewed,
economic
security,
today
as
well
as
in
the
past,
seem
to
take
precedence
over
individual
freedoms.
“Yugoslavia
is
the
most
misunderstood
period
of
our
history,”
told
me
Stefan,
the
liberal
history
teacher,
pointing
out
that
despite
economic
comfort
of
the
majority,
Yugoslavia
was
a
dictatorship.
“People
are
hungry,
people
don’t
have
bread,”
said
Ana,
an
apolitical
Serbian
university
student
whom
I
connected
with
through
a
common
friend,
however.
“As
it
was
during
Yugoslavia,
people
should
set
their
priorities
straight
-
food
first,
then
LGBTQA
concerns.
That’s
why
I
don’t
like
the
Pride
parade
and
all
the
NGO
organizing,”
she
expressed
her
concerns.
“Our
time
needs
new
leaders,
new
decision-makers
who
will
set
the
priorities
straight
and
direct
Serbia
back
to
progress,”
she
added
at
the
end
of
our
interview,
echoing
the
sentiment
I
found
common
among
my
young
informants
as
well
as
the
older
generation.
The
transition
has
been
taking
too
long,
and
the
lack
of
direction
brings
insecurity.
Yugonostalgia
is
popular
among
the
youth
since
they
see
their
parents’
memories
of
economic
stability
and
Tito’s
leadership
in
contrast
to
their
own
unstable
realities,
and
the
all-‐South
Slav
Union,
idealized
by
the
national
narrative,
as
opposite
to
the
current
fragmentation
of
the
Balkans.
Paradoxically,
however,
as
Oushakine
points
out,
nostalgia
is
a
dangerous
sentiment,
because
instead
of
focusing
energy
and
imagination
towards
creation
of
a
better
future,
one
spends
it
on
the
creation
of
imaginary
home
in
memory
(2009).
The
prevalence
of
nostalgia
among
the
youth
would
thus
seem
counterproductive
to
their
desire
for
improvement
and
stabilization
of
their
transitional
realities.
54
The
indulgence
in
comparing
the
glory
of
Yugoslavia
with
the
perceived
stagnation
of
the
contemporary
reality
among
the
youth
go
hand
in
hand
with
rising
consumerism,
fuelled
by
their
“desire
for
normalcy,”
as
Jessica
Greenberg
defined
it
(2011).
The
parallel
occurrence
of
both
anti-‐Western
narrative
and
Western-‐style
behavior
makes
sense
if
we
consider
the
transitioning
state
(and
one
might
even
say
chaos)
of
Serbian
socio-‐cultural
frameworks.
Arriving
in
Belgrade
for
the
first
time,
I
wondered
how
a
country
troubled
by
poverty
and
unemployment
of
over
20%
(Heritage
2014),
and
much
higher
among
the
youth,
could
support
the
hedonist
lifestyles
of
the
new
generation.
Cafes
and
restaurants
seemed
always
to
be
packed
with
sharply
dressed
young
people
with
latest
cell
phone
models
in
their
pockets.
Only
after
hearing
over
and
over
again
about
financial
troubles
and
worries
of
my
informants
have
I
realized
the
abundance
is
nothing
more
than
a
carefully
crafted
image,
designed
to
provide
comfort
and
dignity
in
times
of
both
economic
and
identity
crisis
that
Serbia
is
undergoing.
Debt,
Greenberg
reports,
is
becoming
increasingly
widespread
(2011:94).
The
changes
in
state
power
as
well
as
the
changing
geopolitical
role
that
Serbia
plays
in
Europe
affect
the
intimate
narratives
and
experiences
of
the
generation
born
during
and
after
the
war
of
the
90’s.
Their
feelings
of
exclusion
from
‘normalcy’
originate
both
from
the
domestic
political
chaos
and
from
the
reluctance
of
the
West
to
consider
Serbian
citizens
worthy
of
visa-‐free
travel
regime,
something
that
the
Serbs
lost
with
the
break-‐up
of
Yugoslavia.
When
the
visa-‐free
regime
was
restored
in
2009,
Greenberg
reports,
Serbian
media
framed
the
event
as
a
“restitution
of
normal
political
and
cultural
status
that
Serbia
once
had
but
lost”
(2011:88).
The
strong
desire
to
make
use
of
access
to
Western
standards
and
goods
can
thus
be
explained
as
a
restoration
of
identity
and
status
of
the
young
Serbs,
who
struggle
to
define
themselves
in
a
society
that
has
not
yet
completed
its
transition
to
democracy
and
free
market
capitalism.
The
illusion
of
material
luxury,
like
the
previously
described
influences
of
pop-‐culture,
media
and
education
systems,
frames
the
young
generation’s
role
in
the
unstable
contemporary
world,
creating
an
illusion
of
relative
normalcy
that
shields
the
youth
from
the
chaotic
reality.
—-‐
Indulged
in
the
unproductive
consumerist
illusions
of
modernity
and
nostalgia,
the
majority
of
contemporary
Serbian
youth
isn’t
very
active
in
promoting
real
change
in
their
55
society.
The
few
who
are
engaged
often
find
themselves
on
the
extremes
of
the
political
spectrum.
On
one
hand,
those
who
subscribe
to
the
national
narrative
perhaps
more
intensely
than
the
majority,
develop
right-‐wing
organizations
set
on
improving
Serbia’s
status
through
attempts
at
recreating
the
mythical
masculine
Serbian
nation
and
culture
as
well
as
strong
sense
of
national
pride
in
the
otherwise
apathetic
society.
On
the
other
hand,
there
is
a
smaller
group
of
those
who
believe
that
Serbia’s
road
to
prosperity
leads
through
the
adoption
of
liberal
ideology,
human
rights,
critical
revision
of
the
national
narrative,
and
democratization.
While
a
study
of
the
nationalist
right
youth
activism
would
be
extremely
interesting,
my
ethnography
is
focused
precisely
on
the
lives
and
experience
of
the
second
category:
the
liberal
youth
activists.
The
next
chapter
brings
a
series
of
personal
portraits,
which
will
illuminate
how
one
becomes
a
liberal
activist
in
the
collective
of
yugonostalgic,
consumerist
peers
who
dance
at
splavovi
every
Friday
night.
56
CHAPTER
3:
THREE
STORIES:
PORTRAITS
OF
YOUTH
ACTIVISTS
Biography,
described
by
L.L.
Langness
as
“
two
voices
in
harmony”,
comprises
two
intertwined
narrative
interpretations
of
the
subject’s
life
experiences
(1981:
96).
The
writer
and
the
subject,
quite
understandably,
differ
in
perspectives
and
interpretations,
and
biography
thus
must
be
understood
as
a
result
of
an
imperfect
attempt
to
selectively
give
shape
to
and
transfer
meaning
from
memory
and
emotion
to
the
written
form.
As
such,
life
histories
and
biographies
fit
a
dilemma
central
to
the
discipline
of
anthropology—-‐that
is,
how
to
facilitate
transition
of
knowledge
from
the
cultural
framework
of
the
subject
to
the
cultural
framework
of
the
ethnographer
(and
vice
versa!)?
Nevertheless,
life
histories
have
over
the
time
formed
a
backbone
of
ethnographic
field
practice.
Recording
life
histories
has
a
long
history
in
anthropology,
and
some
of
the
most
famous
anthropologists
have
engaged
in
such
work.
Ruth
Behar’s
ethnographies
are
just
one
example
of
many
(e.g.
1993).
Looking
closer,
we
can
conclude
that
biography
produces
a
mode
of
representation
different
from,
yet
overlapping
with
more
traditional
ethnographic
analysis.
Both
methods
are
concerned
with
conveying
lived
experience
through
writing,
narration
and
representation.
However,
biography
lends
itself
naturally
to
the
focus
on
change
over
time
and
on
the
trajectories
of
the
subject’s
experience
that
intersect
multiple
shifting
influences.
These
might
otherwise
remain
insufficiently
clear
if
the
focus
centers
on
a
single
point
in
time
and
space
(as
conventional
ethnography
tends
to
do).
Michael
Herzfeld
argued
that
‘ethnographic
biography’
allows
us
to
observe
the
development
and
interaction
of
our
subject
-‐
a
social
actor
-‐
within
a
multitude
of
social
entities
and
settings
(1997:2).
Of
course,
a
single
informant’s
experience
cannot
replace
the
description
of
an
entire
local
group
of
focus.
The
juxtaposition
of
the
two
genres,
however,
opens
up
a
space
for
mutual
57
enrichment,
lowering
the
distance
between
individual
lived
experience
and
the
somewhat
static
social
analysis.
In
this
ethnography
I
will,
too,
be
using
three
short
biographical
portraits
to
compliment
the
remaining
analytical
and
contextual
chapters.
Particularly
in
a
context
as
complex
and
as
shaded
by
multiple
layers
of
irreconcilable
perceptions
as
the
modern
Balkans,
I
would
like
to
offer
the
reader
a
space
for
rest
and
relief
of
imagination.
My
informants’
life
stories
should
add
tangible
contours
to
the
reality
of
Serbian
activist
experience.
Not
only
are
the
lives
of
my
informants
representative
of
the
larger
liberal
activist
circles
in
Belgrade,
but
it
is
them
who
actively
form
and
shape
their
collectives
through
their
actions.
Their
values,
beliefs,
experiences
and
hopes
reflect
the
ideology
of
their
activist
peers,
actively
shaping
the
civilno
družstvo
in
Serbia.
Chapters
two
and
three
offered
a
glimpse
into
the
day-‐to-‐day
lives
and
meanings
of
the
majority,
focusing
on
Serbian
nationalism
past
and
present,
and
the
subsequent
snapshots
begin
a
transition
to
the
ethnography
of
the
liberal
activist
population
of
Belgrade.
Maša,
Anita
and
Ruža
are
three
young
women
involved
in
similar
activist
circles,
yet
their
stories
are
nothing
alike.
While
I
want
to
avoid
the
construction
of
‘activist
typology’
and
present
complex,
multidimensional,
and
realistic
characters,
each
of
the
following
narratives
represents
a
fate
common
among
the
liberally
minded
and
civically
active
youth
of
Belgrade.
The
representativeness
of
the
sample
shall
remain
only
approximate,
of
course,
as
the
goal
of
these
portraits
is
to
go
deeper
in
perspective
rather
than
broader.
The
following
three
narratives
portray
the
lives
of
agents
formative
to
the
civilno
družstvo
that
I
am
studying.
Maša’s
story
illustrates
the
manner
in
which
dissent
is
passed
from
generation
to
generation
as
a
most
prized
family
treasure.
It
is
not
surprising
that
she
has
gotten
accustomed
to
the
rush
and
thrill
of
protest
during
her
childhood,
spent
in
the
stormy
Belgrade
of
the
90’s.
Maša’s
mother
made
sure
that
Maša
understands
a
basic
paradigm
of
hope:
we
can
make
it
better,
as
she
was
herself
rooting
for
Otpor,
a
student
group
leading
the
demonstrations.
Speaking
of
those
experiences
as
the
source
of
her
hope
and
motivation
to
keep
pushing
for
a
“better
Serbia”,
Maša’s
words
resonate
with
so
many
others
whose
childhoods
resembled
hers.
58
The
Story
of
Ruža
speaks
of
a
unique
life
experience
as
inspiration
for
alternative
worldview.
Refugee
from
Bihać,
Bosnia,
Ruža
experienced
the
hostility
of
wartime
Serbia,
where
additional
hungry
stomachs,
Serbian
or
not,
were
seen
as
parasitic.
Today,
Serbian
nationalist
narrative
upholds
the
suffering
of
Serbian
refugees
from
Bosnia,
Croatia
and
Kosovo,
as
a
national
tragedy.
Witnessing
the
change
of
rhetoric,
the
discrepancy
between
earlier
practice
and
later
political
speeches,
Ruža
let
herself
follow
what
she
calls
“a
simple
sense
of
right
and
wrong.”
Remembering
the
anti-‐Milošević
protests
of
the
90’s,
Ruža
continues
to
struggle
with
the
slow
pace
of
change
in
contemporary
Serbia.
Anita’s
profile
points
to
a
life
crosscutting
multiple
cleavages
-‐
the
mainstream
culture
and
the
alternative
crowd,
and
the
non-‐profit
and
government
circles.
Anita,
who
grew
up
as
a
mainstream
participant
in
the
turbofolk
pop
culture
of
Serbia’s
youth,
has
made
the
transition
from
apathy
to
care
and
human
rights
work.
Her
story
also
tracks
her
path
towards
professional
political
career,
which
is
often
understood
as
irreconcilable
with
the
non-‐profit
sector.
Ambitious
to
introduce
segments
of
her
human
rights
ideology
into
serious
Serbian
politics
while
maintaining
her
femininity
within
the
mascular
world
of
Serbian
politics,
Anita
is
determined
to
prove
she
can
cross
every
boundary
she
finds.
The
particular
choice
of
stories
also,
quite
naturally,
reflects
the
strength
of
relationships
and
depth
of
interviews
that
I
was
able
to
develop
over
the
duration
of
my
fieldwork.
Like
any
ethnographer,
I
cannot
strive
for
comprehensiveness
and
perfect
representation
of
an
entire
population,
but
rather,
precise
and
detailed
representation
of
experiences
and
materials
that
most
reflect
my
particular
presence
in
the
field.
Regardless,
the
particular
offices
of
Belgrade’s
human
rights
NGOs
that
I
had
a
chance
to
engage
with
are
filled
with
individuals
whose
stories
closely
align
with
Maša’s,
Ruža’s,
and
Anita’s.
—-‐
59
1.
MAŠA:
BORN
A
REVOLUTIONARY
“I
think
all
of
us
born
in
that
period
are
somehow
marked.”
I
meet
Maša,
a
twenty-‐two
year
old
Serbian
woman,
at
the
office
of
one
of
Belgrade’s
human
rights
non
profits.
For
the
two
months
that
I
spend
as
a
guest
there,
the
fourth
floor
apartment
stays
buzzing
with
rushed
conversation,
laughter
and
cigarette
smoke
coming
inside
through
the
opened
balcony
window.
On
the
streets
below,
women
slap
their
heels
on
the
burning
sidewalks
and
men
in
dark
colors
carry
bags
with
checkered
patterns
from
the
nearby
market.
The
sharp
smell
of
watermelons
and
raspberries
fermenting
in
the
heat
penetrates
the
air.
A
bearded
accordion
musician
on
the
corner
repeats
the
Beer
Barrel
Polka
over
and
over
again.
Maša,
a
cheerful
blonde
with
an
attention-‐grabbing
haircut
wears
bright
pink
today.
Mixing
sugar
into
a
cup
of
cold
coffee,
she
checks
her
Smartphone,
pushes
thick
glasses
up
her
nose,
and
asks
me,
“What
do
you
want
to
know?”
And
so
I
ask,
and
I
listen
to
a
story
about
how
Maša
became
who
she
is
-‐
a
liberal
activist
in
largely
conservative
Serbia.
—-‐
When
speaking
about
the
nineties,
Maša’s
mother
Tamara
says
that
those
were
the
coldest
winters
she
can
remember.
She
was
baking
pastries
for
students
protesting
the
regime
under
her
apartment
windows,
just
as
her
first
daughter
was
learning
to
walk.
As
soon
as
she
learned,
nothing
could
keep
Maša
away
from
the
protesting
streets.
“I
practically
grew
up
protesting,
and
not
just
because
my
mother
would
take
me.
Somehow,
I
felt
that
I
should
be
there,”
she
comments
when
telling
me
about
her
childhood.
Tamara
watched
direct
broadcast
from
the
parliament
and
cursed,
breastfeeding
Maša’s
younger
sister,
wanting
to
go
out.
And
Maša
remembers
that
anger,
too.
—“my
entire
family
was
out
there,
everyone
who
didn’t
just
have
a
baby
born
went.”
She
recalls
sitting
in
the
window,
overlooking
a
bizarre
scene
below:
military
tanks
were
crossing
the
cobble
stone
street
under.
—“Once
I
got
a
friendship
bracelet,
that
kind
where
you
make
a
wish
while
tying
it
on,
and
I
wished
Miloševic
was
dead,”
she
remembers.
I
start
understanding
more
when
I
hear
her
recount
the
list
of
her
toys
which
were
lost
at
the
protests.
A
picture
captures
Maša
making
faces
at
a
policeman.
“It’s
that
kind
of
an
influence
which
you
cannot
run
away
from,”
she
concludes,
and
thinks
back
to
all
of
those
born
in
the
90’s.
“I
think
all
of
us
whose
parents
were
active
60
back
then,
in
Belgrade,
were
affected.”
But
outside
of
Belgrade,
and
on
the
news,
the
protests
looked
small.
“I
remember
banging
cutlery
on
pots
at
the
time
of
public
news
broadcast,”
Maša
remembers
understanding
that
TV
reports
and
reality
were
two
very
different
things.
I
am
now
completely
sure
-‐
this
girl
was
born
a
revolutionary.
—-‐
MEDIA
GRIP
ON
REALITY
“Why
didn’t
you
tell
me,
mom?”,
Maša
got
angry
with
Tamara
in
2008.
That
day,
after
coming
home
from
high
school,
she
learned
from
an
NGO
leaflet
about
the
Siege
of
Sarajevo,
the
longest
military
blockade
in
modern
European
history.
For
five
years
Serbian
army
forces
would
hold
the
Bosnian
city
of
Sarajevo
captive.
Just
two
hundred
kilometers
away
from
her,
in
the
safety
of
Belgrade,
war
horrors
took
the
lives
of
thousands.
“Why
didn’t
you
ever
mention
it?,”
she
pressed
Tamara,
who,
surprised,
inquired
back
-‐
“What
is
it
that
you
are
so
angry
about?
Siege
of
what?”
She
did
not
know.
Maša
remembers
one
more
story
that
illustrates
the
isolating
power
of
the
Serbian
media
apparatus.
“When
I
was
in
6th
grade,
watching
a
movie
I
asked
my
mum
whether
the
film
was
made
from
footage
of
Second
World
War
in
Bosnia,
or
whether
it
was
fiction.
It
turned
out
to
be
real,
new,
modern
footage
from
just
across
the
hill.”
That
time,
Tamara
was
able
to
tell
her
daughter
about
the
war
happening
next
door.
The
school
didn’t.
“You
can
just
imagine
how
many
people
in
Serbia
we
have
who
have
no
clue
about
any
of
this.
Who
never
had
any
clue,”
Maša
adds.
—-‐
THE
APATHETIC
MAJORITY
Even
those
on
the
streets
throughout
the
second
half
of
1990’s
in
Belgrade,
Maša
warns
me,
didn’t
necessarily
protest
or
know
much
about
the
war.
“It’s
not
that
we
cared
for
society
so
much
that
we
went
out
into
the
cold.
It
was
that
we
cared
about
ourselves,
because
in
the
90’s
we
were
on
the
bottom,
we
had
nothing
to
lose.”
As
opposed
to
1999,
when
those
protesting
shared
a
clear
goal
of
removing
a
dictator
from
power
and
sanctions
from
the
economy,
Maša
feels
that
many
are
lost
and
hopeless
now.
“The
biggest
problem
is
that
there
is
no
more
hope.”
There
is
no
longer
a
single
fight
to
win,
no
single
light
at
the
end
of
the
tunnel,
and
even
those
like
Tamara,
who
in
the
90’s
rushed
the
streets,
are
broken
by
the
passive
stagnation
of
today’s
Serbia,
she
sighs.
And
so
Tamara
dissuades
Maša
from
staying.
“Many
61
people
are
too
tired,
they
are
leaving.
I
felt
similarly
for
a
couple
years,
but
then
I
realized
-
what
will
become
of
Serbia
if
everyone
leaves?”
—-‐
THE
PARADOX
OF
LIBERAL
PATRIOTISM
Paradoxically,
as
Maša
attempts
to
keep
working
for
her
vision
of
a
better
Serbia
within
the
liberal
non-‐profit
scene,
she
faces
criticism.
The
public
assumes
that
criticizing
Serbia’s
war
conduct,
she
must
be
unpatriotic.
“Why
don’t
you
just
leave,
you
hate
your
country,
you
work
for
America,
they
say.
They
say
that
we
don’t
love
our
country,
like
we
are
some
traitors.”
Her
relationship
to
the
nation
is
complicated,
however.
“I
know
so
little
of
our
history,
and
what
I
know
the
best
is
the
fall
of
Yugoslavia,
and
that
I
absolutely
cannot
be
proud
of.”
Maša
laughs
that
most
of
the
history
she
knows
she
learned
outside
of
school.
What
she
knows
about
the
90’s
she
learned
through
activism
and
non-‐profit
work.
“We
have
a
very
rich,
old
history,
but
we
know
almost
nothing
about
it.
We
don’t
learn
about
the
things
which
we
should
be
proud
of.
We
are
proud
of
things
we
should
be
ashamed
for
and
we
forget
the
things
that
we
should
remember.”
This
summer,
for
the
first
time,
she
smiles,
Maša
felt
proud
of
being
Serbian
in
a
historical
context.
“My
boyfriend
and
I
went
to
the
Greek
island
of
Corfu
to
see
the
Blue
Sea
Tomb.”
The
Blue
Sea
Tomb,
Plava
Grobnica,
is
a
bay
where
hundreds
of
Serbian
soldiers
are
buried
after
an
exhausting
military
retreat
of
the
allied
forces
of
the
Entente
in
1916,
defeated
by
Mussolini’s
forces.
“That
was
maybe
the
first
time
in
my
life
when
I
felt
proud
of
Serbia
for
war
reasons.
I
was
so
proud
and
that
almost
made
me
feel
bad
but
then
I
saw
our
flag
and
I
felt
proud.”
—-‐
JOINING
AN
ORGANIZATION
Shortly
after
finding
out
about
the
siege
of
Sarajevo,
Maša
found
out
about
Čedomir
Jovanović,
a
handsome
leader
of
the
small,
young
liberal
party
in
Serbia,
who
became
known
to
the
public
as
a
leader
of
the
student
protests
in
1999.
“He’s
so
cute,”
Maša
adds,
laughing.
“I
wasn’t
even
technically
allowed
to
join
the
party
yet,
but
I
did.
I
was
only
seventeen,
and
I
knew
little
about
politics.
But
I
knew
that
I
liked
him.”
With
Tamara’s
support,
Maša
explored
the
issues
at
the
heart
of
the
party’s
agenda:
then
a
controversial
pro-‐European
stance
with
emphasis
on
democratization
and
transformation
of
Serbian
62
political
culture.
Maša
found
herself
surrounded
by
those
among
whom
she
would
grow
into
the
activist
she
is
today.
Most
of
all,
she
treasures
the
thrill
of
action,
the
adrenaline
of
making
political
graffiti,
and
the
respect
for
difference
in
opinion.
“The
favourite
part
of
my
identity
is
Youth
Initiative
now,”
she
says.
—-‐
THE
DESIRE
FOR
MEANING
“When
I
came
to
Youth
Initiative
in
2008,
I
volunteered
for
a
couple
years.
But
when
time
came
to
get
a
job,
I
wanted
to
work
for
money,
not
for
ideals.
I
wanted
to
work
from
eight
to
four,
come
home
and
forget
about
it.”
Maša
thought
she
couldn’t
keep
arguing
and
fighting
the
battle
forever.
Leaving
Youth
Initiative
to
try
something
different,
Maša
came
running
back
last
fall.
“I
realized
that
the
added
value
only
comes
if
you
believe
strongly
in
something,
and
I
couldn’t
keep
dying,
reading
emails
I
didn’t
find
interesting”
she
concludes,
happy
about
having
tried
it.
Finishing
her
cup
of
coffee,
Maša
looks
at
the
watch.
We’ve
been
talking
for
two
hours,
and
the
sky
outside
has
become
dark.
“But
you
see,
now
I
know
that
I
need
to
see
some
meaning.
I
will
stay
until
ten
tonight,
and
then
maybe
again
tomorrow,
and
that
will
be
alright.
I
will
come
back
at
five
in
the
morning,
if
necessary.”
Now
she
knows
that
separating
life
and
work
isn’t
something
she
would
be
comfortable
doing.
A
suitcase
packed
for
vacation
needs
to
contain
a
couple
books
on
social
psychology
and
the
fall
of
Yugoslavia,
and
inspiration
for
new
projects
is
always
a
welcome
topic
on
the
beach.
“At
Youth
Initiative
I
always
have
the
motivation,”
Maša
smiles.
“Because
a
change
might
be
coming
slowly,
but
it
is
coming.”
—-‐
THE
SMALL
CHANGE
It’s
all
about
faith,
she
insists.
“You
are
not
competing
in
elections,
so
you
will
not
see
from
election
results
if
your
campaign
was
a
good
one
or
not.
But
you
can
see
small
change
in
people.”
It’s
the
small
change
that
keeps
Maša
inspired.
A
few
days
before
our
interview,
a
letter
came
from
the
constitutional
court.
The
NGO’s
intern
won
a
legal
plea
about
not
having
to
see
a
priest
as
a
condition
for
abortion.
A
despised
minister
was
about
to
be
removed
from
power
for
corruption.
But
the
ultimate
measure
of
success
for
Maša
will
be
her
future
children.
“If
I
have
a
daughter
in
a
ten
year’s
time,
and
if
she
decides
to
cut
her
hair
63
off,
if
she
decides
that
she
is
a
lesbian,
if
she
can
kiss
her
girlfriend
at
a
café,
I
will
know
that
I
succeeded.”
—-‐
2.
RUŽA:
THE
GENE
FOR
JUSTICE
I
spot
Ruža
on
Trg
Republike,
the
only
person
in
the
city
center
riding
her
bike
through
the
crowd.
In
denim
shorts
torn
on
purpose
and
a
sleeveless
80’s-‐style
shirt,
with
red
hair
messily
tied
into
a
long
pigtail
I
wouldn’t
have
guessed
she’s
over
30.
We
meet
at
a
quarter
to
two
and
end
up
at
a
coffee
place
next
to
a
Studentski
Trg,
a
park
notorious
for
summer
night
movie
screenings
and
discrete
benches
for
two.
The
wind
blows
chilly,
and
we
speak
about
how
July
is
much
colder
than
usually.
Ruža
ties
her
bike
to
a
traffic
sign
post
in
front
of
the
coffee
place’s
summer
garden,
and
we
cross
the
doorstep
together.
Inside,
couches,
chairs
and
pillows
of
all
varieties.
Ruža,
a
former
employee
of
multiple
Belgrade’s
human
rights
NGOs,
and
a
self-‐proclaimed
anarchist,
slides
right
below
a
massive
painting
in
orange
and
sits
with
her
back
to
the
street
window,
gesturing
to
me
to
come
and
sit
next
to
her
-‐
“you’ll
have
it
comfortable
here.”
—-‐
THE
REFUGEE
STIGMA
“I
was
born
in
Bosnia,
and
I
lived
in
Bosnia
for
the
first
twelve
years
of
my
life,”
is
how
she
begins
a
story
of
her
coming
to
an
activist
consciousness.
Ruža
spent
her
childhood
in
Bihać,
a
predominantly
Muslim
town
in
north-‐west
of
the
Bosnian
triangle.
“It’s
was
such
a
cool
town,
but
because
both
my
parents
were
Serbs,
it
was
insecure
for
them
to
stay
once
the
war
begun
in
Bosnia
in
1992.
They
knew
everyone
in
town,
but
because
of
all
the
fear,
that
April
they
decided
to
leave.”
Just
two
weeks,
they
thought.
Ružica
packed
two
light
shirts,
leaving
behind
her
treasured
collection
of
stickers.
“We
thought
we
would
just
leave
for
a
bit
and
then
come
back.
It
was
springtime,
we
packed
light.”
As
she
recalls
the
move,
she
pours
sugar
on
top
of
her
coffee’s
cream.
Attempting
to
mix
it
together
half
of
the
cream
outs
of
the
cup.
We
laugh.
“I
escaped
the
war,”
she
smiles,
as
if
she
knew
that
I’m
wondering
how
can
one
be
so
relaxed
speaking
of
war.
“I
never
took
that
as
a
big
thing,
because
I
was
aware
of
what
happened
to
other
people.
Much
worse
things
happened
to
people
in
Bosnia.”
64
Arriving
to
Belgrade,
Ruža’s
family
found
itself
luckier
than
many
others.
Despite
being
small,
grandfather’s
flat
provided
an
immediate
refuge,
and
distant
family
connections
meant
Ruža’s
parents
at
least
stood
a
chance
at
finding
a
job.
“My
older
sister
walked
around
the
streets,
yelling,
‘I
hate
you
all,
I
hate
you
all’,
but
I
was
small,
for
me
it
was
fun,
moving
to
a
big
city,
at
least
until
school
started.”
Once
September
came
along,
Ruža
felt
singled
out
for
the
first
time.
Serbia
was
full
of
refugees,
some
from
Kosovo,
some
from
Croatia,
and
some
from
Bosnia.
“At
least
a
handful
in
every
class.
And
we
all
talked
a
little
funny,”
Ruža
recalls,
why
she
felt
unwelcomed.
High
unemployment,
food
shortages
and
inflation
all
had
to
be
blamed
on
someone.
“It
wasn’t
until
high
school
that
I
adapted
to
Belgrade
and
Serbia
and
stopped
feeling
like
I
was
hurting
somebody
just
by
being
here.”
—-
THE
SENSE
FOR
RIGHT
AND
WRONG
“I
hated
the
regime,
and
Milošević
too,
since
I
was
very
young,”
Ruža
remembers,
while
sipping
water
from
the
glass
that
came
along
with
her
coffee.
She
blamed
the
state
for
not
preventing
the
war,
for
having
to
leave
home
and
move
to
the
hostile
new
city.
“But
my
parents
grew
up
in
this
communist-socialist
system
where
they
saw
the
state
as
God.
They
really
believed
in
the
state
as
in
the
single
truth.”
Ruža’s
parents
retained
the
loyalty
to
state
even
through
the
war,
even
through
out
the
hard
first
years
in
Belgrade.
She
remembers
the
conservatism
of
her
parents
infringing
on
her
need
for
expression.
“I
was
not
allowed
to
have
an
opinion
on
anything.”
And
so
Ruža
confided
herself
to
a
journal.
“I
recently
found
this
diary,
and
I
couldn’t
believe
how
much
I
understood
back
then.”
Ruža
read
her
fourteen
years
old
self
complaining
about
how
she
hated
Milošević,
Karazdic,
and
her
own
parents,
too.
“They
couldn’t
understand
that
for
me
all
this
was
so
clearly
evil.
It’s
pretty
straight
forward,
common
sense.
If
you’re
killing
people,
you
are
evil,
that’s
that.”
Ruža
started
to
realize
she
wasn’t
ready
to
conform.
“I
don’t
know
from
where
it
came,
it
might
be
some
kind
of
a
gene
for
justice,”
she
laughs
aloud.
In
high
school,
for
the
first
time,
she
met
people
like
herself.
People,
who
were
a
little
alternative
in
every
sense
-‐
the
music
they
listened
to,
the
topics
they
found
interesting.
And
so
Ruža
found
her
first
protest
crew.
“From
that
time
a
distance
between
me
and
my
65
parents
really
started
to
build
up,”
Ruža
recalls.
The
protests
were
now
happening
almost
every
day,
and
Ruža
would
go,
join
the
crowds
in
streets,
escaping
violent
policemen
every
day
after
school.
“And
then
I
would
come
home,
and
my
parents
were
just
sitting
there,
watching
TV
news
quietly,
or
going
to
sleep,
and
I
was
so
very
pissed.”
She
throws
her
hands
into
the
air,
and
asks—-‐“how?
How
could
they
not
know
what’s
happening
outside
at
that
very
moment?
Police
was
beating
people
up,
and
they
would
just
sit
there,
not
care
about
this.
It
made
me
very,
very
angry.”
Ruža
spends
a
lot
of
time
thinking
about
how
she
came
to
understood
things
so
differently
from
her
own
parents.
“Maybe
it’s
empathy,
I
can’t
find
any
other
reason,”
she
concludes,
ruling
out
family
and
society
as
the
reason
she
became
actively
involved
in
public
matters.
—-‐
JOINING
YOUTH
INITIATIVE
“It
must
be
people
who
are
very
sensitive
to
what’s
right
and
what’s
wrong,”
Ruža
keeps
on
trying
to
answer
my
original
question
about
people
who
become
liberal
activists
in
Serbia
today.
She
stretches
her
legs
under
the
coffee
table,
gaze
fixed
to
the
distance.
“It
might
also
be
that
these
youth
NGOs
give
you
space
to
articulate
that
punk
attitude
of
rebellion
that
everyone
feels
when
they
are
sixteen,
seventeen.”
But
young
people
do
not
look
for
organizations
like
Youth
Initiative
in
order
to
fight
for
a
specific
issue,
Ruža
speculates.
“We
don’t
come
to
NGOs
to
learn
about
the
war
crimes
that
happened
in
Trnopolje
or
in
Srebrenica5,
to
learn
more
about
the
war
past.
We
come
with
that
punk
attitude,
wanting
to
fight
against
what
we
think
is
messed
up
around
us.”
“I
was
so
amazed
when
I
arrived
for
the
first
time,
those
people
were
thinking
just
like
me!”
Ruža
joined
Youth
Initiative,
as
she
says,
by
accident,
in
2007.
A
smile
passed
on
the
street
lead
to
the
passing
of
a
flier,
and
an
invitation
for
an
activist
training.
“I
was
so
righteous,”
Ruža
remembers.
“I
hated
Slobodan
Milošević,
I
was
an
atheist,
and
I
believed
in
human
rights,
but
that
alone
doesn’t
make
one
an
activist.
There
was
so
much
I
needed
to
learn.”
Ruža
sees
the
NGO
as
a
school,
an
educational
institution
substituting
the
work
public
5
Trnopolje
and
Srebrenica
are
sites
of
prisoner
camps
and
war
massacres
organized
by
Serbian
militias on the territory of today’s Bosnia and Herzegovina during the war of Yugoslav secession.
66
schools
omit
from
the
syllabi.
“They
really
upgraded
me,”
she
laughs.
What
she
values
the
most,
however,
are
the
experiences
and
lessons
that
helped
her
find
arguments
beyond
moral
judgment.
What
she
remembers
most
clearly
is
her
first
trip
to
Prishtina,
the
capital
city
of
Kosovo.
“You
see
how
actually,
despite
being
a
liberal,
opened
person,
you
are
full
of
prejudice,”
Ruža
remembers
being
shocked
that
Albanians,
portrayed
negatively
in
Serbian
public
space,
turned
out
to
be
regular
people.
“That
just
showed
me
that
those
years
of
propaganda
really
influence
everyone.
Even
people
like
me,
who
aren’t
fascists,
even
cool
people,
even
liberals.”
Coming
back
home
from
a
trip
she
enjoyed
beyond
any
expectation,
Ruža
was
disappointed
to
find
her
best
friends
mistrustful
of
her
stories
from
Kosovo.
“They
didn’t
believe
me.
That
was
really
frustrating.
You
come
to
see
the
truth,
and
you
want
everybody
to
know
that
truth,
but
you
have
to
do
more
than
just
tell
them.”
She
looks
perplexed,
sipping
the
last
drops
of
her
coffee.
—-‐
BEING
TIRED
The
work
at
Youth
Initiative
proved
to
be
exhausting.
“You
have
periods
when
you
really
stop
believing
in
everything
you
do,”
she
confides.
After
two
years
with
the
organization,
Ruža
was
tired
of
fighting
the
same
battles
over
and
over
again.
“Civilno
družstvo
has
now
been
active
for
more
than
ten
years,
and
a
lot
of
money
flew
through
with
no
visible
results.”
Her
friends
didn’t
approve
either.
“You
are
just
selling
fog,”
they
said.
But
Ruža
knows
how
hard
she
worked,
how
many
campaigns
got
done,
and
the
lives
of
how
many
individuals
were
changed.
“The
impact
was
too
small,
though,”
and
Ruža
was
craving
normalcy.
“The
whole
90’s
I
spent
out
on
the
streets,
fighting,
and
then
again
with
Youth
Initiative.
I
really
craved
normal
life,
not
having
to
react
to
every
day
politics
every
day.”
—-
LEAVING
SERBIA
In
2010,
Ruža
left
Serbia.
But
in
Germany,
the
newly
rising
Neo-‐Nazi
movement
didn’t
let
her
sleep
either.
“If
you
are
me,
you
have
the
need
to
fight
everywhere,
it’s
a
global
process.
There
is
no
way
to
escape
that.”
Engaged
in
German
anarchist
circles,
Serbian
problems
faded
away.
“It
was
so
relaxing.
I
was
reading
the
news,
but
in
a
way
there
is
always
a
certain
distance
when
you
aren’t
home.
It
didn’t
stress
me
as
much.”
Ruža
left
Belgrade
with
the
67
intention
to
never
go
back,
but
Germany
didn’t
feel
completely
right
either.
“You
are
a
foreigner,
it’s
not
your
country
you
are
fighting
for,
you
are
always
a
bit
on
the
outside.”
2012
brought
a
dramatic
election
to
Serbia,
but
Ruža
stayed
calm.
“I
was
in
Indonesia
at
the
time.
My
friends,
horrified
at
the
election
results,
were
threatening
to
leave
the
country
in
Facebook
statuses,
but
I
just
finished
meditating,
and
was
more
Zen.”
Ruža
appreciated
the
change,
a
clear
signal
to
political
parties
that
they
are
replaceable.
“Somehow,
having
a
bit
of
a
distance
changed
my
perspective.
I
think
it’s
always
good
to
take
a
break,”
Ruža
is
happy
for
having
tried
it.
“But
after
two
years
away
I
missed
Serbia
somehow,”
she
explains
why
she
decided
to
come
back.
—-‐
THE
SLOW
CHANGE
“It’s
small
steps
we
are
taking,
but
it
is
a
process.
When
I
was
in
Germany
I
understood
how
long
these
things
take.”
Ruža
feels
calm
about
waiting,
maybe
for
fifty
years.
“I
don’t
think
there
will
ever
be
an
end
to
the
process,
Germany
is
a
good
example.”
Ruža
speaks
about
the
process
of
dealing
with
the
past.
“We
have
been
working
for
ten
years
and
people
are
still
ignorant
at
large,”
she
complains
a
little,
but
switches
to
the
small
changes
she
witnessed
already.
“This
really
gives
me
hope.
When
we
first
started
to
take
people
from
Kosovo
to
Belgrade,
they
could
only
pass
with
a
Serbian
ID,
which
was
almost
impossible
to
get.
We
had
to
alert
the
authorities
that
they
will
be
crossing
the
border
months
in
advance.
Today
they
travel
when
they
want,
how
they
want,
with
a
Kosovar
ID.
More
and
more
people
come
on
their
own.
It
doesn’t
get
into
newspapers,
but
it’s
happening!”
“You
have
to
accept
the
reality,
then
its
not
as
frustrating.
I
was
frustrated,
but
now
I
am
more
Zen.
This
is
the
reality,
it
has
to
pass.
It
will
pass,
and
maybe
Serbia
will
be
like
this
for
the
next
five
decades,
but
I
accept
that.
When
we
finally
have
the
country
I
would
imagine,
I
will
be
maybe
70
years
old.
In
elementary
schools
they
will
teach
about
LGBTQA
rights,
about
dealing
with
the
past,
and
all
that.
But
I
don’t
think
it
can
go
faster.
Let’s
just
not
take
what’s
happening
here
now
too
seriously,
it
will
pass.”
68
When
we
finished,
Ruža
tried
to
put
the
bookmark,
chocolates
and
a
can
of
beer
I
gave
her
as
a
thank
you
into
one
of
her
pockets.
She
didn’t
have
anything
there,
just
a
simple
Nokia
phone,
but
the
beer
didn’t
fit.
She
said
she
lives
nearby
and
biked
of,
holding
the
can
in
one
hand
and
the
handles
of
her
bike
in
the
other.
I
was
relieved
to
learn
that
she
got
home
safe.
—-‐
3.
ANITA:
CROSSING
THE
DIVIDE(S)
It’s
a
hot
first
day
of
August
when
Anita
and
I
meet
in
downtown
Belgrade.
We
head
downhill,
past
the
tramway
tracks
and
rush
of
traffic
jam,
towards
a
tiny
café
on
Cara
Dušana.
The
two-‐floor
bar
overlooks
a
small
square,
almost
entirely
filled
with
an
old
Orthodox
Church
of
St.
Alexander
Nevski.
We
order
two
lattés,
thick
and
foamy,
and
settle
on
the
upstairs
balcony,
decorated
with
simple
wooden
tables
and
bags
of
coffee
beans.
Anita,
all
in
black,
radiates
with
energy,
speaks
loud,
and
laughs
even
louder.
Large
metal
necklace
and
straight
blond
banks
falling
over
her
eyebrows
give
her
a
polished,
but
very
original
look.
“Who
wants
the
heart
and
who
wants
the
rose?”
the
waiter
asks
jokingly
once
the
coffee
is
ready,
referring
to
the
shape
of
the
foam
ornaments
in
the
two
white
cups.
“Give
me
your
heart,”
Anita
laughs
at
him,
and
I
need
to
make
do
with
a
rose.
We
are
both
in
a
good
mood,
and
I
ask
Anita
to
tell
me
more
about
how
she
got
involved
with
the
youth
NGO
where
I
originally
met
her.
The
story
is
longer
than
I
expected.
—-‐
THE
FIVE
YEAR
PLAN
“Well,
I
was
born
in
1990,
so
I
wasn’t
even
a
year
old
when
the
war
started.
Basically,
I
didn’t
live
a
day
in
a
normal
country,”
she
begins
to
tell
me
about
her
childhood
in
the
war-‐time
Belgrade,
suffocated
with
food
shortages
and
media
blockade.
“Once
I
tried
to
make
a
five
to
ten
year
plan
for
myself
write
down,
how
I
wanted
my
future
to
look
like,”
Anita
sips
from
her
cup
and
smiles.
“But
the
next
day
the
barricades
in
Kosovo
started,
and
I
took
my
five
to
ten
year
plan
and
threw
it
out
into
the
garbage,”
she
describes
the
bizarre
insecurities
of
life
in
Serbia.
“But
I
was
the
popular
kid
in
school,
and
so
I
was
really
enjoying
myself
anyway.”
Apparently,
being
popular
among
teenagers
in
Serbia
involves
much
of
bad
music
and
even
69
more
make-‐up,
Anita
explains.
The
disco
culture
of
Serbian
90’s,
which
continues
to
show
on
Friday
nights
and
disappear
on
Sunday
mornings
comprises
of
glitter
and
time
spent
at
the
bars
and
brodovi,
dance
clubs
floating
on
the
river
Sava.
“I
wasn’t
really
interested
in
anything
then,
because
I
was
so
popular,”
Anita
laughs
and
makes
a
silly
face.
—-‐
REVOLTING
AGAINST
OUR
LIVES
She
gets
more
serious
again
as
she
begins
to
explain
more
about
the
culture
of
Turbofolk.
“Turbofolk
really
represents
the
90’s.
But
it
continues
being
popular
today,
because
young
people
don’t
have
where
else
to
focus
their
energy
on.”
The
most
popular
Turbofolk
singer,
fashionably
called
Ceca,
is
the
widow
of
Željko
Ražnatović,
known
among
Serbs
as
Arkan.
“He
was
the
biggest
war
criminal,”
Anita
fills
me
in.
“This
is
not
only
about
music”,
she
continues
with
a
grim
face,
“this
is
ideology,
a
system
of
values
that
you
participate
in.”
She
attributes
the
popularity
of
Turbofolk
to
the
ease
with
which
it
provides
satisfaction.
The
music,
inspired
by
traditional
Serbian
folk
songs,
but
modernized
to
quickly
memorable
pop
rhythms,
encourages
wild
life
of
flirt
and
focus
on
superficial
excitement.
“These
fifteen
year
old
kids
are
so
poor,
their
only
thing
in
the
world
is
having
someone
buy
them
a
drink
after
they’ve
dressed
up
like
they
are
30.
It’s
a
kind
of
revolt
against
the
rest
of
their
lives,”
Anita
explains.
Having
gone
through
the
period
herself,
she
sees
the
main
problem
in
the
lack
of
alternative
space
that
the
youth
could
engage
in.
“It’s
al
just
going
out,
drinking,
having
fun,
trying
to
kill
time.
When
you
know
something
is
missing,
but
you
need
to
revolt
because
life
is
boring.
You
have
all
the
energy,
but
you
are
putting
it
into
stupid
things
because
there
is
nothing
else,
and
you
are
young
and
you
need
to
spend
the
energy.”
Anita
blames
the
poor
education
system,
and
general
lack
of
focus
on
youth
in
the
policy-‐making
circles.
“It
really
tears
me
apart,
I
think
about
this
a
lot.
I
believe
that
instead
of
having
youth
engaging
in
these
destructive
habits,
or
being
inspired
by
the
nationalist
groups—-being
inspired
by
hate,
we
could
give
them
a
chance,
maybe
a
little
bit
like
the
chance
I
got
from
Youth
Initiative.”
—-‐
70
FROM
TURBOFOLK
TO
HUMAN
RIGHTS
“When
I
was
in
3rd
or
4th
year
of
high
school,
I
decided
that
I
wanted
something
more
from
life,
that
I
can
give
more,
and
that
I
want
people
to
get
what
I
can
give,”
Anita
describes
her
motivation
to
exit
the
Turbofolk
lifestyle.
“I
wasn’t
aware
that
that
particular
day
will
be
one
of
the
greatest
days
of
my
life,
or
even
that
a
single
day,
single
coincidence
could
change
my
life
so
much”
she
describes
the
day
when
she
first
learned
about
the
NGO
she
later
joined
as
a
volunteer.
Anita
proceeds
to
tell
me
a
story
of
seeing
an
unknown
man
wearing
a
t-‐shirt,
which
said
“I
am
the
heart
of
Serbia”,
a
clever
twist
on
the
nationalist
slogan
“Kosovo
is
the
heart
of
Serbia,”
used
by
conservative
groups
to
highlight
that
despite
political
developments,
Kosovo
remains
an
integral
part
of
their
homeland’s
history
and
culture.
“Later
I
found
stickers
similar
to
that
shirt,
and
I
sent
an
email
to
the
address
on
that
sticker.
I
didn’t
know
anything,
but
I
think
my
heart
was
on
the
right
place.”
Anita
describes,
how
she
felt
the
first
time
that
someone
listened
to
her,
“I
felt
that
I
belonged
somewhere,
in
terms
that
they
wanted
to
accept
me
as
I
was,
teach
me,”
Anita
smiles,
bursting
into
laughter
as
she
tells
me
about
all
the
jokes
that
came
to
be
about
Anita
turning
from
Turbofolk
to
human
rights.
She
describes
Youth
Initiative
as
“the
piece
that
was
missing,”
something
that
gradually
made
her
life
feel
very
fulfilling.
She
is
confident
that
also
others
can
be
rescued
from
Turbofolk.
“Now
I
believe
that
anyone
can
exit
that
world
of
self-destruction
and
boredom,
because
I
was
so
deeply
entrenched
in
it
myself,
and
I
no
longer
am.
I
now
believe
in
change,
that
the
society
can
be
changed!
My
own
story
gives
me
hope.”
—-‐
BUILDING
OUR
FUTURE
The
day
when
Anita
first
came
to
the
Youth
Initiative’s
office,
Maša
and
Luka
were
excited,
running
around
with
scissors
and
sketches.
“Come
on,
come
on,
we
are
making
stencils
for
graffiti!,”
Anita
remembers
being
pulled
in,
and
in
no
time
she
found
herself
spraying
facts
about
crimes
committed
in
Kosovo
on
the
walls
of
Belgrade,
right
next
to
the
nationalist
slogans.
“I
was
suddenly
getting
so
much
new
information.
I
couldn’t
even
believe
how
much
I
never
heard
about,”
Anita
remembered
her
first
year
as
a
volunteer
in
the
Youth
Initiative.
“And
so
I
had
to
start
figuring
out
how
to
deal
with
the
new
information.
I
thought
I
had
a
pretty
bad
childhood,
but
then
I
begun
meeting
people
from
Sarajevo,
born
during
the
Siege,
71
and
I
realized
-
damn,
what
a
wonderful
childhood
I
had.”
During
Anita’s
first
trip
to
a
commemoration
ceremony
in
Bosnia,
she
felt
like
she
should
apologize
for
crimes
that
she
never
asked
anyone
to
commit,
and
thought
a
lot
about
how
strange
that
was.“
I
was
five
when
this
massacre
happened,
why
should
I
say
sorry?
But
then
I
realized
it’s
not
about
the
apology,
it’s
how
you
are
taking
the
lesson
and
applying
it
to
building
the
future.”
Anita
reflects
on
the
meaning
of
‘reconciliation’.
“Reconciliation
is
such
a
perfect
word
in
English.
In
Serbian
it’s
simply
‘pomirenje’,
but
in
English,
pronouncing
it
almost
feels
like
what
it
is
-
a
reincarnation
of
relations.”
She
believes
that
reconciliation
comes,
when
two
sides
are
able
to
work
together.
“You
don’t
need
to
love
each
other,
but
you
need
to
function.
See
what
happened,
talk
about
it,
convict
those
who
are
responsible
for
the
crimes,
and
start
a
normal
life
again.”
—-‐
FEAR
Involvement
with
Youth
Initiative
made
Anita
comfortable
standing
up
for
what
she
believes
in
public.
In
a
country
flagged
by
Human
Rights
Watch
for
the
high
frequency
of
violent
hate
crimes
against
the
country’s
sexual,
ethnic,
and
political
minorities
(Human
Rights
Watch
2013),
speaking
up
about
highly
unpopular
issues
presents
a
serious
risk
to
personal
safety,
however.
“I
do
feel
safe,”
Anita
says
resolutely,
when
I
ask.
“But
that
just
means
that
something
is
probably
wrong
in
my
head,
because
I
am
not
afraid,
perhaps
I
should
be.”
But
then
she
goes
on
to
describe
a
pact
she
made
with
herself.
“After
an
action
we
did,
in
which
I
was
pretending
to
be
a
bride
marrying
another
woman
in
public,
I
was
coming
home
and
looking
behind
my
shoulder
if
someone
was
following
me.
But
then
I
realized
what
I
was
doing
and
stopped.
I
said
to
myself,
‘you
knew
that
this
was
going
to
happen’,
and
made
a
deal
with
myself
that
I’m
not
going
to
be
afraid.
These
are
the
consequences,
this
is
how
it
is,
it
has
to
be
done.”
Her
parents
are
worried,
but
Anita
stands
by
her
decision.
“My
friends
were
also
worried
about
me,”
Anita
laughs,
scraping
the
rests
of
the
foam
from
her
coffee
cup.
“When
I
was
leaving
to
Prishtina,
Kosovo,
for
the
first
time,
they
were
all
acting
like
I
was
going
into
a
concentration
camp.”
Prishtina.
Anita
spends
the
next
ten
minutes
dreaming
about
Prishtina.
“It’s
my
favourite
city
in
the
entire
whole
world.
And
now
my
friends
are
always
asking
me,
when
I’ll
take
them,”
she
describes
their
change
in
72
attitude.
“I
think
in
some
way
people
do
change.
Not
only
because
they
see
me
going
and
coming
back
and
going
again,
excited.
Actually,
one
of
my
friends
ended
up
going
to
Prishtina
by
herself
earlier
this
summer.”
But
it’s
not
only
about
the
friends,
who
are
influenced.
The
entire
office’s
influence
cannot
be
measured.
“We
don’t
know
how
far
the
impact
of
our
work
travels.
We
don’t
the
names
of
the
people
who
change,
but
who
knows,
maybe
we
had
influence
on
them
a
little
bit.
But
the
NGOs
can
never
do
it
on
a
scale
large
enough
to
change
a
lot
of
people
in
shorter
amount
of
time.”
—-
THE
SERIOUS
POLITICS
It
looks
like
the
NGO
sphere
is
no
longer
a
single
actor
in
the
public
space
who
cares
about
dealing
with
the
past
and
human
rights,
however.
“Do
you
want
to
hear
the
real
story
or
the
official
story
of
how
I
got
involved
with
the
Youth
of
the
Social
Democratic
party?”
Of
course,
the
real
one,
I
say.
“I
first
sought
to
connect
with
this
political
group
because
I
heard
they
throw
hell
good
parties!,”
Anita,
who
is
now
the
president
of
the
entire
youth
branch,
laughs.
While
originally
she
didn’t
think
political
involvement
would
be
interesting
to
her,
she
realizes
the
limitations
of
NGO
work.
Her
party
remains
in
opposition,
below
the
threshold
necessary
for
public
office
representation.
“At
one
point
I
realized
that
a
lot
of
the
people
I
knew
from
the
non-profit
scene
were
members
or
fans
of
this
party,
and
that
I
respect
everyone
sitting
around
the
table
here
so
much.
I
decided
to
get
involved
more,
and
I’m
hoping
that
maybe,
in
ten
years,
I
could
be
in
serious
high
politics.
Even
though
you
know
how
I
feel
about
planning
for
the
future
in
Serbia,”
she
jokes.
“For
women
it’s
really
hard
to
get
higher
in
politics
here,”
Anita
sighs.
“But
I
will
not
wear
suits
and
I
will
not
be
a
brunette.
I
will
be
blond,
I
will
be
wearing
a
lots
of
jewelry
and
the
pink
color
that
I
love,
and
it
won’t
make
me
less
intelligent
or
knowledgeable
about
things.”
Anita
explains,
that
she
wants
to
fight
on
her
own
terms.
She
proceeds
to
talk
about
the
older
women
at
her
NGO.
“They
are
my
role
models,
they
are
so
powerful.
They
are
not
part
of
the
male
world,
they
are
so
fashionable
and
feminine,
yet
everyone
respects
them.
I
want
to
bring
a
woman
like
that
into
politics.
At
least
one,
myself,
one
day.”
….
.
.
.
.
73
—-‐
With
these
three
women
we
embarked
on
an
exploration
of
the
civilno
družstvo.
With
an
image
of
specific
individuals
in
mind,
let’s
go
ahead
and
outline
more
of
what
this
sector
of
Serbian
society
looks
like,
and
in
what
ways
they
resist
the
dominant
Serbian
narratives.
74
CHAPTER
4:
CIVILNO
DRUŽSTVO
The
civilno
družstvo
is
where
youth
like
Ruža,
Anita
and
Maša
find
their
niche.
This
chapter
will
assert
that
in
opposition
to
the
dominant
Serbian
myth,
the
liberal
youth
individually
and
collectively
formulate
and
sustain
alternative
narratives
to
guide
their
daily
existence,
activism,
and,
among
additional
things,
also
their
hopes
for
the
future.
I
will
show
how
the
concepts
of
human
rights
and
transitional
justice
become
the
central
elements
of
these
alternative
narratives,
weaved
together
by
the
motive
of
responsibility.
Bulk
of
the
chapter
will
focus
on
how
the
liberal
narratives
get
reproduced
and
collectively
negotiated
through
ritual-‐like
actions
and
practices
among
those
participating
in
the
civilno
družstvo.
The
section
will
conclude
with
a
brief
discussion
of
the
goals
and
aims
prevalent
among
the
youth
participating
in
these
alternative
ideologies,
and
their
thoughts
on
reconciliation.
Because
both
my
working
desk
and
primary
informants
were
located
at
the
office
of
Youth
Initiative
for
Human
Rights,
a
large
portion
of
my
ethnography
will
focus
on
that
organization
specifically.
My
aim,
however,
is
to
describe
and
analyze
trends
of
alternative
ideology
formation
and
preservation
present
through-‐out
the
civilno
družstvo.
—-
The
youth
who
participate
in
civilno
družstvo
are
not
exempt
from
influences
of
the
dominant
Serbian
narrative
that
come
from
the
schooling
system,
public
space,
and
other
sources
discussed
more
closely
in
chapter
Two.
They,
too
are
experiencing
the
liminality
of
Serbian
post
socialist
and
post-‐conflict
transition.
With
present
defined
by
nostalgia
rather
than
by
progress
or
direction
for
the
future,
the
insecurity
and
frustration
of
their
perceived
social
as
well
as
political
stagnation
affects
the
liberal
youth
just
as
it
impacts
their
more
conservative
or
politically
apathetic
peers.
In
contrast
to
them,
however,
the
liberal
youth
activisst
do
not
respond
by
adapting
and
embracing
the
national
myth.
Seeking
to
establish
order
amidst
the
fragmented
social
fabric
(Oushakine
2009),
the
liberal
youth
make
an
effort
to
renegotiate
rather
than
re-‐establish
the
previous
social
75
structures
promoted
by
the
dominant
national
myth.
Instead
of
attempting
to
restore
the
old
social
norms
and
cognitive
frames,
they
rethink
them,
introducing
new
narratives
to
the
society,
which
are
largely
at
odds
with
the
prevalent,
state-‐sponsored
motives.
Few
anthropologists
focus
on
the
power
of
the
civil
sector
to
offer
ideological
direction
to
their
societies.
Catherine
Wanner,
writing
on
post-‐Socialist
transition
in
the
Russian
Federation,
however,
notes
that
“state
ideology,
secular
dissidents,
and
religious
communities
are
the
three
main
sources,…
that
provide
the
foundation
for
moral
codes
and
understandings
as
to
what
constitutes
authoritative
knowledge
and
truth”
(2011:
219).
Jarrett
Zigon
(2011),
similarly,
notes
that
secular
non-‐state
actors
often
act
as
a
source
of
the
“cultural
and
epistemological
questioning”
that
he,
too
finds
to
be
typical
for
periods
of
social
and
political
upheaval
(3).
Frequently,
anthropologists
have
studied
Orthodox
Christianity
as
a
source
of
morality
and
ethics
in
transitioning
Eastern
European
societies
(e.g.
Etkind
1996,
Hann
&
Hermann
2010,
Heintz
2009,
Zigon
2011
and
others),
but
rarely
have
they
addressed
secular
sources
competing
with
state
authority
and
the
Church
in
articulating
coherent
and
widely
acceptable
notions
of
morality
and
ethics6.
Contemporary
Serbia
could
be
well
described
as
a
land
struggling
to
negotiate
and
commit
to
a
viable
and
productive
source
of
ideological
guidance.
While
the
conservative
State
and
the
Orthodox
Church
perceive
an
erosion
of
morality
in
Serbia
to
be
the
result
of
corrupting
influence
of
the
Western
liberalism
and
unrestrained
consumerism
(Čolović
2002,
Greenberg
2011,
interviews
with
conservative
youth),
my
liberal
informants
perceive
the
practical
manifestations
of
the
dominant
Serbian
myth
to
be
at
the
center
of
Serbia’s
contemporary
ideological
and
socio-‐political
stagnation:
“In
Serbia,
almost
every
current
issue
has
a
weigh
on
it
that
comes
from
history.
In
national
terms,
the
inter-ethnic
relationships
and
conflicts
from
the
past,
and
in
economic
terms
it
would
be
the
communist
period.
Those
are
the
weights
that
remain
and
the
excuses
that
are
used
not
to
do
something
now.
People
just
got
accustomed
to
using
things
that
happened
in
the
past
as
excuses
for
the
current
situation,
as
reasons
not
to
act
now.
Why
aren’t
we
doing
anything
differently?
Economists
say
it’s
because
the
communists
wrecked
the
country.
And
the
inter-
ethnic
relations…
they
say
Serbia
had
more
territory
before,
or
more
lived
there,
6
More
influence
on
the
role
of
the
Orthodox
Church
in
perpetuating
and
teaching
the
national(ist)
narratives
ought
to
be
conducted.
Because
my
own
time
in
the
field
was
limited,
this
issue
remains
largely
open
to
investigation.
76
and
that’s
why
we
shouldn’t
now
let
the
others
live
here,
and
so
on.
The
nationalist
rhetoric
is
a
cover
up
for
not
moving
forward.”
-‐
Muta
THE
COUNTER-NARRATIVES
Individuals
who
feel
that
the
prevalent
national
myth
is
an
obstacle
to
progress
turn
to
the
readily
available
legacy
of
anti-‐war
and
anti-‐Milošević
protests
from
the
2000.
Only
very
few
of
the
many
organizations
active
in
the
civilno
družstvo
in
Belgrade
today
carry
a
direct
institutional
memory
of
those
protests,
however.
Serbian
branch
of
the
global
feminist
and
pacifist
organization
Women
in
Black,
Žene
u
Crnom,
are
one
of
the
few
groups
with
a
presence
and
rhetoric
in
Serbia
that
dates
back
to
those
times.
The
majority
of
organizations
within
civilno
družstvo
who
work
with
(or
are
comprised
of)
the
youth,
however,
are
much
newer
and
therefore
lacking
the
clear
narrative
link
from
the
anti-‐
Milošević
protests
of
the
1990’s,
even
though
the
do
cherish
the
legacy,
and
see
themselves
as
a
part
of
the
same
trend.
After
the
fall
of
Milošević’s
regime
in
2000,
Serbia
has
been
targeted
by
Western
institutions
and
non-‐profit
foundations
such
as
the
Helsinki
Committee
for
Human
Rights,
OSCE,
National
Democratic
Institute,
or
America’s
Development
Foundation.
Their
involvement
has
brought
with
them
specific
frameworks
and
terminology
of
post-‐conflict
and
post-‐socialist
recovery.
The
new
ideological
frameworks
set
forth
by
the
civilno
družstvo
have
therefore
developed
partially
from
the
legacy
of
Serbia’s
war-‐time
opposition,
partially
from
the
frameworks
of
Western
liberal
institutions
and
scholars
emphasizing
transitional
justice
and
human
rights,
and
partially
from
the
contemporary
local
rhetoric
of
protest
against
the
status
quo.
I
will
now
introduce
the
motives
that
constitute
the
liberal
narratives,
each
of
which
was
almost
universally
accepted
among
my
informants:
the
human
rights,
transitional
justice,
and
responsibility
to
make
change
happen
in
Serbia.
HUMAN
RIGHTS
The
first
narrative
employed
by
the
civilno
družstvo
makes
a
normative
argument
about
the
universality
of
human
rights
naturally
allotted
to
every
individual
regardless
of
further
identities
and
characteristics,
such
as
nationality
or
sexual
orientation.
This
framework
has
been,
aside
of
figuring
in
the
title
of
many
of
the
civilno
družstvo’s
organizations,
77
predominant
in
my
liberal
informants’
answers
to
questions
such
as:
“what
are
the
issues
in
Serbian
society
that
need
to
be
addressed?”
—
lack
of
respect
for
difference
and
human
rights,
or
“What
do
you
hope
your
country
will
look
like
when
your
work
is
finished?”
—
I
can’t
stop
working
until
the
Serbian
society
used
to
protecting
human
rights
and
to
all
those
who
are
different.
‘Human
Rights’,
a
term
referring
most
recently
to
the
United
Nations’
Universal
Declaration
of
Human
Rights
(adapted
in
1948),
has
been
mentioned
daily
by
my
informants
from
civilno
družstvo.
‘Human
rights’
have
been
used
as
slogan
justifying
action,
as
the
pass-‐code
validating
demands
for
change,
but
they
were
rarely
defined.
When
outlined,
the
concept
was
presented
as
closely
linked
to
my
informants’
idea
of
a
“normal”,
healthy,
democratic
society,
such
as
in
the
statement
made
below
by
Lazar,
one
of
the
young
volunteers
at
YIHR.
The
human
rights
narrative,
I
observed
among
my
young
liberal
informants,
serves
as
a
model
of
and
for
ideal
social
interaction
that
is
inherently
tied
to
and
enabled
by
democratic
governance
(Geertz
1973).
“I
don’t
like
when
people
don’t
respect
other
people
and
I
think
Human
Rights
are
very
important.
I
always
say
‘we
all
have
rights
as
long
as
our
rights
don’t
interrupt
those
of
others’.
That’s
democracy.
If
we
want
to
live
in
a
normal
country,
in
a
democracy,
we’ve
got
to
follow
it,
be
led
by
it,
but
people
don’t
really
do
that.
Human
Rights
are
really
important
because
even
if
we
don’t
like
someone
it
doesn’t
mean
we
should
be
harming
them.
You
cannot
kill
or
abuse
just
because
you
don’t
like
what
someone
does.
You
can
disagree.
Maybe
I
don’t
like
that
you
are
gay
or
an
Albanian.
But
that
wasn’t
your
choice,
you
didn’t
choose
it.
But
people
don’t
get
it.”
-‐
Lazar
The
concept
of
Human
Rights,
resting
on
assertions
of
human
equality
despite
diversity,
isn’t
compatible
with
the
Serbian
state
sponsored
ethno-‐centric
conservatism,
however.
The
Human
Rights
narrative
challenges
the
dominant
perception
of
‘how
the
Serbian
society
ought
to
be’
according
to
the
national(ist)
myth.
The
imposition
of
the
human
rights
concept
on
Serbian
society
though
the
activities
of
civilno
družstvo
has
been
perceived
as
an
attempt
of
the
West
to
undermine
Serbia’s
strong
Orthodox
morale
and
relative
independence
from
the
international
community.
Despite
my
informants’
understanding
of
the
concept,
Human
Rights
continue
to
be
judged
as
an
obtrusive
framework
brought
into
Serbia
by
the
West.
The
concept
is,
indeed,
associated
with
Western
liberalism
in
both
historical
development
and
contemporary
practice.
Modern
theorists
of
human
rights
and
78
liberalism
struggle
to
divorce
Human
Rights
from
their
original
foundations
in
Western
religious
philosophy
(Donelly
2003:47).
Similarly,
one
cannot
dismiss
the
political
role
human
rights
and
similar
concepts
have
played
in
the
foreign
policy
of
Western
powers
throughout
the
twentieth
and
twenty
first
centuries.
Some
interpretations
even
go
as
far
as
to
point
to
human
rights
as
a
disguised
replacement
of
the
realist
Cold
war
strategies
of
the
1980’s
(Guilhot
2005).
The
human
rights
ideology
and
global
practice
thus
contains
characteristics
which
allow
its
interpretation
along
the
lines
of
the
Serbian
national
myth.
“They
usually
say
that
we
are
unpatriotic,
because
we
bring
these
Western
ideologies
into
Serbia
and
try
to
implement
them
here,”
says
Aleksandar.
“But
for
me
that
is
just
a
sign
that
people
haven’t
gone
through
the
democratic
transition
in
their
minds
just
yet.”
He,
too,
emphasizes
the
connection
between
democratization
and
recognition
of
liberal
values
as
beneficial
for
the
wellbeing
of
an
entire
society.
“It’s
way
easier
to
say
that
human
rights
are
foreign,
that
the
ideas
about
equality
and
respect
have
been
brought
here
from
the
West,
than
it
is
to
ask
oneself
what
is
it
that
we
are
doing
wrong,”
Anita
believes,
asserting
that
Human
Rights
don’t
necessarily
need
to
be
understood
as
a
foreign
concept.
Numerous
sociological
and
anthropological
works,
in
fact,
focus
on
describing
human
rights
as
socially
constructed
and
locally
justified.
Interpreted
in
such
manner,
human
rights
can
be
imagined
and
enforced
by
those
to
whom
they
would
apply,
rather
than
being
imposed
from
the
outside.
Gregg
(2011),
for
example,
proposes
human
rights
to
be
a
process
of
local
learning
which
“’cognitively
reframes’
local
cultural
and
political
elements”
in
ways
that
are
more
corresponding
to
the
local
understanding
of
equality
(135).
One
could
argue
that
the
coalition
between
Serbian
liberal
activists
and
the
minorities
they
protect
(LGBTQA,
non-‐
Serbian
ethnics
within
the
country,
etc.)
is
precisely
a
start
of
such
local
reframing
of
moral
practice,
even
though
in
reality
one
can
hardly
unwind
the
various
influences
which,
together,
inspire
the
founding
of
native
human
rights
demands
and
movements.
The
Serbian
civil
civilno
družstvo
offers
an
opportunity
to
engage
with
and
combat
a
whole
range
of
human
rights
issues
and
violations.
This
intersectionality
of
interests
struck
me
when
I
first
arrived
to
Belgrade
and
begun
to
acquaint
myself
with
the
non
profit
scene.
On
my
first
day
in
the
office
of
Youth
Initiative
for
Human
Rights,
nothing
else
but
LGBTQA
rights
were
discussed
and
I
felt
confused.
Did
I
offer
to
volunteer
at
a
different
organization
than
I
thought?
My
experience
with
non
profit
sectors
in
Central
and
Western
Europe
as
79
well
as
in
the
United
States
didn’t
prepare
me
for
the
intersectional
approach
of
civilno
družstvo.
“Human
rights
don’t
have
a
hierarchy,”
Jasmina
said
when
I
asked
her
about
it
after
a
few
days
at
the
office.
We
sat
on
a
little
office
balcony
as
she
smoked
her
cigarette,
explaining
that
you
cannot
measure
and
compare
pain.
“You
have
to
respect
all
human
rights
equally.
Everyone
is
born
equal,
all
violations
of
rights
are
making
someone
miserable.
We
work
on
transitional
justice
a
little
more
than
on
the
other
issues,
but
we
try
to
pay
attention
to
them
all.”
To
the
young
liberal
activists
human
rights
serve
a
function
of
moral
framework
which
is,
regardless
of
its
origin,
perceived
as
relevant
and
necessary
in
the
region.
“So
what
would
be
our
alternatives,
if
we
were
to
give
up
human
rights?
What
is
it
that
we
should
strive
towards?”
Maša
asks,
what
she
usually
asks
those
who
accuse
her
of
working
against
Serbia.
My
informants
from
civilno
družstvo
do
not
perceive
themselves
as
agents
of
foreign
ideology
and
interest.
While
Western
interests
do
lend
themselves
to
the
local
activists
in
the
form
of
financial
support
and
provision
of
an
theoretical
frameworks
and
vocabulary,
those
who
are
discriminated
against
in
Serbia
as
a
result
of
the
post-‐war
ethnic
resentment
and
prejudice
towards
difference
demand
respect
and
equality
by
themselves,
regardless
of
outside
support
for
their
cause,
my
informants
often
explained.
Human
rights,
however
ambiguous
in
terms
of
foundations
and
questions
of
cultural
and
moral
imperialism,
serve
as
a
framework
of
moral
reference
for
those
striving
for
justice
who
do
not
find
satisfactory
guidance
in
the
Serbian
Orthodox
tradition
or
the
related
State-‐sponsored
narratives.
TRANSITIONAL
JUSTICE
“We
are
always
stuck
in
history
which
is
not
dealt
with,”
Maja
Mićić,
director
of
Youth
Initiative
for
Human
Rights
in
Belgrade
repeated
multiple
times
during
my
stay,
and
so
did
many
others
who
referred
to
the
silence
surrounding
Serb,
Croat,
and
Bosniak
historical
aggression
as
one
of
the
main
causes
of
prevailing
regional
instability
in
the
Balkans.
‘Dealing
with
the
Past’
-‐
‘Suočavanje
sa
prošlošću’,
as
my
informants
referred
to
transitional
justice,
has
been
overwhelmingly
present
during
my
time
in
Belgrade.
The
concept
served
as
a
foundation
for
both
public
and
private
events
and
conversations
of
the
civilno
družstvo
as
well
as
for
the
activists’
personal
explanations
of
what
progress
ought
to
look
like
in
Serbia
and
in
the
Balkans
if
the
region
is
to
exit
a
century
long
series
of
conflict.
80
In
the
academic
and
professional
circles,
transitional
justice
is
customarily
defined
as
“the
set
of
measures
implemented
in
various
countries
to
deal
with
the
legacies
of
massive
human
rights
abuses”
(Teitel,
2000).
Theories
of
transitional
justice
presume
that
truth
about
violence
committed
needs
to
be
told
in
order
to
arrive
at
an
environment
conducive
to
reconciliation
(Kiss,
2000:
71).
Typically,
the
process
includes
many
formal
and
informal
mechanisms
of
truth
telling,
criminal
prosecution
of
individual
perpetrators,
recognition
and
reparation
of
the
victims
as
well
as
institutional
reforms
and
grassroots
project
aimed
at
breaking
prejudice
between
former
war
adversaries.
Faith
in
the
effectiveness
of
transitional
justice
as
a
means
of
‘normalization’
forms
the
second
narrative
of
the
alternative
liberal
ideology
formulated
and
promoted
by
civilno
družstvo.
Because
of
limits
to
their
capacity,
the
civilno
družstvo
engages
predominantly
in
small-‐scale,
experiential
transitional
justice
initiatives.
By
narrowing
their
scale,
the
activists
rarely
engage
directly
with
the
large
regional
and
international
instruments
that
have
proven
to
be
problematic.
The
civilno
družstvo’s
use
of
the
concept
continues
to
be
perceived
with
negativity
similar
to
that
generated
by
large-‐scale
initiatives
that
failed
to
win
over
the
majority
population,
however.
Specifically,
many
have
condemned
transitional
justice
projects
because
their
primary
purpose
is
to
find
and
explore
weak
spots
in
the
predominant
national
narrative,
such
as,
for
example
the
ICTY’s
focus
on
crimes
committed
by
Serbs
on
Bosnian
Muslims
or
in
Kosovo
during
the
wars
of
the
90’s.
Such
emphasis
attacks
the
dominant
myth
and
attempts
to
expose
its
limitations
in
explaining
reality
of
both
the
past
and
the
present.
Often,
transitional
justice
as
a
concept
is
evoked
and
criticized
in
relation
the
failures
of
the
largest
transitional
justice
body
in
the
region:
the
International
Criminal
Tribunal
for
Former
Yugoslavia
(ICTY),
which
has
not
succeeded
in
assuming
a
position
of
legitimacy
among
local
people.
In
both
Croatia
and
Serbia
the
involvements
of
ICTY
provoked
a
large
protest
because
of
what
the
international
community
saw
as
a
means
to
reconciliation
-‐
the
attempt
to
create
a
single
narrative
of
a
single
‘historical
truth’
of
the
Balkan
wars
of
the
90’s
-‐
opposed
both
the
Croatian
and
the
Serbian
versions
of
the
events
(Pavlakovic
2010:
1716).
As
an
instrument
of
creating
history,
the
ICTY
threatened
to
endanger
the
existing
collective
memories,
narratives
and
justifications
of
the
war,
and
by
81
association
also
the
identities
and
cognitive
frameworks
of
the
people
subscribing
to
the
conflicting
narratives.
The
Serbian
national
myth
speaks
of
great
bias
of
all
Western
institutions
and
actors
against
all
Serbs
in
the
region,
including
ICTY,
who
has,
indeed
charged
many
more
Serbian
perpetrators
than
Croatian
ones.
Serbia
had
only
been
persuaded
to
communicate
with
ICTY
after
the
delivery
of
a
large
development
aid
package
was
conditioned
by
the
extradition
of
Slobodan
Milošević
to
Hague
(Grodsky
2009:700).
His
arrest
by
the
international
court
was
followed
by
domestic
charges
of
national
treason
and
assassination
of
the
‘traitor’
-‐
prime
minister
Dindic
-‐
two
years
later
(Ristic
2012:35).
Nor
have
subsequent
trials
with
Serbian
perpetrators
made
progress
in
challenging
the
Serbian
national
narrative
in
the
eyes
of
Serb
citizens.
The
accused,
repetitively
portrayed
in
the
media
as
victims
of
the
ICTY
and
Western
anti-‐Serb
conspiracies,
are
promoted
to
the
status
of
national
heroes
who
defend
state
interests
against
those
of
the
West.
Long,
emotional
interviews
with
their
crying
relatives
and
friends
are
broadcasted
nation-‐wide.
Such
‘accused-‐centered-‐reporting’,
as
Katarina
Ristic
calls
it,
focuses
primarily
on
topics
such
as
procedural
rights,
health
and
prison
conditions
of
those
accused
(2012:36),
and
presents
the
crimes
of
those
tried
as
‘alleged’
euphemisms
or
accidents
(ibid).
In
2011,
40%
of
Serbs
questioned
asserted
that
the
main
purpose
of
ICTY
is
to
“put
blame
for
war
sufferings
on
Serbs”,
and
17%
said
ICTY
works
primarily
“to
meet
the
demand
of
international
community”
(OSCE
2011).
Any
constructive
discussion
of
the
meaning
and
implications
of
the
ICTY
ruling
on
Serbian
perception
of
the
past
has
thus
been
overshadowed
by
the
ethno-‐nationalist
cry
of
injustice
(Ristic
2012:37).
The
concept
of
transitional
justice
thus
carries
negative
connotations
and
clearly
aggravates
the
Serbian
perception
of
global
bias
against
Serbia
(Grodsky
2009;
Hodzic
2013;
Kasapas
2008;
Kerr
2007;
Klarin
2009;
McDonald
2004).
Individuals
from
the
civilno
družstvo
in
Serbia
do,
however
adopt
the
premise
that
the
experience
and
narratives
of
those
on
the
other
side
ought
to
be
shared
and
validated
in
order
to
normalize
regional
relations.
To
support
such
progress,
NGOS
from
the
civilno
družstvo
organize
smaller
transitional
justice
campaigns,
programs,
and
events
which
aim
to
encourage
experiential
learning
through
sharing
instead
of
imposing
institutionally
generated
truths
or
guilt
on
those
participating.
Inviting
dialogue
and
individual
82
conclusions,
these
events
aim
to
provide
space
where
the
Serbian
national
myth
can
be
challenged
and
re-‐negotiated.
A
perfect
example
of
such
efforts
and
one
of
the
most
established
programs
of
such
kind
is
the
‘visiting
program’
through
which
the
Youth
Initiative
for
Human
Rights
brings
young
Serbs
to
Kosovo,
and
young
Kosovars
to
Belgrade.
“I
think
the
problem
was
that
I
couldn’t
even
imagine
how
it
would
be
before
going..
I
had
no
idea
what
it
was
like
there.
People
wonder
all
the
time,
is
it
dangerous?
Is
it
not?
How
does
it
look
over
there?
I
didn’t
know,
I
didn’t
have
the
information,”
Vera,
one
of
the
program’s
Serbian
participants
says
in
a
short
film
documenting
the
exchange
(Keča
2012),
noting
the
insecurity
and
lack
of
information
about
what
life
looks
like
on
the
other
side
that
she
felt
before
and
that
many
of
her
peers
still
feel.
“When
people
think
about
Kosovo
-
and
I’m
speaking
of
my
own
friends
and
peers
-
they
usually
think
Kosovo
isn’t
even
on
Earth,
they
imagine
it
to
be
completely
different,
but
it
isn’t.
Things
there
are
just
like
here
in
Serbia,”
another
participant
shares.
Instead
of
hate,
the
visitors
remember
welcoming
curiosity,
hospitality,
and
an
overwhelming
amount
of
parallels
to
their
own
lives
at
home,
in
Serbia.
Confident
in
the
welcoming
nature
of
both
sides
of
the
border,
the
program
encourages
its
participants
to
make
their
own
conclusion
about
the
truth
value
of
their
previous
bias.
“My
friends
seriously
asked
me-
why
do
you
go
there?
Are
you
insane?
What’s
wrong
with
you?
And
I
said,
Guys,
it’s
just
prejudice,
you’ve
never
been
there.
Try
it,
see
for
yourself,
I
had
a
great
time.
People
were
kind,
no
one
gave
me
weird
looks
because
I
was
from
Serbia.
We
even
got
a
free
ride
on
the
city
bus!,”
Vera
concluded
her
interview.
The
most
striking
challenge
to
previous
biases,
Anita
told
me,
is
the
participants’
initial
surprise
at
how
‘normal’
Kosovo
is
and
how
‘nice’
Albanian
people
are
in
face
of
the
wild
imaginations
outlined
and
taught
by
the
Serbian
national
myth.
“The
participants
always
wonder
and
then
feel
ashamed
for
their
surprise
about
how
‘normal’
Kosovo
is.
The
daily
lives
of
the
young
people
there
are
similar
to
ours,
they
are
studying,
they
have
problems
with
their
boyfriends,
parents,
or
roommates,
the
same
things.
There
is
nothing
much
different,
people
are
looking
for
jobs,
..
“
Many
activists
from
YIHR
have
told
me
that
the
visiting
program
was
their
favourite.
“The
change
is
immediate,
you
always
see
people
are
a
little
nervous
when
they
get
off
of
the
bus
on
the
other
side
for
the
first
time.
They
expect
guns
and
hate,
or
just
don’t
know
what
to
expect
at
all.
And
then,
on
the
drive
back
home
a
couple
days
later
they
laugh,
83
remembering
the
great
night
life
and
plan
how
they
want
to
go
back
to
Kosovo
soon.
It’s
great,
because
we
don’t
need
to
persuade
them
at
all,
we
just
take
them
to
the
other
side,”
Ruža
told
me.
For
many,
the
subtle
changes
in
the
way
that
the
program
is
run
and
the
small
changes
in
their
friends’
attitudes
are
the
most
visible
fruits
of
their
own
work.
Anita
describes
such
feelings
below:
“Where
I
see
changes
the
most
is
in
travelling
to
Kosovo.
First
time
when
I
went
was
2009,
and
all
of
my
family
and
friends
were
all
acting
as
if
I
were
going
to
a
concentration
camp
or
something.
Now
they
always
ask
me,
‘when
are
you
going
to
take
us
to
Prishtina?’
Now
I
really
love
that
place,
it’s
my
favourite
city
in
the
whole
world,
I
adore
it.
Every
time
I
come
back,
no
one
understands
that
I’m
so
full
of
everything,
and
I
see
this
change.
Now
a
lot
of
my
friends
are
coming
to
every
event
that
YIHR
is
organizing,
and
they
don’t
question
me
going
to
Prishtina
anymore
and
that
is
so
cool.
I
think
that
in
some
way
people
change.
Not
only
because
of
me,
but
some
things
became
normal
to
them,
like
going
to
Kosovo.
In
my
surroundings
it’s
normal.
It’s
not
ordinary,
but
it’s
become
normal.
Actually,
one
of
my
friends
now
went
to
Prishtina
by
herself.
That
is
it,
we
don’t
know
how
far
our
influence
travels.
Those
people
don’t
come
to
the
office
every
day
or
at
all,
maybe
they
are
someone
who
saw
pictures
on
Facebook
and
decided
to
give
it
a
try.
We
don’t
know
their
names,
but
who
knows,
maybe
we
did
have
influence
on
them.”
Another
example
of
an
event
inspired
by
the
principles
of
transitional
justice
is
an
annual
cultural
festival
Dani
Sarajeva
-‐
Days
of
Sarajevo
in
Belgrade.
Year
2013
marked
a
seventh
anniversary
of
the
festival,
opening
with
an
exhibition
of
stories
collected
in
Sarajevo
by
Jasminka
Halilovića
titled
“Djetinjstvo
u
ratu“
-‐
“Childhood
in
War”.
The
cultural
festival,
also
organized
by
the
Youth
Initiative
for
Human
Rights,
brings
artists
from
the
neighboring
Bosnia
and
Herzegovina
to
Belgrade,
and
invites
Serbian
audiences
to
listen,
watch,
and
hear
them
perform.
Exhibitions,
talks
and
movie
screenings
often
address
the
topic
of
war-‐time
experience
of
the
last
decade
across
the
region.
Transitional
justice,
the
acknowledgment
of
Serbian
mythical
“misconceptions”
about
the
past
and
present,
thus,
along
with
the
human
rights
framework,
inspire
counter-‐
narratives
that
the
collective
and
members
of
civilno
družstvo
develop
in
order
to
resist
the
dominant
Serbian
myth.
I
have
shown
that
these
alternative
narratives,
however,
intentionally
counter
what
a
large
portion
of
the
Serbian
people
understand
as
inseparable
from
their
own
identity
and
collective
memory.
What
pushes
the
liberal
youth
to
embrace
84
such
controversial
concepts?
The
next
section
will
introduce
the
concept
that
ties
both
transitional
justice
and
human
rights
close
to
the
ideologes
of
the
civilno
družstvo:
the
feeling
of
personal
and
collective
responsibility,
a
feeling
of
responsibility
to
do
things
differently
once
the
time
comes
for
their
generation
to
rule.
THE
RESPONSIBILITY
“Why
do
we
do
it?
If
you
are
building
something,
and
you
don’t
make
sure
that
the
bottom
is
stable,
then
anything
you
build
will
fall.
-‐
Liljana
What
was
most
puzzling
to
me
was
the
motivation
of
my
informants
and
other
activists
in
face
of
the
risks
they
exposed
their
bodies
and
life
comfort
to
in
order
to
defend
their
beliefs.
Why
would
they
willingly
subject
themselves
to
more
or
less
intensive
social
isolation?
Why
would
they
knowingly
jeopardized
their
physical
safety
for
a
cause?
Why
do
they
feel
the
responsibility
to
act?
The
complex
answer
to
that
question
is
personal,
and
involves
a
discussion
of
mistrust
toward
the
state
and
other
actors,
a
mention
of
liberal
patriotism,
and
the
feeling
of
historical
and
contemporary
responsibility
to
make
things
better.
Anja,
a
young
volunteer
at
one
of
the
NGOs
from
civilno
družstvo,
wasn’t
the
only
one
who
admitted
to
being
scared
of
repeating
the
past.
“They
[the
state]
are,
again,
moving
ahead
without
coping.
After
second
world
war
it
was
the
same.
All
the
grievances
of
national
groups
were
swept
under
the
carpet
without
resolution
in
Yugoslavia,
and
look
where
it
took
us,”
she
refers
to
the
wars
of
the
90’s.
“Technically,
it’s
the
government’s
responsibility,”
Maša
adds.
“Then
there
is
the
ICTY.
If
these
two
institutions
aren’t
effective,
then
there
is
the
media
and
us.
First
step
is
to
push
the
media,
and
if
they
are
still
silent,
it’s
all
up
to
us.”
In
different
ways,
all
the
activists
articulate
their
collective
and
personal
responsibility
and
desire
to
‘deal
with
the
past’
and
make
Serbian
society
more
open
to
difference.
The
first
realization
of
responsibility,
many
of
my
informants
suggested,
came
with
the
recognition
of
the
experience
of
the
other.
“I
thought
I
had
a
pretty
bad
childhood,”
Anita
confesses.
“..but
then
I
met
a
girl
who
grew
up
in
Sarajevo,
who
was
born
during
the
Siege,
and
I
realized,
damn,
I
had
a
wonderful
childhood
in
Belgrade.”
Such
realization
doesn’t
come
easy
to
Serbian
youth
who,
from
early
age,
have
been
reminded
of
their
nation’s
85
suffering
and
victimhood.
Because
of
the
information
blockade
during
the
war,
nearly
nonexistent
mobility
across
borders
within
the
region
and
promulgation
of
the
nationalist
interpretation
of
the
past
in
the
years
after
the
war,
very
few
Serbs
have
had
a
chance
to
speak
to
those
from
other
side
of
the
conflict,
or
hear
about
their
experiences
second
hand.
Anytime
I
asked
my
informants
from
Youth
Initiative
about
their
sense
of
responsibility,
I
heard
about
a
speech
that
Maja,
the
director,
gave
at
the
opening
ceremony
for
Days
of
Sarajevo
in
Belgrade
in
May
2013.
“Maja
said
it
like
I
feel
it,”
so
many
admitted,
sharing
with
me
the
full
text
as
well
as
a
video
of
the
event.
“Somehow
(…)
I
have
a
need
to
share
with
you
now
and
with
all
the
young
men
and
women
of
Sarajevo,
an
apology,
”
Maja
begins
(see
Figure
5
on
the
next
page
for
a
longer
excerpt).
“We
were
all
crying,
all
of
us
there
from
the
Initiative,
and
Maja
was
also
crying
as
she
was
speaking,
it
was
such
a
strong
experience,”
Maša
remembered,
“we
felt
like
she
said
something
we
all
kept
inside
for
long.”
Maja’s
speech,
considered
by
so
many
a
powerful,
honest
reflectionof
the
responsibility
they
collectively
feel,
highlights
the
feeling
of
guilt
for
other
people’s
painful
experiences.
More
than
feeling
of
a
direct
guilt
for
crimes
committed,
Maja
emphasizes
her
guilt
for
the
behavior
of
her
parents
and
the
guilt
she
feels
for
her
the
silence
and
complicity
of
her
own
generation.
She
feels
guilt
for
her
own
inaction
against
the
state
propaganda
and
information
barricade
before
she
got
involved
in
civilno
družstvo.
Ultimately,
however,
she
leaves
the
responsibility
for
committing
war
crimes
to
the
perpetrators
themselves,
refusing
to
accept
collective
guilt
for
all
crimes
of
Milošević’s
regime.
“How
do
we
say
it,
Jasmina,..?”
Maša
seeks
help
while
I
am
interviewing
her
at
the
office,
and
Jasmina,
sitting
nearby,
promptly
responds:
“We
are
not
responsible
for
what
happened
in
the
nineties,
we
didn’t
ask
for
it,
we
were
children.
But
we
are
responsible
for
challenging
the
hate
that
remains,
we
are
responsible
for
making
sure
nothing
of
this
sort
ever
again
happens
in
this
region.
We
are
responsible
for
the
future.
That’s
what
we
usually
say,
or
something
like
it.
That’s
how
I
feel
anyway.”
Maša
emphasizes
that
these
feelings
are
very
personal.
“For
us
it
is
always
personal,
every
time.
It’s
not
only
because
now
we
know
someone
who
went
through
the
worse
end
of
the
war,
it’s
simply
human
to
empathize.”
She
is
shaky
on
the
explanation.
”I’m
not
sure
I
could
even
explain
this
in
Serbian,”
Maša
apologizes.
I
comfort
her,
and
she
keeps
reflecting,
“I
think
even
if
Jasmina
were
a
journalist
in
Prishtina,
if
Ivan
was
a
politician,
if
Marko
was
just
a
lawyer
dealing
with
business,
we
86
would
all
feel
the
same
way
as
we
do
now,”
she
tries
to
explain
again
how
ingrained
and
personal
she
feels
the
responsibility
to
be.
Figure
5
Excerpt
from
a
speech
delivered
by
Maja
Micic,
director
of
Youth
Initiative
for
Human
Rights
at
the
opening
ceremony
of
the
7th
“Days
of
Sarajevo”
in
Belgrade,
May
2013.
“Nekako
(…)
imam
potrebu
da
sada
podelim
sa
“Somehow
(…)
I
have
a
need
to
share
with
you
vama
i
posebno
uputim
mladim
Sarajlijama
i
now
and
with
all
the
young
men
and
women
of
Sarajkama,
možda
inspirisana
ovom
izložbom
a
Sarajevo,
an
apology,
perhaps
inspired
by
to
je
jedno
izvinjenje.
today’s
exhibition:
Jedno
izvinjenje
za
detinjstvo
i
godine
koje
su
An
apology
for
childhood
and
the
years
that
vam
ukradene,
izvinjenje
za
strah,
za
gubitke,
were
stolen
from
you,
an
apology
for
the
fear
izvinjenje
za
strah
od
granata
i
od
snajpera,
of
bomb
shells
and
snipers,
an
apology
for
the
izvinjenje
za
to
što
vam
je
osećanje
spoznaje
prve
fact
that
along
with
your
first
loves
and
flirts
simpatije
bilo
sklupčano
sa
osećanjem
gubitka
you
had
to
cope
with
your
first
losses
and
iste
jako
često.
Takođe
imam
razloga
da
se
deaths.
I
also
have
a
reason
to
apologize
for
the
izvinim
zbog
izbora
koje
su
pravili
moji
roditelji,
choices
that
my
parents,
their
friends,
my
prijatelji
mojih
roditelja,
moji
rođaci.
Takođe
da
relatives
made.
I’m
sorry
that
their
voices
were
se
izvinim
zbog
toga
što
nisu
bili
dovoljno
glasni
not
loud
enough
when
they
should
have
been
to
onda
kada
je
trebalo
da
podignu
svoj
glas
i
da
disagree
with
what
was
happening
in
their
iskažu
svoj
bunt
zbog
onoga
što
se
dešavalo
u
name
in
Sarajevo.
And
I
also
apologize
for
us
Sarajevu.
Izvinjavam
se
i
zbog
nas
koji
smo
who
were
born
in
the
late
seventies,
for
the
rođeni
kasnih
sedamdesetih,
i
tokom
osamdesetih
time
it
took
us
to
lift
our
heads
away
from
the
jer
smo
možda
prekasno
izvukli
glave
iz
textbooks
they
served
us,
and
look
for
udžbenika
koji
su
nam
servirani,
i
rešili
da
više
ne
information
different
than
what
our
media
prihvatamo
samo
informacije
koje
su
nam
mediji
served
us
on
a
silver
platter.
Realizing
too
late
servirali
na
tanjiru,
i
možda
prekasno
postali
that
we
were
too
easy
of
a
prey
for
the
glasni
i
zahtevali
priznanje
i
odgovornost
za
ono
textbooks
and
broadcasts,
I
apologize
that
we
što
se
četiri
godine
dešavalo
u
Sarajevu.
were
too
late
to
admit
to
ourselves
the
responsibility
for
what
was
happening
those
Jako
mi
je
važno
da
ovo
izvinjenje
koje
pre
svega
four
years
in
Sarajevo.“
predstavlja
moj
lični
čin
ne
ostane
samo
nešto
što
ću
ja
reći
izreći
ovde
na
otvaranju
Dana
Sarajeva
Somehow
it
is
really
important
to
me
that
this
u
okviru
svog
govora.
Mislim
da
iz
toga
proističe
apology,
my
personal
action,
doesn’t
remain
da
je
imperativ
za
sve
nas
ovde
prisutne
kao
i
za
just
something
I
say
at
the
occasion
of
opening
one
generacije
koje
dolaze
nakon
nas,
pre
svega
the
Days
of
Sarajevo
as
a
part
of
this
speech.
da
se
borimo
da
taj
lični
čin
i
lični
čin
mnogih
I
think
there
is
an
imperative
for
all
of
us
who
hrabrih
ljudi
koji
su
se
na
ovaj
način
odupirali
gathered
here
today
that
despite
everything,
we
onome
što
se
dešavalo
devedesetih,
postane
try
to
make
this
action,
this
awareness,
what
generacijski
čin
moje
generacije,
ali
i
onih
defines
our
generation,
and
the
generations
generacija
koje
dolaze
nakon
mene.
Da
to
after
us.
That
it
becomes
an
institutionalized
postane
institucionalni
stav
i
da
to
postane
stav
characteristics
of
the
Serbian
state.“
države
Srbije.”
87
A
few
minutes
after
we
finish
the
interview,
Maša
looks
up
from
her
computer
with
a
final
answer
to
why
she
believes
dealing
with
the
past
is
absolutely
indispensable
for
the
region’s
future,
and
why
she
needs
to
be
personally
involved.
“You
know,
I
constantly
have
somewhere
deep
inside
that
tiny
fear
that
something
like
this
could
happen
again.
Whether
it’s
World
War
Three,
anything,
that
is
why
we
are
cleaning
up
the
mess.
Or
even
just
because
we
see
someone
go
to
Zagreb
[capital
of
Croatia]
who
has
a
bad
experience
there.
That
is
why
we
are
doing
all
of
this,
we
are
cleaning
up
a
mess.
I’m
not
sure
we
could
really
fight
another
war,
but
then
again
-
any
kind
of
conflict
is
possible
when
you
have
a
region
like
ours,
people
who
are
so
fragile.
Our
families
have
been
in
wars
for
generations,
we’ve
been
involved
here
for
too
long.
It’s
the
same
with
a
family
fight.
You
need
to
talk
about
it,
because
otherwise
you
are
going
to
have
another
argument
in
five
minutes.”
Most
of
my
informants,
while
sharing
Maša’s
hardship
with
verbalizing
their
motivations,
share
her
reasoning.
The
responsibility
to
act
comes
from
an
inner
discomfort
with
the
continued
insecurity
prevailing
in
the
region
and
in
the
state.
Encouraged
by
the
urge
to
act,
the
civilno
družstvo
then
utilizes
the
two
available
narratives,
human
rights
and
transitional
justice,
to
show
a
direction
in
which
they
wish
to
proceed.
THE
ACTORS
WITHIN
CIVILNO
DRUŽSTVO
During
my
two
month
stay
in
Belgrade
I
met
individuals
from
almost
a
dozen
non
profit
organizations
fighting
for
human
rights
and
transitional
justice
at
various
levels.
These
organizations
and
individuals
form
the
civilno
družstvo,
and
together
support
each
other
in
defying
and
actively
opposing
the
Serbian
national(ist)
myth
with
newly
devised
narratives
based
on
the
concepts
and
motivations
outlined
above.
On
the
next
few
pages
I
will
introduce
some
of
the
organizations
I
came
into
contact
with
in
order
to
provide
clear
contours
to
the
upcoming
discussion
of
their
resistance
practices:
On
the
steep
downhill
street
of
Kneza
Miloša,
right
around
the
corner
from
president
Nikolić’s
headquarters,
one
can
find
the
residency
of
Kuča
Ljudskih
Prava,
The
Belgrade
House
of
Human
Rights.
The
five-‐store
building
addresses
passers-‐by
through
a
window-‐side
gallery
on
the
1st
floor
and
a
sign
referencing
a
quintet
of
human
rights
non
profits
on
the
floors
above.
The
Helsinki
Committee
for
Human
Rights
in
Serbia
neighbors
YUCOM
Komitet
Pravnika
za
za
Zaštitu
Ljudskih
Prava,
The
Committee
of
Lawyers
for
Protection
of
Human
Rights.
Next
door,
one
can
find
the
Belgrade
Center
of
Human
Rights
as
well
as
Građanske
Inicijative,
Citizen
Initiatives
and
Centar
za
praktičnu
politiku,
the
Center
for
Practical
Politics.
Up
the
hill
from
the
“House
of
Human
Rights”,
behind
the
Serbian
National
Assembly,
hides
the
Serbian
field
office
of
Civil
Rights
Defenders.
Serving
primarily
as
a
professional
watchdog
organization,
Civil
Rights
Defenders
use
legal
methods
and
advocacy
to
inform
the
public
and
provide
support
and
human
rights
training
to
young
lawyers,
journalists,
youth
from
political
parties,
as
well
as
to
activists
from
other
non-‐
governmental
organizations.
In
a
run
down
street
downhill
from
the
busy
public
transport
center
Zeleni
Venac,
I
was
once
looking
for
the
office
of
Women
in
Black,
a
pacifist,
feminist
organization
with
a
particularly
strong
presence
in
the
Balkans.
“Došla
sam,
koj
ima
broj?,”
I
called,
asking
for
the
entrance
number,
because,
out
of
security
reasons,
the
Women
in
Black
office
doesn’t
have
any
signs
on
the
street,
or
specific
street
number
mentioned
online.
The
women,
young
and
old,
call
out
war
crimes
and
organize
public
commemoration
performances
using
artifacts
that
remind
the
passer-‐by
of
the
past.
Their
collective
grievance
is
the
lack
of
Serbian
solidarity
and
refusal
to
acknowledge
responsibility
for
the
suffering
of
others
during
the
recent
Balkan
wars.
It
was
Woman
in
Black
who
later
in
the
summer
took
me
on
one
of
their
many
trips
to
commemoration
sites
all
across
the
Balkans,
where
they
share
in
solidarity
the
memory
of
recent
massacres
with
the
families
of
the
victims.
The
office
of
Humanitarian
Law
Center
is
located
on
a
street
behind
a
monumental
classist
square
with
a
statue
tribute
to
Nikola
Pašić,
a
prominent
19th
century
politician
who,
in
Serbia,
is
called
the
“father
of
the
great
South
Slav
state”.
The
Center
is
perhaps
one
of
the
NGOs
in
Belgrade
most
focused
on
transitional
justice.
Documenting
past
atrocities
and
working
on
judicial
and
institutional
practice
in
Serbia,
the
NGO
also
offers
yearly
Schools
of
Transitional
Justice
for
young
professionals
and
students
interested
in
legal
justice
and
reconciliation.
Besides
the
organizations
for
whom
human
rights
and
transitional
justice
form
the
cornerstones
of
programming,
Belgrade
civilno
družstvo
hosts
a
multitude
of
non-‐profits
who
focus
primarily
on
youth
and
youth
issues
(such
as
youth
violence,
employment,
gender
discrimination).
Even
these
organizations,
however,
touch
on
human
rights
and
89
transitional
justice.
One
of
the
most
prominent
youth
NGOs
of
this
kind
is
Centar
E8.
With
headquarters
close
to
the
Belgrade
train
station,
their
work
is
felt
all
throughout
Serbia.
Alexandra,
whom
I
met
during
my
visit
to
the
NGO,
showed
me
videos
about
programs
re-‐
defining
the
typical
Serbian
idea
of
masculinity
among
the
youth,
and
brochures
about
programs
centering
about
health
and
life
style
education,
gender
equality,
anti-‐
discrimination
work,
and
violence
prevention.
In
cooperation
with
similar
NGOs
abroad,
E8
hosts
regional
camps
for
youth
from
all
around
the
Balkans.
A
by-‐product
of
the
youth-‐
focused
education,
the
connections
the
young
boys
and
girls
make
during
their
summer
vacations
form
the
basis
for
change
in
ethnic
relations
across
the
region.
THE
YOUTH
INITIATIVE
FOR
HUMAN
RIGHTS
(YIHR)
A
large
portion
of
the
ethnography
in
this
chapter
comes
from
my
interaction
and
association
with
the
Youth
Initiative
for
Human
Rights.
After
getting
to
know
the
NGO
and
the
people
in
it,
I
recognized
that
I
couldn’t
have
been
luckier.
The
decade
old
organization
(founded
in
2003)
is
with
no
doubt
one
of
the
most
active
youth
NGOs,
and
as
such,
I
ought
to
showcase
it
in
more
detail.
The
following
description
of
my
first
few
days
at
YIHR
reflects
the
NGO’s
commitment
to
challenging
the
prevalent
Serbian
narratives,
as
well
as
the
atmosphere
within
the
collective.
—-‐
A
group
of
about
six
jumped
out
at
me
from
an
old
black
car
that
stopped
in
front
of
Youth
Initiative’s
office
close
to
Despota
Stefana,
the
main
traffic
vein
of
Belgrade’s
city
center.
I
was
suddenly
surrounded
by
a
stream
of
warm
energy
and
people
to
greet.
All
young,,
all
in
casual,
colorful
clothes.
After
I
greeted
everyone
in
Serbian,
they
switched
to
English
naturally,
everyone
more
or
less
fluent,
eloquent.
As
we
walked
up
the
three
flights
of
spiral
staircase
through
the
old
apartment
building,
plenty
of
laughter
echoed
from
the
surprisingly
cold,
dark
stone
walls.
I
stepped
inside
the
office
with
bright
lime-‐green
walls
for
the
first
time
and
followed
the
crowd
to
a
tiny
balcony
overlooking
the
inner
yard
of
the
building.
“Welcome
to
Youth
Initiative!,”
they
smiled,
lit
their
cigarettes,
and
the
planning
chatter
began.
90
Later
that
afternoon
I
was
trying
to
memorize
the
names
of
Maša,
Anita,
Ivan,
Jasmina,
Marko,
Muta
and
Bojan,
when
a
group
of
fourteen
students
from
the
New
York
University’s
summer
program
arrived
at
the
office.
Scattered
around
red
beanbags
in
what
used
to
be
a
living
room
in
the
apartment,
they
sipped
cool
water
and
explored
bookshelves
lined
with
promotion
materials
and
project
reports.
On
the
wall
behind
them
an
enormous
calendar
grid
was
drawn,
filled
to
the
last
spot
with
meetings,
conferences,
and
events
that
the
group
planned
to
host
over
the
summer.
While
we
were
finishing
a
juicy
watermelon
on
the
kitchen
counter,
Jasmina
shepherded
the
American
students
into
the
director’s
office
for
a
presentation
about
the
NGO,
and
I
slipped
in
to
listen.
Anita
and
Jasmina
sat
down
in
front
of
a
large,
framed
map
titled
“The
fall
of
Yugoslavia”.
“When
we
introduce
YIHR
programming
we
first
need
to
give
a
history
lecture
so
that
the
programming
makes
sense
to
the
guests,”
Jasmina
told
me
earlier,
and
I
remembered
as
she
pointed
to
the
map,
giving
a
basic
overview
of
the
past
twenty
years
in
the
region.
Anita
explained
why
local
students’
opportunities
to
learn
about
the
recent
past
are
limited.
The
topics
receive
little
attention
in
the
national
curriculum
or
in
higher
education.
“The
only
support
and
budget
to
cover
these
issues
in
the
education
of
youth
is
coming
from
abroad,”
she
said,
“even
though
we’ve
been
trying
to
get
the
state
involved
for
years”.
It
began
when
in
2003
a
high
school
student
from
Prokopje
(close
to
Kosovo
border)
came
up
with
the
idea
that
Serbs
and
Kosovar
Albanians
need
to
create
connections
among
each
other
to
debunk
prejudice,
they
tell
the
story
of
the
founding
of
their
organization.
As
days
passed,
I
learned
more
about
who
the
youth
activists
within
YIHR
are,
and
how
they
work
together.
The
office
comes
to
life
every
morning
with
the
bubbly
noises
of
coffee
machine
on
the
kitchen
counter.
“Ko
hoće
kafu?,”
Maša
yells
loudly,
asking
who
wants
a
cup
of
coffee.
The
same
ritual
repeats
around
noon
when
a
stormy
debate
about
where
to
get
lunch
from,
and
the
occasional
brainstorming
meetings
bring
everyone
around
the
kitchen
table.
In
order
to
implement
their
projects,
the
Youth
Initiative
employs
around
a
dozen
activists,
administrators,
and
program
directors,
and
engages
more
than
twenty
young
volunteers.
The
position
titles,
however,
aren’t
sorted
across
a
scale
of
hierarchy.
“My
role
here
at
YIHR
has
always
morphed
from
one
thing
to
another,”
explains
Muta,
who
is
currently
in
charge
of
budgeting.
“Sometimes
what
I
do
depends
on
the
needs
of
the
91
organization,
and
sometimes
I
decide
that
I
would
like
to
do
or
learn
something,
and
I
can,”
he
smiles,
settling
behind
his
desk
as
he
starts
his
morning..
The
people
within
Youth
Initiative
range
from
eighteen
year
olds
who
just
enrolled
in
the
political
science
faculty
and
those
who
study
Albanian,
perhaps
the
most
unpopular
university
major
in
Serbia,
to
the
thirty
years
old,
seasoned
activists.
While
Mirko,
a
young
volunteer,
is
the
one
who
gets
preference
in
a
trip
to
the
remains
of
Trnopolje
prisoner
camp
or
to
the
commemoration
ceremony
in
Srebrenica
where
he
has
never
visited
before,
Maja,
the
office
director,
is
the
one
who
speaks
at
conferences
or
live
on
television.
They
come
from
South,
North,
or
from
Belgrade.
Their
family
backgrounds
couldn’t
be
more
different.
While
Alexandar’s
father
buys
air
fresheners
with
a
portrait
of
Milošević
and
s
Serbian
flag,
Maša’s
mother
isn’t
surprised
when
her
daughter
decides
to
prolong
her
trip
to
Sarajevo
(Figure
6).
Figure
6
92
our
babies.
We
know
that
there
are
a
lot
of
things
we
wouldn’t
be
able
to
do
without
our
volunteer
activists.
Activists
-
they
are
like
our
directors,
so
important
to
what
we
do.
We
were
all
activists
volunteers
once,
we
all
go
through
the
same
cycle,”
Maša
said,
explaining
that
there
is
very
little
established
chain
of
command,
and
a
strong
emphasis
on
learning.
“I
felt
like
Youth
Initiative
was
the
first
place
where
people
listened
to
me,
really
listened,
and
took
the
time
to
educate
me,”
Anita
shared
later
during
our
interview,
when
I
asked
about
volunteering.
Luka
shared
with
me
a
similar
experience.
“The
very
first
time
I
came
to
the
office
I
was
really
nervous.
You
don’t
know
what
to
say,
I
didn’t
know
if
they
will
give
me
a
test,
if
they
will
ask
me
something
I
don’t
know.
But
it
was
just
young
people
and
I
felt
as
if
we
knew
each
other
for
a
long
time,”
he
recalled
a
memory
of
his
first
visit
to
Youth
Initiative
for
Human
Rights.
“We
know
that
the
most
important
thing
is
for
the
activists
to
feel
safe,
to
feel
like
home,
good,
not
to
feel
exploited
or
used
from
the
organization.
Activists
do
not
have
a
salary.
They
are
just
motivated
by
their
believes
I
suppose,
you
need
to
respect
them,
and
to
keep
them
involved,“
Maša
added,
explaining
that
without
the
help
of
volunteers,
Youth
Initiative
couldn’t
do
the
work
that
it
is
currently
engaged
in.
When
I
asked
my
YIHR
informants
about
their
experience
in
the
NGO,
both
those
who
entered
YIHR
recently
and
those
who
spent
years
working
with(in)
the
group
agreed
that
the
organization
means
much
more
than
workplace
to
them.
“People
change,
but
you
still
feel
that
everyone
is
on
the
same
side.
You
all
know
why
you
are
there.
And
we
may
disagree,
but
in
the
end,
after
working
for
twenty
hours,
we
will
go
for
a
beer.
No
one
else
understands
how
hard
this
work
is,”
Anita
remarks.
The
group,
isolated
by
their
political
choices,
engages
in
self-‐sustaining
rituals,
in
resistance
to
the
majority
whom
they
are
trying
to
influence.
Many
of
my
informants
from
the
Youth
Initiative
called
the
collective
“a
family”,
evoking
a
sense
of
safety
and
collective
growth
reinforced
by
their
struggle
to
challenge
the
dominant
narratives
surrounding
their
office.
The
next
few
pages
will
outline
the
manners
in
which
the
dominant
narratives
are
challenged
by
these
and
by
other
liberal
youth
activists
in
Serbia.
I
will
also
show
that
their
resistance
takes
on
ritual
characteristics
which
increase
the
events’
effect
on
both
the
activists
themselves
and
the
public.
93
FORMS
OF
RESISTANCE
I
will
categorize
the
resistance
of
civilno
družstvo
in
Belgrade
along
two
separate
lines,
which
-‐
though
occassionally
happening
at
once
-‐
are
inherently
different
in
their
purpose.
The
external
resistance
in
one
way
or
other
aims
to
spread
the
alternative
narratives
to
a
wider
Serbian
audience
and
to
fulfill
goals
set
up
in
each
organization’s
mission.
The
internal
resistance,
on
the
other
hand,
serves
to
sustain
the
civilno
družstvo
and
its
alternative
narratives
in
the
inhospitable
context.
These
internal
sustenance
activities
aim
at
solidification
of
the
collective,
induction
and
education
of
new
or
potential
members.
Acts
of
organizational
and
individual
self-‐care
should
be
recognized
as
the
most
fundamental
acts
of
resistance
to
the
envirnoment
one
is
not
welcome
in.
It
is
the
double-‐
sided
nature
of
the
civilno
družstvo
’s
efforts
which
simultaneously
sustains
and
promulgates
their
mission.
A
single
event
can
serve
both
the
external
and
internal
purposes,
as
it
is
usual
for
the
planning
and
execution
of
an
exetrnal
resistance
event
to
serve
as
a
powerful
internal
experience
Both
kinds
of
resistance
are
powerful,
effective
practices,
perhaps
because
they
carry
characteristics
of
rituals,
events
organized
by
human
societies
as
affairs
of
special
cultural
significance
often
conductive
to
group
bodning
or
shifting
of
social
roles.
Both
external
action
and
internal
sustenance
events
within
the
civilno
družstvo
can
be
recognized
as
forms
of
political
and
social
ritual.
Victor
Turner
(1969)
who,
along
with
Clifford
Geertz,
represents
the
symbolic
and
interpretive
anthropological
thought,
first
described
society
as
process
of
constant
recreation
and
transformation
rather
than
a
static
abstract
system
of
structures.
The
ritual
process,
then,
organizes,
gives,
and
later
sustains
meaning
within
the
chaotic
system
through
repetition
and
establishment
of
unquestionable
routine.
Observing
the
social
behavior
of
the
Ndembu
in
Zambia,
Turner
,
acknowledged
ritual
only
as
a
means
of
organizing
religious
and
spiritual
culture.
Recognizing
elements
of
ritual
in
secular
events,
however,
Barbara
G.
Myerhoff
(1977)
engaged
the
previous
writings
of
Turner,
Durkheim
as
well
as
Malinowski
to
establish
secular
ritual
as
a
parallel
mechanism
to
that
of
a
religious
ritual.
Testing
theories
of
ritual
in
secular
contexts,
she
contended
that
any
aspect
of
cultural
life
could
be
subjected
to
ritualization,
and
that
secular
ceremony
retained
the
same
sacred
unquestionability
and
function
of
a
religious
94
ritual.
„Ceremony
and
ritual
are
used
in
the
secular
affairs
of
modern
life
to
lend
authority
and
legitimacy
to
the
positions
of
particular
persons,
organizations,
moral
values,
view
of
the
world,
and
the
like,“
Myerhoff
contends.
„In
these
matters,
ritual
and
ceremony
are
employed
to
structure
and
present
particular
interpretations
of
social
reality
in
a
way
that
endows
them
with
legitimacy.
Ritual
...
also
can
be
constructed
as
an
attempt
to
structure
the
way
people
think
about
social
life“
(1977:3-‐4)
It
is
thus
primarily
her
legacy
which
allows
us
to
analyze
political
and
social
practice
of
challenging
existing
national(ist)
narratives
through
the
lens
of
ritual.
The
external
resistance
forms
the
primary
task
and
raison
d'être
for
the
civilno
družstvo.
The
activists
of
civilno
družstvo
organize
events
that
aim
to
encourage
Serbian
public
to
question
the
established
national(ist)
narratives,
and
introduce
to
them
the
alternative
frameworks
of
thinking
about
Serbian
past
and
Serbian
identity
in
line
with
the
motives
of
human
rights,
transitional
justice,
and
responsibility.
Mission
statements
of
these
NGOs
often
reflect
the
importance
of
external
resistance
(see
below,
emphasis
added):
„The
Youth
Initiative
was
formed
by
young
Figure
7
Mission
Statements
by
four
of
civilno
people
from
these
countries
in
order
to
družstvo’s
organizations
which
emphasize
external
action
enhance
youth
participation
in
the
democratization
of
the
society
and
„The
principal
goals
of
the
Belgrade
Centre
empowerment
of
the
rule
of
law
through
the
for
Human
Rights
are
advancement
of
process
of
facing
the
past
and
establishing
knowledge
in
the
field
of
human
rights
and
new,
progressive
connections
in
the
post-‐ humanitarian
law,
development
of
conflict
region
of
former
Yugoslavia.”
democracy,
strengthening
of
the
rule
of
law
(YIHR.org)
and
the
civil
society
in
Serbia
and
other
countries
in
transition
from
authoritarianism
to
democracy.
In
the
ten
years
of
its
existence
„The
Humanitarian
Law
Center
supports
the
Centre
has
endeavored
to
raise
the
post-Yugoslav
societies
in
the
promotion
of
consciousness
of
the
citizens
on
the
the
rule
of
law
and
acceptance
of
the
legacy
of
importance
and
dimensions
of
the
idea
of
mass
human
rights
violations,
and
therefore
human
rights
and
individual
freedoms
and
to
in
establishing
the
criminal
responsibility
of
establish
a
favourable
climate
for
their
full
the
perpetrators,
serving
justice,
and
respect
and
enjoyment.”
(BGCentar.org)
preventing
recurrence.“
(HLC-‐RDC.org)
95
The
external
actions
of
the
civilno
družstvo
in
Belgrade
can
be
classified
along
two
dimensions:
means
of
resistance,
and
target
population.
Means
of
action
can
include
peaceful
protests
and
other
public
performance,
guerilla
actions,
online
activism,
and
legal
and
administrative
actions
aimed
at
promoting
the
liberal
narratives
and
shaping
the
ideological
frameworks
of
the
audience.
These
means
are
used
selectively
to
target
specific
sectors
of
the
Serbian
public
space:
the
general
public,
the
political
elites,
or
the
nationalist
opposition.
The
Women
in
Black,
for
example,
regularly
stage
peaceful
protests
in
the
form
of
public
commemorations
in
the
city
center,
attempting
to
normalize
the
sight
of
suffering
of
the
national
enemies
for
the
passers-‐by.
The
Humanitarian
Law
Center,
on
the
other
hand,
targets
almost
exclusively
those
in
the
sphere
of
political
administration.
Through
repetitive
legal
action
and
careful
monitoring
and
open
criticism
of
the
government’s
behavior,
they
target
policymakers
and
push
for
policy
reforms.
The
Youth
Initiative,
quite
uniquely,
engages
on
all
four
levels
of
the
external
action.
“What
I
like
about
Youth
Initiative
is
that
it
is
a
great
combination
of
activism
and
a
professional
NGO
work.
You
are
doing
the
street
actions,
but
you
also
have
an
institution
which
will
support
you
in
serious
projects,”
Anita
recognizes
the
balance
that
her
organization
strikes.
The
external
resistance
thus
takes
the
form
of
public
protest,
public
performance,
public
lectures
and
talks,
visual
and
textual
exhibitions,
social
media
activity,
or
more
targeted
legal
and
professional
actions.
The
reason
why
such
activities
are
powerful
and
capable
to
challenge
one’s
worldview
lies
in
the
ritualistic
nature
of
the
external
resistance
actions.
While
Durkheim
(1912)
saw
ritual
as
a
ceremony
celebrating
and
reinforcing
an
existing
tradition
through
repetition
and
recreation,
Myerhoff
asserts
that
collective
ritual
can
„traditionaliza
new
material
as
well
as
perpetuate
old
traditions“
(1977:7).
It
is
exactly
the
traditionalization
of
new
material
that
the
civilno
družstvo
organizations
aim
at
when
executing
their
external
actions.
Because
I
am
most
familiar
with
the
programming
of
YIHR,
I
will
use
the
Youth
Initiative
to
outline
the
examples
of
resistance
I
experienced
or
learned
about
in
the
field,
and
show
how
their
format
yields
power
to
traditionalize
new
narratives.
25th
March
2010,
the
activists
from
Youth
Initiative
for
Human
Rights
rolled
out
a
red
carpet
on
the
main
pedestrian
vein
of
Belgrade’s
city
center,
Knez
Mihailova,
right
next
to
the
entrance
to
Belgrade’s
Philosophy
faculty.
The
busy
boulevard,
lined
with
cafés,
Figure
8
“Through
Batajnica
to
the
EU”
public
action
of
the
Youth
Initiative
for
Human
Rights,
Belgrade
(YIHR
Archive)
street
musicians,
and
occasional
beggars,
is
one
of
the
public
spaces
most
often
used
for
street
acts
of
any
kind,
including
peaceful
protest
and
political
performances.
At
one
end
of
the
carpet,
a
big
sign
read
“BELGRADE”,
and
on
the
other
end,
a
similar
sign
stated
“EUROPEAN
UNION”.
In
the
middle
of
the
carpet,
a
third
location
was
marked
with
the
word
“BATAJNICA”
,
a
name
of
a
municipality
eleven
kilometers
from
the
country’s
capital,
where
just
recently
mass
graves
of
Kosovar
Albanian
bodies
were
found.
The
action,
a
symbolic
commemoration
of
crimes
committed
by
Serbian
forces
in
Kosovo
in
March
1999,
was
attempting
to
explain
that
the
only
way
to
European
integration
is
through
dealing
with
Serbia’s
unspoken
past
and
revision
of
the
national(ist)
narrative
of
victimhood.
Not
only
are
Serbian
war
crimes
unknown
to
the
public,
but
the
relationship
of
transitional
justice
and
the
European
Union
accession
process
isn’t
publically
understood
or
approved.
The
West
has
conditioned
Serbia’s
accession
talks
with
transitional
justice
initiatives,
97
which,
however,
are
understood
by
both
Serbian
elites
and
public
as
a
necessary
evil.
The
sight
left
many
passers-‐by
in
disbelief.
“Some
of
the
passers-‐by
we
talked
to
watched
us
in
wonder
when
we
mentioned
mass
graves
in
Batajnica.
”,
activist
Ilja
told
me.
The
action,
repetitively
inviting
random
individuals
from
the
public
on
a
walk
on
the
red
carpet
path
from
Belgrade
to
the
EU
under
the
guidance
of
the
activists,
included
numerous
aspects
from
Myerhoff’s
definition
of
a
ritual
(1997:7).
The
activists
orchestrating
the
event
were
acting
in
a
planned
manner,
guiding
the
participants
through
the
temporarily
altered,
stylized
surroundings.
Within
the
liminal
space
of
the
red
carpet,
new
realities
and
meanings
were
revealed
to
the
individuals
participating,
in
a
particular
order
of
proceedings.
The
vivid
colors
of
the
organizers’
clothing
and
carpet
as
well
as
other
props
intended
to
invoke
a
sensation
and
interest
in
those
walking
nearby,
the
action
was
also
arranged
with
a
particular
intention
in
mind
–
that
is,
providing
an
alternative
narrative
to
the
national(ist)
version
of
the
past,
inciting
curiosity,
and
promoting
a
culture
of
free
speech
relating
to
some
of
the
most
controversial
issues
in
the
Serbian
public
sphere.
—-‐
Simiarly
to
the
carpet
action,
Women
in
Black,
the
feminist
and
pacifist
organization
with
long
history
of
anti-‐State
activism
in
Serbia,
often
organize
street
events
in
the
city
center
in
order
to
raise
awareness
of
war
crimes
committed
during
the
war.
Women
in
Blac
are
particularly
known
for
their
street
performances
and
silent
public
protests.
The
women
organize
public
commemoration
performances
using
artifacts
that
remind
the
passer-‐by
of
the
past
such
as
posters
saying
“Nezaboravimo”
(“We
will
not
forget”)
and
“Priznajem”
(“We
admit”).
Their
actions
try
to
counter
and
question
the
lack
of
Serbian
solidarity
and
refusal
to
acknowledge
responsibility
for
the
suffering
of
others
during
the
recent
Balkan
wars.
The
women,
all
dressed
in
black
often
hold
their
slogans
in
a
semi-‐
circle
or
a
line,
establishing
an
unusual
space
of
remembering
which
the
audience
has
to
pass
by
or
pass
through.
Because
of
the
sharp
and
controversial
slogans,
it
is
very
hard
to
walk
by
the
performance
without
engaging
or
noticing
the
unusual,
carefully
executed
event.
98
Figure
9
Women
in
Black
during
one
of
their
public
performance/protest
actions
in
the
city
center
of
Belgrade
(Archive
of
Women
in
Black)
Such
event,
while
primarily
focused
on
external
purposes,
however,
serves
also
a
strong
internal
function.
In
this
particular
case
the
ritual
nature
of
the
event
is
even
more
pronounced
for
those
performing
than
for
those
observing
from
the
outside.
The
use
of
posters
works
to
simplify
the
group’s
ideology
and
introduce
it
in
a
concise,
memorable
manner.
Standing
in
common
silence,
the
slogans
present
the
group’s
voices
as
unified.
By
holding
up
the
slogans,
the
participating
activists
declare
themselves
publicly
as
supporters
of
these
controversial
worldviews,
face
in
face
with
the
largely
rejecting
passers-‐by.
Holding
the
large
posters
up,
one
also
comprehends
the
need
to
stand
up
‘together’
-‐
for
one
individual
could
hardly
hold
the
slogan
on
their
own.
Through
participation,
the
activists
become
‘part
of
the
cause’,
and
experience
the
(at
times
scary)
stares
or
even
curses
of
those
passing
by
who
disagree,
holding
onto
the
national(ist)
narratives.
In
a
direct
confrontation,
one
is
forced
to
take
a
side
-‐
either
to
hold
up
the
banner
and
literally
‘carry’
the
alternative
narrative
with
their
body,
or
to
pass
by,
holding
onto
or
refusing
to
question
the
national
narratives
prevalent
in
the
public
space.
Participation
in
such
events
thus
solidifies
the
activists’
own
loyalty
to
the
alternative
ideology.
I
will
focus
on
the
sustenance
practices
of
the
civilno
družstvo
in
more
detail
in
the
very
last
chapter
of
this
thesis.
—-‐
99
Targeting
audiences
removed
from
public
space
other
than
pedestrians
has
proven
more
complicated,
however.
Many
of
the
civilno
družstvo’s
campaigns
target
children
and
youth,
those
who
have
been
exposed
to
the
state’s
narratives
as
little
as
possible
and
have
no
or
few
personal
experiences
with
war.
“We
are
not
welcome
to
bring
these
topics
into
schools,”
Jasmina
explains,
however.
“Instead,
we
have
to
arrange
with
individual
teachers
to
take
the
kids
outside
of
the
school
for
a
trip
if
they
want
us
to
work
with
the
kids.”
In
those
rare
occasions,
when
teachers
agree
and
are
allowed
to
bring
students
to
Youth
Initiative,
the
event
often
takes
place
in
a
space
outside
of
the
children’s
regular
surroundings,
creating
a
starting
condition
for
a
ritual:
extraordinariness.
The
collective
dimension
of
sharing
such
experience
in
a
familiar
group
fosters
and
validates
the
new
information
and
frameworks
learned.
In
a
similar
manner,
artifacts
such
as
stickers
that
the
Youth
Initiative
distributes
to
the
children
and
youth
symbolize
a
common
commitment
to
a
cause
or
an
alternative
idea.
Even
such
action
plan
isn’t
always
easy
to
execute,
however.
Jasmina
tells
a
story
about
distributing
stickers
to
kids
in
front
of
a
primary
school.
“It
was
a
’No
Violence’
campaign,”
she
says.
“I
was
shouted
at
by
the
kids’
teacher.
She
said
if
her
kid
brought
that
sticker
to
home
she’d
beat
them
up.
I
thought
that’s
so
bizarre,
beating
a
kid
for
bringing
an
anti-violence
sticker.“
It
was
clear
to
Jasmina
that
she
had
crossed
a
line.
The
Serbian
national(ist)
myth
recognized
the
family
space
and
child
rearing
as
sacred
space.
—-‐
Another
set
of
actions
lingers
on
the
border
between
external
and
internal
resistance,
engaging
both
outsiders
and
group
members
in
the
creation
or
of
alternative
narratives.
One
such
action
is
guerilla
graffiti
making.
Graffiti
making,
as
practiced
by
Youth
Initiative,
encourages
an
articulation
and
shaping
of
common
meaning
for
those
youth
activists
involved
in
the
process.
The
process
of
idea
development
involves
a
strong
solidification
mechanism
for
the
activists
participating,
because
stencils
(graffiti
forms)
and
other
props
are
made
collectively.
The
process
of
value
articulation
and
consolidation
reflects
what
Durkheim
described
as
a
solidarity
invoking
mechanism
of
a
ritual
(1912),
a
creation
of
Turner’s
‘communitas’
(1969:
96).
The
collective
engagement
in
the
ritual
of
graffiti
making
then
involves
a
collective,
secretive
night
operation.
The
repetitive
use
of
a
single
stencil
reinforces
the
meaning
it
carries,
and
establishes
a
common
ideological
language
for
those
participating,
in
addition
to
‘leaving
a
mark’
for
others
to
see
does.
The
100
collective
dimension
of
graffiti
‘production’
under
unusual,
guerilla-‐like
circumstances
has
been
mentioned
multiple
times
by
my
informants
as
one
of
the
first
activities
at
Youth
Initiative
which
made
them
feel
like
they
really
“belonged”.
The
slogans
were
frequently
related
to
current
political
happenings,
expressing
support
or
shame.
Other
times,
slogans
related
to
the
general
frustrations
of
‘being
young
in
Serbia,’
as
Ruža
characterized
it.
Most
often,
however,
the
statements
engaged
in
direct
conversations
with
other
graffiti
on
the
walls
of
Belgrade,
which
were
mostly
created
by
the
nationalist
youth
organizations
on
the
opposite
side
of
political
spectrum
from
the
civilno
družstvo.
The
‘graffiti
war’
takes
the
shape
of
crossing
out
each
other’s
writings
and
drawings,
adding
satiric
commentary,
and
other
forms
of
negation
in
the
fight
over
support
of
those
passing
by.
A
fascinating
example
of
graffiti
war
occurred
in
the
summer
of
2013
in
Voždovac,
a
small
city
on
Belgrade’s
outskirts,
where
the
openly
nationalist
and
rather
extreme
group
“1389”
built
an
outdoors
gym
for
local
youth.
The
accompanying
sign,
featuring
an
old,
nationalist
Serbian
coat
of
arms,
read:
“Body
follows
the
Soul.
Sport,
health,
nationalism.
To
the
youth
of
Voždovac,
1389,”
referring
to
the
Orthodox
Church,
the
ideal
of
Serbian
strength
(physical
and
mental),
and
to
nationalism.
The
next
morning,
the
words
referring
to
the
nationalist
ideals
and
values
were
crossed
out,
and
a
new
line
added
in:
”Niste
dobrodošli,”
–
“You
are
not
welcome.”
Youth
opposed
to
the
group’s
influence
on
the
children
in
this
area
decided
to
make
themselves
heard.
Figure
10
Public
Playground
Signs
in
Voždovac,
101
Beyond
graffiti
making,
the
internal
mechanisms
of
resistance—acts
of
self-‐care
and
sustenance—take
the
form
of
internal
educational
initiatives,
volunteer
engagement,
and
social
events
reinforcing
the
idea
of
a
collective
responsibility.
All
such
actions
represent
what
Malinowski
(1955)
called
the
soothing
nature
of
a
ritual.
Myerhoff
develops
his
thought
further:
“…
[The
Secular]
ritual
is
a
good
form
for
conveying
a
message
as
if
it
were
unquestionable,
it
often
is
used
to
communicate
those
very
things
which
are
most
in
doubt”(1977:24).
As
such,
ritual
provides
legitimacy
to
meanings
that
could
otherwise
be
contested
and
questioned.
The
ceremony
provides
a
context
of
security,
harmony,
and
conviction
in
the
truthfulness
of
the
meaning
that
is
being
ritually
celebrated.
As
such,
even
street
actions
and
protests
which
gather
little
public
support
are
powerful
in
terms
of
solidifying
trust
and
comfort
regarding
the
political
message
among
the
activists.
The
commemoration
exercises
in
sites
of
war
massacres,
often
attended
solely
by
activists
and
families
of
the
victims,
provide
a
perfect
example
of
a
ritual
providing
peace
and
temporary
shelter
from
political
opposition
and
any
kind
of
conflict
that
contests
its
meaning
outside
of
the
sanctuary
of
ritual.
Most
of
educational
programs
organized
by
the
civilno
družstvo,
too,
ought
to
be
categorized
as
internal
resistance
mechanisms.
For
example,
the
New
Policy
School
organized
largely
by
Youth
Initiative
for
Human
Rights
offers
classes
on
transitional
justice,
human
rights,
and
their
implementation
in
Serbia.
Many
of
its
participants
later
become
involved
in
the
civilno
družstvo
as
volunteers,
Jasmina
told
me.
The
internal
resistance
programming
is
thus
crucial
not
only
to
sustenance
of
the
civilno
družstvo,
but
also
to
its
renewal
-‐
as
activists
leave
or
retire,
new,
young
generation
is
ready
to
take
over.
The
ritual
mechanisms
which
sustain
the
groups
internally
and
effectively
transmit
their
message
to
outsiders
who
participate
in
the
external
resistance
events,
therefore
serve
as
a
backbone
to
the
entire
civilno
družstvo.
WHERE
ARE
WE
GOING?
Despite
daily
work,
changes
in
lives
of
individuals,
and
small
systemic
victories,
work
on
transitional
justice
and
human
rights
in
Serbia
is
exhausting,
most
of
my
informants
shared.
The
attainability
of
the
ultimate
goals
-‐
normalization
of
Serbian
society
and
its
102
relationships
with
former
adversaries
-‐
is
debatable,
if
you
ask
my
young
informants.
Largely,
victory
is
seen
in
terms
of
reconciliation.
Defined
by
my
informants
as
the
“ability
to
trust
one
another
in
the
region
and
cooperate
across
borders”
and
the
establishment
of
regional
norms
and
values,
may
take
decades
to
achieve
(interviews).
The
civilno
družstvo,
and
Youth
Initiative
for
Human
Rights
in
particular,
have
been
taking
the
post-‐WW2
reconciliation
process
between
Germany
and
France
for
inspiration,
an
example
which
took
a
good
half
of
a
century
to
yield
results.
“I
don’t
know
if
we
can
ever
be
completely
reconciled,”
Anja
sighs.
“Perhaps
we
could
strive
towards
normalcy
in
interactions,
but
I
don’t
think
we
will
go
around
hugging
and
loving
the
Bosniaks
or
Croats
anytime
soon,
at
least
not
collectively,
as
a
nation.”
“Reconciliation
is
definitely
needed
but
it’s
not
attainable,”
Mirko
shakes
his
head
definitively.
He
justifies
his
take
by
lack
of
agreement
on
simple
facts.
Locations
of
war
crimes,
dates,
numbers
of
victims—the
lack
of
shared
truth
among
former
adversaries
in
the
Balkans
will
not
allow
healing
to
occur.
“It
would
be
very
hard
for
Serbia
and
Croatia
to
agree
on
the
same
sequence
of
events
in
the
1990’s,
we
cannot
agree
even
on
the
sequence
of
events
during
second
world
war
and
even
prior
to
that.”
Mirko
insists
that
the
development
towards
reconciliation
needs
to
happen
domestically,
first.
While
it
is
natural
to
have
small
pockets
of
extreme
right
spreading
xenophobic
and
nationalist
teaching
throughout
the
public
scene,
the
institutions
should
be
capable
of
behaving
differently.
“We
simply
need
to
reform
the
institutions
and
hope
for
a
civilized
leadership.
Then
the
public
will
have
role
models
to
look
up
to
instead
of
the
radicals.
We
can
work
on
dealing
with
those
later.”
Serbia
might
be
waiting
for
institutional
reform
at
least
as
long
as
former
war
lords
are
elected
into
public
office,
however.
Reconciliation,
the
rebuilding
of
working
relations
between
former
war
adversaries,
thus,
forms
an
ideal
state
that
majority
of
my
informants
see
as
very
distant
or
even
unattainable.
Each
of
the
activists
decides
what
is
realistic,
and
when
will
they
feel
like
they
have
achieved
something.
Maja
has
a
clear
idea,
however.
“I
will
know
I’ve
succeeded
when
I
take
my
parents
to
Prishtina
or
Sarajevo
after
all
that’s
happened.”
After
taking
a
closer
look
on
the
narratives
prevalent
in
the
civilno
družstvo,
on
specific
organizations
and
their
practice
of
both
internal
and
external
resistance,
this
thesis
will
conclude
with
a
chapter
showcasing
the
clash
of
national
narratives
between
nations
and
within
individuals.
103
CHAPTER
5:
SREBRENICA:
THE
NARRATIVES
COME
TO
LIFE
On
July
11th
2013
I
was
lucky
to
participate
on
a
trip
to
Srebrenica
organized
by
the
Serbian
Women
in
Black
and
other
civilno
družstvo
organizations.
Even
though
Srebrenica
was
outside
of
Belgrade,
my
primary
field,
I
decided
to
dedicate
a
chapter
to
the
experience
because
the
event
gave
shape,
form
and
life
to
the
way
in
which
the
otherwise
abstract
conflict
of
national
ideologies
worked
and
developed.
Because
Srebrenica,
located
in
the
Eastern
part
of
Bosnia
and
Herzegovina,
wasn’t
my
primary
focus
during
my
time
in
Belgrade,
this
chapter
will,
more
than
others,
rely
on
secondary
sources
to
provide
the
theoretical
settings
for
my
ethnographic
account
of
the
day
trip.
Srebrenica
is
a
site
where
over
eight
thousand
Muslim
men
and
children
were
massacred
by
Serb
soldiers
in
July
of
1995.
Women
in
Black
organize
this
annual
trip
to
Srebrenica
in
time
for
the
yearly
Commemoration
ceremony.
I
believe
that
the
chapter
will
enrich
the
previous
analysis
because
the
ceremony
was
in
many
ways
emblematic
of
the
process
of
personal
national
narrative
formation.
Because
I
attended
it
together
with
young
Serbian
activists
from
the
civilno
družstvo,
I
was
able
to
witness
the
effect
that
such
experience
had
on
their
own
ideological
negotiations
and
understanding
of
the
past.
Instead
of
speaking
of
static
values
and
ideas
about
citizenship
in
cafés
and
offices
of
Belgrade,
the
trip
set
these
narratives
into
motion
and
exposed
them
to
intensive
materialization
of
the
counter-‐narratives.
At
a
site
of
the
massacre,
families
of
the
Bosniak
Muslim
victims
mourned
the
eighteenth
anniversary
of
their
close
ones’
deaths
and
representatives
of
the
international
community
spoke
words
of
regret
for
not
preventing
the
atrocity.
All
sides
converged,
like
they
do
every
year
on
11th
of
July,
seemingly
entrenched
in
their
respective
understandings
of
the
past.
Yet,
the
ritual
of
commemorating
Srebrenica’s
victims
did
have
the
potential
to
104
alter
one’s
understanding
of
the
past.
It
is
this
possible
change
which
most
interested
me
when
I
interviewed
the
participants
after
our
return
to
Belgrade,
because
it
seemed
that
the
participants
developed
a
whole
range
of
reactions.
On
the
way
back
from
Srebrenica
the
diverse
group
of
delegates
from
different
civilno
družstvo
organizations
in
Belgrade
around
me
held
a
variety
of
widely
different
sentiments
and
interpretations
of
the
event.
Srebrenica
is
emblematic
of
the
problematic
ways
in
which
the
recent
Balkan
war
past
is
understood,
narrated,
and
taught.
Do
we
assign
blame
to
individuals
or
to
ethnic
groups?
How
do
we
count
the
bodies
found
and
do
we
trust
the
one
doing
the
counting?
If
we
admit
that
a
massacre
has
happened,
does
it
mean
we
need
to
be
accountable
for
it?
How
does
learning
about
a
war
crime
change
the
way
that
we
perceive
our
nation
and
our
role
in
it?
What
do
rows
of
graves
mean
for
the
boundaries
of
our
nations?
How
does
the
experience
of
visiting
the
site
of
a
war
crime
change
or
confirm
our
understanding
of
the
past?
The
following
pages
will
aim
to
tackle
these
questions
as
they
were
explored
by
my
anthropological
predecessors
and
experienced
by
my
informants.
Throughout
the
Balkans
multiple
other
war
crimes
are
celebrated
and
mourned
by
different
sides
of
the
conflict
in
a
manner
similar
to
Srebrenica.
Vukovar,
a
city
in
Northern
Croatia
entirely
destroyed
by
warfare
in
1991,
Dubrovnik,
bombed
by
the
Serbian
army
in
1991,
Krajina,
the
region
in
northern
Croatia
subjected
to
a
major
combat
in
the
Croatian
struggle
for
independence
in
1995
and
others
are
all
associated
with
conflicting
narratives
and
grand
judgments
about
the
moral
nature
of
the
participating
sides.
The
massacre
in
Srebrenica,
however,
stands
out
among
these
events
in
severity
and,
perhaps
consequentially,
in
the
frequency
with
which
it
is
recalled
by
contemporary
media
and
politicians.
Narratives
relating
to
the
historical
role
of
a
nation
(e.g.
the
Serbian
narrative
of
victimhood7)
are
assumed
by
individuals
through
an
encounter
with
a
particular
interpretation
of
events
such
as
Srebrenica,
Vukovar,
Dubrovnik,
or
Krajina.
The
trip
to
Srebrenica
has
given
me
the
opportunity
to
observe
young
Serbian
activists
encountering
such
event
directly,
without
the
layer
of
interpretation
and
moral
judgment
framing
the
story
to
fit
the
national
narrative.
As
a
result,
I
was
able
to
observe
and
later
talk
to
these
young
people
about
how
the
experience
of
the
event
stripped
of
the
narrative
affected
the
7
as
introduced
and
analyzed
in
chapter
One
of
this
thesis
105
manner
in
which
they
came
to
perceive
the
narrative
as
a
separate,
changing
variable
of
the
event.
In
attending
the
Commemoration
ceremony
in
Srebrenica,
the
Serbian
activists
were
overcoming
a
long
intellectual
distance
between
the
national
interpretation
in
Serbia
and
the
interpretation
of
the
Muslim
mourners
and
family
members
of
those
slaughtered
in
the
massacre.
In
some
ways,
among
different
interpretations
of
the
event,
these
two
narratives
are
the
farthest
from
each
other.
The
following
chapter
will
introduce
the
major
existing
narratives
related
to
Srebrenica
in
order
to
highlight
how
a
single
historical
event
can
be
interpreted
to
suit
different
purposes
and
create
conditions
for
the
maintenance
of
grievances
and
unstained
national
pride
in
a
post-‐conflict
context.
All
sides
of
the
conflict
interpret
the
single
happening
in
Srebrenica
in
the
summer
of
1995
in
accordance
to
the
larger
national
narratives
encapsulating
their
historical
as
well
as
contemporary
existence.
Some
remember
it
with
pain,
some
with
the
bitterness
of
a
false
accusation,
and
some
with
a
heavy
weight
of
responsibility
on
their
shoulders.
Even
the
most
basic
facts
and
figures
regarding
the
massacre
such
as
the
number
of
victims
are
contested
as
are
their
political
implications.
Because
the
scale
of
violence
we
witnessed
in
Srebrenica
has
not
been
seen
in
Europe
since
the
end
of
the
Second
World
War,
the
story
resonates
strongly
with
both
local
and
international
audiences.
Any
attempt
at
simple
summarization
of
events
that
occurred
on
July
11th
1995
in
Srebrenica
and
in
the
surrounding
valley
will
easily
be
contested,
however.
I
will
attempt
to
expose
the
reader
to
such
conflicted
context,
and
show
how
such
contradictory
narratives
can,
paradoxically,
help
show
each
other’s
distance
from
truth
when
intersected
and
materialized
at
an
event
such
as
a
commemoration
ceremony.
In
the
following
chapter
I
will
use
the
writing
of
Verdery
(1999),
Pollack
(2003)
and
Herman
(1997)
to
show
that
events
such
as
the
Commemoration
ceremony
for
the
Srebrenica
massacre
have
the
power
to
materialize
previously
abstract
political
narratives
because
the
dead
bodies
at
their
center
serve
as
a
symbolical
connection
between
the
past,
the
present
and
future.
Narratives
related
to
the
Srebrenica
massacre
will
be
presented
next
in
order
to
show
the
reader
why
the
various
sides
to
the
past
conflict
remain
interested
in
Srebrenica.
I
will
then
illustrate
how
because
of
the
sudden
immediacy
of
the
Bosnian
Muslim
narrative,
Serbian
activists
present
were
able
to
see
the
event
separately
from
the
politically
judgmental
narratives
circulating
in
Serbia.
Setting
the
event
apart
from
106
its
political
interpretation
opened
up
a
space
for
personal
interpretation.
I
will
show
that
individuals
from
the
Serbian
civilno
družstvo
who
attended
the
Ceremony
in
Srebrenica
varied
in
the
extent
to
which
they
were
able
to
access
the
newly
opened
space
for
personal
formulation
of
ideology.
The
differences
among
individuals,
I
will
conclude,
reflect
the
personal
nature
of
ideology
formation.
Ideology
cannot
be
imposed
onto
a
passive
recipient,
the
understanding
of
one’s
cultural
context
can
be
changed
only
by
the
individual’s
own
will.
Besides
making
a
point
about
the
individual
nature
of
ideology
formation,
this
chapter
also
strives
to
fill
a
gap
in
the
existing
literature
on
violence,
which
rarely
focuses
on
second-‐generation
involvement
with
the
past.
In
developing
my
argument,
I
build
on
the
very
basic
texts
in
the
field
(Arendt
1963,
Milgram
1963,
Fanon
1965,
Taussig
1984,
Feldman
1994,
and
Robben
1995
to
name
a
few)
as
well
as
on
modern
analyses
of
violence,
such
as
Carolyn
Nordstorm’s
account
of
the
consequences
of
political
violence
among
affected
individuals
and
communities
(2004),
Arjun
Appadurai’s
account
of
globalization
in
interplay
with
violent
nationalism
(2006),
or
the
writings
on
the
everyday
violence
such
as
Paul
Farmer’s
account
of
structural
violence
(1996).
Despite
the
recently
developed
diversity
in
the
field
of
violence
and
genocide
studies,
anthropological
research
on
collective
memory
of
violence
and
domestic
resistance
to
violent
national
narratives
remains
rare.
From
the
literature
that
I
am
familiar
with,
Greta
Uehling’s
study
of
Crimean
Tatar
deportation
from
Crimea
to
Central
Asia
and
the
second
and
third
generation’s
conceptualizations
of
the
transfer
and
distant
home
land
(2004)
reaches
closest
to
my
own
interest.
My
informants
do
not
think
of
themselves
in
the
old
binary
of
victim
versus
perpetrator,
nor
can
they
be
studied
in
such
terms
and
under
such
generalizations.
Their
narratives
are
individual,
unique,
and
in
opposition
to
the
nationalist
narratives
of
the
majority.
The
following
analysis
thus
attempts
to
introduce
a
new
group
of
perspectives
from
the
post-‐conflict
context.
THE
MASSACRE
The
war
of
Yugoslav
secession
displaced
thousands
of
people
and
families,
who
ran
away
from
homes
in
villages
dominated
by
different
ethnic
groups,
or
from
homes
destroyed
by
direct
combat.
By
1993,
the
town
of
Srebrenica
in
Eastern
Bosnia
and
Herzegovina
107
expanded
to
accommodate
over
40,000
Muslim
refugees
from
the
surrounding,
Serb-‐
dominated
areas.
Though
the
region
used
to
be
occupied
predominantly
by
Muslims
before
the
start
of
the
war
in
1992
(Honig,
1997),
the
proximity
to
Serbian
border
meant
that
the
region
became
easily
susceptible
to
the
combined
forces
of
Serbia-‐controlled
Yugoslav
army
and
the
army
of
Bosnian
Serbs.
Srebrenica,
the
last
Muslim
camp
holding
against
the
continued
Serb
attacks,
was
celebrated
in
Bosniak
(Muslim)
pop
songs
as
a
symbol
of
resistance.
With
no
foreign
government
willing
to
engage
militarily
in
the
conflict,
Srebrenica
was
given
a
status
of
protected
‘safe
area’
by
the
UN
Security
Council.
Figure
11
Srebrenica
UN-declared
“Safe
Area”,
1994
How
the
narrative
continues
depends
on
who
does
the
narrating.
In
order
to
maintain
integrity
of
the
already
complicated
story,
I
will
begin
to
set
the
stage
for
further
analysis
by
presenting
the
official
narrative
shared
by
the
international
investigators,
local
Muslims,
as
well
as
by
the
Serbian
civilno
družstvo.
I
will
then
explain
the
theory
behind
the
power
of
dead
bodies.
At
a
later
point
in
the
chapter
I
will
introduce
the
alternative
narratives
relevant
to
my
analysis
-‐
those
of
the
Serbian
State
and
the
Serbian
“pub(lic)”.
In
recounting
the
official
as
well
as
the
alternative
narratives,
I
want
to
establish
an
understanding
of
the
historical
circumstances
and
contradictions
in
which
my
ethnography
108
ensued.
The
context
will
equip
the
reader
to
understand
why
Srebrenica
gained
political
significance
in
the
years
after
the
massacre,
and
how
commemorating
the
massacre
opens
up
space
for
revisions
of
the
narratives
of
the
past.
—-
Despite
presence
of
Dutch
UN
soldiers,
the
area
was
seized
by
the
Serbian
forces
under
the
leadership
of
Ratko
Mladic.
Between
July
6th
and
July
11th
1995,
over
23,000
Bosnian
Muslim
women
and
girls
were
captured
and
transported
out
of
the
Serb-‐controlled
area,
while
up
to
three
thousand
men
and
boys
were
slaughtered
in
Srebrenica
(Honig,
1997).
Over
five
thousand
men
who
tried
to
escape
the
Srebrenica
valley
at
the
time
of
the
massacre
were
killed
on
the
surrounding
hills
by
Bosnian
Serb
patrols.
“Here
we
are
in
Srebrenica
on
July
11th,
1995.
On
the
eve
of
yet
another
great
Serb
holiday.
We
present
this
city
to
the
Serbian
people
as
a
gift.
Finally,
the
time
has
come
to
take
revenge
on
the
Turks,”
Bosnian
Serb
leader
Mladic
said,
strolling
through
the
streets,
greeting
and
kissing
victorious
Serb
soldiers
after
they
captured
the
Bosnian
Muslim
refugee
camp,
as
a
television
reporter
from
the
Bosnian-‐Serb
capital
of
Pale
followed
his
every
move.
By
early
November
1995,
over
800
bodies
have
been
found
(Stover,
1998:
178).
As
of
July
2009,
8373
Muslim
bodies
were
retrieved
from
mass
graves
around
Srebrenica
and
buried
in
the
Srebrenica
memorial
cemetery
(Memorialni
Centar
2009).
More
bodies
continue
to
be
found
every
year
and
the
11th
of
July
Commemorations
have
thus
taken
the
form
of
funerals
for
those
who
were
just
being
buried,
almost
two
decades
after
the
massacre.
Srebrenica,
where
rows
and
rows
of
white
tombstones
cover
an
astonishing
number
of
fields,
has
been
used
as
a
political
symbol,
a
tool
for
collective
reformulation
of
the
past
and
present.
The
dead
bodies
of
Muslim
men
and
boys
have
been
effectively
used
as
representations
of
national
narrative
by
both
sides
of
the
conflict.
Even
though
Verdery’s
references
to
Yugoslavia
are
limited
(1999),
I
will
present
the
anthropologist’s
theory
on
the
next
few
pages
to
explains
why
so
much
has
been
said
and
imagined
about
a
small
village
with
a
lot
of
graves.
Understanding
the
symbolical
and
political
power
of
graves
will
allow
us
to
see
that
commemorations
of
the
Srebrenica
massacre
annually
create
a
space
where
national
narrative
comes
to
life.
109
Figure
12
The
Graves
of
Srebrenica
(Author’s
archives)
THE
GRAVES
OF
SREBENICA
:
WHY
THOSE
WHO
DIED
YESTERDAY
MATTER
TODAY
The
dead
bodies
at
the
center
of
funerals
and
commemorations
following
a
massacre
serve
as
a
symbolical
connection
between
the
past,
the
present
and
future.
Beyond
honoring
the
dead,
these
rituals
serve
to
reunite
a
community
of
mourners
with
each
other
in
their
pain
and
narrative
as
well
as
with
the
land
that
was
violently
taken
away
from
them.
Doing
so,
events
such
as
the
Commemoration
ceremony
for
the
Srebrenica
massacre
have
the
power
to
materialize
the
victim’s
narrative
through
the
living
and
breathing
image
of
relatable
pain
of
the
survivors.
In
order
to
understand
why
the
Srebrenica
commemoration
serves
as
such
a
powerful
materialization
of
the
national
narrative,
we
need
to
first
examine
the
ability
of
dead
bodies
to
serve
a
political
function.
Death,
closely
related
to
a
culture’s
spiritual
and
moral
frameworks,
is
universal
to
all
human
societies.
In
most,
death
stands
at
the
center
of
powerful
rituals
of
remembering
and
honoring
(sometimes
even
appeasing!)
those
no
longer
present.
Even
after
the
immediate
burial,
places
where
bodies
remain
are
cultivated
as
valued
sites
of
loss
and
110
ancestral
honor.
Societies
erect
tombstones
as
visual
representations
of
death,
and
visit
the
sites
to
reconnect
with
the
past.
Such
sites
of
remembrance,
however,
are
capable
of
carrying
a
larger,
collective
significance
at
times
of
national
solidification
or
transformation.
Dead
bodies,
individual
or
collective,
have
been
instrumental
for
the
creation
of
national
identities
since
the
age
of
enlightenment
when
the
idea
of
a
nation
state
first
gained
salience.
In
a
process
of
national
solidification
described
by
the
theoretical
fathers
of
instrumental
nationalism
(Anderson
1983,
Cohen
1974),
selected
segments
of
historical
heritage
are
chosen
to
justify,
strengthen
and
maintain
particular
ethnic
identities.
Simply
said
-‐
the
past
is
used
to
shape
the
present.
Representing
the
past
come
deceased
national
heroes,
elevated
from
the
grave
of
forgetting
to
the
glory
of
remembrance.
The
creation
of
ancestral
role
models
establishes
contemporary
collective
identities
and
self-‐perceptions
among
those
belonging
to
a
nation.
As
Levi-‐Strauss
famously
noted,
history
is
not
a
product
of
the
past,
but
rather,
a
response
to
the
requirements
of
the
present
(1962),
and
dead
role
models
and
their
graves
are
readily
available
to
serve
such
purpose.
In
the
former
Yugoslavia,
too,
dead
bodies
serve
the
purpose
of
adjusting
the
past
to
serve
the
needs
of
the
present.
Such
practices
have,
for
example,
led
to
the
creation
of
the
Serbian
pantheon
of
national
heroes,
writes
Čolović
(2002:57)8.
Sites
of
grieving
and
burials
have
also
began
to
carry
a
political
significance
that
transformed
grieving
immediately
following
death
to
a
celebration
of
national
collectivities.
Thanks
to
their
capacity
to
rewrite
the
past
and
current
identities,
dead
bodies,
as
Verdery
bluntly
calls
the
remains
of
those
deceased,
are
perfect
political
tools
for
dealing
with
the
traumas
of
national
transitions,
be
it
a
transition
into
a
post-‐socialist,
or
a
post-‐conflict
state
(or,
as
it
is
the
case
in
the
Balkans,
both
at
once).
Bones
and
corpses
serve
as
tools
for
the
re-‐
adjustment
of
power
relations,
reassessment
of
national
identities,
changes
in
property
relations,
as
well
as
contests
over
morality
(Verdery
1999).
The
use
of
dead
bodies
in
the
region,
however,
escapes
the
ordinary.
Most
dead
bodies
celebrated
for
contemporary
political
purposes
worldwide,
Verdery
claims,
belong
to
specific
famous
individuals
representing
a
specific
characteristic
of
the
nation’s
historic
8
I
described
the
Serbian
pantheon
and
its
role
in
the
national(ist)
myth
in
chapter
One.
111
(and
by
association
contemporary)
nature
(1999:
97).
Statues
and
portraits
of
these
heroes
decorate
public
spaces
to
enter
into
consciousness
of
the
nation.
In
the
region
of
former
Yugoslavia,
however,
more
than
individual
heroes,
mass
graves
and
bodies
of
nameless
victims
have
been
called
to
redraw
the
memory
of
wars
of
the
20th
century.
The
Balkan
tendency
to
celebrate
nameless
victims
in
the
recent
wars
is
closely
tied
to
the
local
understanding
of
blame
and
accountability.
In
contrast
to
the
Western
legal
approach
to
justice
and
reconciliation
in
the
aftermath
of
mass
atrocities
(such
as
that
of
ICTY
or
ICC),
individual
military
commanders
and
political
leaders
were
not
targeted
by
public
grief
and
hatred.
The
self-‐proclaimed
ethnic
leaders
of
the
most
recent
war
cycle
such
as
the
Serb
president
Milošević
or
the
Croat
president
Tudman
promoted
and
exploited
collective
blame,
profitable
in
the
war
context.
Faulting
entire
ethnic
groups
for
crimes
committed
locally
encouraged
direct
reciprocation
and
revenge
through
new
mass
massacres
on
civilians
in
different,
previously
unaffected
areas.
In
the
aftermath
of
the
war
that
was
never
won
or
lost
by
either
of
the
sides,
but
merely
stopped
through
international
diplomatic
pressure,
representations
of
collective
suffering
in
mass
atrocities
have
been
recognized
as
a
metaphor
for
the
suffering
of
entire
nations.
Just
as
during
the
war,
blame
for
the
deaths
remained
assigned
to
ethnic
groups
collectively.
Verdery
mentions
this
practice
in
the
context
of
Second
World
War
on
the
territory
of
former
Yugoslavia:
“Originally,
upon
discovery
of
new
mass
graves,
the
perpetrators
were
named
as
Četnici
or
Ustaše9,
but
soon
those
accusations
changed
to
Serbs
and
Croats
(1999:
112).”
During
the
consequent
break
up
of
Yugoslavia,
the
same
principle
applied.
In
a
region
as
ethnically
mixed
as
the
Balkans,
dead
bodies
not
only
helped
to
solidify
national
solidarity
in
opposition
to
the
‘other’
nations,
but
also
helped
to
redraw
physical
boundaries
of
the
post-‐war
ethno-‐political
arrangement.
In
1987,
for
example,
Milošević
famously
toured
Kosovo,
which
already
then
was
inhabited
predominantly
by
Kosovar
Albanians,
with
the
bones
of
long
deceased
Serbian
Prince
Lazar,
a
hero
of
the
1389
battle
against
the
Ottoman
Turks
which
took
place
in
Kosovo.
“Serbia
is
wherever
9
Četnici
was
a
name
given
to
monarchist
paramilitary
units
from
the
1st
half
of
the
20th
century.
Ustaše
were
the
civilian
units
often
accused
of
collaboration
with
the
Nazi
forces
in
the
region
during
the
same
time
frame.
The
groups
were
ethnically
mixed,
with
larger
numbers
of
Serbs
among
Četnici,
and
Croats
in
the
Ustaše
units.
112
there
are
Serbian
graves,”
he
asserted
Serbian
territorial
claims
to
the
Kosovar
space
(Verdery
1999).
Under
contemporary
circumstances,
the
continuing
burials
and
commemoration
ceremonies
for
mass
atrocities
such
as
the
one
in
Srebrenica
continue
to
serve
reuniting
a
community
of
mourners
with
a
site
of
former
loss,
a
space
formerly
taken
by
enemy
armies.
Pollack
(2003)
writes
about
sites
of
trauma
and
their
capacity
to
encourage
healing.
Trauma,
he
asserts,
destroys
the
survivors’
sense
of
attachment
to
a
place
where
it
occurs.
Reclaiming
the
environment
through
burial
of
the
victims’
bodies
and
commemorations,
however,
mitigates
the
psychological
sense
of
loss
(793).
Burial
is
thus
as
much
about
honoring
the
past
kin
and
spiritual
traditions,
as
it
is
about
recreating
a
relationship
with
the
physical
environment.
“If
we
do
not
burry
the
bodies
in
Srebrenica,
the
Serbs
will
accept
it
as
their
town,”
an
informant
of
Pollack’s
reflected
on
the
need
to
reaffirm
their
belonging
to
the
land.
“Both
the
living
and
the
dead
were
expelled
from
the
land,
not
allowing
the
burial
in
Srebrenica
would
be
like
letting
the
genocide
continue
(797).”
The
bones
are
used
to
‘mark’
a
territory,
and
reclaim
it
for
those
who
remain
living,
and
the
burial’s
primary
function
shifts
from
serving
the
dead
to
serving
those
alive.
Dead
bodies
thus
became
the
principle
tools
for
the
formation
of
post-‐Yugoslav
spatial
order.
Judith
Herman
(1997),
a
proclaimed
psychiatrist
focusing
on
post-‐conflict
trauma,
asserts
that
establishing
a
space
for
burial
in
the
place
where
trauma
occurred
also
creates
a
space
that
is
safe
for
retelling
the
story.
Creating
such
space
then
enables
the
survivors
to
confront
what
Herman
calls
the
‘fundamental
paradox
of
horror’,
the
simultaneous
inability
and
need
to
retell
the
story
of
trauma.
Imagining,
designing,
and
fighting
for
a
memorial
site
in
Potocari
-‐
Srebrenica
thus
enabled
the
participating
survivors
to
confront
their
silence
as
well
as
assert
their
control
over
the
formerly
lost
space.
Designing
the
cemetery
and
re-‐affirming
their
belonging
to
the
valley
deeply
entrenched
in
the
now
fully
Serbian
region
in
Eastern
Bosnia
and
Herzegovina
thus
enables
the
Bosnian
Muslims
to
keep
reclaiming
their
land
and
their
narrative
year
after
year
during
the
commemoration
ceremonies
of
July
11th.
113
THE
CONTRADICTORY
TRUTHS
Despite
the
contemporary
political
significance
of
the
site,
its
story
remains
entangled
in
controversies.
The
number
of
victims
has
not
been
finalized
and
agreed
upon
by
any
of
the
many
ideological
sides
related
to
the
massacre.
The
Srebrenica
valley
receives
frequent
mentions
at
the
high
point
of
political
speeches
on
both
ends
of
the
same
political
spectrum.
Paradoxically,
considering
the
number
of
versions
the
story
carries,
its
different
interpretations
are
often
used
as
the
ultimate
proof
of
the
accuracy
of
national
narratives.
In
visiting
the
site
at
a
time
of
the
Commemoration
the
Serbian
youth
directly
experience
the
alternative
narrative
they
have
so
far
been
learning
about
and
advocating
for
in
an
abstract
form.
While
in
the
process
of
questioning
and
rejecting
the
Serbian
national(ist)
myth,
the
experience
put
them
at
the
center
of
a
very
real
conflict
between
the
existing
contradictory
narratives
and
interpretations.
Let
me
now
introduce
a
few
of
these
contradictory
accounts.
It
is
my
hope
that
the
reader
will
be
able
to
see
how
these
narratives
about
Srebrenica
stem
from
the
larger
worldviews
of
the
sides
present
in
the
post-‐conflict
reconstruction
of
Serbia
and
the
region.
(1)
THE
INTERNATIONAL
COMMUNITY
Given
the
proximity
of
the
Balkans
to
the
European
West,
the
violence
of
civil
war
in
the
region
could
hardly
be
ignored
by
the
international
actors
during
the
90’s
or
after.
No
world
power
dared
to
engage
militarily,
however,
for
fears
of
domestic
disapproval
of
what
would
have
been
a
costly
operation
amidst
attempts
at
ethnic
cleaning
pursued
by
all
sides
to
the
conflict.
The
NATO
coalition
finally
agreed
to
send
peace-‐keeping
troops
for
the
purpose
of
establishing
safe
areas
and
refugee
camps
such
as
that
in
Srebrenica
-‐
Potocari.
The
mandate,
however,
was
strictly
humanitarian,
as
none
of
the
European
NATO
members
sending
soldiers
to
the
Balkans
could
justify
collateral
losses
domestically
(Daalder
1998).
When
low-‐scale
NATO
air-‐strikes
against
the
fast-‐progressing
Serb
forces
in
early
1995
resulted
in
almost
400
peacekeepers
taken
hostage,
the
mission
countries
quickly
decided
no
more
direct
engagement
with
the
conflict
would
be
desirable.
The
withdrawal
of
NATO
soldiers
presumably
resulted
in
increased
confidence
of
the
Serb
paramilitary
units
which
114
begun
to
surround
and
attack
the
guarded
gates
of
the
Srebrenica
camp.
When
the
UN-‐
protected
Srebrenica
valley
received
first
wave
of
shells,
the
Dutch
guards
called
for
military
assistance.
Due
to
bureaucratic
delay
and
reluctance
of
the
NATO
commanders
to
engage
the
situation,
no
help
was
sent
and
the
Dutch
were
forced
to
surrender
and
disarm
to
the
incoming
forces
of
Bosnian
Serb
general
Ratko
Mladic.
In
an
episode
of
ultimate
humiliation,
the
Dutch
were
forced
to
leave
the
compound
full
of
Bosnian
Muslim
refugees
at
the
grace
of
the
Serbian
forces.
"When
I
saw
him
[Ratko
Mladic]
at
that
moment
I
wished
I
had
a
gun
so
I
could
have
shot
him,
but
he
had
disarmed
us,"
a
Dutch
officer,
20
years
old
at
the
time,
told
The
Sunday
Telegraph.
"We
knew
the
Muslims
would
suffer,
but
we
had
no
idea
there
would
be
so
much
killing.
Mladic
had
reassured
our
commanders
that
they
would
be
well
treated.
Well
they
weren't”
(The
Telegraph,
June
2011).
Following
the
massacre,
the
international
leadership
found
itself
subjected
to
public
outrage
similar
to
that
following
the
Rwandan
Genocide
a
year
earlier.
The
US-‐led
diplomatic
negotiations
gained
ground
and
led
to
the
successful
signing
of
the
Dayton
Peace
treaty
in
Dayton,
Texas.
Since,
the
European
Union
has
been
strongly
committed
to
the
political
and
economical
development
of
the
Balkans
as
a
means
of
maintaining
peace
and
order
immediately
outside
its
borders.
The
Federation
of
Bosnia
and
Herzegovina
became
provisionally
overseen
by
a
High
Representative
from
the
Council
of
Europe,
legally
superior
to
the
country’s
triple
presidency.
Throughout
the
region,
and
more
importantly
for
the
case
of
Serbia,
the
EU
conditioned
its
consideration
of
EU
accession
prospects
by
the
countries’
compliance
with
Western
transitional
justice
mechanisms.
The
UN
Security
Council
tasked
the
International
Criminal
Tribunal
for
former
Yugoslavia,
in
operation
since
1993,
to
push
for
individual
-‐
level
prosecution
as
a
means
of
serving
justice
in
the
region.
In
such
manner,
former
government
and
military
leaders
involved
with
the
conflict
have
been
tried
under
the
auspice
of
the
international
criminal
law.
To
the
West,
Srebrenica
serves
as
a
painful
reminder
of
the
international
inability
to
prevent
mass
atrocities
in
its
immediate
surroundings,
but
also
as
an
epitome
of
the
western
take
on
the
conflict.
With
Bosnia
and
Herzegovina
under
the
constitutional
protection
of
the
West,
and
Croatia
being
a
new
member
of
the
European
Union
since
2013,
Serbia
remains
the
only
major
country
of
former
Yugoslavia
that
has
not
reformed
according
to
(or
conformed
to?)
the
Western
standards.
The
West
continues
to
point
out
115
Serbia’s
unsatisfactory
progress
in
the
fields
of
democratization,
rule
of
law,
liberal
regulation
of
economies,
protection
of
minorities,
human
rights
and
freedom
of
movement
(CEMISS
2003).
Similarly,
the
West
has
been
pressuring
the
Serbian
government
to
face
Srebrenica
and
take
accountability
for
this
and
other
massacres
which
the
West
understands
as
Serbia’s
doing.
(2)
THE
SERBIAN
STATE
The
Serbian
state
tackles
two
sensitive
questions
regarding
Srebrenica.
First,
where
are
the
borders
of
Serbia,
and
what
is
the
relationship
between
the
modern
Serb
state
and
Serbs
living
outside
of
its
modern
borders?
Second,
how
does
Serbian
attitude
towards
the
past
affect
its
prospects
of
prosperity
in
the
future?
In
searching
for
the
link
between
current
Serb
state
and
the
massacre
in
Srebrenica,
the
state
must
either
embrace
or
distance
itself
from
the
Bosnian
Serb
population
in
the
Republika
Srpska,
one
of
three
federative
parts
of
contemporary
Bosnia
and
Herzegovina.
The
territory
of
today’s
Republika
Srpska
(including
the
Srebrenica
county)
has
been
ethnically
cleaned
by
the
combined
Serbian
and
Bosnian
Serb
forces,
but
it
is
unclear
whether
any
soldiers
from
Serbia
proper
participated
in
the
Srebrenica
massacre.
While
Bosnian
Serb
leaders
such
as
Mladic
or
Karazdic
have
been
tried
and
convicted
for
crimes
against
humanity
including
Srebrenica
by
the
international
courts
in
the
Hague,
the
Serbian
state
and
its
representatives
have
been
using
the
lack
of
clear
information
and
uncertainty
about
its
participation
in
the
Srebrenica
operation
to
maintain
positive
relations
both
with
the
West
and
with
the
Serbian
population
in
Bosnia.
Denying
their
support
for
the
operation
has
clear
benefits
in
pleasing
the
European
Union,
but
also
repercussions
in
terms
of
perceived
betrayal
of
the
historical
and
ethnic
connection
in
the
eyes
of
the
Bosnian
Serbs.
The
past
and
current
Serbian
leadership
has
thus
been
careful
to
link
Serbian
war
pursuits
to
crimes
such
as
the
ones
committed
in
Srebrenica
regardless
of
the
question
of
possible
participation
of
Serb
forces
in
the
massacre,
and
the
ideological
support
of
former
Serb
leadership
for
the
ethnic
ideal
of
Greater
Serbia
(including
the
areas
formerly
occupied
by
distinct
ethnic
groups),
carefully
maintaining
support
for
both
sides.
While
Milošević
refused
to
consider
accusations
of
war
crimes
of
any
kind
even
during
his
hearing
at
the
Hague
tribunal
(ICTY,
2001),
the
following
leaders
of
Serbian
116
government
realized
that
Serbia
was
to
choose
between
defense
of
all
Serb
conduct
during
the
war,
and
the
possibility
to
engage
in
developmental
cooperation
with
the
West,
with
the
European
Union
in
particular.
In
2005
President
Tadic
considered
accepting
an
invitation
to
the
Srebrenica
ceremony
as
a
sign
of
willingness
to
distance
Serbia
from
its
past
and
begin
reconciliation
in
the
region.
“I
want
to
go
as
an
individual
citizen
to
honor
the
lives
lost
on
the
part
of
the
Bosnian
Muslims
in
the
name
of
my
nation,”
he
said
in
an
interview
for
the
Croatian
National
television
(HTV,
2005),
receiving
hard
backlash
from
both
Serbian
public
and
from
organizations
representing
the
mourning
families
of
Srebrenica’s
victims
(B92
2005).
Instead
of
making
the
trip,
Tadic
resorted
to
a
political
speech
on
the
day
of
the
commemoration
in
which
he
confirmed
Serbia’s
compliance
with
the
Hague
judicial
process
as
well
as
denounced
the
crime
as
committed
by
Ratko
Mladic
alone,
without
Serbian
aid
(ibid).
After
Srebrenica
was
recognized
as
a
genocide
by
the
European
Council,
the
Serb
state
continued
to
distance
itself
from
what
Tadic
later
called
a
“monstrous
crime”
(B92,
2010),
attempting
to
maintain
support
for
the
newly
separatist
Republika
Srpska
in
Bosnia
through
a
series
of
visits
and
promises
of
economic
cooperation.
The
current
Serbian
president,
Tomislav
Nikolic,
entered
office
with
a
history
of
nationalist
followership
and
a
very
right-‐wing
voter
base.
The
former
vice-‐president
of
the
government
of
Yugoslavia
and
Serbia
under
Milošević’s
rule,
however,
centered
his
campaign
on
Serbia’s
European
aspirations.
Serbia
has
since
signed
an
association
agreement
with
the
Union,
as
well
as
achieved
visa
liberalization
for
its
citizens.
Nikolic’s
rhetoric,
however,
remains
double-‐sided,
as
does
the
government’s
reluctance
to
implement
EU’s
recommendations
regarding
educational
reform
and
transitional
justice
initiatives.
In
an
interview
to
the
German
magazine
Faz,
for
example,
he
admitted
he
still
harbored
aspirations
for
the
establishment
of
Greater
Serbia,
as
well
as
pride
over
his
military
career
during
the
90’s
(Faz
2012).
Similarly,
while
the
Serb
state
has
publicly
distanced
itself
from
the
crimes
committed
in
Srebrenica,
the
stance
isn’t
as
clear
cut
as
a
clear
acknowledgement
of
the
international
and
Muslim
narrative.
“There
was
no
genocide
in
Srebrenica,”
Tadic
asserted
in
2012
(Jutarnji,
2012).
“No
Serb
will
ever
admit
to
a
genocide
in
Sebrenica,
and
I
won’t
either.
Karazdic
and
Mladic
are
innocent,
and
until
proven
otherwise,
they
should
be
treated
as
such.
”
On
another
occasion,
Tadic
questioned
the
Hague
117
judicial
process:
“The
Hague
process
is
conducted
in
the
name
of
highest
humanitarian
values,
but
executed
according
the
so
called
notion
of
human
rights”
(Novosti
2013).
“I
once
said
that
as
a
Četnik
[Serb
paramilitary]
I
shall
always
remain
a
Četnik,
and
that
I
will,
if
someone
again
invites
me,
defend
Serbia
(Jutarnji
list
2012).
It
is
in
light
of
such
nationally
reassuring
statements
that
Nikolic
presents
himself
as
a
modern
democratic
leader,
speaking
up
critically
about
Serbia’s
role
in
the
wars
of
the
90’s
when
negotiations
with
the
West
demand
he
does
so.
“Everything
that
has
happened
in
the
90’s
around
the
Balkans
has
the
nature
of
genocide,
but
I
kneel
and
ask
for
forgiveness
for
Serbia
for
the
crime
committed
in
Srebrenica,”
he
shocked
the
world
on
May
7th
2013,
earning
a
clear
approval
of
the
European
Commissioners
and
international
press
(BBC
2013).
What
the
domestic
debate
looks
like
resembles
nothing
of
the
highly
strategic
rhetoric
of
the
Serb
political
leadership.
(3)
KAFANSKI
SVADAR
Among
the
common
Serbian
people,
and
during
conversations
that
could
be
classified
as
kafanski
svadar
(coffee
talk),
Srebrenica
emerges
at
the
center
of
cold-‐war
like
conspiracy
theories
and
assumptions
of
international
bias
against
the
Serb
nation.
All
of
them
could
be
traced
back
to
past
and
current
Serbian
political
rhetoric,
even
though
ideas
about
the
nation’s
victimhood
stem
most
directly
from
the
war
rhetoric
of
the
90’s.
Most
prominent
are
mentions
of
Bratunac,
a
memorial
site
dedicated
to
the
Serb
victims
of
the
war
a
few
kilometers
from
Srebrenica,
a
denial
of
the
massacre’s
occurrence,
and
a
complicated
narrative
portraying
Srebrenica
as
an
anti-‐Serbian
Muslim
plot.
Because
very
few
written
sources
(with
the
exception
of
online
forums
and
comment
sections
of
online
Serbian
media)
consider
these
narratives,
the
following
narratives
are
based
on
interviews
and
interactions
with
informants
in
Belgrade
who
aren’t
part
of
the
civilno
družstvo
.
On
January
25th
1993
forty
nine
ethnic
Serbs
were
murdered
by
Muslim
forces
in
the
village
of
Kravac
near
Bratunac.
Since,
the
bodies
of
3,267
(mostly
civilian)
Bosnian
Serbs
who
lost
their
lives
in
the
area
have
been
buried
at
the
site.
“In
the
judiciary
courts
of
Bosnia
and
Herzegovina
or
in
Hague
no
one
has
been
convicted
for
these
crimes,”
Dokic,
a
minister
of
the
Rpublika
Srpska
federative
republic
said
(Glas
Srpske
2012).
Every
year,
the
commemoration
is
attended
by
representatives
of
Serbia
and
Russia
as
well
as
many
Serbs
from
the
area
and
its
political
administration.
A
deep
sense
of
injustice
prevails
in
the
118
narratives
mentioning
Bratunac.
The
bitterness
is
largely
related
to
the
lack
of
international
attention
and
solidarity
with
the
victims
of
crimes
committed
by
the
Bosnian
Muslims,
as
opposed
to
the
attention
focused
on
the
Muslim
wartime
suffering.
“Our
people
were
dying
and
suffering
too,
suffering
because
of
the
Muslims,
but
that
is
past
now.
God
gave
us
a
great
gift
of
forgiveness,
so
why
don’t
they
make
use
of
it
as
well?,”
one
of
my
informants
complained.
“We
apologize
to
everyone,”
another
person
said,
when
I
asked
about
the
apology
Nikolic
made
just
a
few
months
ago
regarding
Serbian
war
crimes.
“We
beg
everyone
for
forgiveness,
but
I
have
yet
to
hear
any
one
to
apologize
to
us.
It
is
time
that
someone
from
the
Bosnian
government
apologizes
o
the
Serbs
who
fell
victim
to
the
crimes
committed
by
Muslims
and
Croats.”
Second,
more
extreme
narrative,
presumes
that
the
Srebrenica
massacre
never
happened,
and
was
manufactured
as
a
part
of
the
plot
to
weaken
Serbian
power
in
the
Balkans.
“The
graves
contain
bodies
of
those
who
died
even
before
the
war,
or
at
other
places,”
an
informant
adds
after
laying
out
his
version
of
the
story.
Part
of
a
larger
conspiracy
theory,
this
version
is
reinforced
by
the
Serb
educational
system,
which
does
not
include
Srebrenica
nor
other
war
crimes
committed
by
the
Serbs
into
the
public
school
history
syllabi.
A
third
version
of
the
story
is
based
on
an
even
more
radical
hypothesis,
presuming
that
the
Muslim
leadership
planned
and
executed
the
massacre
in
order
to
gain
sympathies
of
the
West,
and
of
the
United
States
in
Particular.
Such
narrative
highlights
the
immoral
character
of
the
Bosniak
Muslims,
and
is
often
combined
with
the
understanding
of
the
Muslim-‐international
conspiracy
against
the
Serbian
side.
“Alja
Izetbegovic
[the
Bosnian
Muslim
leader]
said
to
the
former
guards
at
Srebrenica
that
Bill
Clinton
promised
him
a
military
intervention
if
the
Serbs
come
to
Srebrenica
and
murder
at
least
5.000
Muslims,”
another
informant
insisted.
Despite
physical
evidence
such
as
the
footage
capturing
Serb
negotiations
with
the
Dutch
UN
peacekeepers,
or
Mladic’s
entry
into
the
city
following
the
massacre,
these
narratives
live
on,
based
on
wider
understandings
of
the
past
and
even
present
political
relations
between
Serbia,
its
neighbors,
and
the
world.
119
(4)
SERBIAN
CIVILNO
DRUŽSTVO
As
the
reader
could
see
in
previous
sections
of
this
writing,
the
civilno
družstvo
of
Belgrade
clearly
sides
with
the
version
of
events
presented
by
the
victims
themselves
as
well
as
by
the
international
community.
Contradicting
the
national
narrative,
they
struggle
to
create
space
for
the
alternative
narrative
within
Serbia
proper,
however.
An
billboard
campaign
organized
by
Youth
Initiative
for
Human
Rights
on
the
streets
of
Belgrade
for
the
10th
anniversary
of
the
Srebrenica
massacre
in
2005
proves
an
ideal
example
of
the
struggle
to
introduce
the
liberal
narratives
regarding
Srebrenica
to
the
mainstream
society.
The
billboards,
featuring
a
tasteful,
but
disturbing
black
and
white
photograph
of
a
bodily
remain
from
Srebrenica
with
the
text
“So
that
you
see,
so
that
you
know,
so
that
you
remember”
quickly
became
targets
to
right-‐wing
raids
and
graffiti.
One
particular
graffiti
read
“there
will
be
a
repetition”,
featured
next
to
the
photograph
(see
Figure
13).
Figure 13, “Srebrenica 1995-2005 So that you see, so that you know, so that you remember”
120
AS
I
TELL
IT
Even
if
narratives
related
to
Srebrenica
can
be
sorted
into
the
preceding
four
categories,
none
of
tem
can
be
narrated
in
a
manner
universal
to
all
members
of
the
four
respective
groups.
Rather,
the
subtle
differences
in
their
understanding
of
the
occasion
and
their
role
in
it
are
telling
of
the
ways
in
which
identity
is
informed
by
collective
remembering
and
mechanisms
of
ideological
change
among
individuals.
Particularly
the
case
of
the
civilno
družstvo
in
Belgrade
was
fascinating
to
me,
because
during
the
single
trip
to
Srebrenica
with
a
single
group
of
self
proclaimed
liberal
activists,
their
resembled
a
diverse
variety
rather
than
a
unified
voice
resembling
of
the
slogans
they
held
up
at
the
center
of
the
ceremony.
The
nuances
differentiating
their
understanding
of
transitional
justice,
patriotism,
and
social
progress
are
telling
of
the
process
of
cultural
narrative
formation
and
change
as
they
are
at
play
among
the
members
of
civilno
družstvo
in
Belgrade.
Particularly
after
understanding
the
mechanisms
of
resistance
and
internal
sustenance
among
the
Belgrade-‐based
liberal
non-‐profits,
I
was
fascinated
by
the
diversity
of
ways
in
which
individuals
made
sense
of
the
emotionally
demanding
event.
Attending
the
Srebenica
Anniversary
as
‘Serbian
delegates’
of
sorts,
these
people
found
themselves
under
extraordinary
pressure
in
a
situation
which
required
them
to
stand
up,
firm
and
exposed,
for
an
ideology
which
some
of
them
only
just
begun
learning
about
and
accepting.
The
young
Serbian
activists
suddenly
found
themselves
surrounded
by
a
sea
of
Bosnian
Muslim
praying
and
supporting
each
other,
by
weeping,
covered
Muslim
women,
and
loud
emotional
Muslin
music:
all
stereotypical
exhibitions
of
the
Bosnian
Muslim
culture.
Instead
of
encountering
a
dehumanized
picture
of
enemies
othered
by
the
national(ist)
myth
for
centuries,
they
found
themselves
taking
part
in
a
ritual
celebration
and
remembrance
of
loss
and
mourning,
sentiments
that
are
common
across
ethnic
groups
and
identities.
The
relatable
emotion
intensified
the
experience,
suddenly
showing
the
Bosnian
Muslim
narrative
as
tangible,
believable,
and
valid.
Even
for
those
youth
activists
who
have
already
begun
questioning
the
Serbian
national
narrative
and
for
those
who
came
to
‘learn
more’,
such
experience
intensified
and
exposed
the
reality
of
contradictory
truths.
121
The
varying
reactions
to
such
intensive
materialization
of
political
mythologies
in
Srebrenica
are
best
understood
in
terms
of
structural
change
as
first
established
by
Marshall
Sahlins.
Asserting
that
“History
is
organized
by
structures
of
significance”
(1981:8),
Sahlins
challenges
the
understanding
of
the
world
as
static,
unchanging,
composed
of
Levi-‐
Straussean
binary
oppositions.
Instead,
Sahlins
presents
a
compelling
case
of
‘slippage’
as
a
source
of
change
in
individuals’
interpretation
of
the
mythical
guidelines
of
a
culture.
The
national
narratives,
‘structures
of
value’
construct
a
repetitive
network
of
meaning
and
interpretations
which
are
continually
used
to
justify
the
status
quo.
Sahlins
asserts
that
structure
(national
myth
and
collective
memory
in
this
particular
case)
become
the
template
against
which
actual
events
are
interpreted.
The
mythical
structure
does
not
determine,
but
merely
guides
the
behaviors
of
individuals.
Under
such
circumstances,
slippage
can
be
carried
out
intentionally,
and
significance
and
value
of
structural
elements
can
be
reassigned
and
altered
through
time
as
a
response
to
particular
events.
Inviting
such
change
in
thinking,
the
Serbian
civilno
družstvo
brings
those
willing
to
challenge
the
structure
of
Serbian
national
myth
to
an
event
that
encourages
questioning
and
rejection
of
the
prevailing
structure
of
meaning.
The
decision,
whether
the
event
or
the
superimposed
national
myth
will
prevail
in
the
interpretation
of
the
world,
remains
individual,
however.
The
materialization
of
previously
held
abstract
understandings
of
the
past
forced
many
of
these
participating
individuals
to
reevaluate
their
convictions
and
dedications
to
transitional
justice
or
nation.
Some
were
pushed
back
towards
defense
of
the
Serbian
nationalist
narrative
in
the
face
of
the
materialized,
intense
representation
of
the
liberal
ideology.
For
others,
the
event
represented
a
culmination
of
their
learning
and
accepting
the
liberal
narrative.
Let
me
now
introduce
to
you
the
experience
of
six
individuals
who
participated
in
the
trip
to
Srebrenica
on
June
11th
2013.
On
their
examples
I
wish
to
illustrate
the
wide
range
of
motivations
for
undertaking
such
trip,
and
the
range
of
emotions
and
ideological
challenges
that
resulted
from
attending
the
ceremony.
The
concluding
chapter
of
this
thesis
will
elaborate
on
the
implications
of
my
ethnography,
and
illustrate
the
role
that
civilno
družstvo
plays
in
the
process
of
ideological
change.
122
ON
THE
ROAD
It
was
a
dark
summer
night,
and
the
tower
bell
just
announced
4:30
am.
Women
and
men
emerged
from
cars
hastily
parked
on
the
edges
of
empty
streets
surrounding
the
bus
station.
They
were
sleepy,
scratching
their
eyes
and
backs,
yawning.
Dressed
in
black,
we
assembled
in
front
of
hotel
Bristol,
women
and
men
greeting
each
other,
many
kisses
were
distributed.
I
introduced
myself
to
those
who
arrived
earlier
-‐
to
Igor,
who
wears
a
black
t-‐
shirt
featuring
big,
bold
white
letters
and
numbers:
10.12.,
Day
of
Human
Rights,
and
to
Sanja,
who
doesn’t
know
anyone
either.
She
is
an
older
woman
of
around
50,
blond,
messy
hair
tied
into
a
pony
tail
behind
her
left
ear,
heavy
metal
earrings,
a
massive
pendant
on
a
white
ribbon,
and
a
black
dress
cut
in
a
youthful
fashion.
We
quickly
converse
as
I
greet
others
-‐
namely
Alexander,
Nevena
and
Natasa
whom
I
haven’t
met
before
even
though
we
were
all
sent
on
this
trip
by
YIHR.
While
crossing
the
street
towards
our
bus
I
notice
a
police
car
with
three
policemen
in
uniforms
watching
the
crowd
that
assembles
on
the
peron.
Thirty-‐eight
of
us
arranged
ourselves
evenly
through
out
the
bus.
Sanja
asked
me
to
sit
close
so
that
we
could
finish
our
conversation
and
I
took
a
seat
next
to
her
in
the
center
of
the
vehicle.
Relaxed
Serbian
chatter
filled
the
bus,
and
the
darkness
disappeared.
Pink
misty
fields
of
corn,
sunflowers
and
grains
soon
replaced
the
sleeping
city.
Soft
yellow
sunlight
flickered
through
the
bus
when
I
noticed
a
strange
reflection
of
a
blue
light
running
down
the
bus’s
aisle.
A
police
car
in
front
of
us!
When
I
asked
Sanja
about
it
the
women
around
joined
the
conversation.
Anna,
a
youth-‐looking
women
with
curly
dark
hair,
laughed
and
joked
around,
provokingly
asking
for
attention.
An
elegant,
tall
and
slim
Morgijan
in
the
seat
in
front
of
us,
revealed
that
she
works
as
a
spokesperson
for
the
Hague
tribunal
in
Serbia.
As
we
passed
through
the
never-‐ending
stream
of
Serbian
villages
arranged
around
the
main
road,
a
rumor
spread
through
the
bus:
“The
police
said
no
to
a
coffee
break!”
We
all
were
a
little
confused
as
to
whether
the
police
protection
was
necessary,
but
some
women
said
it
puts
them
at
ease
knowing
that
the
protection
is
available.
Saša,
the
woman
who
assumed
the
role
of
a
group
leader,
goes
through
the
bus’s
aisle
with
a
large
red
plastic
bowl
of
proja
(bread-‐like
pies
the
size
of
a
children’s
fist).
“The
women
from
Šapac
baked
these
for
us”,
she
passed
me
one,
smiling,
after
we
shook
hands
123
and
introduced
each
other.
We
passed
through
picturesque
Balkan
villages
with
tall
white
orthodox
churches,
white
balcony
fences
and
well
kept,
fertile
gardens.
Around
7:30
we
saw
first
men
watch
our
little
parade
pass
around,
sipping
coffee
on
plastic
chairs
of
the
plastic-‐looking
coffee
bars
by
the
main
street,
smoking.
They
turned
their
heads
after
us,
interested,
but
remaining
in
their
places,
faces
neutral.
Another
batch
of
food
moved
through
the
bus:
bags
full
of
white
bread
baguettes
with
cheese,
tomatoes
and
salad.
Those
sitting
kept
thanking
those
distributing
the
food,
and
they
kept
repeating
-‐
“but
of
course,
of
course”.
We
stopped
briefly
in
one
of
the
tidy,
long
villages
laying
on
a
flat
land
called
“Potomaca”,
and
two
more
women
entered
the
bus.
The
front
was
occupied
by
the
Women
in
Black.
They
called
each
other
by
names,
chat
familiarly,
distributed
directions,
obviously
in
charge.
They
sat
calmly
throughout
the
ride,
dressed
in
long,
black
dresses
and
elegant
black
pants
with
ceremonial
jewelry
and
carefully
done
make-‐up.
They
were
all
at
least
50
yearls
old.
In
the
very
back
sat
Alexander,
Natasa
and
Nevena
and
the
younger
people
speaking
English.
They
all
wore
casual
clothes,
mostly
non-‐black,
and
changed
shortly
before
our
arrival
to
Potocary.
I
heard
the
young
bearded
man
in
the
seat
behind
me
say
“I’m
now
writing
an
analysis
for
my
NGO
on
cyber
extremism,”
as
they
spoke
about
their
professional
lives
and
the
organizations
they
work
for.
Sanja
and
I
spoke
of
America
and
Europe.
“Ja
sam
Sarajka,
“
she
began.
“I’m
from
Sarajevo,
but
I
spent
30
years
in
Belgrade,
married
to
a
Slovenian,
so
I’m
not
really
from
anywhere,
just
from
the
Balkans.”
She
lives
in
Chicago
now,
where
she
directs
the
Bosnian-‐
American
Genocide
Institute
and
Education
Center.
“I’m
so
happy
in
America.
They
have
taken
me
in,
given
me
work.
Europe
is
build
on
lies
and
crimes,”
she
explained
why
she
feels
happy
to
be
a
US
citizen
now.
We
spoke
in
Serbian,
though,
and
she
corrected
me
kindly
when
I
made
mistakes.
The
houses
along
the
road
were
well
kept,
painted
in
pastel
colors,
and
multi-‐store.
We
saw
first
shadows
of
mountains
on
the
horizon
after
three
hours
of
following
the
road
winding
through
the
flat
West-‐Serbian
land.
A
police
convoy
surrounding
three
black
limousines
passed,
honking,
around
our
bus.
“Was
that
Tadic?”
someone
shouted
inside
the
bus.
“They
don’t
want
to
admit
the
crime,”
and
“He
cried
when
he
spoke
about
the
commemoration
two
years
ago,”
I
heard
amidst
the
bus-‐wide
conversation.
“Whoever
it
is,
he
should
have
come
with
us,
we
have
spots
free
in
the
bus!,”
someone
says
and
the
women
124
laugh.
“That’s
where
the
Serbian
budget
goes.”
“He
was
the
first
one
[of
Serbian
presidents]
to
go
to
Srebrenica,”
someone
said,
while
another
woman
completed
the
sentence:
“
and
the
last
one.”
“It’s
just
this
bus
going,
no
one
else
will
be
there.
Not
even
from
Republika
Srpska,
they
have
Srebrenica
right
where
they
are
and
yet
they
don’t
send
anybody.”
SANJA
Sanja
and
I
talked
for
more
than
three
hours
without
interruption,
sitting
tight
next
to
each
other.
She
encouraged
me
to
lay
my
head
on
her
shoulder
while
I
tried
to
get
some
rest
before
what
will
sure
be
an
exhausting
day,
and
I
thought
-‐
maybe
it’s
time
I
ask
the
question
already,
and
I
did.
“What
motivates
you
to
go
to
Srebrenica
today?”
I
turn
to
her.
She
responds
as
if
in
hurry
-‐
“well,
it’s
really
quite
simple.
Think
of
those
who
are
burying
their
dead
today,
how
much
they
suffer,
that’s
unthinkable.
Then
compare
it
to
me,
I
need
to
go
there
to
be
with
them.”
she
pauses
briefly.
“Treba
da
to
svi
produ.”
It
is
necessary
that
everyone
experiences
this,
she
said,
and
we
remained
silent
for
a
few
minutes.
Then
she
looked
at
me
again,
“there
are
all
these
stories
that
make
me
hate
it
in
Serbia.
Like
when
we
went
to
a
restaurant
and
they
apologized
for
playing
some
Turkish-style
songs,
that
I
hate.”
A
tear
runs
down
her
face.
She
accounted
for
two
or
three
other
times
when
she
felt
that
‘they
were
Cetnici,
there,
you
could
just
see
it,”
crying
silently,
obviously
disturbed.
I
apologized
for
triggering
her,
and
she
said
it’s
alright,
that
it’s
not
my
fault.
It’s
was
first
time
someone
I
spoke
to
has
cried,
and
I
didn’t
know
how
to
react.
I
just
sat
there,
holding
her
hand
until
she
calmed
down.
“U
nevladnom
sektoru
svo
znaju
sve,
mi
smo
kako
druga
drzava,”
she
says
after
a
while.
“In
the
civilno
družstvo
everyone
knows
everything.
We
are
like
a
state
within
the
state.
We
stand
together
in
Belgrade
not
to
forget
the
past,”
she
said
at
last
and
remained
silent
until
the
police
allowed
us
to
stop
in
a
small
motorest
coffee
shop
for
a
break.
ALEKSANDAR
I
sat
with
Aleksandar
(20),
Natasa
(23)
and
Svetlana
(20),
the
three
remaining
YIHR
delegates
during
the
coffee
break.
As
we
sipped
the
dark,
dense
coffee
that
you
couldn’t
ingest
without
a
good
dose
of
sugar
and
milk,
we
talked
casually.
Piercing
my
face
intensely
with
sharp
eyes,
Aleksandar
interrogated
me
friendly,
with
interest.
How
old
am
I,
what
do
I
do
for
YIHR,
what
do
I
study,
what
does
it
mean.
“You
need
to
study
philosophy,
then
you
125
will
be
able
to
shake
things
up,
understand
from
a
much
more
basic
point
of
view.”
He
says
that
Belgrade’s
faculty
of
law
is
a
‘profasisticka
tvorevica”,
a
fascist-‐making
workshop,
and
when
I
laughed
and
wanted
to
write
that
down,
he
made
me
write
down
“pronacionalisticska
tvorevica”,
a
nationalist-‐making
workshop.
I
turned
the
tide
around
to
learn
about
them,
too.
Aleksandar
and
Nevena
just
finished
their
first
year
at
the
political
science
faculty
in
Belgrade.
Aleksander
is
the
only
one
of
the
tree
who
has
worked
with
YIHR
before,
and
he
brought
his
friends
from
home
along.
They
all
live
in
the
town
of
Smederevo,
30
minutes
away
from
Belgrade
by
public
transportation.
I
asked
what
makes
them
come
to
Srebrenica
today,
and
then
just
wished
I
had
taken
my
voice
recorder
with
me
from
the
bus.
They
spoke
of
how
biased
all
reporting
is
in
Serbia
and
how
they
want
to
learn
more.
“The
media
and
everyone
speak
the
same
way
in
Serbia.
We
need
to
go
out
to
hear
what
others
say,”
Aleksander
remarks.
“Did
you
know
that
Izbegovic
[Bosniak
Muslim
president
during
the
war],
Milošević,
they
all
were
Tito’s
pioneers,
friends
from
childhood.
They
would
call
each
other
every
night
during
the
war,
playing
a
game
of
checkers,”
Natasa
said.
“We
need
to
know
what
it
really
looks
like
on
the
other
side,”
Svetlana
added.
They
were
determined,
well-‐spoken,
unafraid.
IN
SREBRENICA
We
could
see
crowds,
streams
of
people
walking
from
kilometers
away
in
the
direction
where
our
bus
was
headed.
In
Potocary,
floods
of
brightly
colored
scarves
and
checkered
skirts
and
hats.
Mud,
mud
everywhere.
Speech
by
one
important
politician
followed
by
another,
then
imam
after
imam.
The
song
I
first
heard
the
day
before
at
a
Srebrenica
themed
exhibit
at
the
House
of
Human
Rights
in
Belgrade
and
couldn’t
shake
off
since,
played
again
(see
Figure
14
below).
The
singing
voice
of
a
small
girl,
accompanied
by
a
massive
female
choir
thundered
loudly
above
the
memorial
center
from
numerous
speakers
as
we
entered
the
site.
Carrying
a
large
funeral
bouquet
of
white
flowers
signed
as
“Zene
u
Crnom
Srbija
za
Genocid
u
Srebrenici”,
“The
Women
in
Black
for
Genocide
in
Srebrenica,”
the
women
pulled
out
their
ODGOVORNOST
(responsibility)
and
SOLIDARNOST
(solidarity)
posters.
We
lined
up
by
the
8470
names
of
victims
engraved
in
the
cold
stone
of
the
circular
memorial
wall,
and
I
found
myself
standing
in
the
very
middle,
right
above
the
R
in
“Srebrenica,
nezaboravimo”.
126
“Bosno
moja,
ti
si
moja
mati
“My
Bosnia,
you
are
my
mother,
Bosno
moja,
majkom
ću
te
zvati
My
Bosnia,
I
will
call
you
a
mother
Bosno
majko,
Srebrenice
sestro
Mother
Bosnia,
Sister
of
Srebrenica,
Neću
biti
sam
I
will
not
be
alone.
Sestro,
brate,
još
vas
sanjam
svake
noći
Sister,
brother,
I
still
dream
of
you
every
night
Nema
vas,
nema
vas,
nema
vas
You
are
missing,
you
are
missing,
you
are
missing
Tražim
vas,
tražim
vas,
tražim
vas
I
am
looking
for
you,
looking
for
you,
looking
for
you
Gdje
god
krenem
vidim
vas
Wherever
I
go
I
see
you
Majko,
oče,
što
vas
nema”
Mother,
father,
why
aren’t
you
here”
Figure
14
Srebrenica
Inferno
Behind
the
monument,
families
and
mourners
of
the
dead,
in
front
of
us,
the
memorial
statue
and
a
stand
full
of
imams
in
ceremonial
black
coats
and
white
hats.
The
media,
too.
Two
places
to
my
right,
the
spokesperson
Sasa
gave
interviews
during
the
ceremonies,
and
I
felt
as
if
we
were
taking
attention
away
from
those
mourning
their
dead.
Women
and
men
in
the
group
were
holding
onto
the
posters,
staring
into
the
distance,
or
having
their
heads
bowing
down
to
the
stone
beneath
our
feet.
We
all
wore
black
now,
some
wore
plain
black
shirts
with
slogans
such
as
“Uvek
Neposlusne,
Zene
u
Crnom”,
“Women
in
Black,
always
disobedient”
or
just
“Zene
u
Crnom”,
“Women
in
Black”.
The
sun
poured
on
us,
it
was
hard
to
breathe.
We
stood
in
absolute
silence.
The
European
Commission
representative
appealed
on
all
European
countries
to
make
11th
of
July
a
remembrance
day
for
Srebrenica.
We
stood
still.
Behind
us
older
women
and
men
sat
on
the
top
of
the
memorial
wall,
listening,
looking
on
the
hills,
on
our
backs.
An
enormous
camera
on
a
girrafe-‐like
metal
neck
moved
back
and
forth
above
our
heads.
A
big
white
screen
featured
heads
of
the
speakers,
hidden
in
the
shade
of
a
former
factory
building
nearby.
On
the
hills
above
us
colorful
dots
of
people
hid
under
sun-‐umbrellas,
digging
graves,
sitting
on
the
green
grass,
when
all
of
the
sudden,
we
heard
thunder.
A
few
minutes
after,
strong
rain
begun.
The
skies
cried
over
Srebrenica,
the
news
articles
said
the
day
after.
We
stood
still
in
the
rain,
most
of
us
with
no
umbrellas
to
hide
under.
We
soaked
wet.
I
moved
to
the
side,
uncomfortable
with
standing
in
the
middle,
now
side
to
side
with
Svetlana.
We
let
the
rain
soak
into
our
clothes.
What
is
rain
and
cold
shiver
to
the
suffering
of
those
who
suffered
here
and
the
suffering
of
those
who
come
here
to
remember
that
every
year
for
eighteenth
time,
I
thought.
I
observed
the
faces
of
the
women
that
came
on
my
bus.
They
stood
tall,
strong,
looking
ahead
with
eyes
opened
or
closed,
most
of
them
soaked
to
their
skin.
The
words
ODGOVORNOST
and
SOLIDARITY
stood
out
well
on
the
black
background
even
through
the
thunderstorm.
SVETLANA
A
woman
standing
next
to
Svetlana
and
I
offered
us
one
of
her
spare
shirts
to
hide
under
instead
of
an
umbrella
when
she
noticed
Svetlana
shivering
and
sighing.
“I
will
get
sick,
I’m
so
wet,
I
will
get
pneumonia
and
die,”
she
cried.
We
offered
the
hiding
of
the
shirt
to
the
woman
whose
piece
of
clothing
it
was,
but
she
refused,
standing
tall
in
the
rain
with
no
protection,
with
a
determined,
meditative
look
on
her
face.
Svetlana
kept
wiping
water
of
her
moist
phone
devoid
of
battery.
“Everyone
hates
us
here,”
she
told
me
while
I
held
the
black
shirt
above
our
heads
in
front
of
all
those
mourning.
“I
will
get
sick,
I
am
soaked
wet,”
she
continued,
asking
me
in
one
breath
”is
my
face
ok?”-‐“Jeli
sam
dobro?”
Her
eyes
were
wet
now,
too,
not
because
of
the
rain.
She
turned
her
body
in
all
directions,
impatiently,
as
I
tried
to
console
her,
caressing
her
shoulder.
“Everyone
is
hating
us
here,”
she
raised
her
chin
towards
the
crowds
behind
us
and
surrounding
us.
I
tried
to
protest,
console
her,
tell
her
about
the
grateful
looks
and
touches
on
the
shoulders
that
I
have
received,
the
nod
from
a
men
older
than
my
own
grandfather,
when
I
bowed
my
head
in
front
of
him.
Svetlana
didn’t
notice.
“My
parents
are
from
this
region,
too,
they
also
had
to
run,
they
ran
with
nothing,
not
a
penny,
they
ran
to
Belgrade
to
be
safe.
No
one
remembers
our
dead,
they
are
not
acknowledged.”
I
held
the
shirt
above
our
heads,
and
she
again
asked
about
her
make
up.
“Jesi,
Jesi
dobro”,
I
told
her,
trying
to
make
her
feel
less
afraid,
waiting
for
the
rain
to
stop.
She
was
shivering,
soaked
wet.
Svetlana
has
never
been
to
Srebrenica
before,
I
remembered.
They
played
Bosno,
majko,
Srebrenice
sestro
again
on
the
loud
speakers
and
I
felt
like
crying
as
well.
We
took
of
our
shoes
and
stood
in
the
pool
of
water
at
the
bottom
of
the
memorial,
listening,
crying.
When
the
rain
weakened
and
just
a
few
droplets
continued
to
slide
down
our
cheeks
Svetlana
apologized.
I
told
her
there
was
nothing
she
should
apologize
for.
I
was
still
holding
her
hand.
The
cameras
zoomed
on
us
again,
saw
us
soaked,
wet.
They
saw
the
women
holding
onto
the
posters
they
haven’t
dropped,
standing
silently.
After
the
ceremony,
uninterrupted
by
rain,
concluded,
the
crowds
entered
the
central
part
of
the
128
monument,
interspersing
with
us.
A
woman
from
Majke
Srebrenice
(Mothers
of
Srebrenica)
passed
along
the
line,
shaking
hands
with
each
one
of
us.
We
dispersed
shortly
after,
standing
aside
of
the
monument’s
space
where
prayer
was
being
held.
Some
women
of
the
group
smoked
and
talked.
Those
praying
turned
their
heads
in
disapproval.
We
spent
two
more
hours
on
the
cemetery
nearby
where
small
family
services
were
being
held
separately
for
each
grave.
Each
fresh
pile
of
soil
had
a
red
rose
pierced
into
it,
women
cried,
some
falling
to
the
ground.
Some
women
from
Women
in
Black
hugged
and
greeted
those
mothers
whom
they
knew
were
burying
their
sons
after
eighteen
years
of
waiting
for
their
bodies
to
be
found.
We
left
Srebrenica
slowly,
in
a
convoy
of
buses
and
cars
on
a
pilgrimage
away
from
Srebrenica.
The
bus
was
quieter,
but
not
silent.
Everyone
spoke
about
the
rain,
taking
care
about
everyone
being
dry,
but
the
strong
sunshine
that
returned
right
after
the
rain
took
care
of
it.
Spare
shirts
were
distributed
nevertheless.
Serbian
activists
who
biked
to
Srebrenica
now
took
the
empty
bus
seats.
We
passed
by
orchards
of
fruit
trees
ready
to
mature,
ruins
of
building
resembling
nothing
of
the
pastel
houses
of
West
Serbia.
We
passed
along
Drina,
“Kičma
Srbskog
naroda”,
“the
backbone
of
the
Serb
nation”
as
Anna
says
jokingly,
referring
to
the
war
rhetoric.
We
returned
across
the
river
back
into
Serbia.
MARIJA
Back
in
Belgrade,
I
was
looking
for
the
office
of
Women
in
Black
in
order
to
talk
to
a
couple
of
the
women
about
their
experience
at
the
trip.
“How
are
you?
I
got
a
cold
in
Potocare,
you
know,
my
bladder
and
all,”
Marija
says
in
one
breath
with
a
greeting
as
she
opens
the
door
to
the
office
for
me.
There
are
no
signs
outside
the
apartment-‐made-‐into-‐office,
but
inside
the
walls
are
covered
in
posters
and
stickers.
“NO
to
fascism”
on
a
background
of
rainbow
colors
is
one
that
stands
out
in
particular.
Six
women
at
the
office
all
seem
busy,
typing
into
laptops,
making
coffee,
running
around,
barefoot.
I
sit
down
with
Marija
in
the
room
next
door.
She
brings
a
bowl
of
peanuts,
and
even
though
the
room
is
quite
dark,
but
I
can
see
her
bright
red
hair,
cut
in
a
youthful
manner
right
under
her
ears.
A
big
pendant
on
her
neck
competes
for
attention
with
her
deep
voice.
She
sits
tall
on
the
bed,
her
voice
is
firm
and
straight-‐forward,
she
isn’t
speaking
about
these
things
for
the
first
time.
“What
activism
gives
me,
and
what
trips
like
that
one
we
did
129
last
week
make
me
feel,
is
that
my
life
isn’t
meaningless.
I
am
fulfilling
a
debt
-
this
is
not
very
feminist
at
all,
but
I
feel
it
anyway
-
I
am
fulfilling
a
debt
of
history,
which
allowed
me
to
learn
about
everything.
I
believe
that
I
have
to
pass
that
on.
Activism
allows
me
to
do
that,
it
makes
me
feel
like
out
of
the
7
Billion
people
on
this
planet,
my
life
isn’t
the
most
meaningless
one.”
Marija
has
been
to
Srebrenica
countless
times.
She
was
one
of
the
women
organizing
the
trip,
speaking
to
the
media,
buying
the
flowers
and
performing
in
street
performances
related
to
the
genocide
on
the
day
before
the
Anniversary.
She
speaks
of
the
small
role
in
the
grand
scale
of
things
that
her
trips
to
Srebrenica
play
every
year.
“The
women
from
Srebrenica
have
a
constant
need
to
talk.
But
Serbian
women
feel
bad
in
front
of
women
from
Bosnia.
Our
men
came
back
as
villains,
our
youth
started
drinking
and
doing
drugs,
the
economy
got
really
bad,
big
misfortune,
but
all
that
is
minor
when
you
compare
it
to
what
the
women
in
Bosnia
experienced.
They
lost
kids,
everything.
…
But
our
nation
doesn’t
have
empathy,
solidarity.
It
is
necessary
that
we
first
talk,
that
we
agree
on
one
version
of
history,
that
we
hear
each
other
out.
It
is
important
that
we
see
each
other
deal
with
the
past.
Only
that
way
can
reconciliation
happen.”
Marija’s
annual
experience
in
Srebrenica
is
a
culmination
of
her
philosophy
and
a
positive
reaffirmation
of
her
believes.
“It
is
hard,
but
we
know
it
is
necessary
that
we
go,
and
that
we
take
others
along
with
us
to
start
taking
their
part
in
the
process
of
reconciliation.”
ALEKSANDAR
AND
NATAŠA
A
week
after
our
trip
to
Srebrenica
I
accepted
an
invitation
from
Aleksandar
and
Natasa
to
come
visit
them
in
Smederevo.
The
town
is
about
an
hour
away
from
Belgrade,
and
famous
for
its
war
history.
Alexandar
waited
for
me
at
the
central
bus
station.
He
spoke
resolutely
and
decisively
about
his
city,
every
corner
was
important
to
him,
every
building.
He
paid
for
my
entrance
to
the
remains
of
local
fortress
and
gave
me
a
lecture
in
history
of
the
town.
“This
fortress
was
destroyed
three
times
-
by
the
Turks,
by
the
Germans,
and
by
NATO.
It’s
actually
disputable
if
it
was
the
Germans
or
the
British
air-force,
but
this
fortress
has
been
through
a
lot.”
He
knew
much
about
medieval
princes
and
kings
who
built
the
fortress
in
the
first
place,
and
showed
me
the
buildings
of
municipal
governments,
courts
and
schools
with
pride,
as
well
as
the
iron
ore
mines
and
refineries
nearby.
When
climbing
up
the
hill
to
a
residential
area
we
talked
about
languages.
“You
said
you
speak
English
but
you
never
130
spoke
English
to
me,”
I
said,
because
our
conversations
were
all
in
Serbian.
“I
don’t
like
English,
it
sounds
arrogant
and
posh
to
me.
Everyone
speaks
it!
I
prefer
French,
it’s
more
beautiful,
rare,”
and
he,
laughing,
produced
a
sentence
in
French
about
how
French
sounds
good.
In
such
manner,
he
reminded
me
of
the
right
wing
youth
I
interviewed
a
few
days
earlier,
to
whom
English
was
an
imperialist
language.
When
we
climbed
up
the
hill
an
hour
later
and
found
the
coffee
place
where
Nataša
works,
she
greeted
us
both
with
a
hug.
We
sat
down
over
thick,
sour
lemonade
that
Nataša
prepared
just
minutes
ago,
and
spoke
about
Srebrenica.
“It
was
hard,”
Alexandar
kept
to
himself.
“I
don’t
have
much
else
to
say.”
Nataša
jumped
in:
“To
me,
it
was
an
unbelievable
feeling.
When
I
woke
up
the
next
day
I
couldn’t
believe
that
I
was
actually
there,
that
it
happened.”
She
tried
to
explain
how
she
feels
about
seeing
and
participating
a
different
narrative
than
her
own.
“A
person
needs
to
change,
to
accept
others.
It’s
sad,
from
one
side,
that
I
cannot
understand
how
they
are
feeling.
I
assume
the
logic
that
I
cannot
judge
those
people,
no
one
came
there
to
fool
around.
They
all
came
because
the
went
through
something
so
horrible.
They
came
for
someone
they
loved
and
who
is
no
longer
with
them.”
She
tried
to
reconcile
her
feelings
when
encountering
the
Bosnian
grieving,
emphasizing
the
human
dimension
above
ethnic
disputes
that
she
could
identify
with,
even
if
on
a
very
superficial
level,
because
she
never
experienced
such
loss.
Meanwhile,
Alexandar
found
his
words.
“It
felt
like
thee
is
a
sudden
weight
on
my
shoulders.
It
was
humiliating,
in
a
way.
Humiliating
in
the
sense
that
you
arrive,
and
suddenly
feel
humiliated
for
not
having
knowin
before.
I
am
glad
for
having
gone,”
he
echoes
Nataša
who
said
she
felt
proud
about
having
been
there.
Alexandar
spoke
slowly,
obviously
still
processing
the
event.
He
described
how
his
friends
reacted
to
the
news
of
him
going
to
Srebrenica.
“They
try
to
understand
for
the
sake
of
our
friendship,
but
majority
of
them
are
just
not
that
interested.
Half
of
them
didn’t
even
know
something
like
the
Srebrenica
massacre
happened.
I
am
just
glad
that
maybe
they
did
learn
and
understand
something,
even
if
it’s
as
small
as
acknowledging
that
bad
things
happened.”
He
explained
that
he
was
just
like
that
before
going
to
study
in
Belgrade.
“Inicijativa
taught
me
about
these
things.
For
example,
I
had
no
clue
that
something
similar,
just
smaller,
happened
in
Tuzla
before
the
Youth
Initiative
took
me
there
for
a
trip.”
He
seemed
determined
to
keep
learning,
acknowledging
what
he
saw
in
Srebrenica
as
a
valid
narrative.
131
Nataša
concluded
the
conversation,
which
felt
slightly
uncomfortable
for
all:
“It
was
difficult,
but
I
would
always
rather
see
something
new
than
live
under
the
impression
that
it
was
only
your
people
who
suffered
through
something.
I’m
glad
I
got
to
see
the
other
side
as
well.”
It
is
curiosity
that
pushed
her
to
go
and
that
will
push
her
to
ask
more
questions
in
the
future.
The
trip
to
Srebrenica
only
strengthened
her
conviction
that
something
is
missing
in
Serbia,
a
balanced
understanding
of
the
past,
that
is.
Nataša
was
convinced
she
isn’t
being
told
the
entire
truth
by
the
Serbian
media
and
politicians,
and
was
determined
to
learn
on
her
own.
We
promised
each
other
we’d
see
each
other
again
and
they
called
me
a
cab
to
get
to
the
bus
station
on
time.
Aleksandar
insisted
on
coming
along.
“No,
no
way
you’ll
go
by
yourself,
I
need
to
come
along,
and
make
sure
they
let
you
on
the
bus.”
We
hugged
at
the
bus
station
and
agreed
to
see
each
other
in
August.
They’ll
come
to
Belgrade
to
visit
me,
they
said.
MIRCO
Mirco
went
to
Srebrenica
for
the
sport
-‐
or,
rather,
for
the
distance
between
Srebrenica
and
Belgrade.
Signing
up
for
an
alternative
version
of
the
trip,
he
was
looking
forward
to
biking
the
entire
way.
Living
for
the
wind
that
blows
around
his
face
when
sailing
the
sea,
he
wasn’t
your
typical
activist
on
his
way
to
materializing
reconciliation
or
supporting
someone
else
though
their
pain.
Instead,
he
was
interested
to
see
for
himself,
unconvinced
about
the
size
of
the
massacre,
but
hoping
to
nevertheless
show
his
respect
to
the
victims.
We
spoke
on
skype
about
a
month
after
the
trip,
and
Mirco
felt
bitter.
“I
feel
used,”
he
said
at
the
very
beginning
of
our
conversation.
“No
one
warned
me
that
we
would
act
as
a
propaganda
machinery
on
the
way
to
Srebrenica,
I
went
into
it
for
the
sports.”
He
spoke
of
the
police
protection
that
he
found
absolutely
unnecessary
and
sensationalist.
“And
still,
no
media
from
Serbia
paid
attention
to
us
anyway.”
The
trip
confirmed
the
suspicions
about
Women
in
Black
and
Srebrenica
that
he
harbored
even
before
he
first
sat
on
his
bike.
“I
was
the
single
straight
person
on
the
trip,”
he
assumed
with
security,
echoing
the
old
Serbian
narrative
of
homosexuality
as
inherently
anti-‐Serbian,
also
described
by
Bringa
(2005b).
She
notes
that
homosexuality
was
often
ascribed
to
Bosnian
Muslims
as
a
means
of
demeaning
their
masculinity,
weakening
their
strength
in
the
eyes
of
the
Serbian
forces.
“The
ceremony
itself
was
a
nice
gathering,
but
the
132
drama
was
unnecessary.
Instead
there
should
be
something
to
bring
people
together,
for
example
creating
a
ceremony
together
with
families
of
the
Serbs
killed
in
Bratunac
just
a
few
kilometers
away
from
Srebrenica.”
Mirco
was
critical
of
the
ceremony’s
value
for
reconciliation.
“The
truth
is
always
in
the
middle.
You
can’t
blame
one
side
for
everything.
I
agree
that
we
should
meet
and
talk,
but
that’s
not
in
the
interest
of
the
politicians,
still.
That’s
why
they
create
the
big
show,
the
drama,
to
raise
more
walls
and
scare
Serbs
away
from
Srebrenica.”
He
saw
the
event
as
a
small
drop
in
the
sea
of
political
interests.
“They
interviewed
me
during
the
ceremony,
but
of
course,
did
not
publish
it.
I
said
that
I
hope
people
will
not
be
manipulated
again,
and
using
the
word
‘manipulated’
obviously
wasn’t
in
line
with
their
story.”
Mirco
doesn’t
believe
genocide
occurred
in
Srebrenica,
either.
“I
agree
that
it
was
definitely
a
crime,
but
if
it
were
a
genocide,
they
wouldn’t
let
anyone
get
out
alive.”
The
size
of
the
memorial
wall
listing
the
victims’
names
did
not
disturb
him.
“I’m
still
not
convinced
that
the
Muslims
didn’t
stage
this.
It
was
a
non-militarized
zone,
who
would
attack
a
non-militarized
zone?!,”
he
wondered
as
we
concluded
our
conversation.
It
seems
that
the
trip
did
not
swing
him
from
his
feet,
firmly
rooted
in
a
different
understanding
of
the
conflict.
Repeating
many
of
the
stories
I
heard
from
my
right-‐wing
activist
informants,
he,
while
declaring
himself
to
be
neutral,
seems
to
prove
that
experiencing
a
mourning
ritual
such
as
that
in
Srebrenica,
doesn’t
necessarily
translate
into
a
formative
experience
of
challenging
one’s
convictions.
We
ended
out
interview
on
a
friendly
note.
-‐-‐-‐
Initially
I
wasn’t
sure
how
my
trip
to
Srebrenica
with
Women
in
Black
will
fit
with
the
rest
of
ethnography
I
collected
in
Belgrade
over
the
summer
of
2013.
Looking
back,
however,
I
understand
that
having
been
able
to
observe
and
talk
to
my
informants
from
civilno
družstvo
about
the
experience
presented
a
unique
opportunity
to
see
them
crossing
the
boundaries
of
national
narratives
in
practice.
The
experience
and
the
chapter
illustrated
well
that
re-‐formulation
and
re-‐negotiation
of
the
national(ist)
narratives
is
not
only
a
collective,
but
also
an
intimate,
personal
process.
In
Belgrade
the
youth
activists
were
questioning
the
Serbian
national
narrative
in
the
safety
of
the
civilno
družstvo,
and
determining
the
pace
at
which
they
could
reject
and
re-‐formulate
for
themselves
the
dominant
narratives.
In
Srebrenica,
however,
these
individuals
were
exposed
to
the
133
alternative
narrative
directly,
in
an
emotionally
powerful
manner,
and
individually
-‐
because
the
youth
activists
present
were
sent
as
representatives
of
multiple
other
NGOs,
the
collective
they
were
used
to
seeking
comfort
in
was
not
there
to
support
them.
Those
from
civilno
družstvo
who
are
admired
by
the
newly
involved
volunteers
and
who
generally
offer
guidance
and
support
to
them
in
their
questioning
and
learning
did
not
participate
in
the
trip
because
they’ve
done
it
many
times
before
and
the
number
of
participants
was
limited.
While
for
some,
the
trip
served
as
a
culmination
of
their
learning
and
questioning
the
dominant
narratives,
for
others
the
trip
was
so
disturbing
that
they
sought
safety
in
the
old
Serbian
national(ist)
narratives.
For
Marija
the
annual
Commemoration
ceremony
presents
an
opportunity
to
act
on
her
firmly
grounded
beliefs
and
yearly
re-‐confirm
that
what
she
argues
for
in
the
hostile
public
space
in
Belgrade
does
have
true
meaning
and
value.
For
those,
whose
beliefs
and
narratives
about
the
past
and
present
are
not
yet
solidified,
however,
such
experience
can
prove
(
as
in
Svetlana’s
experience)
to
be
so
shocking
that
instead
of
fully
embracing
the
alternative
narratives,
one
may
-‐
in
a
moment
of
personal
panic
-‐
react
in
a
completely
opposite
way,
seeking
refuge
in
something
engrained
deep
in
one’s
identity
and
belief
system.
Both
Svetlana
and
Mirco,
have
been
reluctant
to
engage
with
the
civilno
družstvo
further
after
the
trip.
Not
all
the
younger
youth
activists
who
were
new
to
the
alternative
thinking
had
a
negative
experience
which
would
deter
them
from
pursuing
the
“questioning”
further,
however.
I
haven’t
been
able
to
determine
what
specific
factors
were
crucial
in
predicting,
how
one
will
react
to
such
challenging
and
emotional
experience.
However,
being
aware
of
the
risks
that
exposing
relatively
inexperienced
youth
activists
to
such
intensive
undergoing
should
encourage
the
civilno
družstvo
to
prepare
them
better
for
the
experience
in
the
years
to
come.
134
CHAPTER
6:
CONCLUSION
In
this
thesis
I
presented
and
discussed
how
contemporary
Serbian
youth
navigate
the
legacy
of
the
Serbian
national(ist)
myth.
Specifically,
I
focused
on
the
experiences
of
the
liberal
youth
activists
in
Belgrade,
who
collectively
as
well
as
individually
resist
this
myth,
creating
alternative
narratives,
and
offering
them
to
the
public
as
an
alternative
framework
for
understanding
of
Serbian
identity,
history,
and
nation.
Human
cultures
always
have
and
presumably
always
will
facilitate
individuals’
participation
in
and
understanding
of
the
social
world.
Some
individuals
will
live
their
entire
lives
happily
employing
the
dominant
cultural
frameworks
surrounding
them
while
others
will,
for
whatever
particular
reason,
attempt
to
create
and
sustain
alternatives
to
those
dominant
frameworks.
The
process
of
questioning
and
redrawing
such
cultural
‘maps’
will
always
be
a
deeply
intimate,
emotionally
demanding,
and
a
socially
challenging
experience.
Having
a
better
understanding
of
these
processes
hopefully
ought
to
highlight
that
all
those
who
engage
in
public
activism
and
war
of
mythical
narratives,
whichever
side
they
represent,
harbor
good
intentions
and
work
to
make
their
society
come
as
close
to
their
mythical
ideals
as
possible.
The
first
question
I
posed
to
myself
at
the
beginning
of
my
research
was,
why
do
Serbian
youth
continue
to
hold
onto
these
national(ist)
narratives,
originating
in
the
war-‐
time
rhetoric
of
the
entire
20th
century?
Chapters
One
and
Two
were
largely
dedicated
to
answering
precisely
such
question.
I
showed
that
the
young
Serbian
generation,
born
during
or
after
the
break
up
of
Yugoslavia
in
the
1980’s
and
90’s,
experiences
a
strong
sense
of
stagnation,
economic
struggle,
and
an
acute
lack
of
direction
for
the
future.
Their
situation
is
largely
a
product
of
Serbia’s
decades-‐long
process
of
transitioning
from
Socialism
and
from
conflict,
neither
of
which
are
close
to
complete.
The
insecurities
of
transition,
supplemented
with
media
influence,
state
schooling,
as
well
as
specific
forms
of
youth
pop-‐culture,
encourage
the
youth
to
embrace
the
old
national(ist)
myth
as
an
explanation,
justification,
and
solace
for
their
frustrations.
The
youth
then
adapt
this
myth,
expanding
the
narratives
to
suit
their
particular
living
experience,
and
employing
them
as
guiding
principles
for
their
pursuit
of
social
and
material
progress.
Secondly,
I
was
interested
to
know
more
about
how
the
young
liberal
activists
in
Serbia
are
engaging
with
and
transforming
these
national(ist)
narratives.
Subjected
to
similar
influences
like
the
majority
of
youth,
these
young
activist
come
to
be
critical
of
the
national(ist)
narratives
for
a
multitude
reason:
be
it
a
“gene
for
justice”,
as
Ruža,
one
of
my
informants
suggested,
liberal
family
influence,
or
personal
experience
with
discrimination.
The
young
liberal
activists
question
and
replace
segments
of
the
national(ist)
narratives
with
frameworks
such
as
transitional
justice,
human
rights,
and
responsibility.
They
believe
precisely
such
frameworks
will
provide
them
and
the
next
generations
in
Serbia
with
a
roadmap
to
a
better
future.
I
described
their
ideological
frameworks
in
detail
in
chapter
Four.
In
the
last
chapter,
I
sought
to
illustrate
the
complex
collective-‐personal
nature
of
the
process
of
questioning
the
myth
and
developing
trust
in
the
alternative
narratives.
Focusing
on
a
single
historical
controversy
related
to
a
single
contemporary
event,
I
showed
that
just
as
big
groups
and
institutions
maintain
contradictory
convictions,
the
individuals
exposed
to
these
contradictions
struggle
to
reconcile
the
opposing
narratives
within
themselves.
THEORETICAL
CONCLUSIONS
Looking
back
at
my
work,
I
see
its
primary
value
precisely
in
the
description
of
the
process
of
questioning
of
the
old
narratives,
and
the
formulation,
sustenance,
and
spread
of
new,
alternative
ideologies.
-‐
the
process
of
ideology
re-‐formulation
among
the
activists
of
civilno
družstvo.
I
observed
individuals
and
collectives
at
various
stages
of
negotiating,
adopting,
and
advocating
for
new,
alternative
meanings
and
interpretations
of
their
social
context.
The
liberal
youth
activists
at
different
stages
of
this
process
engaged
in
personal
and
collective
negotiations
and
learning
(such
as
coming
up
with
graffiti
slogans
or
136
discussing
daily
political
events
with
one
another),
and
took
part
in
actions,
which
pushed
them
to
take
a
clear
public
stance.
At
times,
I
observed
activists
who
have
just
recently
begun
the
process
of
questioning
the
national(ist)
narratives
take
parts
in
actions
which
clearly
forced
them
to
represent
a
stance
they
didn’t
yet
fully
embrace
(e.g.
the
Srebrenica
Commemoration
Ceremony),
and
the
risks
and
benefits
that
such
premature
participation
carried.
The
most
distinguished
feature
of
the
process
was
the
manner
in
which
common
language
of
liberalism
developed
among
the
members
of
civilno
družstvo.
I
noticed
the
activists’
frequent
use
of
‘talking
points’,
teaching
formulations
and
segments
of
information
from
the
new
liberal
narratives
which
were
repeated
over
and
over
again,
easy
to
remember
and
share
with
others.
In
chapter
four,
for
example,
I
included
Maša’s
question
to
Jasmina,
“How
do
we
usually
explain
it
[our
responsibility
to
act]?”
(p.86).
“I
think
it’s
very
important
to
think
for
ourselves
and
in
our
own
way.
That’s
something
that
I
started
to
learn
recently
and
try
to
do
either
in
my
personal
relationships
and
in
my
activist
work.
Not
to
use
the
talking
points,
because
at
one
point
that
was
important
and
that’s
how
we
did
our
campaigns,
that’s
how
campaigns
are
generally
done.
If
we
were
talking
about
HR
violations
in
the
Balkans
in
the
1990’s
would
talking
about
that,
that,
that
and
that.
And
if
this,
it’s
that,
that,
and
that.
And
most
of
those
talking
points
come
from
some
higher
level.
It’s
probably
that
either
all
the
NGOs
agreed
on
something,
or
most
of
the
NGOs
that
work
in
human
rights
that’s
how
they
approach
it,
so
that’s
how
we’ll
approach
it,
or
simply
the
liberal
view
point
is
this
and
that’s
simply
the
position
that
you
take
up
even
if
you
have
not
completely
thought
through
that
specific
topic.
That’s
what
I’m
trying
to
do
differently
now.”
-‐
Muta
While
Muta,
member
of
Youth
Initiative
for
Human
Rights,
is
skeptical
about
the
“talking
points’,
I
found
that
the
practice
played
an
important
role
in
both
the
internal
and
external
resistance
of
civilno
družstvo.
First,
the
“talking
points”
served
to
simplify
the
alternative
narratives
into
a
simple,
coherent
set
of
arguments
to
be
presented
to
the
public.
Secondly,
however,
this
set
of
facts
and
explanations
was
perpetually
repeated
and
taught
to
the
new
members
of
civilno
družstvo
through
events
of
external
and
internal
resistance.
Assisting
new
volunteers
and
activists
to
grasp
the
alternative
narratives
formulated
and
promoted
by
the
civilno
družstvo,
these
‘talking
points’
made
it
easier
for
those
new
to
the
civilno
družstvo
to
connect
with
those
long
active
over
a
shared
rhetoric,
and
to
explain
their
137
newly
adapted
narratives
to
those
outside
of
the
civilno
družstvo
and
justify
their
presence
in
the
highly
controversial
circles.
With
such
rhetoric
available
for
emulation,
a
young
activist
might
engage
in
the
intimate
internal
process
of
questioning,
rejecting
the
previous
frameworks
of
understanding
the
world
while
presenting
a
rhetoric
of
mature
understanding
and
acceptance
of
the
alternative
ideology.
“I
really
appreciate
that
they
gave
me
the
time
I
needed
to
learn
about
all
these
things
I
knew
nothing
about
before.
I
was
able
to
digest
everything
at
my
own
pace,
and
everyone
was
always
very
supportive
of
me
trying
to
reformulate
the
way
that
I
see
the
world,
and
the
past
especially,”
Anita
was
grateful
that
for
the
time
and
space
that
the
NGO
provided
to
renegotiate
her
personal
believes
about
Serbian
past
and
present
on
her
own.
Figure
15
The
process
of
Ideology
re-formulation
among
the
civilno
družstvo's
new
activists
This
personal
transition
is
a
time
demanding
process
that
is
sustained
through
the
shared
social
dimension
of
the
civilno
družstvo.
Ideologies
aren’t
exclusive.
Rather,
they
are
sets
of
ideas,
concepts,
and
visions
of
the
world,
which
can
be
combined,
working
simultaneously
within
individuals.
While
in
the
process
of
negotiating
between
two
sets
of
narratives,
therefore,
the
young
activists
benefit
from
the
shelter
and
space
open
to
dialogue
that
is
provided
by
the
organizational
structure
of
the
civilno
družstvo.
The
138
organizations
within
civilno
družstvo
thus
serve
not
only
to
impact
the
wider
public,
but
also
to
provide
conditions
encouragement
for
the
activists’
individual
processes
of
negotiating
between
two
opposing
sets
of
narratives,
and
internalizing
the
alternative
ideology
(see
figure
on
the
previous
page).
The
existence
and
work
of
civilno
družstvo
should
thus
be
understood
as
a
mechanism
for
creation
and
sustenance
of
the
alternative
narratives.
In
anthropological
sense,
the
civilno
družstvo
facilitates
the
formation
and
nourishment
of
individual
as
well
as
collective
ideology.
The
alternative
ideology,
then,
serves,
in
the
words
of
Geertz,
to
“render
otherwise
incomprehensible
social
situations
meaningful,
to
construe
them
as
to
make
it
possible
to
act
purposefully
within
them”(1973:220),
replacing
an
old
set
of
frameworks
among
those
who
began
questioning
the
national
myth,
rendering
it
impotent.
By
learning
the
new
ideology
of
liberalism,
the
new
members
of
civilno
družstvo
begin
to
understand
the
social
situation
and
sense
of
stagnation
they
experienced
in
the
past
in
more
meaningful
sense,
and
begin
to
learn
how
to
stand
up
to
the
dominant
nationalist
discourse.
THE
IMPACT
OF
CIVILNO
DRUŽSTVO
After
the
conclusion
of
my
research
process,
one
question
remained
unanswered
(or
perhaps,
unanswerable),
and
that
is,
to
what
extent
does
the
civilno
družstvo
matter?
My
informants,
too,
wrestled
with
the
question,
and
struggled
to
find
ways
of
articulating
what
a
visible
influence,
a
proof
of
positive
impact,
would
look
like.
Does
what
they
do
make
a
difference?
Many
of
them
expressed
frustration
with
not
being
able
to
observe
direct
results
of
their
hard
work.
“What
you
are
trying
to
influence
is
always
so
complex,
and
if
you
achieve
an
impact
the
end
result
will
influence
other,
more
nuanced
things
..
but
you
can
never
see
the
large-scale
results
on
the
ground
and
track
them
back
to
you
with
certainty,”
Muta
shared
with
me.
Because
of
its
complexity
and
focus
on
the
abstract
individual
ideologies,
the
impact
of
civilno
družstvo
can
never
be
observed
as
a
direct
result
of
my
informants’
work,
and
changes
in
the
society
cannot
be
traced
back
to
their
programming.
Perhaps
because
it
is
hard
to
directly
attribute
societal
change
to
the
liberal
activists’
work,
the
rare,
brief
papers
focusing
on
the
liberal
NGO
circles
in
Serbia
are
vaguely
skeptical
about
their
influence.
Obradovic-‐Wochnik
(2013),
for
example,
writes
about
the
139
civilno
družstvo
as
an
exclusionary
space,
asserting
that
civilno
družstvo
divides
the
public
“into
polar
opposites
of
those
who
do
and
those
who
don’t
accept
the
past“
(217),
and
therefore
limits
its
own
influence.
While
the
author
does
acknowledge
that
the
process
of
exploring,
understanding,
and
accepting
the
past
is
“fragmented,
contradictory,
inconsistent,
and
messy”(218),
she
does
not
consider
of
civilno
družstvo
to
be
a
space
where
such
complicated
identity
and
ideological
conflicts
could
be
negotiated
and
facilitated
by
and
for
anyone
who
finds
themselves
questioning
the
national
myth.
Ostojic
(2013),
on
the
other
hand,
deems
the
civilno
družstvo
to
be
counterproductive.
“Instead
of
reckoning
with
the
past,
the
confrontational
strategy
deployed
by
the
human
rights
groups
reinforces
political
resistance
to
the
acknowledgment
of
[Serbian
war
crimes
and
HR
violations],”
she
writes
(240),
asserting
that
the
civilno
družstvo’s
affiliation
with
western
transitional
justice
and
human
rights
institutions
undermines
their
efforts.
The
activists
themselves
do
have
insecurities
regarding
the
impact
of
their
work
and
are
aware
of
the
aspects
of
their
work
which
might
be
alienating
to
some.
“Instead
of
spending
time
gently
negotiating
our
public
presence,
we
act.
There
is
no
way
that
everyone
will
like
us
and
agree
with
us
even
before
we
start.
Then
there
would
be
no
work
to
do,”
Jasmina
told
me.
The
activists
from
civilno
družstvo
assert
that
impact,
while
undetectable
in
the
society
at
large,
is
overwhelmingly
apparent
on
the
personal
level.
“You
do
see
individual
change,
and
that
is
what
makes
the
work
worth
doing,“
Muta
told
me
after
expressing
his
frustrations
with
the
visibility
of
impact
on
the
higher
level.
Many
others
mentioned
programs
and
events
that
allowed
them
to
see
immediate
change
in
their
participants’
thinking
about
the
past
and
present.
Maša,
in
addition
to
individuals
changing,
learned
to
find
motivation
and
gratification
in
the
small
changes
she
observes
in
her
daily
life.
“’How
do
you
plan
to
measure
your
influence
with
this
project?’
people
often
ask
me.
And
so
I
tell
them
-
if
I
have
a
daughter
in
a
ten
year’s
time,
and
she
decided
to
cut
her
hair
off,
and
if
she
realizes
that
she
is
a
lesbian,
if
she
can
go
with
her
girl
friend,
sit
and
kiss
in
a
café,
I
will
know
that
we
succeeded.
And
that’s
the
way
that
I
am
going
to
measure
things.
We
don’t
have
exact
results
and
numbers.
Reducing
the
numbers
of
Nazis
[right
wing
activists],
for
example,
you
cannot
do
that.
You
don’t
have
the
power
to
do
that,
there
is
too
few
of
us.
You
are
not
competing
in
elections
to
see
whether
you’ve
done
a
good
campaign
or
a
bad
one.
But
you
can
see
a
change
in
people.
You
can
see
change
strolling
through
your
Facebook
newsfeed.
We
will
see
if
we
have
a
Pride
parade
this
year,
140
if
it
isn’t
banned,
that’s
a
step.
It’s
a
progress.
And,
we
will
see
the
reaction
of
the
people,
too.
The
change
is
visible
in
these
small
things.“
Ultimately,
this
research
does
not
aspire
to,
and
cannot
evaluate
the
effectiveness
of
civilno
družstvo’s
pursuits.
My
conclusions
about
the
function
of
civilno
družstvo
as
a
space
facilitating
individual
and
collective
negotiation
and
conflict
between
narratives,
however,
sheds
light
on
the
potential
of
the
liberal
activist
circles
to
serve
a
space
of
dialogue
for
the
society
at
large.
LIMITATIONS
Before
I
begin
speculating
about
the
contributions
of
my
work,
I
ought
to
briefly
acknowledge
its
limitations.
First,
naturally,
my
findings
are
limited
due
to
the
time
constraints
on
my
fieldwork.
Entering
the
field
with
a
naïve
hope
to
cover
most
if
not
all
of
the
issues
affecting
today’s
youth
in
Serbia,
I
spent
plenty
of
time
pursuing
topics
which
I
wasn’t
ultimately
able
to
cover
in
my
analysis.
While,
I
assume,
this
is
true
for
any
field
work,
I
hope
that
in
the
future
I
will
be
able
to
go
deeper
rather
than
broader.
Secondly,
my
positionality,
which
I
briefly
touched
on
in
chapter
One,
needs
to
be
considered.
As
a
Westerner
and
someone
with
a
history
of
social
justice
activism,
I
was
naturally
inclined
to
create
deeper
connections
with
my
informants
from
the
civilno
družstvo
because
I
was
likely
to
identify
with
their
experiences
as
well
as
ideologies.
I
arrived
to
Belgrade
aware
of
such
challenge,
however,
and
remained
conscious
and
correcting
for
it
through-‐out
my
stay.
Third,
if
I
were
to
repeat
this
work
again,
I
would
have
included
more
interdisciplinary
works
on
identity
and
ideology
formation
from
the
field
of
social
psychology.
My
conclusions
regarding
the
civilno
družstvo’s
role
as
a
facilitator
for
collective
and
individual
re-‐formulation
of
ideology
would
also
have
benefited
from
interaction
with
literature
on
similar
cases.
IMPLICATIONS
AND
IDEAS
FOR
FUTURE
RESEARCH
This
thesis
connects
with
various
broader
questions
in
the
social
sciences.
It
provides
insights
into
contemporary
youth
culture
in
the
Balkans,
as
well
as
into
the
specific
experiences
youth
have
with
nationalism,
post-‐conflict,
and
post-‐socialist
transition.
141
Largely
understudied,
these
topics
are
crucial
for
our
understanding
of
the
legacies
of
conflict
and
socio-‐economic
transition
across
generations.
Awareness
of
the
socio-‐cultural
mechanisms
at
play
among
the
youth
in
such
circumstances
might
increase
our
ability
to
predict
future
developments
in
societies
with
similar
characteristics.
Correspondingly,
the
civilno
družstvo
and
other
liberal
activist
groups
in
comparable
societies
might
welcome
the
anthropological
insight
in
order
to
improve
the
effectiveness
of
their
operations
and
mitigate
the
associated
risks
(e.g.
exposing
an
activist-‐beginner
to
a
traumatic
experience
comparable
to
Srebrenica
early
in
the
process
of
their
ideological
transformation
without
preparation
and
caution).
The
primary
purpose
of
this
research
was
to
give
voice
and
document
the
experience
of
the
youth
and
liberal
youth
activists
in
contemporary
Serbia.
As
such,
the
ethnography
made
use
of
established
theories
and
writings
in
anthropology
and
also
political
science,
contributing
to
the
thin
collection
of
literature
debating
the
post-‐conflict,
and
post-‐socialist
experience
of
modern
youth.
The
experience
of
living
in
a
society
which
largely
rejects
one’s
ideology,
identity,
and
vision
of
progress
is
clearly
shared
by
many
in
this
world.
Such
clashes
of
myths
and
narratives,
I
imagine,
will
become
only
more
prominent
in
times
when
Western
and
Westernizing
societies
offer
increasing
opportunities
for
the
creation
of
ideological
niches
and
instances
of
‘group-‐think’
among
the
youth
(such
as
privatization
of
education,
diversifying
media,
and
individualization
of
social
media
experience,
among
others).
While
the
specifics
of
the
Serbian
case
are
very
closely
inter-‐related
with
the
region’s
past
traumas,
I
believe
certain
aspects
of
the
civilno
družstvo’s
experience
are
transferable
to
other
‘alternative
collectives’
around
the
world.
My
conclusions
about
the
functionality
of
civilno
družstvo
could
thus
be
useful
in
future
research
of
liberal
resistance
groups
and
collectives
elsewhere
in
the
world.
Beyond
topical
innovativeness,
however,
this
research
might
possibly
contribute
to
the
debates
in
anthropology
by
showcasing
the
connection
between
the
theoretical
concepts
of
ideology
and
nationalism.
Connecting
the
two
allowed
me
to
observe
and
analyze
nationalism
as
a
live,
fluid,
individually
as
well
as
collectively
formulated
ideology.
While
writing
this
thesis
I
was
often
frustrated
by
single-‐sidedness
of
many
sources
related
to
the
Balkan
conflicts
or
even
the
region
at
large.
While
the
lingering
legacy
of
conflicting
ideological
frameworks
and
related
data
offers
an
ideal
laboratory
for
making
142
grand
arguments
related
to
war,
peace,
and
reconciliation,
too
many
scientists
omit
to
consider
the
complex
contradictions
of
the
Balkan
case
in
the
interest
of
simplification
and
clarity
of
their
argument
(especially
in
the
fields
of
history
and
political
science).
The
messy,
inconsistent,
and
unresolved
Balkan
reality,
however,
isn’t
conductive
to
making
perfectly
rounded
and
universally
valid
claims.
Picking
and
choosing
from
a
selection
of
contradictory
“truths”
and
versions
of
events
available
in
order
to
construct
a
seemingly
bulletproof
argument
about
post-‐conflict
reconstruction
in
general
serves
neither
the
academia,
nor
the
practitioners
or
local
populations.
I
would
be
delighted
to
see
the
discipline
of
anthropology
assume
a
lead
role
in
bringing
more
humility
into
the
study
of
phenomena
that
aren’t
clearly
understood
even
by
those
who
experienced
them.
Even
after
more
then
hundred
and
forty
pages
of
writing,
many
questions
remain
unanswered.
First
comes
to
mind
the
role
of
Orthodox
Church
in
promoting
the
national(ist)
myth.
Had
I
had
more
time
and
connections
in
the
religious
circles
in
Serbia,
I
would
have
been
interested
to
examine
the
role
of
the
Church
in
the
lives
of
modern
Serbian
youth,
as
well
as
the
cooperation
between
the
State
and
the
Church.
During
my
stay,
the
activists
from
the
Youth
Initiative
for
Human
Rights
successfully
attempted
to
legally
dispute
the
obligatory
conversation
with
an
Orthodox
Priest
prior
to
every
abortion.
A
study
of
such
dynamics
as
well
as
of
the
relationship
between
nationalism
and
Church
would
be
extremely
interesting
additions
to
the
work
that
I
was
able
to
complete.
Another
idea
for
further
research,
quite
predictably,
concerns
the
right-‐wing
youth
activism.
As
a
result
of
limited
time,
connections,
and
complicated
positionality,
my
research
covers
only
the
contours
of
the
existence
and
experience
of
the
organized
nationalist
youth
groups.
In
the
future
I
might
be
interested
in
seeing
or
creating
a
study
which
would
examine
the
mechanisms
of
ideological
reinforcement
and
radicalization
among
the
conservative
youth
in
Serbia.
—-‐
143
APPENDIX
THE
SEMI-‐STRUCTURED
INTERVIEW
QUESTION
LIST
The
Questions
I
planned
to
ask
during
my
interviews
with
youth
activists
in
the
field:
A.
PERSONAL
1. Could
you
tell
me
about
yourself?
(Age,
education
-‐
major,
occupation)
2. What
do
you
aspire
to
in
life?
Where
do
you
imagine
yourself
in
ten,
fifteen
years?
B.
Personal
INVOLVEMENT
with
issue/NGO
3. Please
tell
me
about
how
your
interest
in
social
issues
began?
4. How
is
the
non-‐formal
education
you
received
different
from
the
official
state
education?
5. What
issue(s)
in
particular
interest(s)
you
most?
6. One
issue
only?
Multitude?
Mindset?
7. Do
you
have
any
specific
goals
when
it
comes
to
your
work?
8. How
did
you
first
learn
about
this
NGO?
9. Could
you
tell
me
more
about
what
motivated
you
to
begin
working
with
them?
10. Are
you
separating
your
work
from
your
personal
life?
(The
Personal
is
Political)
11. What
does
your
family
think
about
your
involvement
in
the
NGO?
Your
friends?
12. Are
you
able
to
address
your
biggest
concerns
about
Serbian
society
through
your
work?
13. Could
you
describe
the
mission
of
the
NGO
to
me?
14. How
do
you
think
this
NGO
is
like
in
comparison
to
other
similar
organizations?
C.
VALUES
15. What
are
the
issues
in
Serbian
society
that
are
of
biggest
importance
today?
16. What
is
most
important
about
your
work,
you
think?
17. Is
there
any
ideology
that
you
subscribe
to?
18. What
does
liberalism
mean
to
you?
D.
The
SILENT
MAJORITY
19. How
many
people
do
you
think
see
things
similarly
to
you?
20. What
is
the
main
difference
between
yourself
and
them?
How
did
that
happen
that
you
are
different?
21. How
does
someone
remain
silent?
How
are
they
comfortable?
22. Who
do
you
think
the
average
Belgrade
citizen
is?
23. (…
the
average
rural
Serbian?)
24. What
do
you
think
are
they
mainly
concerned
about?
(Serbia,
the
future)
25. How
well
do
you
think
these
align
with
the
rhetoric
of
politicians
and
media?
26. How
does
the
NGO
sector
interact
with
the
majority?
EXAMPLE
27. Actions:
how
do
people
react
-‐
the
mechanics,
who
comes,
who
comments
EXAMPLE
28. How
do
the
Serbian
people
see
the
NGO/the
liberal
movement
144
E.
Relationship
with
the
RIGHT
WING
Activists
29. Who
are
they?
30. What
does
‘right’
mean?
What
do
they
stand
for?
31. How
and
why
do
they
become
right-‐wingers?
32. Do
you
have
a
choice
to
become
right
or
left
or
is
it
given
by
family/edu..?
33. Where
do
you
meet
the
right
wingers?
EXAMPLE
34. How
do
you
interact
with
the
right-‐wingers?
The
‘Nazi’s?
35. Your
actions
-‐
how
do
they
react?
Do
they
hear
you?
Do
you
listen
to
them?
36. What
do
you
think
are
their
goals?
-‐
of
their
activities
37. How
are
their
methods
different
from
yours?
How
do
they
interact
with
majority?
38. Who
is
more
successful
with
the
majority?
Why?
EXAMPLE
F.
The
APOLITICAL
activists,
friends,
family
39. How
do
you
negotiate
your
positions
with
those
who
are
apolitical?
G.
The
FUTURE
40. If
everything
from
today
on
should
go
according
to
your
best
wishes,
what
would
Serbian
society
be
like
in
twenty
years?
Big
wild
hopes
41. What
are
the
biggest
obstacles
you
face
in
getting
Serbia
where
you
want
it
to
be?
42. What
do
you
think
Serbia
will
really
be
like?
H.
The
PAST
43. If
you
had
to
summarize
the
history
of
Serbian
people
and
state
in
a
few
sentences,
what
would
it
look
like?
44. Do
your
parents
believe
the
same
things
about
Serbian
past
like
you
do?
45. Do
you
think
kids
mostly
inherit
parent’s
political
views
in
Serbia?
46. How
does
your
family’s
historical
position
affect
you?
47. What
is
the
role
of
media
and
politics
in
shaping
what
Serbian
people
remember
about
the
past?
48. Are
there
clearly
defined
camps
of
people
believing
different
things?
What
are
they?
49. How
is
belief
in
a
national
history
different
from
a
knowledge
of
historical
facts?
50. What
does
‘truth’
mean
to
you?
51. Justice?
Reconciliation?
I.
ACTIVISM
52. Are
you
an
activist?
How
does
it
manifest
itself?
53. How
does
activism
look
in
your
daily
life
-‐
e.g.
today?
What
that
you
did
was
an
activist
thing
to
do/say/notice/feel?
54. Why
is
it
important
for
you
to
be
an
activist?
55. EXAMPLE
of
an
action
you
are
proud
of
56. EXAMPLE
of
an
action
you
felt
uncomfortable
at/scared
57. Where
are
the
limits
beyond
which
you
will
not
go?
58. EXAMPLE
take
me
through
the
process
of
action
development
59. When
does
one
stop
being
an
activist?
60. How
is
today’s
activism
similar
or
different
to
the
protests
against
Milošević?
Any
influence?
145
J.
YOUTH
work
61. Why
are
you
focusing
on
youth?
62. How
are
youth
different
from
their
parents
and
older
generations
in
general?
63. Is
there
anyone
in
the
org.
who
joined
after
they
were
adults?
How
is
that
different?
146
BIBLIOGRAPHY
ANDERSON,
B.
(1983)
Imagined
Communities:
Reflections
on
the
Origin
and
Spread
of
Nationalism.
London:
Verso.
APPADURAI,
A.
(2006)Fear
of
Small
Numbers:
An
Essay
on
the
Geography
of
Anger,
Durham,
NC:
Duke
University
Press.
ARENDT,
H.
(1951)
The
Origins
of
Totalitarianism,
Harcourt,
Brace
and
Company.
BARTH,
F.
(1969)
Ethnic
Groups
and
Boundaries:
The
Social
Organization
of
Culture
Difference.
.
London:
Allen
&
Unwin.
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(2013)
‘Serbian
president
apologises
for
Srebrenica
“crime”’,
5.7.2013,
available
online
at
http://www.bbc.com/news/world-‐europe-‐22297089
[02/03/14]
BEHAR,
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