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LESSON 1 (Speech and Stage Arts)
LESSON 1 (Speech and Stage Arts)
S P E E C H A N D S T A G E A R T S
WHATstageIS?
while talking. People who do this a lot may stutter.
THEATRE?
some other vehicle to carry our intent.
WHY STUDY
the world and our place in it .
Theatre reflects and possibly affects its society's
view of the world.
2) Theatre as a social force:
Theatre is perhaps the world's 2nd oldest profession
and has been praised and damned throughout
history.
• Theatre as EDUCATION
- "Didactic" = to teach.
- Theatre has often been used primarily as a
teaching mechanism
- When theatre is used as a "weapon" for social
Reasons to Study Theatre / political change, as propaganda, is can be
called "agit-prop"
1) Theatre as a Humanity / Liberal Art:
- Does not need to have social purpose or effect, but has caused
riots - To reflect social values, some plays have actually been
changed.
3. Theatre as a personal force:
- personal commitment to preparing a show.
- teamwork.
- concern feeling of community in endeavoring to do a job
well. - personal satisfaction.
- build and develop character interpersonal skills.
- creativity / critical thinking.
- self-direction.
WHY STUDY
- a part of life-long learning.
THEATRE?
4. Theatre as an art form - an object
Theatre could be looked as simply a bauble
-- a pretty object -- and we can look at what
the elements of that object are.
Theatre is a combination of many art
THE AUDIENCE
forms.
E
A "contract" to pretend to see what is not seen
❑ sanctity of time and place
(how, for instance, do we
behave as
Audiences differ in their: ❑ • Audience sees:
audience
members in a theatre?)
THE
group self-image ❑ innovation ❑ preparation for the event
(understanding and sympathy),
❑ interaction with each other
THE AUDIENCE
❑
ELEMENTS OF THEATRICAL
time.
PRODUCTION
▪The performer
The work of the actor falls into five main areas:
(1) the exhibition of particular physical, including vocal, skills;
(2) the exhibition of mimetic skills, in which physical states and activities are
simulated;
(3) the imaginative exploration of fictitious situations;
(4) the exhibition of patterns of human behaviour that are not natural to the actor;
and
(5) interaction, while engaging in these activities, with other actor-characters and
with members of the audience.
ELEMENTS OF THEATRICAL
PRODUCTION
▪ The actor as character
Another aspect of the dramatic performer’s work has to do with the portrayal of
characters, both as individuals and as types. In portraying an individual
character, the performer adopts a fictional framework and acts according to the
text’s demands.
▪ Space and time
The distinction between actor as performer and actor as character is matched by a
distinction between the presentational and representational nature of space and time
in theatrical production.
▪ The Process
This is the coordination of the creative efforts usually headed up in theatre by the
ELEMENTS OF THEATRICAL
director.
PRODUCTION
The Product
▪
Theatre requires an audience. For all of the arts public is essential. The physical
presence of an audience can change a performance, inspire actors, and create
expectations.