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 500 PROFESSIONAL CHORDS BY JOHNSONKEYZ +2347037367597

This Book was written and produced by Ogunremi Johnson Olusegun
popularly called Johnsonkeyz Home and Abroad as the records have it.
He started playing the Piano in the year 2004 some years back and
overtime He was inspired to be a Teacher and Mentor to many others
and since then he has always been willing to be of help to every
musicians willing to be helped.
Johnsonkeyz has a lot of tutorial videos on Youtube on his channels
and you can view them by typing the name “Johnsonkeyz” on your
Google Search Bar it will bring some of his works overthere and you can
subscribe to watch for more…
JOHNSON’S CONTACT +2347037367597

The Book “500 Professional Chord Application” has been a long term
passion about how to get to help others especially the upcoming
musicians But Glory be to God that made it find expression in the year
2019

This Book is dedicated to God Almighty and also to every serious
aspiring musicians who cant wait to be at the top of there Game

Just sit down relax with a cup of coffee and be ready to take your music
and chord vocabulary to another Level





Enjoy

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A CHORD in MUSIC, is any harmonic set of pitches consisting of two or more
(usually three or more) notes (also called pitches) that are heard as if sounding
simultenously.

The book 500 PROFESSIONAL CHORDS BY JOHNSONKEYZ is designed to help you
build your chord vocabularies in your music and piano playing.

Before we move on I will like to introduce you to the Common Chord Types used
in our daily piano playing (or remind you for persons who are already familiar
with them)

There are 9 common chord qualities that are commonly used, though some are
often used while some others are less used.

• Major
• Minor
• Diminished
• Major Seventh
• Minor Seventh
• Dominant Seventh
• Suspended
• Augmented
• Extended

S/N CHORD TYPE FORMULA EXAMPLE IN C
MAJOR
1 MAJOR 1 3 5 C E G
2 MINOR 1 b3 5 C Eb G
3 DIMINISHED 1 b3 b5 C Eb Gb
4 MAJOR SEVENTH 1 3 5 7 C E G B
5 MINOR SEVENTH 1 b3 5 b7 C Eb G Bb
6 DOMINANT SEVENTH 1 3 5 b7 C E G Bb
7 SUSPENDED (sus2/sus4) 1 2 5/1 4 5 C D G/C F G
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8 AUGMENTED 1 3 #5 C E G#
9 EXTENDED


Okay having done that…to aid comprehension of this book… the chords will be
written out according to progressions they fit in …so as to guide you as you begin
to study and use them


What is Chord Progression? A Chord progression or harmonic progression is a
succession of musical chords, which are two or more notes, typically played
simultaneously.
A Chord progression is a series of chords played in a sequence.

Okay so we will be starting with SIMPLE 2 -5-1 PROGRESSION CHORDS and move
from there IN THE KEY OF C MAJOR

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
1 2 D A C C E F A / F A C E
2 5 G D F B E F A/ F Ab B D
3 2 D F A F G C E G
4 5 G F B C F B
5 2 D A E G A C E G
6 5 G D F B E G# B
7 2 D C F A C E G
8 5 G F B D# G B
9 2 D F E F A C E
10 5 G D B F A B D#
11 1 C G D E G A D
12 2 D F A# D A D F
13 5 G D F A C E G
14 1 C G B D E G B
15 2 D A F G# C G
16 5 G D F G# B F
17 1 C G E G B E
18 2 D A E C F A C
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19 5 G D B B E G#
20 1 C G E B D G B
Don’t Forget to transfer the Ideas to other Keys
So lets move to some 7 3 6 passing chords (tritone movements) to move from 7
all way through 3 to 6

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
21 1 C G E D E G B
22 A D# G D (C) Play C after D
23 C F# A# F (Eb) Play Eb after F
24 D# A C# G# (F#)
25 F# C E B (A)
26 G# D G C E
27 6 A G G B D

Also some diminish chords movements in the Key of C major, play around this
while moving from 2 to 5 in the Key of C Major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
28 P A Eb Gb C P= PASSING
29 P Gb C Eb A
30 P Eb A C Gb
31 5 D G B D G
32 P B G D
33 P A Gb Eb
34 P Gb Eb C
35 5 G D F B

Lets also consider some passing chords to move from 1 to 2 in the Key of F Major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
36 1 F A C E G A C
37 P Gb C Eb A

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38 P A Eb Gb C
39 P C Gb A Eb
40 P Eb A C Gb
41 2 G Bb D F A Bb D F

If you look at the passing chords closely with practice you will notice they can be
useful also in some other keys like 2-5 in C major, 7 3 6 in G major and so on

Okay so lets start with some Phat Chords in the key of C#

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
42 7 C G C Eb Bb D F
43 3 F C Eb A C# F Ab
44 6 Bb F Ab C Eb G
45 5 Ab Eb F# Bb C# F
46 4 F# C# E Ab B Eb
47 3 F C Eb G Bb D
48 3b E B Ab C# Eb Ab
49 2b D A D F# B E F#
50 1 C# Ab C# F Bb Eb F

Some So – What Chords for your consumptions…. Be Creative with them and they
can be used for intros, passing chords and so on

S/N PROG LEFT HAND RIGHT HAND COMMENT
51 C F Bb Eb G
52 D G C F A
53 Bb Eb Ab C# F
54 G C F Bb D
55 F Bb Eb Ab C
56 A D G C E
57 F Bb Eb Ab C
58 E A D G B
59 F Bb Eb Ab C
60 G C F Bb D
61 E Bb Eb Ab C
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A 3 to 6 movement with Chords in the KEY of C Major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
62 3 E B F# G B D F#
63 P F# C# F# A C# E G#
64 P G# D# F# B D# F# A#
65 6 A E G C E G B

In the key of Eb major a 3 – 6 can be played like this

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
66 Bb F Ab C Eb G Bb
67 A Gb D A C
68 B Ab D B D
69 6 C Bb Eb G Bb C Eb

Then lets look at some sweet 1234 movements in the key of C# Major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
70 1 C# F G# C F G# C F
71 2 D# B C# F# B C# F#
72 3 F G# A# D# A# D# G
73 4 F# C# D# A C# D# G# (F#) (PLAY THE F#
IN BRACKET
ONLY AFTER
COMPLETING
THE RIGHT
HAND
CHORD)
74 5 G# F F (C) C# F
75 6 A# D G# D F# A#
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76 2 D# G C# G A# C# F
77 5 G# D# F# A# C (F) D# YOU CAN HIT
THE F IN THE
BRACKET
BEFORE
PLAYING THE
D# ON THE
RIGHT
78 P D F# A D F# B YOU CAN
PLAY THE
PASSING OR
IGNORE IT
79 1 C# F G# C D# F G# C

OKAY LETS LOOK AT ANOTHER MOVE IN THE KEY OF C MAJOR ANOTHER IDEA FOR WHAT WE
JUST ENJOYED IN THE KEY OF C#

NOW TO C MAJOR
FOLLOWING A 12345… MELODY

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
80 1 C G E G B E
81 2 D A# D F A A# D
82 3 E B D F# A C# E
83 P G A# D F A A# D
84 4 F C F G A C E
85 P F B E F G# B D F
86 5 G C E E G C E
87 P G# B D F G# B D
88 6 A G C# F G C
89 2 D F# A D F# B
90 5 G F C F A C
91 P F B D# G A# P MEANS
PASSING
92 P F B C# F G#
93 1 C G B D E G

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Okay lets go into the key of Ab major

I want to give you a special 2 chord in a 6215 prog I do use in the key of Ab
major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
94 6 F C Ab C F Ab C
95 2 Bb D F A C E G C SPECIAL
96 5 Eb Bb Gb Db Gb Bb Db
97 1 Ab Eb G C Eb G C
98 4 Db Ab C F Ab C Eb
99 7b Gb Db Bb E Ab Bb Eb Back to 6
100 6 F Eb Ab G C Eb G

You can skip the 7b and last 6 if the progression of your song doesn’t move that
way and just do a 5 – 1 after the 4

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
101 5 Eb Bb Db F Ab C
102 1 Ab Eb G C Eb G Bb


Let’s go back to C major for some Tritone passing chords for 7 3 6 progressions

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
103 1 C E G C D (E) G FLIP D TO E
104 P B F D
105 P D G# F
106 P F B G#
107 P G# D B
108 6 A C E G (B) C FLIP B TO C

Don’t forget to always approach them slowly at first to achieve accuracy
neatness in playing
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Okay lets have some jollofs in the key of C major this is just a movement you
should practice and use maybe while Pastor is preaching or you just wanna play
something light.

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
109 (D) E (Bb) C G Flip notes in
Bracket to the
ones after
them
110 D G# C F
111 C# E G A# E
112 E G A# D G
113 D F A C F
114 C E G C E
115 B D G A D
116 D F G# C F
117 C E G B E
118 B D F G# D
119 A C E G B
120 C E G A E
121 B F G# D
122 A C E C
123 G# B D F B

NOW YOU CAN DECIDE TO END IT THERE OR Let’s TAKE IT TO A major Lols Do
not panic tho A major is so simple Just play what is written its going to be
interesting

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
124 B D F G# D
125 A C# E A C#
PRAISE THE LORD SOMEBODY

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Lets move into the Key of G major and test run some 7 3 6 Giant Chords there
(Always play your chords in the middle range of the keyboard to get the best
sound out of them)


S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
126 7 F# C# E B E G# PLAY E F#
BEFORE
HITTING THE
(B E G#)
CHORD ON
THE 7
127 3 B F# A D# G B D
128 6 E B G D F# A D
TRY ON ALL KEYS

STILL ON G MAJOR LETS TRY SOME OTHER SWEET 736 YOU DON’T WANNA MISS

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
129 7 F# C# E A C# E G#
130 3 B A C D# F A
131 6 E B F# G B D F#
132 7 F# E A# C# E G NEW
133 3 F C D# A C D# F#
134 6 E B F# A B D F#

OKAY lets also revise some cool moves from 1 -3-6 still in G Major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
135 1 G D B G A D
136 P (A-A#) B F# A C D# SLUR A TO B
137 P C# G A# C# E
138 P D# F# A C D# F# (A)
139 6 E B G B D G
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NOW lets move to Bflat major and check some nice Gospel Ending Chord
movements there


S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
140 Bb D F Bb D
141 A C F A C
142 Ab D F Bb D
143 G Bb Eb G Bb Eb
144 Gb Bb C F Gb C F
145 F Bb D F A Bb D


Next is a transition from Bb to F major don’t forget you can transpose the idea to
other keys

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
146 F Bb D Bb D F
147 E G C G C E
148 D D Ab B D F
149 C C Bb Db E G
150 F F Db Gb Bb
151 F E C F A

SOMETHING COOL CAME UP
Oh yea it’s a “walk down” in the key of Ab Major lets go there
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I’m going to run a 3 – 6 first then we will have the walk down

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
152 3 C Eb G Bb Eb G Bb Eb
153 6 C Eb Gb A Eb Gb A Eb

Then lets have the walk down covering 2-1-7-3-6 progression

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
154 2 Bb F C Db Ab C Eb
155 1 Ab Eb Bb Db Gb Bb Db
156 7 G D F Db F A C
157 3 C E Bb Db Gb Bb Db
158 6 F C Ab Eb G Bb Eb

Lets quickly check in @ C Major for some jazzy 2-5-1 progressions used in some
jazz piece, you can use them to derive jazzy feels when you need to

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
159 2 D F A C E G
160 5 F A# B D# G# C# G
161 1 E G A D G C E

AND AGAIN LETS do some 3-6-2-5-1 also in C Major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
162 3 E D F# A#
163 6 A G C# F A
164 2 D A C E F# B
165 5 G F B D# G
166 P SLUR G -F B E A
167 1 E A D G

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A NICE DROP 2 APPROACH IN THE KEY OF E FLAT MAJOR wont be bad tho

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
168 G D (A) B Slur A to B
169 B F (C) D
170 D G# F
171 C G D#
172 G A#
173 D# G
174 C D# G# D3
175 B G# B F
176 A# G A# D# G
177 5 A# G# B D E G
178 1 D# G A# D F A#

ALRIGHT Friends Lets Catch some fun at this Junction
Come to think of it whats the essence of music and theories if we can make good
deals out of it…
So we gonna do some simple circle of fourths exercise now
Practice them till you can play them while closing your eyes just like I can do the
same … smiles right

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
179 Bb Ab C Db F
180 Eb Gb C Db F
181 Ab Gb Bb B Eb
182 Db F Bb B Eb
183 Gb E Ab A Db
184 B Eb Ab A Db
185 E D Gb G B
186 A Db Gb G B
187 D C E F A
188 G B E F A
189 C Bb D Eb G
190 F A D Eb G
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191 Bb Ab C Db F

Okay that was just a tip of the iceberg now lets try same Circle of fourths again
but this time with some TRITONE JOLLOFS

Are you ready?

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
192 Bb Ab D
193 Eb G Db
194 Ab Gb C
195 Db F B
196 Gb E Bb
197 B Eb A
198 E D Ab
199 A Db G
200 D C Gb
201 G B F
202 C Bb E
203 F A Eb
204 Bb Ab D

And how was the Journey? Hope you liked it right…

OKAY lets go back to the Gospel in the Key of C major
This chord can be used to play/voice the part “We give you All” in the song “you
are alpha and omega

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
205 3 C G E C E G
206 P F# E A D E A
207 P G# F# B E F#
208 6 A G C F G C

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Still on the Gospel flows lets check some Tritone 3 -5 walk ups in the key of E flat
Major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
209 G F B Eb
210 G# F# C E
211 A G C# F
212 5 A# G# D F#
213 6 C Bb E
214 P Db B F
215 P D C Gb
216 1 Eb Db G

This walk ups are good for sermon time when the Pastor/Apostle needs you to
take it Up….

Okay lets check out some 5b -7-3 first on Eflat Major then we move

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
217 b5 A Db G C Ab
218 7 D Gb Bb C F
219 3 G A C E G

Now lets have another variation you can use for b5 -7 -3 progression but now in
the Key of C major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
220 b5 Gb Eb Gb A C
221 7 B C Eb Gb B
222 3 E G B D Gb

Okay One of the purpose for this book is that I want every reader of this book to
have a good idea for almost every type of Chord Progressions you can ever come
across.
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So lets quickly check some more 5-1-4 chord progressions in the key of F Major.

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
223 5 C G Bb Eb G Bb D
224 1 F C Eb G A D
225 4 Bb F D F A C
226 5 C G Bb D Eb G
227 1 F C A C# F
228 4 Bb F A C D F
229 5 C G D Eb G Bb
230 1 F C D Eb Gb A
231 4 Bb F D F A C

A regular 5 – 1 – 4 Chord wont be Bad tho …right In the Key of C Major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
232 5 G F Bb
233 1 C G Bb
234 4 F C E

Okay we are moving forward…

There is this song titled “You are welcome in the name of the Lord” that we do
sing in church for new comers … you can use this next set of chords to announce
the song (i.e. Intro)
The chords will be written in the Key of C major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
235 b7 Bb F Ab D G Bb
236 6 A G Db Gb A
237 b6 Ab Gb C F Ab
238 5 G F B E G
239 1 C G Bb D E A
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Another BiG Hit Loading, I’m going to be supplying you with Giant Steps Chord
voicings…. Giant step is a worldwide popular jazz standard by John Coltrane
And you will be getting the chords here because you purchased this Book…

Lets Go to the Piano … don’t forget to memorize the chords … the piece was
written on 3 keys B-Eb- G
Okay here we go

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
240 B F# A# G# C# F# TOP
241 D F# A E A D
242 G D F# D G B
243 A# F G# D G
244 D# G A# C F A#
245 A E G C E G B
246 D F# A C E F# A
247 G D E A D
248 A# F G# C F Bb
249 D# G A# C D G
250 F# A# C# F# A# D#
251 B F# G# C# F#
252 2 F C G# C D# G 2-5 ON D#
253 5 Bb F G# C D G
254 1 D# A# G A# C F
255 2 A E G C E G B 2-5 ON G
256 5 D F# A C E F# B
257 1 G D F# B D E A
258 2 C# G# B E G# B D# 2-5 ON B
259 5 F# A# E G# A# C#
260 1 B F# A# F# B C# F#
261 2 F G# C D# G# C D# G 2-5 ON D#
262 5 F G# A# D G# B D G
263 1 D# G A# D G A# D F THEN
RESTART
264 2 C# E G# B G# C# F#
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265 5 C# E F# A# GO TO TOP

GO TO THE TOP AND RESTART AND YOU CAN THEN IMPROVISE ON THE
CHORDS….


Lets now go back to the key of C# Major to check out some phatness

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
266 1 C# F G# C F A# C F
267 7 C E A# D# F# A# D#
268 b7 B D# F# A# D# F# A# C#
269 M6 Bb D F A D F A C
270 5 G# F# B C# F# A# C#
271 1 C# F G# C D# G# C D#
272 4 F# C# A# F A# C# F
273 b3 E B Gb Ab B E Gb B
274 A E A C# F# G# C#
275 D A D A D E A FLIP D TO E
276 F# C# G# A C# E G#
277 5 G# D# F# C E G# B
278 1 C# F G# C D# F G# C

RIGHT lets check some cool Gospel moves in the key of Ab major you should do
this on all the 12 keys

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
279 6 F G AB C F Ab
280 E Bb C G
281 Eb Ab C F Ab
282 D Ab C F Ab C
283 Db F Ab C F Ab C
284 C Eb G Bb G Bb D
285 F C A Eb Ab Db
286 Bb F Ab D F Ab C
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287 5 Eb Bb Db F Ab C Eb
288 1 Ab Eb C E G C

LETS look at some nice transitions from F major to D major using 5-6-7 to move to
the 1 on D major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
289 5 C G E G C E G
290 6 D F A# D F A# C F
291 7 E G C G C D G
292 1 ON D D A F# B E A D MAJOR
293 5 ON D A E G D G B (D)
294 1 ON D D F# A E A C#

OKAY LETS CHECK OUT ANOTHER NICE 2-5 DROP 2 MOVE IN THE KEY OF A MAJOR
Gospel Sounds

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
295 Slur A to B F G# D
296 C# G A# E
297 C D# F# A D#
298 D# F# A C F#
299 5 C# E A C# E
300 6 F# C# E A# D F#
301 2 B F# A C# D# G#
302 5 E B D G# C E
303 1 A C# E G B C# F# UNRESOLVED
1

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SOMETIMES YOU DON’T HAVE TO
FINISH THE PROGRESSION IN THE
TABLE PRACTICALLY





Some Major 7 flat 5 chords wont be bad for a 7-3-6 movement in the key of C
major
Drop 2

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
304 1 C G C D E G C
305 P F# A C E B
306 P A C D# G D
307 P C D# F# A# F
308 P D# F# A C# G#
309 6 A C E G B D G B

JUST AN OPTION YOU CAN ALWAYS GO TO WHEN YOU FEEL LIKE BEING
UNPREDICTABLE

Some left hand chords will be fine also ill just add the notes on the right hand
practice them and choose your favourite melody lines on the chords in the Key of
Dflat major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
310 Ab C Db F Eb G Eb
311 Ab C D Gb Bb Bb
312 G C Db F Eb G Eb
313 Gb Bb Db F Db F Db
314 Gb Bb C E Bb Db Bb
315 F Ab Bb Eb C Eb C
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This might sound somehow but trust me play around it and you will get the sweet
spot… You can listen to the Jazz piece just to get acquainted to such voices

Now lets check some Herbie Hancock Minor 11th voicing’s phatness you can use
this for some intro for a new song
So lets look at what we’ve got here


S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
316 A E C D G B
317 G D A# C F A
318 F C F G# A# D# G
319 E B G A D F#
320 G D F B D# G A#
321 C G A# D A

LETS check out some crazy formulas also still on the Minor 11th chords


S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
322 A E C D G B
323 A# F C# D# G# C
324 G D A# C F A
325 G# D# B C# F# A#
326 F C F G# C D# G
327 G# D# F# A# C F
328 C# C# F G# C D#
THE IDEA MOVED US TO C# SMOOTHLY

There is also this beautiful transition I like using in the Key of C# and im so happy
to release that to you
Check the table Below for the Chords

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
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329 4 F# A# C# D# F A#
330 3 F G# C D# G A#
331 #2 E G# B C# D# G#
332 2 D# F# A# C# F G#
333 1 C# G# B D# F#
334 7 C G A# D F
335 3 F C D# A D F#
336 M6 A# F A C D F
Lets have another variation for that
Still on C# MAJOR

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
337 4 F# A# C# F A# C#
338 3 F G# C D# G A#
339 E G# B D# G# B
340 D# F# A# C# F F# A#
341 5 G# D# F# C E G# B
342 1 C# F C D# G# C

OKAY assuming we want to create some thrills in the service with 500 chords
Book we should have space for that also

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
343 A D# G# C
344 F# C F A
345 D# A D F#
346 C F# B D#
YOU SHOULD PLAY THIS OVER THREE OCTAVES OR MORE

SOME 6-2-5-1 WONT BE BAD ALSO IN THE KEY OF C MAJOR (STEROIDS)


S/N ROOT LEFT HAND RIGHT HAND COMMENT
347 6 A E B C G B D
348 2 F# C# G# A E G# B
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349 5 G D A A# F A C
350 1 C G A# D E A FLIP D TO E
351 4 F D F A D G







JUST A QUICK REMINDER
ALWAYS LOOK OUT FOR COOL NOTES
TO FLIP WITHIN THE CHORDS
#THERE IS ALWAYS A SWEET SPOT




LETS CHECK ANOTHER COOL SIMPLE AND SWEET 2 -1 -7 -3 -6 IN THE KEY OF B
MAJOR


S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
352 2 C G# (Bb) B E G# B (Bb) E SLUR B TO Bb
353 1 B A# D# A# D# SLUR A# to A
354 7 A# F G# C# G# C#
355 3 D# C# C# E G A
356 6 G# F# B C# F# A#

PHATNESS ALL THE WAY

LETS RESUME TO THE KEY OF C# FOR SOME WONDERFUL MOVES STARTING WITH
7-3-6 AND SO ON
USEFUL FOR:
CREATING AN ATMOSPHERE
INTRO
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S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
357 7 C G D D# A# D F
358 3 F C D# A C# F G#
359 6 A# F G# C D# G
360 G# D# F# A# C# F
361 F# C# E G# B D#
362 F G# C D# G A# D
363 E G# B G# C# D# G#
364 D F# A F# B C# F#
365 1 C# F G# C F A# C D#

OKAY BACK TO THE GOSPEL IN THE KEY OF C MAJOR LETS LOOK AT SOME
MOVEMENTS STARTING WITH 5-4-3

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
366 5 G B D G B
367 4 F A C Eb G B
368 3 E G B D G

NEXT LETS LOOK AT SOME NICE ENDING CHORD MOVEMENTS SAME KEY

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
369 4 F C F G A C CLOSE
VOICING
370 5 G D G A B D
371 P G# D# G G# C D# SIDE STEP
372 P A# F A A# D F
373 1 C G B D E G B

SOME NICE SIMPLE SPIRITUAL MOVEMENTS STILL IN SAME KEY

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
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374 1 C G C E G E
375 Bb F Bb D F Bb D
376 Ab Eb Ab C F Ab C
377 Bb F Ab D F Ab D
378 1 C G C D E G B E

KEEPING IT SIMPLE RIGHT…

LETS CHECK OUT SOME NICE UNAVOIDABLE GOSPEL LINES ALSO
IN THE KEY OF C MAJOR
DON’T FORGET TO FLIP A LOT HERE

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
379 5 A F C F G C FLIP F TO G
380 6 B G D G A D FLIP G TO A
381 3 E C G C D G FLIP C TO D
382 4 F C F A D E A FLIP D TO E

STILL ON NICE GOSPEL MOVES …PRACTICE THIS PART AND APPLY THEM IN
GOSPEL SONGS

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
383 6 A F G C
384 7 B G A D
385 C# A B E
386 2 D A Bb D F
387 3 E B C G

OKAY LETS LOOK INTO SOME NICE INTRODUCTION TO 7-3-6 MOVES ON C MAJOR
DON’T FORGET TO PRACTICE THEM ON ALL KEYS
S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
388 4 F C E (G) A C FLIP G TO A
389 3 E G B D G B
390 2 D F A C (E) F A FLIP E TO F
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391 1 C G B (D) E G FLIP D TO E

392 7 B F# A C# E
393 3 Bb F Ab D F Ab Bb D Rootless
394 6 A E G C E G B
THIS TRANSITION WORKS WELL ON SONGS LIKE “AS THE DEER” THE beginning
part immediately you hear “AS”


LETS LOOK AT SOME NICE 3-6 MOVES AGAIN ON C MAJOR DROP 2 ON
DIMINISHED CHORDS

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
395 3 E B E G#
396 P Gb C Eb A
397 P F A E C Play Faster
with next
chord
398 P F Ab D B Play Faster
399 P F B F Ab D Play Faster
400 6 A E G C The End

Still on Gospel Vibes lets have some new 7-3-6 Again
Key of C Major
S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
401 1 C G C D G C
402 7 B F# A B D F# A
403 3 E D B C# F A
404 6 A E G B D G B
THE CHORDS ON THE RIGHT HAND FOR THE 7-3 CAN ALSO BE USED IN SOME
OTHER KEYS LIKE F MAJOR FOR 7 -3 MOVEMENTS

LETS TRY THAT AND SEE IN THE KEY OF F MAJOR ALSO

S/N PROG NO LEFT HAND RIGHT HAND COMMENT
405 7 E D B D F# A
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406 3 A G B C# F A
407 6 D A F G C E

Still in the KEY OF F MAJOR lets consider some rootless voicing 6-2-5 PROGRESSION
that you can use depending on if you have a bassist to hold the root and
sometimes you can pull the stunts very fast and get back to holding your root if
there is no physical bassist

S/N PROG NO LEFT HAND RIGHT HAND COMMENT
408 6 F# C D# A
409 2 F Bb D A
410 5 E C G C D G

In the key of F major lets revise this Gospel Move I’m sure you already know
2-3-4-2-5 kind of progression

S/N PROG NO LEFT HAND RIGHT HAND COMMENT
411 2 G D G A# C# G
412 3 A A C D# A
413 4 A# A# C# F A#
414 2 G G C# G A#
415 5 C A C F A

ANOTHER VARIATION TO THAT

S/N PROG NO LEFT HAND RIGHT HAND COMMENT
416 2 G D G C# F A#
412 3 A A D# C
413 4 A# A# F C#
414 5 C G A# G A# D# SIDE STEP
415 4 A# F G# F G# C#
416 1 A F F A C

OKAY STILL IN THE KEY OF F MAJOR

S/N PROG NO LEFT HAND RIGHT HAND COMMENT
417 6 D A C Eb Gb
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418 7 E Bb Db E G
419 b1 Gb A C Eb A (C)
420 2 G Bb D F Bb

Still on F Major lets quickly check out some Gospel shout tritone kinda feels
To make sure we balance everything we have got in here


S/N PROG NO LEFT HAND RIGHT HAND COMMENT
421 1 F C Eb A
422 D-Eb Ab Eb Gb C Tritone Sub
423 2 G D F B
424 5 C F E Bb
425 1 F C Eb A
426 D-Eb Ab Eb Gb C
427 Db Ab B F Tritone Sub
428 C G Bb E
Praise the Lord


DON’T FORGET SLOW AND STEADY WINS THE
RACE
ROME WASN’T BUILT IN A DAY



NOW LETS GO A LITTLE BIT MORE DEEPER INTO PRACTICE
DO YOU KNOW THIS HYMN …O GOD OUR HELP IN AGES PAST
LET’S VOICE IT WITH SOME CHORDS WE HAVE LEARNT

S/N PROG NO LEFT HAND RIGHT HAND COMMENT
429 C# G B D# G
430 D F A C E
431 G D F A# D A
432 C G A# D G
433 F C G# C F G# C
434 A# F G# C F G# C
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435 B F A D F G# B
436 A E G C E G C
437 C# G B D# G
438 D F G# C F G# C
439 E G A# D G
440 F G# C F (G) G# C FLIP THE G TO
G#
441 D F G# D F G#
442 G D F B E G
443 G# F# B E F# B
444 A G C F G C
445 G D A# C F A
446 C G D# F A# D
447 A E B C D G B
448 A# F C C# D# G# C
449 F C F A C E A
450 G D G B D F# B
451 E C G A# E G
452 F C F G# C F G#
453 G D A A# F A C
454 A E B C G B D
455 G D F B EG# B
456 C G A# D F# A C OR YOU CAN
USE D F A C
FOR THE LAST
RIGHT CHORD
IF YOU WISH
OUR GOD IS GOOD

GOOD PRACTICE BRINGS ABOUT PERFECTION …DON’T RUSH THIS PART,
MEMORISE THE CHORDS JOYFULLY AND OVER TIME YOU WILL BE PLAYING THIS
FAST LIKE I DO SMILES


“Did you notice we used some of the chords we have previously learnt above in
voicing the songs and that’s it right there, Application comes with Creativity, Just
think outside the Box and Judge with your Ears”
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OKAY STILL IN THE SPIRIT OF USING OUR CHORDS TO VOICE OUR SONG
LETS HAVE ANOTHER SECOND TASTE IN THE KEY OF E FLAT MAJOR
THERE IS THIS IGBO SONG …The end part of the song sounds this Eze,Eze…Eze ….
Melody note ( S,M,F,R,M,D,T,R,D) kind of



So lets give a voice to that part of the song using the key of Eflat Major

S/N PROG NO LEFT HAND RIGHT HAND COMMENT
457 C E Bb C F Bb
458 G D F D F A C G dom 13
459 Bb F Ab C Eb F Ab
460 F C Eb Ab C F
461 F C F Bb D G
462 Bb F Ab C Eb
463 Eb Bb G Bb D
464 Ab Eb Ab Db F
465 Db-Db F Ab C Eb

Hope you liked that….Good …A good assignment from me to you is for you to sit
and re-harmonize some common songs you have always heard, sang or played to
on the Piano

Third Example
Lets play around the intro for the popular song Nara by Tim Godfrey
In the original key which is F# Major

S/N PROG LEFT HAND RIGHT HAND COMMENT
NO
466 A# F G# C F A#
467 C# G# B D# G# C#
468 C# E B D# E B
469 C# E F# A# C# F# A#
470 B G# B E G#
471 D# G B D# F#
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472 2 G# D# F# B (C#) D# F#
473 3 A# F# G# C# F#
474 C D# G# A# D# G#
475 5 C# F# B C# F#
476 F# A# C# D# A#
477 F G# C# D# G#
478 G# B D# E B
479 F# A# C# F A# ENDING


So so so…


Moving to the End of this Great Jourrney
Lets try some transitions from C to Eb also

S/N PROG NO LEFT HAND RIGHT HAND COMMENT
480 F G# C G# C F
481 E G A# G A# E
482 D F G# F G# D
483 C# E A# E G C#
484 C# F G# C F G# C D# SIDE STEP
485 5 A# F G# C D# G A#
486 5 A# G# B D E G B
487 1 D# G A# D F G A#

BACK TO THE KEY OF D FLAT MAJOR
LETS CONCLUDE WITH SOME GOSPEL CHORD MOVEMENTS
FOR SONGS LIKE
ALAGBARA YOU R THE MIGHTY GOD
AND MANY OTHERS

S/N PROG NO LEFT HAND RIGHT HAND COMMENT
488 C Ab Eb Ab Bb Eb
489 D F Bb F Bb C F
490 Eb Gb B Gb B Db Gb
491 F Ab Db Ab Db Eb Ab
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492 4 Gb Db F Bb (Eb) F Bb Flip Eb to F

493 6 Bb F C Eb Ab
494 2 Eb Db G Db F
495 5 Ab Eb Gb Bb C Eb
496 4 Gb Db E Ab C Turn around
497 3 F Ab C Eb Ab C Eb
498 6 Bb Ab D Gb Bb Db
499 2 Eb Bb F Gb Bb F
500 5 Ab Eb Gb A C F Ab
501 1 Db Ab C F Ab C

THANK YOU FOR PURCHASING THIS BOOK

























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