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Review

Reviewed Work(s): Messe de mariage by


Jean Françaix
; Improvisations sur 'Alouette, gentille alouette' by Pierre Cochereau and David
Briggs; Variations on Two Themes by Naji Hakim; Organum VII (With Soprano Ad Lib.) by
Xavier Darasse
Review by: Andrew Thomson
Source: The Musical Times, Vol. 133, No. 1798 (Dec., 1992), p. 670
Published by: Musical Times Publications Ltd.
Stable URL: https://www.jstor.org/stable/1002544
Accessed: 07-02-2019 11:10 UTC

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0 andan
. Church and Organ

JEAN FRAN(AIX a paradoxical combination of pedantry


Messe de mariage and flair. In contrast, Hakim's Variations
Schott, ?9.90 on two themes have at least the merit of

being concise and economical, as well as


PIERRE COCHEREAU making reasonable demands on the play-
Improvisations sur 'Alouette, gen- er. Their character is playful, even rather
tille alouette' (transcribed by David As it happens, his Messe de mariage skittish, though I would have preferred a
Briggs) turned out to be a well contrasted set of more dignified and austere treatment of
UMP, ?12.50 liturgical movements in conservative style
the 'Old hundredth' and 'Donne secours'.
with distinct echoes of Franck! On a dif- On the other hand, the totally uncom-
NAJI HAKIM ferent plane, the late Pierre Cochereau haspromising modernism of Darasse's
Variations on two themes already acquired an almost legendary sta- Organum VII puts it firmly outside the
UMP, ?7.50 tus; Briggs's transcription of his recorded pale of tradition. It is hard, moreover, to
extemporised variations Improvisations accept this unidiomatic discourse of rapid
XAVIER DARASSE sur 'Alouette, gentille alouette' is a tri- grupetti, ejaculatory clusters, opaque tex-
Organum VII (with soprano ad lib.) umph of aural perception skills but a mis- tures and tremolandi as an adequate'
Salabert/UMP, ?10.60 placed act of piety. Alas, this music, response to the sublimity of Dante's
which derives so much from the ambience Purgatorio, lines of which are set in the
Wading through this depressing pile of of Notre Dame, is cruelly revealed in its optional soprano part. It is, in short, high-
present-day French organ music - the fag- nudity on paper. The innocent little folk ly pretentious and decidedly vieuxjeu.
end of a once glorious tradition - I was tune hardly survives the barrage of formu- ANDREW THOMSON

surprised to find the witty neo-classical larised techniques and procedures handled
veteran Jean Frangaix dans cette galere. with staggering complexity and virtuosity,

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670 The Musical Times December 1992

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