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Teachers Choice Music One Sample PDF
Teachers Choice Music One Sample PDF
Teachers Choice Music One Sample PDF
1
GRADE 1
Copyright ©2006 by Rinaldo, Grosso, and Thorne
The images used herein were obtained from Tyler Cowie, member of Factor[e] Design Initiative
and IMSI’s MasterClips/MasterPhotos Collection, 1895 Francisco Blvd. East, San Raphael,
CA 94907-5506, USA.
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ISBN 978-0-9689143-9-7
Each grade includes: easy to follow, step-by-step lesson plans, clearly defined student
expectations and assessment, reproducible worksheets (complete with answer
sheets), and audio compact discs (CDs).The program has been designed to allow the
novice as well as the expert to facilitate music lessons, both accurately and effortlessly.
Prior musical knowledge is not necessary, as all concepts are defined both in the les-
sons and the Glossary of Terms provided at the back of each book. Rubrics are includ-
ed at the end of each book that may be used for formative or summative assessment
or as a guide to evaluation. Remember, this program has been designed for the
teacher to facilitate. Simply read through the procedure, facilitate the lesson (each les-
son should take approximately 30 minutes unless otherwise stated), administer the
assignment, and assess student performance according to the answer sheets and
guidelines provided.Then, record the mark on the Checklist Evaluation which has been
provided at the end of each book.This page is intended for use as a master mark
sheet that will enable the teacher to easily keep track of individual student perform-
ance for each activity. In the cell provided on the checklist, simply enter a (3 ) indicating
that the student demonstrates understanding, or "N" indicating that the student needs
further help. Rubric scores may also be entered using the following key:
• Communicate their thoughts and feelings about the music they hear using
language and a variety of art forms and media
• Identify the sounds of the instruments and relate them to geometric shapes
Philosophy iii
CD list v
i
Contents
Glossary of Terms 83
Reference Page 95
Rubrics
Checklist Evaluations
ii
Philosophy
Creation/Performance
This graduated programme of study places emphasis on theory, creation/
performance, and analysis, beginning in Grade One, and continuing through the
end of Grade Eight.The discipline of music focuses on an individual's ability to
effectively explore and express ideas and feelings through either vocal or instru-
mental arrangements.
Students will:
identify personal qualities that are developed through the appreciation of
musical performance
select appropriate concepts and techniques leading to the production of a
musical composition
interpret sounds as they appear in a variety of existing works
express sound through original composition
demonstrate technological advancements as found in various areas of music
iii
Philosophy
Theory
The knowledge component of music encourages cognitive development
through the acquisition of theoretical concepts.
Students will:
identify and define terminology essential to musical rudiments
understand and appreciate culture and its impacts on a variety of musical
styles and techniques
identify the effect of past and present technological advancements on
composers and musicians
apply musical skills to both vocal and instrumental performance
engage in cross-curricular studies linking: the four disciplines of the arts,
language, social sciences, technology and mathematics
Analysis
Critical thinking skills, and aesthetic judgement are essential to daily life.The
study of music also allows an individual to explore the feelings and attitudes
which shape his/her perspectives on relationships.
Students will:
critique professional performance both in and out of the classroom
analyse feelings and ideas expressed through music
analyse emotional responses evoked through music
appreciate the physical relationship between the body and performance
iv
CD 1 list
v
CD 2 list
1. Rhumba Counting
2. “Music Oh! Melody”
3. “Music Oh! Melody” (instrumental)
4. “Music Oh! Melody” (tempo)
5. “Music Oh! Melody” (pitch)
6. “Music Oh! Melody” (rhythm)
7. “Sing a Song of Sixpence”
8. “Sing a Song of Sixpence” (instrumental)
9. “Ring-Around-The-Rosie”
10. “Ring-Around-The-Rosie” (instrumental)
11. “Fr ere
` Jacques”
12. “Fr ere
` Jacques” (instrumental)
13. “A World of Shapes” (instrumental & vocal)
14. Triangle Sound
15. Tambourine Sound
16. Sand Blocks Sound
17. Sound Mixture
18. Circle Shape
19. Triangle Shape
20. Square Shape
21. Rectangle Shape
22. Shape Mixture
23. Sound and Silence Ex. 1
24. Sound and Silence Ex. 2
25. Sound and Silence Activity
26. Sound and Silence Ex. 1
27. Sound and Silence Ex. 2
28. Symbols of Sound and Silence
vi
Lesson one
TOPIC: Beat
CURRICULUM EXPECTATIONS:
Students will:
identify examples of beat in their daily life
1. Begin by defining beat as a steady pulse. Tell the students that a beat in
music is much like a heartbeat.
2. Suggest that the students put their right hand over their heart,
and ask them if they can feel it beating.
3. Play CD 1 track 1, The Heart Beat, and have the students identify the sound.
Tell the students that each heartbeat can be represented as a musical beat.
The teacher should model by clapping along with the track.
5. Play CD 1 track 2, Daily Life Sounds. Pause after each sound and ask the
students to identify it. Reinforce, after each sound, that a steady beat is
heard. (The order of the sounds is as follows: a heartbeat, a clock ticking,
a cuckoo clock, jumping on a trampoline, running, bouncing a ball, walking,
and a siren.)
6. Distribute the Beats in Daily Life Activity Sheet (p. 3) which consists of
pictures that represent the sounds that were heard on track 2.
1
Lesson one
EVALUATION STRATEGIES:
Assess the student's ability to clap a steady beat.
Assess Beats in Daily Life Activity Sheet by ensuring that each picture is
coloured.
See Checklist Evaluation Sheet 1, Beats In Daily Life Activity Sheet,
Claps in Time.
2
Activity Sheet (CD 1 track 2)
Name: _______________________________________________________________________________________________________________
3
Lesson seventeen
CURRICULUM EXPECTATIONS:
Students will:
recognize that sounds and silences of different durations may be
represented by symbols
2. Show Instructional Card 1, Quarter-Note (p. 68), and read over the
explanation with the students.
3. Show Instructional Card 2, Quarter-Rest (p. 69), and read over the
explanation with the students.
4. Show Instructional Card 3 Ex.1 (p. 70), and play track 23, Sound and Silence
Ex.1. Read aloud, the information provided on the Instructional Card and
re-play track 23.
5. Show Instructional Card 4 Ex.2 (p. 71), and play track 24, Sound and Silence
Ex.2. Read aloud, the information provided on the Instructional Card and
re-play track 24.
65
Lesson seventeen
6. Distribute a copy of Sound and Silence Activity Sheet (p. 72), to each student.
7. Play track 23, and have the students circle Ex.1 on the activity sheet.
8. Play track 24, and have the students circle Ex.2 on the activity sheet.
9. Play track 25, Sound and Silence Activity, and have the students complete
the activity sheet, by following the instructions provided on the track.
Pause the CD after each pattern to allow students time to respond.
EVALUATION STRATEGIES:
Assess Sound and Silence Activity Sheet.
See Sound and Silence Answer Sheet (p. 73).
See Checklist Evaluation Sheet 3, Sound and Silence Activity Sheet.
66
The Language of Music Note
67
Instructional Card 1
Quarter Note
68
Instructional Card 2
Quarter Rest
69
Instructional Card 3
Remember that the drum represents the beat, and the piano
represents the quarter-note. The four drum beats counted in at the
beginning of the track show us how fast we are to count. Since there
were four piano sounds (quarter-notes) played over four drum sounds
(beats) the musical pattern is written as shown above.
70
Instructional Card 4
Remember that the drum represents the beat, and the piano
represents the quarter-note. The four drum beats counted in at
the beginning of the track show us how fast we are to count.
Since the first two drum sounds were heard without any piano,
the musician was told to be silent. These two beats of silence are
shown by the two quarter-rests. Beats three and four had two
piano sounds (quarter-notes) played over two drum sounds (beats);
therefore, the musical pattern is written as shown above.
71
Sound and Silence
Listen closely to each track, and circle the pattern that represents
what you hear. Remember, a quarter-note represents a sound, and
a quarter-rest represents silence. All patterns begin with a four beat
count-in.
Ex. 1 Ex. 2
1.
2.
3.
4.
5.
6.
72
Sound and Silence
Answer Sheet
Listen closely to each track, and circle the pattern that represents
what you hear. Remember, a quarter-note represents a sound, and
a quarter-rest represents silence. All patterns begin with a four beat
count-in.
Ex. 1 Ex. 2
1.
2.
3.
4.
5.
6.
73