‫ﻧﻤﺎﺫﺝ ﺃﺧﺒﺎﺭ ﻭﻓﻖ ﺍﻟﻘﻮﺍﻟﺐ ﺍﻟﻔﻨﻴﺔ ﺍﻟﻤﺨﺘﻠﻔﺔ‬

‫• ﻗﺎﻟﺏ ﺍﻟﻬﺭﻡ ﺍﻟﻣﻘﻠﻭﺏ‪.‬‬

‫• ﻗﺎﻟﺏ ﺍﻟﻬﺭﻡ ﺍﻟﻣﻘﻠﻭﺏ ﺍﻟﻣﺗﺩﺭﺝ‪.‬‬
‫• ﻗﺎﻟﺏ ﺍﻟﻬﺭﻡ ﺍﻟﻣﻌﺗﺩﻝ‪ :‬ﺑﺎﻟﻁﺭﻳﻘﺔ )ﺍﻟﺗﻘﻠﻳﺩﻳﺔ(‪ ،‬ﻭ ﺍﻟﻣﻌﺗﺩﻝ )ﺑﻁﺭﻳﻘﺔ ﺍﻟﻘﺻﺔ(‪.‬‬

‫• ﻧﻣﺎﺫﺝ ﺃﺧﺑﺎﺭ ﺑﻘﺎﻟﺏ ﺍﻟﻬﺭﻡ ﺍﻟﻣﻘﻠﻭﺏ‪:‬‬

‫ﺇﺻﺎﺑﺔ ﻣﻭﺍﻁﻥ ﺑﺭﺻﺎﺹ ﺍﻻﺣﺗﻼﻝ ﺷﺭﻕ ﺟﺑﺎﻟﻳﺎ‬

‫ﺍﻟﺟﻣﻌﺔ‪ 03 ,‬ﻣﺎﻳﻭ‪ 18:58 ,2013 ,‬ﺑﺗﻭﻗﻳﺕ ﺍﻟﻘﺩﺱ‬

‫ﺟﺑﺎﻟﻳﺎ‪ -‬ﺻﻔﺎ‪:‬‬
‫ﺃﺻﻳﺏ ﻣﻭﺍﻁﻥ ﻓﻲ ﺍﻟﻌﺷﺭﻳﻧﺎﺕ ﻣﻥ ﺍﻟﻌﻣﺭ ﺑﺟﺭﺍﺡ ﻁﻔﻳﻔﺔ ﻣﺳﺎء ﺍﻟﺟﻣﻌﺔ ﺑﺭﺻﺎﺹ ﺟﻳﺵ ﺍﻻﺣﺗﻼﻝ‬
‫ﺍﻹﺳﺭﺍﺋﻳﻠﻲ ﺷﺭﻕ ﺟﺑﺎﻟﻳﺎ ﺷﻣﺎﻝ ﻗﻁﺎﻉ ﻏﺯﺓ‪.‬‬

‫ﻭﺃﻓﺎﺩ ﺷﻬﻭﺩ ﻋﻳﺎﻥ ﻟﻣﺭﺍﺳﻠﻧﺎ ﺃﻥ ﻣﻭﺍﻁ ًﻧﺎ ﺃﺻﻳﺏ ﺑﺎﻟﻘﺭﺏ ﻣﻥ ﺍﻟﻣﻘﺑﺭﺓ ﺍﻟﺷﺭﻗﻳﺔ ﺷﻣﺎﻝ ﺍﻟﻘﻁﺎﻉ‪ ،‬ﻓﻳﻣﺎ ﻟﻡ ﺗﺅﻛﺩ‬
‫ﺍﻟﻣﺻﺎﺩﺭ ﺍﻟﻁﺑﻳﺔ ﻭﺻﻭﻝ ﺃﻱ ﻣُﺻﺎﺏ ﻟﻠﻣﺷﻔﻰ ﺣﺗﻰ ﺍﻟﻠﺣﻅﺔ‪.‬‬

‫ﻭﻳﻭﺍﺻﻝ ﺍﻻﺣﺗﻼﻝ ﺧﺭﻕ ﺍﺗﻔﺎﻕ ﺍﻟﺗﻬﺩﺋﺔ ﺍﻟﺫﻱ ﻭﻗﻊ ﻓﻲ ‪ 21‬ﻧﻭﻓﻣﺑﺭ ﺍﻟﻣﺎﺿﻲ ﺑﺎﻟﻌﺎﺻﻣﺔ ﺍﻟﻣﺻﺭﻳﺔ‬
‫ﺍﻟﻘﺎﻫﺭﺓ ﺑﺟﻬﻭﺩ ﻣﺻﺭﻳﺔ ﻭﺩﻭﻟﻳﺔ ‪.‬‬

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 ‫ﺍﺭﺗﻔﺎﻉ ﻋﺩﺩ ﺿﺣﺎﻳﺎ ﺍﻻﻣﻁﺎﺭ ﻭﺍﻟﺳﻳﻭﻝ ﻓﻲ ﺍﻟﺳﻌﻭﺩﻳﺔ ﺍﻟﻰ ‪ 24‬ﺷﺧﺻﺎ‬
‫‪3‬ﻣﺎﻳﻭ ‪23:05 - 2013‬‬

‫ﺍﻟﺭﻳﺎﺽ ‪ -‬ﺃﻋﻠﻥ ﺍﻟﺩﻓﺎﻉ ﺍﻟﻣﺩﻧﻲ ﺍﻟﺳﻌﻭﺩﻱ‪ ،‬ﺍﻟﻳﻭﻡ ﺍﻟﺟﻣﻌﺔ‪ ،‬ﺍﺭﺗﻔﺎﻉ ﻋﺩﺩ ﺿﺣﺎﻳﺎ ﺍﻟﺳﻳﻭﻝ ﺑﺎﻟﻣﻣﻠﻛﺔ ﺧﻼﻝ‬
‫ﺍﻷﺳﺑﻭﻉ ﺍﻟﻣﺎﺿﻲ ﺇﻟﻰ ‪ 24‬ﺷﺧﺻﺎ ﻭ‪ 4‬ﻣﻔﻘﻭﺩﻳﻥ ﻭﺍﻧﻘﺎﺫ ‪ 6362‬ﺷﺧﺻﺎ ً ﻭﺗﻘﺩﻳﻡ ﺧﺩﻣﺎﺕ ﺍﻹﻳﻭﺍء ﺍﻟﻌﺎﺟﻝ‬
‫ﻷﻛﺛﺭ ﻣﻥ ‪ 4544‬ﻣﻥ ﺍﻟﻣﺗﺿﺭﺭﻳﻥ‪.‬‬

‫ﻭﺃﻭﺿﺢ ﻣﺩﻳﺭ ﻋﺎﻡ ﺍﻟﺩﻓﺎﻉ ﺍﻟﻣﺩﻧﻲ‪ ،‬ﺍﻟﻔﺭﻳﻕ ﺳﻌﺩ ﺑﻥ ﻋﺑﺩﷲ ﺍﻟﺗﻭﻳﺟﺭﻱ ﻓﻲ ﺑﻳﺎﻥ ﻟﻪ ﻣﺳﺎء ﺍﻟﻳﻭﻡ ﺍﻟﺟﻣﻌﺔ‪،‬‬
‫ﺃﻥ ﺍﻟﺩﻓﺎﻉ ﺍﻟﻣﺩﻧﻲ ﺷﺎﺭﻙ ﺑـ ‪ 700‬ﻓﺭﻗﺔ ﻭ ﺑﺎﻹﺿﺎﻓﺔ ﺇﻟﻰ ﻣﺷﺎﺭﻛﺔ ‪ 40‬ﻁﺎﺋﺭﺓ ﻣﻥ ﺃﺳﻁﻭﻝ ﻁﻳﺭﺍﻥ ﺍﻷﻣﻥ‬
‫ﻓﻲ ﺃﻋﻣﺎﻝ ﺍﻟﺑﺣﺙ ﻭﺍﻹﻧﻘﺎﺫ‪.‬‬

‫ﻭﺃﻛﺩ ﺍﻟﺗﻭﻳﺟﺭﻱ ﺃﻥ ﺍﻟﺩﻓﺎﻉ ﺍﻟﻣﺩﻧﻲ ﺗﻠﻘﻰ ﺍﻷﺳﺑﻭﻉ ﺍﻟﻣﺎﺿﻲ ﻣﺎ ﻳﺯﻳﺩ ﻋﻠﻰ )‪ (42639‬ﺑﻼﻏﺎ ً ﺟﺭﺍء‬
‫ﺍﻷﻣﻁﺎﺭ ﻭﺍﻟﺳﻳﻭﻝ ﻛﺎﻥ ﺍﻟﺟﺯء ﺍﻷﻛﺑﺭ ﻣﻧﻬﺎ ﻋﻥ ﺍﺣﺗﺟﺎﺯ ﻣﻳﺎﻩ ﺍﻷﻣﻁﺎﺭ ﻭﺍﻟﺳﻳﻭﻝ ﻷﺷﺧﺎﺹ ﺩﺍﺧﻝ‬
‫ﺍﻟﻣﺭﻛﺑﺎﺕ ﺑﻧﺳﺑﺔ ﺗﺯﻳﺩ ﻋﻠﻰ ‪ 55‬ﻓﻲ ﺍﻟﻣﺋﺔ ﻣﻥ ﻋﺩﺩ ﺍﻟﺑﻼﻏﺎﺕ ﺛﻡ ﺍﻟﺣﻭﺍﺩﺙ ﺍﻟﻣﺭﻭﺭﻳﺔ ﺑﻧﺳﺑﺔ ‪ 30‬ﻓﻲ‬
‫ﺍﻟﻣﺋﺔ ﺛﻡ ﺣﻭﺍﺩﺙ ﺍﺣﺗﺟﺎﺯ ﺍﻟﻣﻭﺍﻁﻧﻳﻥ ﻓﻲ ﺍﻟﻣﻧﺎﺯﻝ ﻭﺍﻹﺳﺗﺭﺍﺣﺎﺕ ﻭﺍﻷﻭﺩﻳﺔ ﺑﻧﺳﺑﺔ ‪ 10‬ﻓﻲ ﺍﻟﻣﺋﺔ ﺗﻘﺭﻳﺑﺎ ً‬
‫ﻣﻥ ﻋﺩﺩ ﺍﻟﺑﻼﻏﺎﺕ‪.‬‬

‫ﻭﺳﺟﺎﺕ ﺍﻟﺑﻼﻏﺎﺕ ﺍﻟﻧﺗﻌﻠﻘﺔ ﺑﺣﻭﺍﺩﺙ ﺍﻟﺗﻣﺎﺳﺎﺕ ﻛﻬﺭﺑﺎﺋﻳﺔ ﻭﺍﻧﻘﻁﺎﻉ ﺧﺩﻣﺎﺕ ﺍﻹﺗﺻﺎﻻﺕ ﻭﻏﺭﻕ ﺑﻌﺽ‬
‫ﺃﻷﺷﺧﺎﺹ ﻧﺳﺑﺔ ‪ 5‬ﻓﻲ ﺍﻟﻣﺋﺔ ﺗﻘﺭﻳﺑﺎ ً ﻣﻥ ﺇﺟﻣﺎﻟﻲ ﺍﻟﺑﻼﻏﺎﺕ‪.‬‬

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‫ﻣﺅﺗﻣﺭ ﺍﻹﻋﻼﻡ ﻳﻭﺻﻲ ﺑﺎﺳﺗﻌﺎﺩﺓ ﺍﻷﺭﺷﻳﻑ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ‬

‫‪28‬ﺃﺑﺭﻳﻝ ‪2013‬‬

‫ﻧﺎﺑﻠﺱ‪ -‬ﺩﻭﺕ ﻛﻭﻡ‪ -‬ﻏﺳﺎﻥ ﺍﻟﻛﺗﻭﺕ‪ -‬ﺃﻭﺻﻰ ﻣﺷﺎﺭﻛﻭﻥ ﻓﻲ ﻣﺅﺗﻣﺭ "ﺍﻹﻋﻼﻡ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﻓﻲ ﻅﻝ‬
‫ﺍﻟﻣﺗﻐﻳﺭﺍﺕ ﻭﺍﻟﻣﺳﺗﺟﺩﺍﺕ ﻓﻲ ﺍﻟﻭﻁﻥ ﺍﻟﻌﺭﺑﻲ"‪ ،‬ﺍﻟﺫﻱ ﻋﻘﺩﺗﻪ ﻛﻠﻳﺔ ﺍﻹﻋﻼﻡ ﻓﻲ ﺟﺎﻣﻌﺔ ﺍﻟﻧﺟﺎﺡ ﺍﻟﻭﻁﻧﻳﺔ‪،‬‬
‫ﺍﻟﻳﻭﻡ ﺍﻷﺣﺩ‪ ،‬ﺑﺿﺭﻭﺭﺓ ﺍﺳﺗﻌﺎﺩﺓ ﺍﻷﺭﺷﻳﻑ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ‪ ،‬ﺧﺎﺻﺔ ﺍﻟﻣﺭﺋﻲ ﻭﺍﻟﻣﺳﻣﻭﻉ ﻣﻧﻪ‪ ،‬ﺍﻟﺫﻱ ﻳﺅﺭﺥ‬
‫ﻟﻠﺳﻳﻧﻣﺎ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ‪.‬‬

‫ﻭﺍﻛﺩ ﺍﻟﻣﺷﺎﺭﻛﻭﻥ ﻋﻠﻰ ﺿﺭﻭﺭﺓ ﺑﻧﺎء ﺍﺳﺗﺭﺍﺗﺟﻳﺔ ﻣﻭﺣﺩﺓ‪ ،‬ﺗﺗﻌﺩﻯ ﺍﻟﺣﺩﻭﺩ ﺍﻟﺟﻐﺭﺍﻓﻳﺔ‪ ،‬ﻭﺗﺭﺍﻋﻲ ﺍﻟﺗﻁﻭﺭ‬
‫ﺍﻟﺗﻛﻧﻭﻟﻭﺟﻲ‪ ،‬ﻭﺗﻭﺣﻳﺩ ﺍﻟﺭﻭﺍﻳﺔ ﺍﻟﺧﺑﺭﻳﺔ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ‪ ،‬ﻭﺍﻟﺗﺷﺑﻳﻙ ﻣﻊ ﺍﻟﻣﺅﺳﺳﺎﺕ ﺍﻹﻋﻼﻣﻳﺔ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ ﻓﻲ‬
‫ﺍﻟﺩﺍﺧﻝ‪.‬‬

‫ﻭﻫﺩﻑ ﺍﻟﻣﺅﺗﻣﺭ ﺍﻟﻰ ﻣﻧﺎﻗﺷﺔ ﺍﻟﺗﻐﻁﻳﺔ ﺍﻻﻋﻼﻣﻳﺔ ﺍﻟﻌﺭﺑﻳﺔ ﻭﺍﻟﺩﻭﻟﻳﺔ ﻟﻣﻭﺿﻭﻉ ﺍﻟﺛﻭﺭﺍﺕ ﺍﻟﻌﺭﺑﻳﺔ‪ ،‬ﻭﺫﻟﻙ‬
‫ﺿﻣﻥ ﻣﺟﻣﻭﻋﺔ ﻣﻥ ﺍﻻﺳﺋﻠﺔ ﺍﻟﺟﺩﻟﻳﺔ ﺣﻭﻝ ﺍﻟﺩﻭﺭ ﺍﻟﺫﻱ ﻟﻌﺑﻪ ﻭﻳﻠﻌﺑﻪ ﺍﻻﻋﻼﻡ ﻓﻲ ﻫﺫﻩ ﺍﻟﻣﺭﺣﻠﺔ‪،‬‬
 ‫ﻭﺗﺷﺧﻳﺹ ﻭﺍﻗﻊ ﺍﻹﻋﻼﻡ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﻭﺗﻘﻳﻳﻣﻪ‪ ،‬ﺇﺿﺎﻓﺔ ﺇﻟﻰ ﺍﻗﺗﺭﺍﺡ ﺍﺳﺗﺭﺍﺗﻳﺟﻳﺔ ﺍﻋﻼﻣﻳﺔ ﺟﺩﻳﺩﺓ ﻓﻲ ﻅﻝ‬
‫ﺍﻟﻣﺗﻐﻳﺭﺍﺕ ﺍﻟﺗﻲ ﻳﺷﻬﺩﻫﺎ ﺍﻟﻌﺎﻟﻡ ﺍﻟﻌﺭﺑﻲ‪.‬‬

‫ﻭﺗﻭﺯﻋﺕ ﺍﻋﻣﺎﻝ ﺍﻟﻣﺅﺗﻣﺭ ﻋﻠﻰ ﺛﻼﺙ ﺟﻠﺳﺎﺕ‪ ،‬ﺗﻧﺎﻭﻟﺕ ﺍﻟﺟﻠﺳﺔ ﺍﻷﻭﻟﻰ ﺍﻹﻋﻼﻡ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﻓﻲ ﺍﻟﺩﺍﺧﻝ‬
‫ﻭﻣﺳﺎﻫﻣﺗﻪ ﻓﻲ ﺧﺩﻣﺔ ﺍﻟﻘﺿﺎﻳﺎ ﺍﻟﻭﻁﻧﻳﺔ‪ ،‬ﻓﻳﻣﺎ ﺧﺻﺻﺕ ﺍﻟﺟﻠﺳﺔ ﺍﻟﺛﺎﻧﻳﺔ ﻟﻠﺣﺩﻳﺙ ﻋﻥ ﺍﻹﻋﻼﻡ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ‬
‫ﻭﺍﻟﻌﺭﺑﻲ ﻓﻲ ﻅﻝ ﺍﻟﻣﺗﻐﻳﺭﺍﺕ ﻭﺍﻟﻣﺳﺗﺟﺩﺍﺕ ﻓﻲ ﺍﻟﻌﺎﻟﻡ ﺍﻟﻌﺭﺑﻲ‪ ،‬ﺍﻣﺎ ﺍﻟﺟﻠﺳﺔ ﺍﻟﺛﺎﻟﺛﺔ ﻓﻘﺩ ﺧﺻﺹ ﻟﻼﻋﻼﻡ‬
‫ﺍﻻﺟﺗﻣﺎﻋﻲ ﻓﻲ ﻓﻠﺳﻁﻳﻥ‪.‬‬

‫ﻭﺷﺎﺭﻙ ﻓﻲ ﺍﻟﻣﺅﺗﻣﺭ‪ ،‬ﺭﺋﻳﺱ ﺍﻟﺟﺎﻣﻌﺔ ﺍﻟﺩﻛﺗﻭﺭ ﺭﺍﻣﻲ ﺍﻟﺣﻣﺩ ﷲ‪ ،‬ﻭﻭﺯﻳﺭ ﺍﻹﻋﻼﻡ ﺍﻷﺳﺑﻕ‪ ،‬ﻧﺑﻳﻝ ﻋﻣﺭﻭ‪،‬‬
‫ﻭﻭﻛﻳﻝ ﻭﺯﺍﺭﺓ ﺍﻹﻋﻼﻡ‪ ،‬ﺍﻟﺩﻛﺗﻭﺭ ﻣﺣﻣﻭﺩ ﺧﻠﻳﻔﺔ‪ ،‬ﻭﻧﻘﻳﺏ ﺍﻟﺻﺣﺎﻓﻳﻳﻥ ﻋﺑﺩ ﺍﻟﻧﺎﺻﺭ ﺍﻟﻧﺟﺎﺭ‪ ،‬ﻭﻋﻣﻳﺩ ﻛﻠﻳﺔ‬
‫ﺍﻹﻋﻼﻡ ﻓﻲ ﺍﻟﺟﺎﻣﻌﺔ ﺍﻟﺩﻛﺗﻭﺭ‪ ،‬ﻋﺑﺩ ﺍﻟﻛﺭﻳﻡ ﺳﺭﺣﺎﻥ‪ ،‬ﻭﻋﺩﺩ ﻣﻥ ﺍﻹﻋﻼﻣﻳﻳﻥ ﻭﻁﻠﺑﺔ ﺍﻹﻋﻼﻡ ﻓﻲ‬
‫ﺍﻟﺟﺎﻣﻌﺎﺕ‪.‬‬

‫ﻭﺑﻳﻥ ﺳﺭﺣﺎﻥ ﺃﻥ ﺍﻻﻋﻼﻡ ﺍﻟﻌﺭﺑﻲ‪ ،‬ﺍﻧﻘﺳﻡ ﻓﻲ ﻅﻝ ﺍﻟﺛﻭﺭﺍﺕ ﺍﻟﻌﺭﺑﻳﺔ ﺇﻟﻰ ﺍﻋﻼﻡ ﻣﺳﺎﻧﺩ ﻭﻣﺩﺍﻓﻊ ﻋﻥ ﺣﻘﻭﻕ‬
‫ﺍﻟﺷﻌﻭﺏ‪ ،‬ﻭﺇﻋﻼﻡ ﻣﺳﺎﻧﺩ ﻟﻸﻧﻅﻣﺔ ﺍﻟﺳﻳﺎﺳﻳﺔ ﻓﻲ ﺗﻠﻙ ﺍﻟﺑﻠﺩﺍﻥ‪.‬‬

‫ﻭﺃﺷﺎﺭ ﺣﻣﺩ ﷲ ﺇﻟﻰ ﺃﻥ ﺟﺎﻣﻌﺔ ﺍﻟﻧﺟﺎﺡ‪ ،‬ﺃﺩﺭﻛﺕ ﺃﻫﻣﻳﺔ ﺍﻟﺭﺳﺎﻟﺔ ﺍﻹﻋﻼﻣﻳﺔ ﻣﻧﺫ ﻣﺎ ﻳﻘﺎﺭﺏ ﺛﻼﺛﺔ ﻋﻘﻭﺩ‪،‬‬
‫ﻓﺄﺳﺳﺕ ﻗﺳﻣﺎ ً ﻟﻠﺻﺣﺎﻓﺔ‪ ،‬ﺗﻁﻭﺭ ﻻﺣﻘﺎ ﺣﺗﻰ ﺃﺻﺑﺢ ﻛﻠﻳﺔ ﺗﻘﺩﻡ ﺗﺧﺻﺻﺎﺕ ﺩﺭﺟﺔ ﺍﻟﺑﻛﺎﻟﻭﺭﻳﻭﺱ ﻓﻲ‬
‫ﺍﻟﺻﺣﺎﻓﺔ ﺍﻟﻣﻛﺗﻭﺑﺔ ﻭﺍﻹﻟﻛﺗﺭﻭﻧﻳﺔ‪ ،‬ﻭﺍﻹﺫﺍﻋﺔ ﻭﺍﻟﺗﻠﻔﺯﺓ‪.‬‬

‫ﻭﺗﺣﺩﺙ ﻧﺑﻳﻝ ﻋﻣﺭﻭ‪ ،‬ﻋﻥ ﺃﻫﻣﻳﺔ ﺗﻁﻭﻳﺭ ﻭﺳﺎﺋﻝ ﺍﻹﻋﻼﻡ ﻏﻳﺭ ﺍﻟﺣﻛﻭﻣﻳﺔ‪ ،‬ﻭﺿﺭﻭﺭﺓ ﻭﺟﻭﺩ ﺇﻋﻼﻡ ﻗﻭﻱ‬
‫ﻳﻧﻘﻝ ﺍﻟﻭﺍﻗﻊ‪ ،‬ﺍﻟﺫﻱ ﻳﻌﻳﺷﻪ ﺍﻟﺷﻌﺏ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ‪ ،‬ﻣﺅﻛﺩﺍ ﻋﻠﻰ ﺃﻫﻣﻳﺔ ﺍﻟﺣﺻﻭﻝ ﻋﻠﻰ ﺍﻟﻣﻌﻠﻭﻣﺎﺕ ﻭﻣﺎ ﻳﻌﻧﻳﻪ‬
‫ﺫﻙ ﻣﻥ ﻗﻭﺓ ﻭﻣﺗﺎﻧﺔ ﻟﻺﻋﻼﻡ‪ ،‬ﺃﻳﻧﻣﺎ ﻭﺟﺩ‪.‬‬

‫ﻭﺃﺷﺎﺭ ﺍﻟﻧﺟﺎﺭ ﺇﻟﻰ ﺃﻧﻪ ﺛﺑﺕ ﻓﺳﺎﺩ ﺍﻻﻋﻼﻡ ﺍﻟﺭﺳﻣﻲ ﻓﻲ ﺍﻟﻌﺩﻳﺩ ﻣﻥ ﺍﻟﺑﻠﺩﺍﻥ ﺍﻟﻌﺭﺑﻳﺔ‪ ،‬ﺣﻳﺙ ﺃﻧﻪ ﻟﻡ ﻳﻘﻑ‬
‫ﻋﻠﻰ ﺍﻟﺣﻳﺎﺩ‪ ،‬ﻭﻟﻡ ﻳﻧﻘﻝ ﺍﻟﺻﻭﺭﺓ ﺍﻟﺣﻘﻳﻘﻳﺔ‪ ،‬ﻋﻣﺎ ﻳﺟﺭﻱ ﻓﻲ ﺗﻠﻙ ﺍﻟﺑﻠﺩﺍﻥ‪.‬‬

‫ﻭﺗﺣﺩﺙ ﺧﻠﻳﻔﺔ ﻋﻥ ﺩﻭﺭ ﻭﺯﺍﺭﺗﻪ ﻓﻲ ﺗﻧﻅﻳﻡ ﺍﻟﻌﻣﻝ ﺍﻻﻋﻼﻣﻲ ﻓﻲ ﺍﻟﻭﻁﻥ‪ ،‬ﻭﺑﻳﻥ ﺃﻫﻣﻳﺔ ﻭﺟﻭﺩ ﻭﺯﺍﺭﺓ‬
‫ﺗﺗﺎﺑﻊ ﻭﺗﻧﻅﻡ ﻋﻣﻝ ﺍﻻﻋﻼﻡ‪ ،‬ﻭﺗﺳﺎءﻝ ﻗﺎﺋﻼ‪ :‬ﺍﺫﺍ ﻛﺎﻥ ﻓﻲ ﻅﻝ ﻭﺟﻭﺩ ﻭﺯﺍﺭﺓ ﻟﻼﻋﻼﻡ ﻫﻧﺎﻙ ﺍﻛﺛﺭ ﻣﻥ ‪80‬‬
‫ﺇﺫﺍﻋﺔ ﻭﻣﺣﻁﺔ ﺗﻠﻔﺯﺓ ﻣﺣﻠﻳﺔ‪ ،‬ﻓﻛﻳﻑ ﺳﻳﺻﺑﺢ ﺍﻟﻭﺿﻊ ﻓﻲ ﻅﻝ ﻏﻳﺎﺏ ﺃﻭ ﻋﺩﻡ ﻭﺟﻭﺩ ﻭﺯﺍﺭﺓ؟!‬
 ‫• ﻧﻣﺎﺫﺝ ﺃﺧﺑﺎﺭ ﺑﻘﺎﻟﺏ ﺍﻟﻬﺭﻡ ﺍﻟﻣﻘﻠﻭﺏ ﺍﻟﻣﺗﺩﺭﺝ )ﺃﻓﺿﻝ ﺍﻟﻘﻭﺍﻟﺏ ﻭﺃﻛﺛﺭﻫﺎ ﻣﻬﻧﻳﺔ(‪:‬‬

‫ﺧﻼﻝ ﻣﺳﻳﺭﺓ ﺍﻟﺩﻋﻡ ﻭﺍﻟﺗﺄﻳﻳﺩ ﻟﻸﺳﺭﻯ ﺍﻟﻣﺭﺿﻰ ﻓﻲ ﻁﻭﻟﻛﺭﻡ‬

‫ﺍﻷﺳﻳﺭ ﺍﻟﻣﺣﺭﺭ ﺧﺿﺭ ﻋﺩﻧﺎﻥ‪ :‬ﺍﺑﺻﻘﻭﺍ ﻓﻲ ﻭﺟﻭﻫﻧﺎ‬

‫ﻁﻭﻟﻛﺭﻡ– ﺷﺑﻛﺔ ﻧﻭﻯ‪ :‬ﺍﻧﻁﻠﻘﺕ ﻣﺳﻳﺭﺓ ﺍﻟﺩﻋﻡ ﻭﺍﻟﺗﺄﻳﻳﺩ ﻟﻸﺳﺭﻯ ﺍﻟﻣﺭﺿﻰ ﻓﻲ ﺳﺟﻭﻥ ﺍﻻﺣﺗﻼﻝ‪ ،‬ﻅﻬﺭ‬
‫ﺍﻟﻳﻭﻡ‪ ،‬ﻣﻥ ﺃﻣﺎﻡ ﻣﺳﺟﺩ ﺍﻟﺧﻠﻔﺎء ﺍﻟﺭﺍﺷﺩﻳﻥ )ﺍﻟﻣﺳﺟﺩ ﺍﻟﺷﺭﻗﻲ(‪ ،‬ﺑﺎﺗﺟﺎﻩ ﻣﻧﺯﻝ ﺍﻷﺳﻳﺭ ﻣﻌﺗﺻﻡ ﺭﺩﺍﺩ‪ ،‬ﻓﻲ‬
‫ﺑﻠﺩﺓ ﺻﻳﺩﺍ ﺑﻁﻭﻟﻛﺭﻡ‪ ،‬ﺑﻣﺷﺎﺭﻛﺔ ﻋﺩﺩ ﻣﻥ ﺍﻷﺳﺭﻯ ﺍﻟﻣﺣﺭﺭﻳﻥ ﻭﺃﻫﺎﻟﻲ ﺍﻷﺳﺭﻯ ﺍﻟﻣﺭﺿﻰ ﻭﺃﻫﺎﻟﻲ ﺑﻠﺩﺓ‬
‫ﺻﻳﺩﺍ‪.‬‬

‫ﻭﺗﺣﺩﺙ ﻋﻡ ﺍﻷﺳﻳﺭ ﻣﻌﺗﺻﻡ ﺭﺩﺍﺩ ﻣﻣﺛﻼ ﻋﻥ ﺫﻭﻱ ﺍﻷﺳﺭﻯ‪ ،‬ﻋﻥ ﺍﻹﻫﻣﺎﻝ ﺍﻟﻁﺑﻲ ﺍﻟﻣﺗﻌﻣﺩ ﻭﺍﻻﺳﺗﻬﺗﺎﺭ‬
‫ﺍﻟﻣﻧﻅﻡ ﺑﻣﺳﺗﺷﻔﻰ ﺍﻟﺭﻣﻠﺔ ﻭﻋﻳﺎﺩﺍﺕ ﺍﻟﺳﺟﻭﻥ‪ ،‬ﺣﻳﺙ ﺍﻟﻣﻭﺕ ﻭﺍﻟﻼﻣﻭﺕ ﻭﺍﻟﺩﻭﺍء ﻭﺍﻟﻼﺩﻭﺍء‪.‬‬

‫ﻭﺃﺿﺎﻑ‪ :‬ﺃﻧﻪ ﻻ ﺑﺩ ﻟﻛﻝ ﻣﺳﺅﻭﻝ ﺃﻥ ﻳﺗﺣﻣﻝ ﻣﺳﺅﻭﻟﻳﺎﺗﻪ‪ ،‬ﺇﺫ ﺃﻥ ﺍﻟﺗﺎﺭﻳﺦ ﻻ ﻳﺭﺣﻡ ﺃﺣﺩ‪ ،‬ﻭﻻ ﺑﺩ ﻣﻥ ﺗﻔﻌﻳﻝ‬
‫ﺩﻭﺭ ﻛﺎﻓﺔ ﺍﻟﻣﺅﺳﺳﺎﺕ ﺍﻷﻫﻠﻳﺔ ﻭﺍﻟﺣﻛﻭﻣﻳﺔ ﻭﺍﻟﺣﻘﻭﻗﻳﺔ ﻟﺻﺎﻟﺢ ﺍﻷﺳﺭﻯ ﺍﻟﻣﺭﺿﻰ‪.‬‬

‫ﻭﺗﺳﺎءﻝ ﺭﺩﺍﺩ‪" :‬ﻟﻣﺎﺫﺍ ﻳُﺳﺧﺭﻭﻥ ﻛﺎﻓﺔ ﺍﻟﻁﺎﻗﺎﺕ ﻭﺍﻹﻣﻛﺎﻧﻳﺎﺕ ﻭﺷﺭﻛﺎﺕ ﺍﻻﺗﺻﺎﻻﺕ ﻭﺍﻹﻋﻼﻡ ﻟﺧﺩﻣﺔ‬
‫ﺍﻟﻔﻥ‪ ،‬ﻓﺎﻷﺣﺭﻯ ﻭﺍﻷﻭﻟﻰ ﺗﻭﺟﻳﻪ ﺫﻟﻙ ﻟﺭﻓﻊ ﻣﻌﺎﻧﺎﺓ ﺃﺳﺭﺍﻧﺎ ﻭﺍﻟﻭﻗﻭﻑ ﻣﻌﻬﻡ ﻭﺗﺿﻣﻳﺩ ﺟﺭﺍﺣﻬﻡ ﻭﻣﻭﺍﺳﺎﺓ‬
‫ﺫﻭﻳﻬﻡ‪".‬‬

‫ﻭﺗﺣﺩﺙ ﺍﻷﺳﻳﺭ ﺍﻟﻣﺣﺭﺭ ﻣﺣﻣﺩ ﺍﻟﺗﺎﺝ ﻓﻲ ﻛﻠﻣﺔ ﻟﻪ ﻣﺳﺟﻠﺔ ﺑﺎﻟﺻﻭﺕ ﻋﻥ ﺣﺎﻟﺔ ﺍﻹﻫﻣﺎﻝ ﺍﻟﻣﺗﻌﻣﺩ ﻣﻥ ﻗﺑﻝ‬
‫ﻣﺷﺎﻓﻲ ﻣﺻﻠﺣﺔ ﺍﻟﺳﺟﻭﻥ ﺑﺣﻕ ﺍﻷﺳﺭﻯ ﺍﻟﻣﺭﺿﻰ‪.‬‬

‫ﻭﻗﺎﻝ ﺍﻷﺳﻳﺭ ﺍﻟﻣﺣﺭﺭ ﺧﺿﺭ ﻋﺩﻧﺎﻥ ﺧﻼﻝ ﻛﻠﻣﺗﻪ‪" :‬ﻣﺎﺫﺍ ﺳﻧﻘﻭﻝ ﻟ ﻋﺯ ﻭﺟﻝ ﻋﻥ ﺗﻘﺻﻳﺭﻧﺎ ﺑﻣﻌﺗﺻﻡ‬
‫ﻭﺑﻛﺎﻓﺔ ﺍﻷﺳﺭﻯ ﺍﻟﻣﺭﺿﻰ‪ ،‬ﺃﺭﻳﺩ ﻣﻧﻛﻡ ﻗﺳﻣﺎ ﻋﻠﻰ ﻛﺗﺎﺏ ﷲ ﺇﻥ ﺣﺩﺙ ﻣﻛﺭﻭﻩ ﻷﺣﺩ ﺍﻷﺳﺭﻯ ﺍﻟﻣﺭﺿﻰ‬
‫ﺃﻵ ﺗﻔﺗﺣﻭﺍ ﺑﻳﺕ ﻋﺯﺍء ﻭﻻ ﺗﺳﺗﻘﺑﻠﻭﺍ ﺃﺣﺩﺍ ﻣﻥ ﺍﻟﻣﺷﻳﻌﻳﻥ‪ ،‬ﻭﻻ ﺗﺳﻠﻣﻭﺍ ﻋﻠﻰ ﺃﺣﺩ‪ ،‬ﻭﺃﻥ ﺗﺑﺻﻘﻭﺍ ﻓﻲ ﻭﺟﻭﻫﻧﺎ‬
‫ﺟﻣﻳﻌﺎ ﻭﺗﻘﻭﻟﻭﺍ ﻟﻧﺎ ﻟﻘﺩ ﻗﺗﻠﺗﻡ ﺃﺑﻧﺎءﻧﺎ‪".‬‬

‫ﻭﻗﺎﻡ ﻋﺩﻧﺎﻥ ﺑﺗﺫﻛﻳﺭ ﺍﻟﺣﺿﻭﺭ ﺑﺎﻷﺳﺭﻯ ﺍﻟﻣﺿﺭﺑﻳﻥ ﻋﻥ ﺍﻟﻁﻌﺎﻡ‪ :‬ﺃﻳﻣﻥ ﺣﻣﺩﺍﻥ‪ ،‬ﻭﻣﺣﻣﺩ ﺃﺑﻭ ﺍﺭﻣﻳﻠﺔ‪،‬‬
‫ﻭﺃﻳﻣﻥ ﺩﺍﻭﻭﺩ‪.‬‬

‫ﻓﻳﻣﺎ ﻋﺑﺭ ﺍﻟﻣﺷﺎﺭﻛﻭﻥ ﺑﺎﻻﻋﺗﺻﺎﻡ ﻋﻥ ﺧﻭﻓﻬﻡ ﻭﻗﻠﻘﻬﻡ ﻋﻠﻰ ﺃﺑﻧﺎﺋﻬﻡ ﺍﻷﺳﺭﻯ ﺍﻟﻣﺭﺿﻰ‪ ،‬ﻭﺣﻣﻠﻭﺍ ﺳﻠﻁﺎﺕ‬
‫ﺍﻻﺣﺗﻼﻝ ﺍﻟﻣﺳﺅﻭﻟﻳﺔ ﺍﻟﻣﻁﻠﻘﺔ ﻋﻥ ﺣﻳﺎﺓ ﺃﺑﻧﺎﺋﻬﻡ‪.‬‬
‫ﻭﻁﺎﻟﺏ ﺫﻭﻭ ﺍﻷﺳﺭﻯ ﺑﺿﺭﻭﺭﺓ ﺍﻟﺗﺣﺭﻙ ﺍﻟﺟﺩﻱ ﺑﺎﺗﺟﺎﻩ ﺍﻁﻼﻕ ﺳﺭﺍﺡ ﺃﺑﻧﺎﺋﻬﻡ ﻣﻥ ﺍﻟﺳﺟﻭﻥ ﻟﺗﻭﻓﻳﺭ‬
‫ﺍﻟﻌﻼﺝ ﺍﻟﻼﺯﻡ‪ ،‬ﺣﻳﺙ ﻻ ﻳﺗﻠﻘﻭﻥ ﻓﻲ ﻣﺷﺎﻓﻲ ﺍﻟﺳﺟﻭﻥ ﺳﻭﻯ ﺍﻟﻣﺳﻛﻧﺎﺕ ﺍﻟﺗﻲ ﺗﺯﻳﺩ ﻣﻥ ﻣﻌﺎﻧﺎﺗﻬﻡ ‪ ،‬ﺇﺫ‬
‫ﻋﺑﺭﻭﺍ ﻋﻥ ﺗﺧﻭﻓﻬﻡ ﻣﻥ ﺃﻥ ﺗﺳﺗﻐﻝ ﺳﻠﻁﺎﺕ ﻣﺻﻠﺣﺔ ﺍﻟﺳﺟﻭﻥ ﺃﺟﺳﺎﺩﻫﻡ ﻹﺟﺭﺍء ﺗﺟﺎﺭﺏ ﻋﻠﻳﻬﺎ‪.‬‬

‫ﻳﺫﻛﺭ ﺃﻥ ﺍﻷﺳﻳﺭ ﻣﻌﺗﺻﻡ ﺭﺩﺍﺩ ﻣﻥ ﻁﻭﻟﻛﺭﻡ‪ ،‬ﻳﻌﺎﻧﻲ ﻣﻥ ﺍﻟﺗﻬﺎﺑﺎﺕ ﻣﺯﻣﻧﺔ ﻓﻲ ﺍﻷﻣﻌﺎء ﻭﻗﺻﻭﺭ ﻭﻋﺩﻡ‬
‫ﺍﻧﺗﻅﺎﻡ ﺩﻗﺎﺕ ﺍﻟﻘﻠﺏ ﻭﺿﻐﻁ ﺩﻡ‪ ،‬ﻭﺑﺣﺎﺟﺔ ﻟﻌﻣﻠﻳﺔ ﺍﺳﺗﺋﺻﺎﻝ ﻟﻸﻣﻌﺎء ﺍﻟﻐﻠﻳﻅﺔ ﺑﺣﺳﺏ ﺍﻟﺗﻘﺭﻳﺭ ﺍﻟﻁﺑﻲ‪ ،‬ﻟﻛﻧﻪ‬
‫ﻻ ﻳﺗﻠﻘﻰ ﺍﻻﻫﺗﻣﺎﻡ ﻭﺍﻟﻌﻼﺝ ﺍﻟﻣﻧﺎﺳﺏ ﻣﻥ ﻗﺑﻝ ﺇﺩﺍﺭﺓ ﺍﻟﺳﺟﻭﻥ‪.‬‬

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‫ﺃﻣﺭﻳﻛﺎ ﺗﺷﺩﺩ ﺇﺟﺭﺍءﺍﺕ ﺍﻟﺗﺣﻘﻕ ﻣﻥ ﺗﺄﺷﻳﺭﺍﺕ ﺍﻟﻁﻠﺑﺔ ﺍﻷﺟﺎﻧﺏ‬

‫‪May 3, 2013‬‬

‫ﻭﺍﺷﻧﻁﻥ )ﺭﻭﻳﺗﺭﺯ( ‪ -‬ﻗﺎﻝ ﻣﺳﺅﻭﻝ ﺃﻣﺭﻳﻛﻲ ﻳﻭﻡ ﺍﻟﺟﻣﻌﺔ ﺇﻥ ﻭﺯﺍﺭﺓ ﺍﻷﻣﻥ ﺍﻟﺩﺍﺧﻠﻲ ﺷﺩﺩﺕ ﺇﺟﺭﺍءﺍﺕ‬
‫ﻣﻧﺢ ﺍﻷﺟﺎﻧﺏ ﺗﺄﺷﻳﺭﺍﺕ ﺩﺧﻭﻝ ﻟﻠﺩﺭﺍﺳﺔ‪ .‬ﻭﺗﻌﺭﺿﺕ ﺍﻟﻭﺯﺍﺭﺓ ﻻﻧﺗﻘﺎﺩﺍﺕ ﻟﻔﺷﻠﻬﺎ ﻓﻲ ﺍﻟﺗﺣﻘﻕ ﻣﻥ ﻭﺿﻊ‬
‫ﺭﺟﻝ ﻣﻥ ﻗﺎﺯﺍﺧﺗﺳﺎﻥ ﻳﻭﺍﺟﻪ ﺍﺗﻬﺎﻣﺎﺕ ﺑﻌﺩ ﺍﻟﺗﻔﺟﻳﺭ ﻋﻧﺩ ﺳﺑﺎﻕ ﺍﻟﻣﺎﺭﺍﺛﻭﻥ ﻓﻲ ﺑﻭﺳﻁﻥ‪.‬‬

‫ﻭﻗﺎﻝ ﻣﻭﻅﻑ ﺍﻁﻠﻊ ﻋﻠﻰ ﻣﺫﻛﺭﺓ ﺃﺻﺩﺭﺗﻬﺎ ﺇﺩﺍﺭﺓ ﺍﻟﺟﻣﺎﺭﻙ ﻭﺣﻣﺎﻳﺔ ﺍﻟﺣﺩﻭﺩ ﺇﻥ ﺗﻌﻠﻳﻣﺎﺕ ﺻﺩﺭﺕ‬
‫ﻟﻠﺿﺑﺎﻁ ﺑﻣﺭﺍﺟﻌﺔ ﺗﺄﺷﻳﺭﺍﺕ ﺟﻣﻳﻊ ﺍﻟﻁﻠﺑﺔ "ﺑﺷﻛﻝ ﻓﻌﺎﻝ ﻭﻓﻭﺭﻱ" ﻋﻠﻰ ﻗﺎﻋﺩﺓ ﺑﻳﺎﻧﺎﺕ ﺍﻟﻁﻠﺑﺔ ﻭﺍﻟﻣﺩﺍﺭﺱ‬
‫ﺍﻟﺩﻭﻟﻳﺔ ﺍﻟﺧﺎﺻﺔ ﺑﺷﺑﻛﺔ ﻣﻌﻠﻭﻣﺎﺕ ﺗﺑﺎﺩﻝ ﺍﻟﻁﻠﺑﺔ ﻭﺍﻟﺯﺍﺋﺭﻳﻥ‪.‬‬

‫ﻭﺗﺗﻌﺭﺽ ﻭﺯﺍﺭﺓ ﺍﻷﻣﻥ ﺍﻟﺩﺍﺧﻠﻲ ﻟﻠﻬﺟﻭﻡ ﻷﻧﻬﺎ ﻟﻡ ﺗﺗﺣﻘﻕ ﺑﺷﻛﻝ ﺳﻠﻳﻡ ﻣﻥ ﻭﺿﻊ ﺗﺄﺷﻳﺭﺓ ﻋﻅﻣﺕ‬
‫ﺗﺎﺟﻳﺎﻛﻭﻑ ﻭﻫﻭ ﺻﺩﻳﻕ ﻷﺣﺩ ﺍﻟﻣﺷﺗﺑﻪ ﺑﻬﻣﺎ ﻓﻲ ﺗﻔﺟﻳﺭﻱ ﺑﻭﺳﻁﻥ ﻋﻧﺩﻣﺎ ﺩﺧﻝ ﺍﻟﺑﻼﺩ ﺑﻁﺭﻳﻘﺔ ﻏﻳﺭ‬
‫ﺷﺭﻋﻳﺔ ﺑﺗﺄﺷﻳﺭﺓ ﻁﺎﻟﺏ ﻓﻲ ﻳﻧﺎﻳﺭ ﻛﺎﻧﻭﻥ ﺍﻟﺛﺎﻧﻲ‪.‬‬

‫ﻭﻗﺎﻟﺕ ﺍﻟﻭﺯﺍﺭﺓ ﺇﻧﻪ ﺳﻣﺢ ﻟﺗﺎﺟﻳﺎﻛﻭﻑ ﺍﻟﺫﻱ ﻛﺎﻧﺕ ﻟﺩﻳﻪ ﺗﺄﺷﻳﺭﺓ ﻁﺎﻟﺏ ﺳﺎﺭﻳﺔ ﺣﺗﻰ ﻳﻭﻡ ‪ 30‬ﺃﻏﺳﻁﺱ ﺁﺏ‬
‫ﻋﺎﻡ ‪ 2013‬ﺑﺩﺧﻭﻝ ﻟﻠﻭﻻﻳﺎﺕ ﺍﻟﻣﺗﺣﺩﺓ ﻓﻲ ‪ 20‬ﻳﻧﺎﻳﺭ ‪ .2013‬ﻭﻛﺎﻥ ﺗﺎﺟﻳﺎﻛﻭﻑ ﻭﺍﺣﺩﺍ ﻣﻥ ﺛﻼﺛﺔ ﺷﺑﺎﻥ‬
‫ﺃﻋﻣﺎﺭﻫﻡ ‪ 19‬ﻋﺎﻣﺎ ﺍﺗﻬﻣﻭﺍ ﻫﺫﺍ ﺍﻷﺳﺑﻭﻉ ﺑﺎﻟﺗﺄﺛﻳﺭ ﻋﻠﻰ ﺗﺣﻘﻳﻕ ﻓﻲ ﺍﻟﺗﻔﺟﻳﺭ ﺍﻟﺫﻱ ﻭﻗﻊ ﺍﻟﺷﻬﺭ ﺍﻟﻣﺎﺿﻲ‬
‫ﺑﺈﺧﻔﺎء ﺣﻘﻳﺑﺔ ﻅﻬﺭ ﻭﺃﻟﻌﺎﺏ ﻧﺎﺭﻳﺔ ﻋﺛﺭ ﻋﻠﻳﻬﺎ ﻓﻲ ﻏﺭﻓﺔ ﺟﻭﻫﺭ ﺗﺳﺎﺭﻧﺎﻳﻳﻑ ﺍﻟﺫﻱ ﻳﺷﺗﺑﻪ ﻓﻲ ﺗﻧﻔﻳﺫﻩ‬
‫ﺍﻟﺗﻔﺟﻳﺭ‪.‬‬

‫ﻭﻗﺎﻟﺕ ﺍﻟﻭﺯﺍﺭﺓ ﺇﻥ ﺿﺎﺑﻁ ﺍﻟﺟﻭﺍﺯﺍﺕ ﻟﻡ ﻳﻌﺭﻑ ﺃﻥ ﺗﺎﺟﻳﺎﻛﻭﻑ ﻓﺻﻝ ﻣﻥ ﺟﺎﻣﻌﺔ ﻣﺎﺳﺎﺷﻭﺳﺗﺱ‬

‫ﺩﺍﺭﺗﻣﺎﻭﺙ ﻷﺳﺑﺎﺏ ﺃﻛﺎﺩﻳﻣﻳﺔ ﻓﻲ ﺍﻟﺭﺍﺑﻊ ﻣﻥ ﻳﻧﺎﻳﺭ ﻭﻫﻭ ﺃﻣﺭ ﻳﺳﺗﻭﺟﺏ ﺇﻧﻬﺎء ﺍﻟﺗﺄﺷﻳﺭﺓ ﺍﻟﻣﻣﻧﻭﺣﺔ ﻟﻪ‪.‬‬
‫ﻭﻟﻡ ﻳﺭﺍﺟﻊ ﺿﺎﺑﻁ ﺍﻟﺟﻭﺍﺯﺍﺕ ﻗﺎﻋﺩﺓ ﺑﻳﺎﻧﺎﺕ ﺍﻟﻁﻠﺑﺔ ﻭﺍﻟﻣﺩﺍﺭﺱ ﺍﻟﺩﻭﻟﻳﺔ ﺍﻟﺗﻲ ﻛﺎﻧﺕ ﻗﺩ ﺣﺩﺛﺕ ﻋﻧﺩ ﻭﺻﻭﻝ‬
‫ﺗﺎﺟﻳﺎﻛﻭﻑ ﻓﻲ ﻳﻧﺎﻳﺭ ﻭﻧﺗﻳﺟﺔ ﻟﺫﻟﻙ ﺳﻣﺢ ﺍﻟﺿﺎﺑﻁ ﻟﻪ ﺑﺩﺧﻭﻝ ﺍﻟﻭﻻﻳﺎﺕ ﺍﻟﻣﺗﺣﺩﺓ‪.‬‬
 ‫ﻗﺎﻟﺏ ﺍﻟﻬﺭﻡ ﺍﻟﻣﻌﺗﺩﻝ‪) :‬ﺑﺎﻟﻁﺭﻳﻘﺔ ﺍﻟﺗﻘﻠﻳﺩﻳﺔ(‬ ‫•‬

‫ﻗﺳﻡ ﺍﻟﺑﻳﺋﺔ ﻭﻋﻠﻭﻡ ﺍﻷﺭﺽ ﻳﻧﻅﻡ ﻣﺣﺎﺿﺭﺓ ﻋﻠﻣﻳﺔ‬

‫ﺣﻭﻝ ﺍﻟﺗﻧﻣﻳﺔ ﺍﻟﻣﺳﺗﺩﺍﻣﺔ‬
‫ﻏﺯﺓ‪ /‬ﻧﻅﻡ ﻗﺳﻡ ﺍﻟﺑﻳﺋﺔ ﻭﻋﻠﻭﻡ ﺍﻷﺭﺽ ﻣﺣﺎﺿﺭﺓ ﻋﻠﻣﻳﺔ ﺣﻭﻝ ﺍﻟﺗﻧﻣﻳﺔ ﺍﻟﻣﺳﺗﺩﺍﻣﺔ ﺑﻣﺷﺎﺭﻛﺔ ﺍﻷﺳﺗﺎﺫ‬
‫ﺍﻟﺩﻛﺗﻭﺭ ﺃﺣﻣﺩ ﻓﺭﺣﺎﻥ ﺳﻌﺩ ﷲ ‪-‬ﻣﻥ ﺟﺎﻣﻌﻪ ﺍﻟﻌﻠﻭﻡ ﺍﻟﻣﺎﻟﻳﺯﻳﺔ‪ ,‬ﻋﺑﺭ ﺗﻘﻧﻳﺔ ﺍﻟﺩﺍﺋﺭﺓ ﺍﻟﺗﻠﻔﺯﻳﻭﻧﻳﺔ ﺍﻟﻣﻐﻠﻘﺔ‬
‫"ﺍﻟﻔﻳﺩﻳﻭ ﻛﻭﻧﻔﺭﻧﺱ"‪ ,‬ﻭﺣﺿﺭ ﺍﻟﻭﺭﺷﺔ ﺍﻟﺗﻲ ﺍﻧﻌﻘﺩﺕ ﻓﻲ ﻗﺎﻋﺔ ﺍﻟﻣﺅﺗﻣﺭﺍﺕ ﺍﻟﻌﺎﻣﺔ ﺑﻣﺑﻧﻰ ﺍﻟﻠﺣﻳﺩﺍﻥ‬
‫ﻟﻠﻘﺎﻋﺎﺕ ﺍﻟﺩﺭﺍﺳﻳﺔ ﺍﻷﺳﺗﺎﺫ ﺳﻣﻳﺭ ﺣﺭﺍﺭﺓ ‪ -‬ﺭﺋﻳﺱ ﻗﺳﻡ ﺍﻟﺑﻳﺋﺔ ﻭﻋﻠﻭﻡ ﺍﻷﺭﺽ‪ ،‬ﻭﺍﻷﺳﺗﺎﺫ ﺍﻟﺩﻛﺗﻭﺭ ﺳﻣﻳﺭ‬
‫ﻋﻔﻳﻔﻲ ‪-‬ﻋﺿﻭ ﻫﻳﺋﺔ ﺍﻟﺗﺩﺭﻳﺱ ﻓﻲ ﻗﺳﻡ ﺍﻟﺑﻳﺋﺔ ﻭﻋﻠﻭﻡ ﺍﻷﺭﺽ‪ ،‬ﻭﺍﻟﺩﻛﺗﻭﺭ ﻭﺳﺎﻡ ﺍﻟﻣﺩﻫﻭﻥ ‪-‬ﻣﺳﺋﻭﻝ ﻣﻠﻑ‬
‫ﻣﺎﻟﻳﺯﻳﺎ ﻭﺟﻧﻭﺏ ﺷﺭﻕ ﺁﺳﻳﺎ ﻓﻲ ﺍﻟﻌﻼﻗﺎﺕ ﺍﻟﺧﺎﺭﺟﻳﺔ‪ ,‬ﻭﺟﻣﻊ ﻣﻥ ﻁﻠﺑﺔ ﻗﺳﻣﻲ ﺍﻟﺑﻳﺋﺔ ﻭﻋﻠﻭﻡ ﺍﻷﺭﺽ‬
‫ﻭﺍﻟﻬﻧﺩﺳﺔ ﺍﻟﺑﻳﺋﻳﺔ‪.‬‬

‫ﻭﺭﻛﺯ ﺍﻟﺩﻛﺗﻭﺭ ﻓﺭﺣﺎﻥ ﻋﻠﻰ ﺃﺳﺱ ﻭﻣﻔﺎﻫﻳﻡ ﺍﻟﺗﻧﻣﻳﺔ ﺍﻟﻣﺳﺗﺩﺍﻣﺔ ﻭﻣﻣﺎﺭﺳﺗﻬﺎ ﻓﻲ ﻗﻁﺎﻉ ﺍﻟﻧﻘﻝ ﻭﺍﻟﻣﻭﺍﺻﻼﺕ‬
‫ﺑﻣﺎ ﻳﻛﻔﻝ ﺍﻟﺣﻔﺎﻅ ﻋﻠﻰ ﺍﻟﻌﻧﺎﺻﺭ ﺍﻟﺑﻳﺋﻳﺔ‪ ,‬ﻭﺗﻁﺭﻕ ﺇﻟﻰ ﺍﻟﺗﺣﺩﻳﺎﺕ ﺍﻟﺗﻲ ﺗﻭﺍﺟﻪ ﻋﻣﻠﻳﺔ ﺍﻟﺗﻧﻣﻳﺔ ﺍﻟﻣﺳﺗﺩﺍﻣﺔ ﻓﻲ‬
‫ﻓﻠﺳﻁﻳﻥ‪.‬‬

‫ﻣﻥ ﺍﻟﺟﺩﻳﺭ ﺑﺎﻟﺫﻛﺭ ﺃﻥ ﺍﻟﺩﻛﺗﻭﺭ ﻓﺭﺣﺎﻥ ﻫﻭ ﺧﺑﻳﺭ ﻓﻲ ﻣﺟﺎﻝ ﺍﻟﺗﻧﻣﻳﺔ ﺍﻟﻣﺳﺗﺩﺍﻣﺔ‪ ،‬ﻭﻗﺩ ﺗﻘﻠﺩ ﺍﻟﻌﺩﻳﺩ ﻣﻥ‬
‫ﺍﻟﻣﻧﺎﺻﺏ ﺍﻟﻘﻳﺎﺩﻳﺔ ﻋﻠﻰ ﻣﺳﺗﻭﻯ ﺟﺎﻣﻌﺔ ﺍﻟﻌﻠﻭﻡ ﺍﻟﻣﺎﻟﻳﺯﻳﺔ‪ ،‬ﻭﻛﺫﻟﻙ ﻋﻠﻰ ﺍﻟﻣﺳﺗﻭﻱ ﺍﻟﺣﻛﻭﻣﻲ ﺍﻟﻣﺎﻟﻳﺯﻱ‪،‬‬
‫ﻭﺗﺄﺗﻲ ﻫﺫﻩ ﺍﻟﻣﺣﺎﺿﺭﺓ ﺗﻧﻔﻳﺫﺍً ﻟﻣﺫﻛﺭﺓ ﺍﻟﺗﻔﺎﻫﻡ ﺍﻟﺗﻲ ﺗﻡ ﺗﻭﻗﻳﻌﻬﺎ ﻣﻊ ﺟﺎﻣﻌﻪ ﺍﻟﻌﻠﻭﻡ ﺍﻟﻣﺎﻟﻳﺯﻳﺔ ﺧﻼﻝ ﺯﻳﺎﺭﺓ‬
‫ﺭﺋﻳﺱ ﺍﻟﺟﺎﻣﻌﺔ ﺍﻟﺩﻛﺗﻭﺭ ﻛﻣﺎﻟﻳﻥ ﻛﺎﻣﻝ ﺷﻌﺙ ﺍﻟﺗﻲ ﻗﺎﻡ ﺑﻬﺎ ﻣﺅﺧﺭﺍً ﺇﻟﻰ ﻣﺎﻟﻳﺯﻳﺎ‪.‬‬

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 ‫ﺟﻠﺳﺔ ﺍﺳﺗﻣﺎﻉ ﻣﻊ ﻣﺩﻳﺭ ﻋﺎﻡ ﺳﻠﻁﺔ ﺍﻟﻣﻳﺎﻩ ﻓﻲ ﻏﺯﺓ‬

‫ﻏﺯﺓ‪ -‬ﻋﻘﺩ ﺍﻟﻣﻌﻬﺩ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﻟﻼﺗﺻﺎﻝ ﻭﺍﻟﺗﻧﻣﻳﺔ ﻳﻭﻡ ﺍﻟﺧﻣﻳﺱ ﺍﻟﻣﺎﺿﻲ ‪ 21‬ﺁﺫﺍﺭ )ﻣﺎﺭﺱ( ‪،2013‬‬
‫ﺟﻠﺳﺔ ﺍﺳﺗﻣﺎﻉ ﻟﻣﺩﻳﺭ ﻋﺎﻡ ﻣﺻﺎﺩﺭ ﺍﻟﻣﻳﺎﻩ ﻓﻲ ﺳﻠﻁﺔ ﺍﻟﻣﻳﺎﻩ ﺑﻐﺯﺓ‪ ،‬ﺍﻟﻣﻬﻧﺩﺱ ﻣﺎﺯﻥ ﺍﻟﺑﻧﺎ‪ ،‬ﻣﻊ ﻣﺟﻣﻭﻋﺔ ﻣﻥ‬
‫ﺍﻹﻋﻼﻣﻳﻳﻥ ﻭﺍﻟﻣﻌﻧﻳﻳﻥ ﻓﻲ ﻗﺎﻋﺔ ﻻﺗﻳﺭﻧﺎ‪ ،‬ﺿﻣﻥ ﻣﺟﻣﻭﻋﺔ ﻣﻥ ﺟﻠﺳﺎﺕ ﺍﻻﺳﺗﻣﺎﻉ ﺍﻟﺗﻲ ﻳﻧﻔﺫﻫﺎ ﺍﻟﻣﻌﻬﺩ ﻓﻲ‬
‫ﻣﺷﺭﻭﻉ "ﺃﻧﺎ ﻣﺩﻭﻥ ﺿﺩ ﺍﻟﻔﺳﺎﺩ" ﺑﺎﻟﺷﺭﺍﻛﺔ ﻣﻊ ﺍﺋﺗﻼﻑ ﻣﻥ ﺍﺟﻝ ﺍﻟﻧﺯﺍﻫﺔ ﻭﺍﻟﻣﺳﺎءﻟﺔ )ﺃﻣﺎﻥ(‪.‬‬

‫ﻭﺗﺣﺩﺙ ﻓﺗﺣﻲ ﺻ َﺑﺎﺡ ﺭﺋﻳﺱ ﻣﺟﻠﺱ ﺍﻹﺩﺍﺭﺓ ﻋﻥ ﺍﻟﻣﺷﺭﻭﻉ ﻭﺍﻟﺫﻱ ﻳﻬﺩﻑ ﺑﺎﻷﺳﺎﺱ ﺇﻟﻰ ﺯﻳﺎﺩﺓ ﺍﻟﻭﻋﻲ‬
‫ﻓﻲ ﺃﻭﺳﺎﻁ ﺍﻟﻣﺟﺗﻣﻊ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﻣﻥ ﺧﻼﻝ ﺍﻹﻋﻼﻣﻳﻳﻥ ﻭﺍﻟﻣﺩﻭﻧﻳﻳﻥ ﺑﻘﻳﻡ ﺍﻟﻧﺯﺍﻫﺔ ﻭﺍﻟﺷﻔﺎﻓﻳﺔ‪ ،‬ﻭﻣﺣﺎﺳﺑﺔ‬
‫ﺍﻟﻣﻘﺻﺭﻳﻥ‪ ،‬ﻭﺍﻟﻛﺷﻑ ﻋﻥ ﻗﺿﺎﻳﺎ ﺍﻟﻔﺳﺎﺩ‪ ،‬ﻭﺩﻋﻡ ﻣﺑﺩﺃ ﺍﻟﻣﺣﺎﺳﺑﺔ‪ ،‬ﻣﺎ ﻟﺫﻟﻙ ﻣﻥ ﻛﺑﻳﺭ ﺍﻷﺛﺭ ﻋﻠﻰ ﺗﺣﻘﻳﻕ‬
‫ﺍﻟﺗﻧﻣﻳﺔ ﻓﻲ ﺍﻟﻣﺟﺗﻣﻊ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ‪.‬‬

‫ﻭﺗﺣﺩﺙ ﺍﻟﺑﻧﺎ ﺧﻼﻝ ﺍﻟﻠﻘﺎء ﻋﻥ ﺍﻟﺻﻌﻭﺑﺎﺕ ﺍﻟﺗﻲ ﺗﻭﺍﺟﻪ ﺳﻠﻁﺔ ﺍﻟﻣﻳﺎﻩ ﻭﺍﻟﻭﺍﻗﻊ ﺍﻟﻣﺎﺋﻲ ﻓﻲ ﻗﻁﺎﻉ ﻏﺯﺓ ﺧﻼﻝ‬
‫ﺟﻠﺳﺔ ﺍﻻﺳﺗﻣﺎﻉ ﺍﻟﺗﻲ ﺍﺩﺍﺭﻫﺎ ﺍﻟﻣﺣﺎﻣﻲ ﺑﻛﺭ ﺍﻟﺗﺭﻛﻣﺎﻧﻲ ﻣﻥ ﺍﻻﺋﺗﻼﻑ ﻣﻥ ﺃﺟﻝ ﺍﻟﻧﺯﺍﻫﺔ ﻭﺍﻟﻣﺳﺎﺅﻟﺔ )ﺃﻣﺎﻥ(‬
‫ﻭﺷﻬﺩﺕ ﻧﻘﺎﺷﺎ ً ﻣﻌﻣﻘﺎ ً ﻣﻊ ﺟﻣﻬﻭﺭ ﺍﻟﻣﺷﺎﺭﻛﻳﻥ‪.‬‬

‫ﻭﻗﺎﻝ ﺍﻟﺑﻧﺎ ﺇﻥ ﺳﻠﻁﺔ ﺍﻟﻣﻳﺎﻩ ﺗﻣﺭ ﻓﻲ ﻅﺭﻭﻑ ﺻﻌﺑﺔ ﺟﺩﺍ ﻣﺎﻟﻳﺎ ﻭﺃﺩﺍﺭﻳﺎ ﻭﻓﻧﻳﺎ ﻭﻟﻭﺟﺳﺗﻳﺎ‪ ،‬ﻛﻣﺎ ﺃﻧﻬﺎ ﺗﻭﺍﺟﻪ‬
‫ﻣﺷﺎﻛﻝ ﻭﻻ ﻳﻣﻛﻥ ﻟﻬﺎ ﺃﻥ ﺗﻘﺩﻡ ﺧﺩﻣﺎﺕ ﺑﺩﻭﻥ ﺍﻟﻳﺎﺕ ﻭﻣﻌﺩﺍﺕ ﻭﻗﻁﻊ ﻏﻳﺭ ﻭﻏﻳﺭﻫﺎ‪.‬‬

‫ﻭﺃﺷﺎﺭ ﺇﻟﻰ ﺍﺭﺗﻔﺎﻉ ﻧﺳﺑﺔ ﺍﻟﻣﻠﻭﺣﺔ ﻓﻲ ﺍﻟﻣﻳﺎﻩ ﺍﻟﻭﺍﺻﻠﺔ ﻟﻠﻣﻭﺍﻁﻧﻳﻥ ﺣﻳﺙ ﺍﻥ ﺣﻭﺍﻟﻲ‪ %90‬ﻣﻥ ﺍﻟﻣﻳﺎﻩ‬
‫ﻻﺗﺗﻁﺎﺑﻕ ﻭﺍﻟﻣﻌﺎﻳﻳﺭ ﺍﻟﺩﻭﻟﻳﺔ ﻟﻣﻳﺎﻩ ﺍﻟﺷﺭﺏ ﺣﻳﺙ ﺍﻥ ﺍﻟﺣﺩ ﺍﻷﻗﺻﻰ ﻟﻧﺳﺑﺔ ﺍﻟﻛﻠﻭﺭﻳﺩ ﻓﻲ ﺍﻟﻣﻳﺎﻩ ﺑﺎﻥ‬
‫ﻻﺗﺗﺟﺎﻭﺯ ‪ 250‬ﻣﻠﻲ ﺟﺭﺍﻡ ﻓﻲ ﺣﻳﻥ ﺍﻥ ‪ %40‬ﻣﻥ ﺍﻷﺑﺎﺭ ﻳﺻﻝ ﺗﺭﻛﻳﺯ ﺍﻟﻛﻠﻭﺭﻳﺩ ﺍﻟﻲ ‪ 1000‬ﻣﻠﻲ‬
‫ﺟﺭﺍﻡ ﻭﺑﻌﺽ ﺍﻟﻣﻧﺎﻁﻕ ﻳﺻﻝ ﺍﻟﻲ ‪ 2000‬ﻭﺫﻟﻙ ﺑﺳﺑﺏ ﺗﺩﺍﺧﻝ ﻣﻳﺎﻩ ﺍﻟﺑﺣﺭ ﻭﺃﺿﺎﻑ ﺃﻥ ﺍﺭﺗﻔﺎﻉ ﻧﺳﺑﺔ‬
‫ﻣﺭﻛﺏ ﺍﻟﻧﺗﺭﺍﺕ ﺣﻳﺙ ﻳﺻﻝ ﺍﻟﻲ ‪ 500‬ﻣﻠﻲ ﺟﺭﺍﻡ ﻟﻠﺗﺭ ﻭﺫﻟﻙ ﺑﺳﺑﺏ ﺗﺳﺭﺏ ﻣﻳﺎﻩ ﺍﻟﺻﺭﻑ ﺍﻟﺻﺣﻲ ﻭﺃﻥ‬
‫ﺣﺻﺔ ﺍﻟﻔﺭﺩ ﻭﻓﻘﺎ ﻟﻠﻣﻌﺎﻳﻳﺭ ﺍﻟﺩﻭﻟﻳﺔ ﻫﻲ ‪ 150‬ﻟﺗﺭ ﻳﻭﻣﻳﺎ ﻟﻛﻥ ﻻﻳﺻﻝ ﺍﻟﻣﻭﺍﻁﻥ ﻓﻲ ﻏﺯﺓ ﺳﻭﻯ ‪ 80‬ﻟﺗﺭ‬
‫ﻭﺍﻟﺫﻱ ﻳﻌﻭﺩ ﺍﻟﻲ ﻭﺟﻭﺩ ﺍﻟﻔﺎﻗﺩ ﻓﻲ ﺍﻟﻣﻳﺎﻩ ﺍﻣﺎ ﺑﺳﺑﺏ ﺍﻟﺗﺳﺭﻳﺏ ﻓﻲ ﺷﺑﻛﺔ ﺍﻟﻣﻳﺎﻩ ﻓﻲ ﺍﻟﻘﻁﺎﻉ‪.‬‬

‫ﻭﻗﺎﻝ ﺍﻥ ﻫﻧﺎﻙ ﺧﻁﺔ ﻟﻣﻭﺍﺟﻬﺔ ﻫﺫﻩ ﺍﻟﻣﺷﻛﻠﺔ ﻭﺿﻌﺕ ﻋﺎﻡ ‪ 2000‬ﻭﺗﻧﺗﻬﻲ ﻓﻲ ‪ 2020‬ﻟﻛﻥ ﻟﻡ ﻳﺗﻡ‬
‫ﺍﻟﺷﺭﻭﻉ ﻓﻲ ﻫﺫﻩ ﺍﻟﺧﻁﺔ ﺳﻭﻯ ﻓﻲ ﺍﻟﻌﺎﻡ ‪2010‬‬

‫ﻭﺍﺳﺗﻣﺭ ﻓﻲ ﺍﺟﺎﺑﺗﻪ ﻋﻠﻰ ﺍﻷﺳﺋﻠﺔ ﺍﻟﻣﻭﺟﻪ ﺇﻟﻳﻪ ﻣﻥ ﻗﺑﻝ ﺍﻟﺣﺿﻭﺭ ﻗﺎﺋﻼً ﺍﻥ ﻋﺟﻠﺔ ﺍﻟﻣﺷﺎﺭﻳﻊ ﺑﺩﺃﺕ ﺗﺩﻭﺭ‬
‫ﻭﻟﻛﻥ ﻟﻳﺱ ﺑﺎﻟﻣﺳﺗﻭﻯ ﺍﻟﺫﻱ ﻭﺿﻊ ﻟﻪ ﻓﺎﻟﺣﺻﺎﺭ ﺍﺛﺭ ﺑﺷﻛﻝ ﻛﺑﻳﺭ ﻋﻠﻲ ﻋﻣﻠﻳﺎﺕ ﺍﻟﺗﻣﻭﻳﻝ ﻓﻬﻧﺎﻙ ﺍﻟﻛﺛﻳﺭ ﻣﻥ‬
‫ﺍﻟﻣﺷﺎﺭﻳﻊ ﺍﻟﺗﻲ ﻛﺎﻥ ﻣﻥ ﺍﻟﻣﻘﺭﺭ ﺗﻧﻔﻳﺫﻫﺎ ﻭﻟﻛﻥ ﺗﻭﻗﻑ ﺗﻧﻔﻳﺫﻫﺎ ﺑﺳﺑﺏ ﺍﻹﻧﺗﻔﺎﺿﺔ ﻭﺍﻹﻧﻘﺳﺎﻡ ﻭﻟﻘﺩ ﺗﻡ‬
‫ﻣﺅﺧﺭﺍ ﺍﻟﺗﻧﺳﻳﻕ ﺑﻳﻥ ﺳﻠﻁﺔ ﺍﻟﻣﻳﺎﻩ ﻓﻲ ﻏﺯﺓ ﻭﺍﻟﺿﻔﺔ ﻟﻠﺧﺭﻭﺝ ﻣﻥ ﻫﺫﻩ ﺍﻷﺯﻣﺔ ﻭﻧﻭﻩ ﺍﻟﻲ ﺍﻥ ﻫﻧﺎﻙ ﻋﺩﺩ‬
‫ﻣﻥ ﺍﻟﻣﺷﺎﺭﻳﻊ ﺳﻳﺗﻡ ﺍﻧﺟﺎﺯﻫﺎ ﺧﻼﻝ ‪2013‬‬

‫ﻭﺣﻭﻝ ﺍﻧﻘﻁﺎﻉ ﺍﻟﻣﻳﺎﻩ ﺍﻟﻣﺳﺗﻣﺭ ﺍﻓﺎﺩ ﻷﺣﺩ ﺍﻟﻣﺷﺎﺭﻛﻳﻥ ﺍﻧﻪ ﻳﻣﻛﻧﻪ ﺗﻘﺩﻳﻡ ﺷﻛﻭﻯ ﺣﻭﻝ ﻫﺫﺍ ﺍﻟﺧﺻﻭﺹ‬
‫ﻟﺑﺣﺙ ﺍﻟﺧﻠﻝ ﻭﺩﻋﺎ ﺍﻟﻲ ﺍﻥ ﻣﻥ ﻟﺩﻳﻪ ﻣﺷﻛﻠﺔ ﺑﻬﺫﻩ ﺍﻟﺧﺻﻭﺹ ﺍﻟﺗﻭﺟﻪ ﻟﺳﻠﻁﺔ ﺍﻟﻣﻳﺎﻩ‬

‫ﻳُﺫﻛﺭ ﺃﻥ ﺍﻟﻣﻌﻬﺩ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﻟﻼﺗﺻﺎﻝ ﻭﺍﻟﺗﻧﻣﻳﺔ ﻳﻧﻔﺫ ﻣﻧﺫ ﺗﺷﺭﻳﻥ ﺍﻷﻭﻝ )ﺃﻛﺗﻭﺑﺭ( ﺍﻟﻣﺎﺿﻲ ﻣﺷﺭﻭﻉ "ﺃﻧﺎ‬
‫ﻣﺩﻭﻥ ﺿﺩ ﺍﻟﻔﺳﺎﺩ" ﺑﺎﻟﺷﺭﺍﻛﺔ ﻣﻥ ﺍﻻﺋﺗﻼﻑ ﻣﻥ ﺃﺟﻝ ﺍﻟﻧﺯﺍﻫﺔ ﻭﺍﻟﻣﺳﺎءﻟﺔ )ﺃﻣﺎﻥ( ‪ ،‬ﺍﻟﺫﻱ ﻳﺗﺿﻣﻥ‬
‫ﻧﺷﺎﻁﺎﺕ ﻣﺧﺗﻠﻔﺔ ﻣﻧﻬﺎ ﺍﻟﺗﺩﺭﻳﺏ‪ ،‬ﻭﻭﺭﺵ ﺍﻟﻌﻣﻝ ﻭﺗﻘﺎﺭﻳﺭ ﺍﺳﺗﻘﺻﺎﺋﻳﺔ ﻭﺟﻠﺳﺎﺕ ﺍﺳﺗﻣﺎﻉ ‪ ،‬ﺇﺿﺎﻓﺔ ﺇﻟﻰ‬
‫ﺣﻠﻘﺎﺕ ﺇﺫﺍﻋﻳﺔ ﻣﻔﺗﻭﺣﺔ ﻋﺑﺭ ﺍﻹﺫﺍﻋﺎﺕ ﺍﻟﻣﺣﻠﻳﺔ‪.‬‬

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‫”ﻋﻠﻰ ﻣﻔﺎﺭﻕ ﺍﻟﺣﺭﻳﺔ“ ‪..‬ﺷﺑﺎﺏ ﺍﻟﺩﺍﺧﻝ ﻳﻬﺗﻔﻭﻥ ﻟﻸﺳﺭﻯ‬

‫‪3‬ﻣﺎﻳﻭ‪2013 ،‬‬

‫ﺍﻟﻘﺩﺱ‪ /‬ﺷﺑﻛﺔ ﻗﺩﺱ‪ :‬ﻧﻅﻣﺕ ﻣﺟﻣﻭﻋﺔ ﻣﻥ ﺍﻟﺷﺑﺎﺏ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﻓﻲ ﺍﻟﺩﺍﺧﻝ ﺍﻟﻣﺣﺗﻝ ﺍﻟﻳﻭﻡ ﻣﺳﻳﺭﺓ‬
‫ﺍﺣﺗﺟﺎﺟﻳﺔ ﻣﺗﻌﺩﺩﺓ ﺍﻟﻣﺣﻁﺎﺕ ﻟﻠﺗﺫﻛﻳﺭ ﺑﻘﺿﻳﺔ ﺍﻷﺳﺭﻯ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻳﻥ ﻓﻲ ﺳﺟﻭﻥ ﺍﻻﺣﺗﻼﻝ‪.‬‬

‫ﻭﺟﺎءﺕ ﻫﺫﻩ ﺍﻟﻔﻌﺎﻟﻳﺔ ﺑﻣﺑﺎﺩﺭﺓ ﻣﻣﻥ ﺃﻁﻠﻘﻭﺍ ﻋﻠﻰ ﺃﻧﻔﺳﻬﻡ ﺍﺳﻡ ”ﻧﺷﻁﺎء ﻭﻧﺎﺷﻁﺎﺕ ﺩﻭﺍﺭ ﺍﻟﺳﺎﻋﺔ ﻓﻲ ﻳﺎﻓﺎ“‪،‬‬
‫ﻭﻫﻡ ﻧﺷﻁﺎء ﺩﺍﻭﻣﻭﺍ ﻋﻠﻰ ﺍﻟﺗﻅﺎﻫﺭ ﻋﻧﺩ ﺩﻭﺍﺭ ﺍﻟﺳﺎﻋﺔ ﻓﻲ ﻳﺎﻓﺎ ﺑﺷﻛﻝ ﻳﻭﻣﻲ ﻋﻠﻰ ﻣﺩﺍﺭ ﻣﺎ ﻳﻘﺎﺭﺏ ﺍﻟﺛﻼﺛﺔ‬
‫ﺃﺷﻬﺭ ﺗﺿﺎﻣﻧﺎ ﻣﻊ ﺍﻷﺳﻳﺭ ﺳﺎﻣﺭ ﺍﻟﻌﻳﺳﺎﻭﻱ ﻭﺍﻷﺳﺭﻯ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻳﻥ ﺍﻟﻣﺿﺭﺑﻳﻥ ﻋﻥ ﺍﻟﻁﻌﺎﻡ‪.‬‬

‫ﻭﺍﻧﻁﻠﻘﺕ ﺍﻟﻣﺳﻳﺭﺓ ﺍﻟﺗﻲ ﺃﺳﻣﺎﻫﺎ ﺍﻟﻣﻧﻅﻣﻭﻥ ”ﻋﻠﻰ ﻣﻔﺎﺭﻕ ﺍﻟﺣﺭﻳﺔ“ ﻣﻥ ﻣﺩﻳﻧﺔ ﻳﺎﻓﺎ ﺑﺎﺗﺟﺎﻩ ‪ 7‬ﻣﻔﺎﺭﻕ‬
‫ﺣﻳﻭﻳﺔ ﻟﻠﺑﻠﺩﺍﺕ ﻭﺍﻟﻘﺭﻯ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ ﻓﻲ ﺍﻟﺩﺍﺧﻝ‪ ،‬ﻫﻲ ﺍﻟﻁﻳﺑﺔ ﻭﻗﻠﻧﺳﻭﺓ ﻭﺑﺎﻗﺔ ﺍﻟﻐﺭﺑﻳﺔ ﻭﻛﻔﺭ ﻗﺭﻉ ﻭﻋﺎﺭﺓ‬
‫ﻭﺃﻡ ﺍﻟﻔﺣﻡ ﻭ ﺃﺧﻳﺭﺍً ﻣﻔﺭﻕ ﺳﺟﻥ ﻣﺟﺩﻭ‪.‬‬

‫ﻭﻳﻘﻭﻡ ﺍﻟﻧﺷﻁﺎء ﺑﺎﻟﻭﻗﻭﻑ ﻣﺎ ﻳﻘﺎﺭﺏ ﺍﻟﻧﺻﻑ ﺳﺎﻋﺔ ﻋﻧﺩ ﻛﻝ ﻣﻔﺭﻕ ﻭﻳﻬﺗﻔﻭﻥ ﻟﺣﺭﻳﺔ ﺍﻷﺳﺭﻯ‬
‫ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻳﻥ‪ .‬ﻭﻓﻲ ﺑﻠﺩﺓ ﻋﺭﻋﺭﺓ ﻗﺎﻡ ﺍﻟﻧﺷﻁﺎء ﺑﺯﻳﺎﺭﺓ ﻣﻧﺯﻝ ﺍﻷﺳﻳﺭ ﻛﺭﻳﻡ ﻳﻭﻧﺱ ﺍﻟﺫﻱ ﻳﻘﺿﻲ ﻓﻲ ﺳﺟﻭﻥ‬
‫ﺍﻻﺣﺗﻼﻝ ﺣﻛﻣﺎ ﺑﺎﻟﺳﺟﻥ ﺍﻟﻣﺅﺑﺩ ﻭﻣﺿﻰ ﻋﻠﻰ ﺍﻋﺗﻘﺎﻟﻪ ﻣﺎ ﻳﻘﺎﺭﺏ ‪ 28‬ﻋﺎﻣﺎ ً‪.‬‬

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 ‫• ﻗﺎﻟﺏ ﺍﻟﻬﺭﻡ ﺍﻟﻣﻌﺗﺩﻝ‪) :‬ﺑﺎﻟﻁﺭﻳﻘﺔ ﺍﻟﺣﺩﻳﺛﺔ‪ /‬ﺍﻟﺧﺑﺭ ﺑﻁﺭﻳﻘﺔ ﺍﻟﻘﺻﺔ(‬

‫ﺿﻣﻥ ﺃﻋﻣﺎﻝ ﺃﺳﺑﻭﻉ ﺍﻟﺗﺭﺍﺙ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﺍﻟﺛﺎﻧﻲ‪..‬‬

‫ﻭﺭﺷﺔ ﺭﺳﻡ ﺍﻷﻁﻔﺎﻝ "ﻗﺭﻳﺗﻲ ﺑﺄﻧﺎﻣﻠﻲ"‬

‫ﻏﺯﺓ‪ /‬ﺑﺄﻧﺎﻣﻠﻬﻡ ﺍﻟﺑﺭﻳﺋﺔ ﺍﻟﺗﻲ ﻟﻡ ﺗﻌﺭﻑ ﻟﻠﻳﺄﺱ ﻋﻧﻭﺍﻧﺎ ً ﺭﺍﺣﺕ ﺗﺭﺳﻡ ﺑﺄﻟﻭﺍﻥ ﺍﻟﺟﻣﺎﻝ ﻭﺍﻟﺑﻬﺎء ﻟﻭﺣﺎﺕ ﺣﺏ‬
‫ﺍﻟﻭﻁﻥ ﻭﺍﻷﺭﺽ‪ ،‬ﺃﻣﺳﻙ ﻛﻝ ﻣﻧﻬﻡ ﻓﺭﺷﺎﺓ ﻭﻟﻭﺣﺔ ﻭ ﺑﺩءﻭﺍ ﻳﺭﺳﻣﻭﻥ ﻣﺎ ﻳﺟﻭﻝ ﻓﻲ ﺧﺎﻁﺭﻫﻡ ﻣﻥ ﻓﺩﺍء‬
‫ﻭﺍﻧﺗﻣﺎء ﻟﺗﺭﺍﺏ ﻓﻠﺳﻁﻳﻥ‪.‬‬

‫ﻛﺎﻥ ﺍﻟﻣﻭﻋﺩ ﻓﻲ ﻭﺭﺷﺔ ﺍﻟﺭﺳﻡ ﻭﺍﻷﻣﺳﻳﺔ ﺍﻟﺗﺭﺍﺛﻳﺔ "ﻗﺭﻳﺗﻲ ﺑﺄﻧﺎﻣﻠﻲ" ﺍﻟﺗﻲ ﻋﻘﺩﺗﻬﺎ ﻭﺯﺍﺭﺓ ﺍﻟﺛﻘﺎﻓﺔ ﺑﺎﻟﺗﻌﺎﻭﻥ‬
‫ﻣﻊ ﻣﺭﻛﺯ ﻋﻣﺎﺭﺓ ﺍﻟﺗﺭﺍﺙ "ﺇﻳﻭﺍﻥ" ﺑﻛﻠﻳﺔ ﺍﻟﻬﻧﺩﺳﺔ ﺑﺎﻟﺟﺎﻣﻌﺔ ﺍﻹﺳﻼﻣﻳﺔ ﻓﻲ ﺑﻳﺕ ﺍﻟﺑﺎﺷﺎ ﺍﻷﺛﺭﻱ ﺑﺟﻭﺍﺭ‬
‫ﺍﻟﺑﻭﺍﺑﺔ ﺍﻟﺷﻣﺎﻟﻳﺔ ﻟﻠﻣﺳﺟﺩ ﺍﻟﻌﻣﺭﻱ ﺍﻟﻛﺑﻳﺭ‪ ،‬ﻭﺗﺄﺗﻲ ﻫﺫﻩ ﺍﻟﻭﺭﺷﺔ ﺿﻣﻥ ﻓﻌﺎﻟﻳﺎﺕ ﺃﺳﺑﻭﻉ ﺍﻟﺗﺭﺍﺙ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ‬
‫ﺍﻟﺛﺎﻧﻲ "ﻗﺭﺍﻧﺎ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ ‪..‬ﺣﺿﺎﺭﺓ ﻭﻋﻣﺎﺭﺓ‪".‬‬

‫ﺩﺍﺧﻝ ﺍﻟﺑﻳﺕ‪ ..‬ﺟﺎءﺕ ﺍﻟﻁﻔﻠﺔ ﺇﻳﻣﺎﻥ ﺍﻟﺳﺭﺳﺎﻭﻱ ﻟﺗﺭﺳﻡ ﻣﻌﺎﻟﻡ ﻣﺩﻳﻧﺗﻬﺎ ﺍﻟﻣﺣﺗﻠﺔ ﺑﺋﺭ ﺍﻟﺳﺑﻊ‪ ،‬ﻭﺑﺩﺃﺕ ﺑﺭﺳﻡ‬
‫ﻟﻭﺣﺔ ﻓﻧﻳﺔ ﺗﻌﺑﺭ ﻋﻥ ﺷﻭﻗﻬﺎ ﻟﻣﺩﻳﻧﺗﻬﺎ ﺍﻷﻡ‪ ،‬ﻭﺗﻘﻭﻝ ﺍﻟﻁﻔﻠﺔ ﺍﻟﺳﺭﺳﺎﻭﻱ ‪":‬ﻧﺣﻥ ﻟﺩﻳﻧﺎ ﺍﻷﻣﻝ ﺑﺎﻟﻌﻭﺩﺓ ﻟﺑﻠﺩﺗﻧﺎ‬
‫ﺍﻷﺻﻠﻳﺔ‪ ،‬ﻭﻫﺫﻩ ﺍﻟﺭﺳﻭﻣﺎﺕ ﺗﻌﺑﺭ ﻋﻥ ﺍﻟﻌﻭﺩﺓ ﺍﻟﺗﻲ ﻣﺎﺯﻟﻧﺎ ﻧﻁﺎﻟﺏ ﺑﻬﺎ‪".‬‬

‫ﺃﻣﺎ ﺍﻟﻁﻔﻝ ﻣﺣﻣﺩ ﺣﺑﻳﺏ ﻓﺧﻁ ﺑﻔﺭﺷﺎﺗﻪ ﻟﻭﺣﺔ ﺗﺟﺳﺩ ﻣﻘﺎﻡ ﺍﻟﻧﺑﻲ ﻳﻭﺳﻑ‪ ،‬ﺍﻟﺫﻱ ﻳﺗﻌﺭﺽ ﻟﻼﻧﺗﻬﺎﻙ ﻭﺍﻟﺗﻬﻭﻳﺩ‬
‫ﻣﻥ ﻗﺑﻝ ﺍﻻﺣﺗﻼﻝ‪ ،‬ﻭﻓﻳﻬﺎ ﺣﺎﻭﻝ ﻣﺣﻣﺩ ﺃﻥ ﻳﻌﺑﺭ ﻋﻥ ﺍﻷﻫﻣﻳﺔ ﺍﻟﺩﻳﻧﻳﺔ ﻭﺍﻟﺗﺎﺭﻳﺧﻳﺔ ﻟﻣﻘﺎﻡ ﺍﻟﻧﺑﻲ ﻳﻭﺳﻑ‪ ،‬ﻭﻣﺎ‬
‫ﻳﻣﺛﻠﻪ ﻣﻥ ﺣﺿﺎﺭﺓ ﺗﻧﻌﻛﺱ ﻋﻠﻰ ﻓﻠﺳﻁﻳﻥ‪.‬‬

‫ﻣﻥ ﺟﺎﻧﺑﻪ‪ ،‬ﻟﻔﺕ ﺍﻟﺩﻛﺗﻭﺭ ﻣﺣﻣﺩ ﺍﻟﻛﺣﻠﻭﺕ‪ -‬ﻣﺩﻳﺭ ﻣﺭﻛﺯ ﺇﻳﻭﺍﻥ ﻟﻌﻣﺎﺭﺓ ﺍﻟﺗﺭﺍﺙ ﺑﻛﻠﻳﺔ ﺍﻟﻬﻧﺩﺳﺔ ﺑﺎﻟﺟﺎﻣﻌﺔ‬
‫ﺍﻹﺳﻼﻣﻳﺔ‪ -‬ﺇﻟﻰ ﺃﻥ ﺍﻟﻬﺩﻑ ﺍﻟﺭﺋﻳﺱ ﻣﻥ ﺇﻗﺎﻣﺔ ﺍﻟﻭﺭﺷﺔ ﻓﻲ ﺑﻳﺕ ﺍﻟﺑﺎﺷﺎ ﻳﻛﻣﻥ ﻓﻲ ﺍﻟﺧﺭﻭﺝ ﻋﻥ ﺟﻭ‬
‫ﺍﻟﺟﺎﻣﻌﺔ ﺍﻷﻛﺎﺩﻳﻣﻲ‪ ،‬ﻭﺗﺳﻠﻳﻁ ﺍﻟﺿﻭء ﻋﻠﻰ ﺍﻟﺗﺭﺍﺙ ﺍﻷﺻﻳﻝ ﻓﻲ ﺍﻟﺑﻠﺩﺓ ﺍﻟﻘﺩﻳﻣﺔ‪ ،‬ﻭﺗﺎﺑﻊ ﺣﺩﻳﺛﻪ ﻗﺎﺋﻼً‪" :‬ﻛﻝ‬
‫ﺍﻟﺭﺳﻭﻣﺎﺕ ﻫﻧﺎ ﺗﺿﻡ ﻣﺩﻧﻧﺎ ﻭﻗﺭﺍﻧﺎ ﺍﻷﺻﻠﻳﺔ‪ ،‬ﻭﺗﺫﻛﺭﻧﺎ ﺑﺎﻟﻭﻁﻥ ﺍﻟﻣﺳﻠﻭﺏ ﺍﻟﺫﻱ ﻫﺟﺭﻧﺎ ﻣﻧﻪ‪ ،‬ﻭﻧﺄﻣﻝ‬
‫ﺑﺎﻟﺭﺟﻭﻉ ﺇﻟﻳﻪ ﻓﻲ ﺍﻟﻘﺭﻳﺏ ﺍﻟﻌﺎﺟﻝ‪".‬‬

‫ﻣﻥ ﺟﻬﺗﻬﺎ‪ ،‬ﺃﻛﺩﺕ ﺍﻷﺳﺗﺎﺫﺓ ﺭﻧﺩﺓ ﺍﻟﺷﺭﻓﺎ‪ -‬ﻣﺩﻳﺭﺓ ﺍﻟﻣﺭﺍﻛﺯ ﺍﻟﺛﻘﺎﻓﻳﺔ ﺑﻭﺯﺍﺭﺓ ﺍﻟﺛﻘﺎﻓﺔ‪ -‬ﺃﻥ ﺍﻟﻔﻌﺎﻟﻳﺔ ﺗﻬﺩﻑ ﺇﻟﻰ‬
‫ﺍﻟﺣﻔﺎﻅ ﻋﻠﻰ ﺍﻟﺗﺭﺍﺙ‪ ،‬ﻭﺗﻌﺯﻳﺯ ﻣﻛﺎﻧﺗﻪ ﻟﺩﻯ ﺍﻷﻁﻔﺎﻝ ﻓﻲ ﻫﺫﻩ ﺍﻟﺳﻥ ﺍﻟﻣﺑﻛﺭﺓ‪ ،‬ﻭﻗﺎﻟﺕ‪" :‬ﺍﻟﻘﺭﻯ ﺍﻟﺗﻲ ﻫﺟﺭﻧﺎ‬
‫ﻣﻧﻬﺎ ﻭﻧﺣﻥ ﺻﻐﺎﺭ ﻧﺭﻳﺩ ﺃﻥ ﻧﺟﺳﺩﻫﺎ ﻷﺑﻧﺎﺋﻧﺎ ﻭﻫﻡ ﺻﻐﺎﺭ"‪ ،‬ﻭﺑﻳﻧﺕ ﺍﻷﺳﺗﺎﺫﺓ ﺍﻟﺷﺭﻓﺎ ﺃﻥ ﺁﻣﺎﻝ ﺍﻻﺣﺗﻼﻝ‬
‫ﺑﻧﺳﻳﺎﻥ ﺍﻟﺻﻐﺎﺭ ﺑﻌﺩ ﻣﻭﺕ ﺍﻟﻛﺑﺎﺭ ﻟﻥ ﻳﻛﻭﻥ ﻟﻬﺎ ﻭﺟﻭﺩ ﻣﻊ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻳﻥ‪ ،‬ﻭﺩﻋﺕ ﺍﻵﺑﺎء ﺇﻟﻲ ﺗﻭﻋﻳﺔ‬
‫ﺃﻁﻔﺎﻟﻬﻡ ﻭﺍﻟﺣﺩﻳﺙ ﻣﻌﻬﻡ ﻋﻥ ﺑﻼﻧﺎ ﺍﻟﺗﻲ ﻫﺟﺭﻧﺎ ﻣﻧﻬﺎ‪.‬‬

‫ﺑﺩﻭﺭﻩ‪ ،‬ﻗﺎﻝ ﺍﻷﺳﺗﺎﺫ ﻣﺣﻣﺩ ﺻﻳﺎﻡ‪ -‬ﻣﺩﻳﺭ ﺍﻷﻧﺷﻁﺔ ﻓﻲ ﻭﺯﺍﺭﺓ ﺍﻟﺗﺭﺑﻳﺔ ﻭﺍﻟﺗﻌﻠﻳﻡ‪ -‬ﺣﻳﻥ ﺩﺧﻠﺕ ﻫﺫﺍ ﺍﻟﻣﻛﺎﻥ‬
‫ﺗﺫﻛﺭﺕ ﺃﺯﻗﺔ ﺍﻟﻘﺩﺱ ﻭﺷﻭﺍﺭﻋﻬﺎ ﻭﺃﻫﻠﻬﺎ ﻭﺗﺫﻛﺭﺕ ﺃﻫﻝ ﻓﻠﺳﻁﻳﻥ ﺑﺗﺎﺭﻳﺧﻬﻡ ﺍﻟﻌﺭﻳﻕ ﺭﻏﻡ ﺍﻻﺿﻁﻬﺎﺩ‬
‫ﻭﺍﻟﻅﻠﻡ ﺑﺣﻘﻬﻡ‪ ،‬ﻭﺑﻳﻥ ﺍﻷﺳﺗﺎﺫ ﺻﻳﺎﻡ ﺍﻫﺗﻣﺎﻡ ﺍﻟﻭﺯﺍﺭﺓ ﺑﺩﻋﻡ ﺍﻟﺟﻳﻝ ﺍﻟﻘﺎﺩﻡ ﻣﻥ ﺍﻟﻁﻠﺑﺔ ﺣﺗﻰ ﻳﻛﻭﻧﻭﺍ ﻗﺎﺩﺭﻳﻥ‬
‫ﻋﻠﻲ ﺍﻟﺗﻭﺟﻪ ﻧﺣﻭ ﺍﻟﻘﺩﺱ ﻭﺗﺣﺭﻳﺭﻫﺎ‪ ،‬ﻭﻭﺟﻪ ﺍﻷﺳﺗﺎﺫ ﺻﻳﺎﻡ ﺇﻟﻰ ﺷﺑﺎﺏ ﺍﻟﻣﺳﺗﻘﺑﻝ ﺭﺳﺎﻟﺔ ﻧﺻﺣﻬﻡ ﻓﻳﻬﺎ‬
‫ﺑﺑﺫﻝ ﺍﻟﻣﺯﻳﺩ ﻣﻥ ﺍﻟﺟﻬﺩ ﻣﻥ ﺃﺟﻝ ﺍﻟﻣﺣﺎﻓﻅﺔ ﻋﻠﻰ ﺑﻼﺩﻫﻡ‪.‬‬

‫ﻭﺗﺧﻠﻝ ﺍﻟﻔﻌﺎﻟﻳﺔ ﺃﻧﺷﻁﺔ ﻓﻧﻳﺔ‪ ،‬ﻣﺛﻝ‪ :‬ﺍﻟﻌﺯﻑ ﻋﻠﻲ ﺍﻟﻌﻭﺩ‪ ،‬ﻭﺍﻟﺩﺑﻛﺔ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ ﻟـ "ﻓﺭﻗﺔ ﺑﻠﺩﻧﺎ"‪ ،‬ﻭ ﺇﻟﻘﺎء‬
‫ﺍﻟﻘﺻﺎﺋﺩ ﺍﻟﺷﻌﺭﻳﺔ ﺍﻟﺗﻲ ﺗﺑﻌﺙ ﺍﻟﺣﻧﻳﻥ ﻭﺍﻟﺷﻭﻕ ﻟﺗﺭﺍﺙ ﺍﻷﺟﺩﺍﺩ‪.‬‬

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‫ﺯﻓﺭﺓ ﺍﻟﺳﻭﺭﻱ ﺍﻷﺧﻳﺭﺓ‪ ..‬ﻣﺳﺭﺣﻳﺔ ﺗﻣﺟﺩ ﺍﻟﺣﺭﻳﺔ ﻭﺭﻓﺽ ﺍﻟﺩﻛﺗﺎﺗﻭﺭﻳﺔ‬

‫‪May 3, 2013‬‬

‫ﺍﻟﻘﺎﻫﺭﺓ )ﺭﻭﻳﺗﺭﺯ( ‪ -‬ﺑﺷﻲء ﻣﻥ ﺍﻟﺭﻫﺎﻓﺔ ﻳﺭﺻﺩ ﺍﻟﻛﺎﺗﺏ ﺍﻟﺳﻭﺭﻱ ﺍﻟﻔﺎﺭﺱ ﺍﻟﺫﻫﺑﻲ ﻣﻧﺣﻧﻰ ﺍﻟﺛﻭﺭﺍﺕ‬
‫ﺍﻟﻌﺳﻛﺭﻳﺔ ﻭﻣﺻﺎﺋﺭ "ﺍﻟﺛﻭﺍﺭ" ﺍﻟﺫﻳﻥ ﻳﺣﻭﻟﻭﻥ ﺑﻼﺩﻫﻡ ﺇﻟﻰ ﺳﺟﻥ ﻛﺑﻳﺭ ﻭﻳﺻﺑﺣﻭﻥ ﺑﺩﻋﻭﻯ ﺍﻟﺣﻔﺎﻅ ﻋﻠﻰ‬
‫ﺍﻟﺛﻭﺭﺓ ﺟﻼﺩﻳﻥ ﻳﺣﺗﺭﻓﻭﻥ ﺍﻟﻘﻣﻊ ﻭﺍﻟﻘﺗﻝ ﺣﺗﻰ ﻟﻭ ﺿﺣﻭﺍ ﺑﺎﻟﺷﻌﺏ ﻧﻔﺳﻪ‪.‬‬

‫ﻭﺗﻌﺎﻟﺞ ﻣﺳﺭﺣﻳﺗﻪ )ﺯﻓﺭﺓ ﺍﻟﺳﻭﺭﻱ ﺍﻷﺧﻳﺭﺓ( ﺍﻟﻌﻼﻗﺔ ﺑﻳﻥ ﺟﻳﻠﻳﻥ ﺃﺣﺩﻫﻣﺎ ﻳﻣﺛﻠﻪ ﺟﻧﺭﺍﻝ ﻋﺭﺍﻗﻲ ﻣﻬﺯﻭﻡ‬
‫ﻳﻬﺭﺏ ﺇﻟﻰ ﺳﻭﺭﻳﺎ ﻋﻘﺏ ﺍﺣﺗﻼﻝ ﺍﻟﻌﺭﺍﻕ ﻋﺎﻡ ‪ 2003‬ﻭﺟﻳﻝ ﺷﺎﺏ ﻳﺅﻣﻥ ﺑﺣﺭﻳﺗﻪ ﻭﻳﻧﺗﺯﻋﻬﺎ ﻭﻳﺭﻯ ﺃﻥ‬
‫ﺍﻧﻬﻳﺎﺭ ﻧﻅﺎﻡ ﺍﻟﺩﻛﺗﺎﺗﻭﺭ ﻳﺑﺩﺃ ﻗﺑﻝ ﻭﺻﻭﻝ ﺍﻟﻐﺯﺍﺓ ﺣﻳﻥ ﻳﺗﺣﻭﻝ ﺍﻟﺷﻌﺏ ‪-‬ﺍﻟﺫﻱ ﻗﺎﻣﺕ ﺍﻟﺛﻭﺭﺓ ﻣﻥ ﺃﺟﻠﻪ‪ -‬ﺇﻟﻰ‬
‫ﺟﺭﺫﺍﻥ ﻭﺧﻭﻧﺔ ﻭﻋﻣﻼء ﻭﺟﻭﺍﺳﻳﺱ ﻭﻓﻲ ﺃﺣﺳﻥ ﺍﻷﺣﻭﺍﻝ ﻫﻡ ﻣﺟﺭﺩ ﻗﻁﻳﻊ ﻻ ﻳﺳﺗﺣﻕ ﺇﻻ ﺍﻹﻫﺎﻧﺔ‪.‬‬

‫ﻭﺟﻳﻝ ﺍﻟﺣﺭﻳﺔ ﻳﻣﺛﻠﻪ ﺍﻷﺧﻭﺍﻥ ﺍﻟﺟﺎﻣﻌﻳﺎﻥ "ﻛﻣﺎﻝ" ﻭ"ﺭﻳﻣﺎ" ﺍﻟﺗﻲ ﺗﺭﻓﺽ ﺍﻻﺣﺗﻼﻝ ﺍﻷﺟﻧﺑﻲ ﺑﺎﻟﻁﺑﻊ‬
‫ﻭﻟﻛﻧﻬﺎ ﺗﺅﻣﻥ ﺑﻛﺭﺍﻣﺔ ﺍﻟﺷﻌﺏ ﻭﺃﻧﻪ "ﻻ ﻳﻭﺟﺩ ﺷﻲء ﻓﻲ ﻫﺫﺍ ﺍﻟﻌﺎﻟﻡ ﻳﺑﺭﺭ ﻷﺣﺩ ﺃﻥ ﻳﺩﻭﺱ ﺃﺣﺩﺍ ﻣﻥ ﺃﺟﻝ‬
‫ﻗﺿﻳﺔ" ﻭﺃﻥ ﺍﻹﻧﺳﺎﻥ ﺍﻟﺫﻱ ﻳﻔﻘﺩ ﻛﺭﺍﻣﺗﻪ ﺃﻭ ﻳﻌﺫﺑﻪ ﺍﻟﺟﻼﺩﻭﻥ ﺣﺗﻰ ﻳﻔﻘﺩ ﺇﺣﺳﺎﺳﻪ ﺑﺈﻧﺳﺎﻧﻳﺗﻪ ﻻ ﻳﺻﻠﺢ‬
‫ﻟﻠﺩﻓﺎﻉ ﻋﻥ ﻗﺿﻳﺔ ﻭﻟﻭ ﻛﺎﻧﺕ ﻋﺎﺩﻟﺔ‪.‬‬

‫ﻭﻣﺳﺭﺣﻳﺔ )ﺯﻓﺭﺓ ﺍﻟﺳﻭﺭﻱ ﺍﻷﺧﻳﺭﺓ( ﻳﻬﺩﻳﻬﺎ ﺍﻟﺫﻫﺑﻲ ﺇﻟﻰ ﻣﺅﺳﺱ ﺣﺯﺏ ﺍﻟﺑﻌﺙ ﻣﻳﺷﻳﻝ ﻋﻔﻠﻕ )‪-1910‬‬
‫‪ .(1989‬ﻭﺗﻘﻊ ﺍﻟﻣﺳﺭﺣﻳﺔ ﻓﻲ ‪ 118‬ﺻﻔﺣﺔ ﻣﺗﻭﺳﻁﺔ ﺍﻟﻘﻁﻊ ﻭﺻﺩﺭﺕ ﻓﻲ ﺍﻟﻘﺎﻫﺭﺓ ﻋﻥ )ﺍﻟﻛﺗﺏ ﺧﺎﻥ‬
‫ﻟﻠﻧﺷﺭ ﻭﺍﻟﺗﻭﺯﻳﻊ‪).‬‬

‫ﻭﺍﻟﻌﻣﻝ ﺍﻟﺫﻱ ﺻﻣﻡ ﻏﻼﻓﻪ ﺣﺎﺗﻡ ﺳﻠﻳﻣﺎﻥ ﻳﺿﻡ ﻧﺻﺎ ﻣﺳﺭﺣﻳﺎ ﺁﺧﺭ ﻋﻧﻭﺍﻧﻪ )ﺻﻬﻳﻝ ﺍﻟﺣﺻﺎﻥ ﺍﻟﻌﺎﻟﻲ(‬
‫ﻭﻫﻭ ﻣﻭﻧﻭﺩﺭﺍﻣﺎ ﻋﻥ ﺍﻟﺳﻳﺎﻕ ﺍﻟﺗﺎﺭﻳﺧﻲ ﻭﺍﻟﻧﻔﺳﻲ ﺍﻟﺫﻱ ﻳﺟﻌﻝ ﺍﻟﻣﻭﺍﻁﻥ ﺍﻟﻌﺎﺩﻱ ﺟﻼﺩﺍ‪ .‬ﻭﻫﺫﺍ ﺍﻟﻧﺹ‬
‫ﻣﻬﺩﻯ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺟﻳﻥ ﺍﻟﻧﺷﻁﻳﻥ ﺍﻟﺳﻭﺭﻳﻳﻥ ﺑﺎﺳﻝ ﺷﺣﺎﺩﺓ ﻭﺃﺣﻣﺩ ﺍﻷﺻﻡ ﺍﻟﻠﺫﻳﻥ ﻗﺗﻼ ﻓﻲ ﻣﺎﻳﻭ ﺍﻳﺎﺭ ‪2012‬‬
‫ﻓﻲ ﻗﺻﻑ ﻣﺩﻳﻧﺔ ﺣﻣﺹ ﺃﺛﻧﺎء ﺗﻐﻁﻳﺗﻬﻣﺎ ﻟﻼﻧﺗﻔﺎﺿﺔ ﺍﻟﺳﻭﺭﻳﺔ ﺍﻟﺗﻲ ﺍﻧﺩﻟﻌﺕ ﻗﺑﻝ ‪ 27‬ﺷﻬﺭﺍ ﺑﻬﺩﻑ ﺇﺳﻘﺎﻁ‬
‫ﺣﻛﻡ ﺍﻟﺭﺋﻳﺱ ﺍﻟﺳﻭﺭﻱ ﺑﺷﺎﺭ ﺍﻷﺳﺩ‪.‬‬
‫ﻭﺗﺑﺩﺃ ﻣﺳﺭﺣﻳﺔ )ﺯﻓﺭﺓ ﺍﻟﺳﻭﺭﻱ ﺍﻷﺧﻳﺭﺓ( ﺑﻬﺭﻭﺏ ﺍﻟﺟﻧﺭﺍﻝ ﺳﻌﺩﻭﻥ ﺍﻟﺑﻐﺩﺍﺩﻱ ﺑﻌﺩ ﺍﻻﺣﺗﻼﻝ ﺍﻷﻣﺭﻳﻛﻲ‬
‫ﻟﻠﻌﺭﺍﻕ ﻭﻟﺟﻭﺋﻪ ﺇﻟﻰ ﺃﺳﺭﺓ ﺻﺩﻳﻘﻪ ﺍﻟﺭﺍﺣﻝ ﺃﺑﻭ ﻛﻣﺎﻝ ﻓﻲ ﺩﻣﺷﻕ ﻭﻳﺟﺩ ﺗﺭﺣﻳﺑﺎ ﻣﻥ ﺃﺭﻣﻠﺔ ﺻﺩﻳﻘﻪ ﻭﻣﻥ‬
‫ﺍﺑﻧﻪ ﻛﻣﺎﻝ ﺑﺎﻋﺗﺑﺎﺭﻩ ﺑﻁﻼ‪ .‬ﺃﻣﺎ ﺭﻳﻣﺎ ﺷﻘﻳﻘﺔ ﻛﻣﺎﻝ ﻓﻼ ﺗﺑﺩﻱ ﺍﺭﺗﻳﺎﺣﺎ ﻟﻪ ﺇﺫ ﺗﻼﺣﻅ ﻓﺿﻭﻟﻪ ﻭﻣﻣﺎﺭﺳﺗﻪ‬
‫ﺍﻟﺗﻠﺻﺹ ﻋﻠﻳﻬﻡ ﻛﻣﺎ ﻳﺣﺎﻭﻝ ﻓﺭﺽ ﺁﺭﺍﺋﻪ ﺍﻟﻘﻣﻌﻳﺔ ﻋﻠﻰ ﺃﻓﺭﺍﺩ ﺍﻷﺳﺭﺓ‪.‬‬

‫ﻭﻓﻲ ﺍﻟﺑﺩﺍﻳﺔ ﻳﻘﻭﻝ ﺍﻟﺟﻧﺭﺍﻝ ﺇﻥ "ﺍﻟﺭﺋﻳﺱ ﻭﺍﻟﻘﺎﺩﺓ ﻳﻘﻭﺩﻭﻥ ﺍﻟﺣﺭﺏ ﺍﻟﻣﻘﺩﺳﺔ ﺿﺩ ﺍﻟﺻﻠﻳﺑﻳﻳﻥ ﺍﻟﺟﺩﺩ"‬
‫ﻭﻳﺳﺣﺭﻫﻡ ﺑﻛﻼﻡ ﻣﻌﺳﻭﻝ ﻋﻥ ﺍﺳﺗﻣﺭﺍﺭ ﺍﻟﻣﻘﺎﻭﻣﺔ ﺍﻟﺷﻌﺑﻳﺔ ﻟﻘﻭﺍﺕ ﺍﻻﺣﺗﻼﻝ ﺍﻷﻣﺭﻳﻛﻲ ﺑﻌﺩ ﺗﺩﻣﻳﺭ ﺍﻟﺟﻳﺵ‬
‫ﺍﻟﺫﻱ "ﺍﻧﻬﺎﺭ ﻓﻲ ﻟﺣﻅﺎﺕ‪ .‬ﺟﻳﺵ ﻛﺎﻥ ﻳﺻﻧﻑ ﺍﻟﺧﺎﻣﺱ ﻋﺎﻟﻣﻳﺎ‪ .‬ﻋﺷﺭﺍﺕ ﺍﻟﺳﻧﻳﻥ ﻓﻲ ﺍﻟﺗﺟﻳﻳﺵ ﺍﻟﻌﻘﺎﺋﺩﻱ‪...‬‬
‫ﺍﻧﻬﺎﺭ ﻓﻲ ﻟﺣﻅﺎﺕ ﻻ ﺃﻋﻠﻡ ﻟﻣﺎﺫﺍ ﻭﻻ ﻛﻳﻑ" ﻭﻳﺭﻭﻱ ﻟﻬﻡ ﺃﻥ ﻣﺟﻠﺱ ﻗﻳﺎﺩﺓ ﺍﻟﺛﻭﺭﺓ ﺑﻘﻳﺎﺩﺓ ﺻﺩﺍﻡ ﺣﺳﻳﻥ ﻛﺎﻥ‬
‫ﻳﻬﺩﻑ ﻣﻧﺫ ﺍﻟﻭﺻﻭﻝ ﻟﻠﺳﻠﻁﺔ ﺇﻟﻰ "ﺭﻓﻊ ﺍﻟﻅﻠﻡ ﻋﻥ ﺍﻟﻧﺎﺱ" ﻭﻟﻛﻥ ﺍﻟﺟﻳﻝ ﺍﻟﺫﻱ ﻳﺅﻣﻥ ﺑﺎﻟﺣﺭﻳﺔ ﺳﻭﻑ ﻳﻔﺳﺭ‬
‫ﻟﻠﺟﻧﺭﺍﻝ ﺍﻟﻬﺎﺭﺏ ﻟﻣﺎﺫﺍ ﺍﻧﻬﺎﺭ ﺟﻳﺵ ﺑﻼﺩﻩ‪.‬‬

‫ﻓﻌﻠﻰ ﻋﻛﺱ ﻛﻣﺎﻝ ﺍﻟﺫﻱ ﻳﻌﺗﺑﺭ ﺍﻟﺟﻧﺭﺍﻝ ﺿﺣﻳﺔ ﻻ ﺗﺗﺭﺩﺩ ﺭﻳﻣﺎ ﻓﻲ ﺍﻟﺗﻧﺑﻳﻪ ﺇﻟﻰ ﺧﻁﻭﺭﺓ ﺇﻳﻭﺍء ﻣﺟﺭﻡ‬
‫"ﺳﻔﺎﺡ‪ .‬ﻁﺭﻳﺩ ﺍﻟﻌﺩﺍﻟﺔ" ﻭﺗﺗﺣﺩﺍﻩ ﺃﻥ ﻳﻌﻭﺩ ﻟﻳﻧﺿﻡ ﺇﻟﻰ ﻣﻘﺎﻭﻣﺔ ﺍﻻﺣﺗﻼﻝ‪ .‬ﻭﻟﻛﻥ ﺍﻟﺟﻧﺭﺍﻝ ﻏﺎﺭﻕ ﻓﻲ‬
‫ﺫﻛﺭﻳﺎﺗﻪ ﻋﻥ ﺇﺳﻘﺎﻁ "ﺍﻟﻧﻅﺎﻡ ﺍﻟﺳﺎﺑﻕ ﺍﻟﻔﺎﺳﺩ" ﻗﺑﻝ ﻋﺷﺭﺍﺕ ﺍﻟﺳﻧﻳﻥ ﻭﻛﻳﻑ ﺃﻥ ﺻﺩﺍﻡ "ﺍﺭﺗﺄﻯ ﺑﺄﻥ ﺍﻟﻘﻔﺯﺓ‬
‫ﺍﻟﺩﻳﻣﻘﺭﺍﻁﻳﺔ ﻟﻡ ﺗﻧﺿﺞ ﺑﻌﺩ" ﻭﺑﻳﻥ ﺍﻟﺣﺭﻳﺔ ﻭﺍﻟﻘﻣﻊ ﻣﺳﺎﻓﺔ ﻻ ﻳﺗﺟﺎﺯﻫﺎ ﻭﻋﻲ ﺍﻟﺟﻧﺭﺍﻝ ﺍﻟﺫﻱ ﻳﻧﻬﺎﺭ ﺣﻳﻥ‬
‫ﻳﻁﻠﻌﻪ ﻛﻣﺎﻝ ﻋﻠﻰ ﻗﺭﺹ ﻣﺩﻣﺞ ﻳﺳﺟﻝ ﻭﺣﺷﻳﺗﻪ‪.‬‬

‫ﻭﻟﻡ ﻳﻧﺿﺞ ﻭﻋﻲ ﻛﻣﺎﻝ ﻓﺟﺄﺓ ﻭﻟﻛﻧﻪ ﺛﻣﺭﺓ ﺻﺭﺍﻉ ﻭﺷﺟﺎﺭ ﻣﻊ ﺻﺩﻳﻕ ﺍﻷﺳﺭﺓ ﺧﺎﻟﺩ ﻣﻧﺳﻕ ﺍﻟﺣﺭﻛﺔ‬
‫ﺍﻟﻳﺳﺎﺭﻳﺔ ﻟﻠﻁﻼﺏ ﻓﻲ ﺍﻟﺟﺎﻣﻌﺔ ﺍﻟﺫﻱ ﻳﻘﻭﻝ ﻟﻠﺟﻧﺭﺍﻝ ﺇﻥ ﻧﻅﺎﻡ ﺻﺩﺍﻡ ﺳﻘﻁ "ﺇﻧﺳﺎﻧﻳﺎ ﻗﺑﻝ ﺃﻥ ﻳﺳﻘﻁ‬
‫ﻋﺳﻛﺭﻳﺎ" ﻭﻳﺭﻯ ﺿﺭﻭﺭﺓ ﺇﻗﺎﻣﺔ ﻣﺣﺎﻛﻣﺔ ﻋﻠﻧﻳﺔ ﻟﺭﻣﻭﺯ ﻧﻅﺎﻡ ﺍﻟﺑﻌﺙ ﻓﻲ ﺍﻟﻌﺭﺍﻕ‪.‬‬

‫ﻭﻳﻧﻛﺭ ﺍﻟﺟﻧﺭﺍﻝ ﺟﺭﺍﺋﻣﻪ ﻭﻟﻛﻧﻪ ﺗﺣﺕ ﺿﻐﻁ ﺍﻟﺣﻘﻳﻘﺔ ﻳﺑﺭﺭ ﺫﻟﻙ ﻗﺎﺋﻼ ﺇﻥ "ﺍﻟﻧﺎﺱ ﻗﻁﻳﻊ ﻭﻋﻠﻰ ﺍﻟﺭﺍﻋﻲ‬
‫ﺇﺭﺷﺎﺩﻫﻡ" ﺛﻡ ﻳﻌﺭﻑ ﺑﻣﻣﺎﺭﺳﺔ ﺍﻟﺗﻌﺫﻳﺏ ﻭﺍﻟﻘﺗﻝ ﻭﺗﻠﺫﺫﻩ ﺑﺳﻣﺎﻉ ﺻﺭﺍﺥ ﺿﺣﺎﻳﺎﻩ ﺍﻟﺫﻳﻥ ﻳﺧﺷﻰ ﻓﻲ ﺍﻟﻭﻗﺕ‬
‫ﻧﻔﺳﻪ ﺍﻟﻧﻅﺭ ﺇﻟﻰ ﺃﻋﻳﻧﻬﻡ ﺃﻭ ﻣﻌﺭﻓﺔ ﺃﺳﻣﺎﺋﻬﻡ ﺣﺗﻰ ﻻ ﺗﻣﻧﺣﻬﻡ ﺃﺳﻣﺎﺅﻫﻡ ﺩﻻﻟﺔ ﻋﻠﻰ ﺃﻧﻬﻡ "ﺑﺷﺭ‪".‬‬

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 ‫ﺍﻟﺟﻣﻬﻭﺭ ﺧﺗﻡ ﺍﻟﻌﺭﺽ ﺑﺗﺻﻔﻳﻕ ﺣﺎﺩ ﺗﺄﻛﻳﺩﺍً ﻋﻠﻰ ﺭﺳﺎﻟﺔ ﺍﻟﻣﺳﺭﺣﻳﺔ‬

‫ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻭﻥ "ﻳﻣ ّﺛﻠﻭﻥ" ﺍﻟﻭﺣﺩﺓ ﺑﻳﻥ ﺍﻟﺿﻔﺔ ﻭﻏﺯﺓ ﻓﻲ "ﺍﻟﺿﻭء ﺍﻷﺳﻭﺩ"‬

‫ﺭﺍﻡ ﷲ )ﺍﻟﺿﻔﺔ ﺍﻟﻐﺭﺑﻳﺔ( ‪ -‬ﺃ ﻑ ﺏ‪:‬‬

‫ﺻﻔﻕ ﺍﻟﺟﻣﻬﻭﺭ ﺑﺣﺭﺍﺭﺓ‪ ،‬ﻣﺳﺎء ﺍﻷﺭﺑﻌﺎء ‪ ،2009-3-11‬ﻟﻣﻣﺛﻠﻳﻥ ﻓﻠﺳﻁﻳﻧﻳﻳﻥ ﻣﺳﺭﺣﻳﻳﻥ ﺟﺳﺩﻭﺍ‬

‫ﺍﻟﻭﺣﺩﺓ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ ﺍﻟﺩﺍﺧﻠﻳﺔ‪ ,‬ﻭﺇﻥ ﻛﺎﻥ ﻋﻠﻰ ﺧﺷﺑﺔ ﺍﻟﻣﺳﺭﺡ ﻓﻘﻁ‪ ,‬ﻣﻥ ﺧﻼﻝ ﻋﻣﻝ ﺣﻣﻝ ﻋﻧﻭﺍﻥ "ﺍﻟﺿﻭء‬
‫ﺍﻷﺳﻭﺩ ‪".‬‬

‫ﻭﻗﺩﻣﺕ ﺍﻟﻣﺳﺭﺣﻳﺔ ﺍﻟﺗﻲ ﺍﺳﺗﻣﺭﺕ ﻧﺣﻭ ﺳﺎﻋﺗﻳﻥ ﻓﻲ ﻗﺻﺭ ﺍﻟﺛﻘﺎﻓﺔ ﺑﺭﺍﻡ ﷲ ﻓﻲ ﺍﻟﺿﻔﺔ ﺍﻟﻐﺭﺑﻳﺔ‪ ،‬ﻭﺍﺳﺗﻌﻣﻝ‬
‫ﺍﻟﻣﻣﺛﻠﻭﻥ ﻣﺟﺳﻣﻳﻥ ﻋﻣﻼﻗﻳﻥ ﻣﻧﻔﺻﻠﻳﻥ ﻣﻥ ﺍﻟﺑﻼﺳﺗﻳﻙ‪ ،‬ﻓﻲ ﺇﺷﺎﺭﺓ ﺍﻟﻰ ﺍﻻﻧﻔﺻﺎﻝ ﺍﻟﻘﺎﺋﻡ ﺑﻳﻥ ﺍﻟﺿﻔﺔ‬
‫ﺍﻟﻐﺭﺑﻳﺔ ﻭﻏﺯﺓ‪ .‬ﻭﺑﺩﺃ ﺍﻟﻣﻣﺛﻠﻭﻥ ﻣﻥ ﺩﺍﺧﻝ ﺍﻟﻣﺟﺳﻣﻳﻥ ﺍﻻﻗﺗﺭﺍﺏ ﺷﻳﺋﺎ ً ﻓﺷﻳﺋﺎ ً‪ ,‬ﻋﻠﻰ ﺇﻳﻘﺎﻉ ﺍﻟﻣﻭﺳﻳﻘﻰ‬
‫ﻭﺍﻟﻐﻧﺎء‪ ,‬ﺣﺗﻰ ﺃﺻﺑﺢ ﺍﻟﺟﺯﺁﻥ ﻣﺟﺳﻣﺎ ً ﻭﺍﺣﺩﺍً‪ .‬ﻭﻓﻲ ﺍﻟﻭﻗﺕ‪ ،‬ﺫﺍﺗﻪ ﺟﻣﻊ ﻣﻣﺛﻠﻭﻥ ﺁﺧﺭﻭﻥ ﺭﺍﻳﺎﺕ ﻣﺧﺗﻠﻔﺔ‬
‫ﺍﻻﻟﻭﺍﻥ ﻓﻲ ﺭﺍﻳﺔ ﻭﺍﺣﺩﺓ‪ ,‬ﻓﻲ ﺍﺷﺎﺭﺓ ﺍﻟﻰ ﺍﻟﺭﻏﺑﺔ ﻓﻲ ﻭﺣﺩﺓ ﻏﺯﺓ ﻭﺍﻟﺿﻔﺔ ﻭﺍﻟﻔﺻﺎﺋﻝ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ‪.‬‬

‫ﻭﻭﻗﻑ ﺍﻟﺟﻣﻬﻭﺭ ﺍﻟﺫﻱ ﻏﺻﺕ ﺑﻪ ﻗﺎﻋﺔ ﻗﺻﺭ ﺍﻟﺛﻘﺎﻓﺔ ﻋﻧﺩ ﻫﺫﺍ ﺍﻟﻣﺷﻬﺩ ﺍﻻﺧﻳﺭ‪ ,‬ﻭﺃﺧﺫ ﺑﺎﻟﺗﺻﻔﻳﻕ ﺍﻟﺣﺎﺩ‬
‫ﺗﺄﻛﻳﺩﺍً ﻣﻧﻪ ﻋﻠﻰ ﺍﻟﺭﺳﺎﻟﺔ ﺍﻟﺗﻲ ﺣﻣﻠﺗﻬﺎ ﺍﻟﻣﺳﺭﺣﻳﺔ ‪.‬‬

‫ﻭﺟﺳﺩ ‪ 25‬ﻣﻣﺛﻼً‪ ,‬ﺑﻳﻧﻬﻡ ‪ 4‬ﺍﻁﻔﺎﻝ‪ ,‬ﻣﻥ ﺧﻼﻝ ﺃﺩﺍء ﺻﺎﻣﺕ ﻓﻲ ﺍﻟﻐﺎﻟﺏ‪ ,‬ﺭﺍﻓﻘﺗﻪ ﻣﻭﺳﻳﻘﻰ ﻭﺃﻏﺎﻥ ﺧﺎﺻﺔ‬
‫ﻭﺻﻭﺭ ﻣﺗﺣﺭﻛﺔ‪ ,‬ﺣﺎﻝ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻳﻥ ﻓﻲ ﻗﻁﺎﻉ ﻏﺯﺓ‪ ,‬ﻣﻥ ﺍﻟﺣﺻﺎﺭ ﺍﻟﻰ ﺍﻻﻗﺗﺗﺎﻝ ﺍﻟﺩﺍﺧﻠﻲ ﻭﺻﻭﻻً ﺍﻟﻰ‬
‫ﺣﺎﻟﺔ ﺍﻟﺗﺷﺭﺩ ﺍﻟﺗﻲ ﻳﻌﻳﺷﻬﺎ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻭﻥ ﻧﺗﻳﺟﺔ ﺍﻟﺩﻣﺎﺭ ﺍﻟﺫﻱ ﺧﻠﻔﺗﻪ ﺍﻟﺣﺭﺏ ‪.‬‬

‫ﻭﻗﺎﻝ ﻛﺎﺗﺏ ﺍﻟﺳﻳﻧﺎﺭﻳﻭ ﻭﻣﺧﺭﺝ ﺍﻟﻌﻣﻝ ﺍﻟﻣﺳﺭﺣﻲ ﻓﺗﺣﻲ ﻋﺑﺩﺍﻟﺭﺣﻣﻥ "ﻫﺫﺍ ﺍﻟﻌﻣﻝ ﺍﻟﻣﺳﺭﺣﻲ ﺻﺭﺧﺔ ﺿﺩ‬
‫ﺍﻟﻘﺗﻝ ﻟﻣﺟﺎﻧﻲ ﻭﺻﺭﺧﺔ ﻣﻥ ﺍﺟﻝ ﺍﻟﻭﺣﺩﺓ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ"‪ .‬ﻭﺃﺿﺎﻑ "ﻫﻧﺎﻙ ﻭﺳﺎﺋﻝ ﻛﺛﻳﺭﺓ ﻻﻳﺻﺎﻝ ﺍﻟﻔﻛﺭﺓ‪,‬‬
‫ﺧﺎﺻﺔ ﺃﻥ ﻣﻁﻠﺏ ﺍﻟﻭﺣﺩﺓ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ ﻓﻲ ﺩﺍﺧﻝ ﻛﻝ ﻓﻠﺳﻁﻳﻧﻲ‪ ,‬ﻭﻳﺗﻡ ﺍﻟﺗﻌﺑﻳﺭ ﻋﻧﻪ ﺑﻁﺭﻕ ﻣﺧﺗﻠﻔﺔ‪".‬‬

‫ﻭﻛﺗﺏ ﻣﺅﻟﻑ ﺍﻟﻣﺳﺭﺣﻳﺔ ﻭﻣﺧﺭﺟﻬﺎ ﻓﻲ ﺗﻘﺩﻳﻣﻪ ﻟﻠﻣﺳﺭﺣﻳﺔ ﺃﻥ ﻫﺫﻩ ﺍﻟﺗﺟﺭﺑﺔ ﺟﺎءﺕ "ﻛﻲ ﻻ ﻧﻧﺳﻰ ﻭﻻ‬
‫ﻧﻐﻔﺭ‪ ,‬ﻛﻲ ﻧﺟﻌﻝ ﻟﻭﺟﻭﺩﻧﺎ ﻣﻌﻧﻰ ﻭﺩﻭﺭﺍً‪ ,‬ﻛﻲ ﺗﺳﺎﻋﺩﻧﺎ ﻋﻠﻰ ﺍﻟﺧﺭﻭﺝ ﻣﻥ ﻋﺗﻣﺔ ﺍﻻﺣﺑﺎﻁ ﻭﺍﻟﻳﺄﺱ ﺍﻟﻰ ﺍﻣﻝ‬
‫ﻳﻭﺣﺩﻧﺎ ﻭﻳﻘﻭﻳﻧﺎ ﻭﻳﻧﻳﺭ ﺃﺭﻭﺍﺣﻧﺎ ﺑﺎﻟﺻﻣﻭﺩ ﻭﺍﻟﻭﺣﺩﺓ ‪".‬‬

‫ﻣﻥ ﺟﺎﻧﺑﻬﺎ ﻗﺎﻟﺕ ﻣﻳﺳﺎ ﻋﺯ‪ ,‬ﺍﺣﺩﻯ ﺍﻟﻣﺷﺎﺭﻛﺎﺕ ﻓﻲ ﺍﻟﺗﻣﺛﻳﻝ‪ ,‬ﻋﻘﺏ ﺍﻧﺗﻬﺎء ﺍﻟﻣﺳﺭﺣﻳﺔ "ﺃﻋﺗﻘﺩ ﺃﻥ ﻣﺩﻯ‬
‫ﺗﻔﺎﻋﻝ ﺍﻟﺟﻣﻬﻭﺭ ﺍﻟﻛﺑﻳﺭ ﻣﻌﻧﺎ ﺍﻟﻳﻭﻡ‪ ,‬ﺍﻧﻣﺎ ﻫﻭ ﺩﻻﻟﺔ ﻋﻠﻰ ﺍﻧﻧﺎ ﻧﺟﺣﻧﺎ ﻓﻲ ﺗﺟﺳﻳﺩ ﺷﻬﺭﻳﻥ ﻣﻥ ﺍﻟﻌﻣﻝ‬
‫ﻭﺍﻟﺗﺩﺭﻳﺏ ﺍﻟﻣﺗﻭﺍﺻﻝ ﻟﻧﻧﺟﺢ ﻓﻲ ﺍﻳﺻﺎﻝ ﺭﺳﺎﻟﺗﻧﺎ"‪ .‬ﻭﺃﺿﺎﻓﺕ "ﺍﻟﻣﺳﺭﺣﻳﺔ ﺭﺳﺎﻟﺔ ﻭﺻﺭﺧﺔ ﻻﻟﺗﺋﺎﻡ ﺍﻟﺟﺭﺡ‬
‫ﺍﻟﻔﻠﺳﻁﻳﻧﻲ‪ ,‬ﺍﻟﺫﻱ ﻭﺳﻌﺗﻪ ﺍﻟﺧﻼﻓﺎﺕ ‪".‬‬
‫ﻭﺍﻟﻣﺷﺎﺭﻛﻭﻥ ﻓﻲ ﺍﻟﻌﻣﻝ ﺍﻟﻣﺳﺭﺣﻲ ﻫﻡ ﺍﻋﺿﺎء ﻓﺭﻗﺔ ﺍﻟﻣﺳﺭﺡ ﺍﻟﺷﻌﺑﻲ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﺍﻟﺗﻲ ﺗﺄﺳﺳﺕ ﻓﻲ ﻋﺎﻡ‬
‫‪. 1991‬‬

‫ﻭﺗﻔﺎﻋﻝ ﺍﻟﺟﻣﻬﻭﺭ ﻣﻊ ﻣﺷﻬﺩ ﺁﺧﺭ ﺟﺳﺩﻩ ﺍﻟﻣﺳﺭﺣﻳﻭﻥ ﻋﻥ ﺣﺎﻝ ﺍﻟﻼﺟﺋﻳﻥ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻳﻥ ﻓﻲ ﻏﺯﺓ‪ ،‬ﻭﻫﻡ‬
‫ﻳﺗﻭﺍﻓﺩﻭﻥ ﻋﻠﻰ ﻣﺭﺍﻛﺯ ﺗﻭﺯﻳﻊ ﺍﻟﻣﺳﺎﻋﺩﺍﺕ ﻋﻘﺏ ﺍﻟﺩﻣﺎﺭ ﺍﻟﺫﻱ ﺣﻝ ﻓﻲ ﻏﺯﺓ‪ .‬ﻭﺭﺍﻓﻘﺕ ﺍﻟﻣﺷﻬﺩ ﺃﻏﺎﻥ ﻣﻥ‬
‫ﻛﻠﻣﺎﺕ ﺍﻟﺷﺎﻋﺭ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ ﺍﺣﻣﺩ ﺩﺣﺑﻭﺭ ﻭﻣﻭﺳﻳﻘﻰ ﻭﻟﻳﺩ ﺍﻟﻬﺷﻳﻡ‪ ,‬ﻭﺗﻘﻭﻝ ﻛﻠﻣﺎﺕ ﺇﺣﺩﻯ ﺍﻷﻏﺎﻧﻲ‬
‫"ﻋﺎﻟﺑﻛﺟﺔ ﺻﺭﻧﺎ ﻓﺭﺟﺔ ﻭﻓﺿﻳﺣﺔ ﻭﻋﻠﻳﻬﺎ ﺷﻬﻭﺩ )‪ (..‬ﺻﺭﻧﺎ ﻧﻘﺭﺃ ﻭﻧﺗﻬﺟﺎ ﻋﻠﻰ ﺍﻟﺑﻛﺟﺔ ﺷﻭ ﻣﻛﺗﻭﺏ"‪،‬‬
‫ﻓﻲ ﺍﺷﺎﺭﺓ ﺍﻟﻰ ﺍﻟﻣﺳﺎﻋﺩﺍﺕ ﺍﻟﻌﻳﻧﻳﺔ ﺍﻷﺟﻧﺑﻳﺔ ‪.‬‬

‫ﻭﺍﺧﺗﺎﺭ ﻛﺎﺗﺏ ﺍﻟﺳﻳﻧﺎﺭﻳﻭ "ﺍﻟﺿﻭء ﺍﻻﺳﻭﺩ" ﻋﻧﻭﺍﻧﺎ ً ﻟﻌﻣﻠﻪ‪ ,‬ﻓﻲ ﺇﺷﺎﺭﺓ ﺇﻟﻰ ﺇﻥ ﺍﻟﺿﻭء ﺍﻷﺳﻭﺩ "ﻗﺭﻳﻧﺎ‬
‫ﻟﻠﻣﻭﺕ ﻭﺍﻟﻬﻼﻙ"‪ .‬ﻭﻗﺎﻝ ﺍﻟﻣﺅﻟﻑ ﻓﻲ ﺗﻘﺩﻳﻣﻪ ﻟﻠﻣﺳﺭﺣﻳﺔ "ﺍﻟﺿﻭء ﺍﻻﺳﻭﺩ ﻻ ﻳﻛﻭﻥ ﺍﺳﻭﺩ ﺇﻻ ﺇﺫﺍ ﻛﺎﻥ ﻣﻥ‬
‫ﺻﻧﻊ ﻣﻥ ﺿﺭﺑﺕ ﻗﻠﻭﺑﻬﻡ ﻭﺗﻌﻔﻧﺕ ﻋﻘﻭﻟﻬﻡ"‪ .‬ﻭﻳﻅﻬﺭ ﺍﻟﻣﺳﺭﺣﻳﻭﻥ ﻓﻲ ﻋﻣﻠﻬﻡ ﻣﺷﻬﺩﺍً ﻟﻠﺿﻭء ﺍﻵﺧﺭ‬
‫ﺍﻟﻣﻧﺎﻗﺽ ﻟﻠﺳﻭﺩﺍﻭﻳﺔ‪ ,‬ﺍﻟﺫﻱ ﻳﺣﻣﻝ ﺷﻌﻠﺗﻪ‪ ,‬ﻛﻣﺎ ﺃﺷﺎﺭ ﺍﻟﻣﺅﻟﻑ "ﺍﻟﺿﺣﺎﻳﺎ ﺍﻟﻣﺳﺗﺿﻌﻔﻭﻥ ﺍﻟﺫﻳﻥ ﺗﺻﺎﺩﺭ‬
‫ﺣﻳﺎﺗﻬﻡ ﻭﺩﻣﺎﺅﻫﻡ ﻭﻛﻝ ﻣﺎ ﻳﻣﻠﻛﻭﻥ‪ ,‬ﻭﻻ ﻳﺗﻭﻗﻔﻭﻥ ﻋﻥ ﺍﻟﺣﻠﻡ ﻭﺍﻷﻣﻝ ‪".‬‬

‫ﻭﺗﺎﺑﻊ "ﻳﺣﻣﻝ ﺷﻌﻠﺗﻪ ﻛﻝ ﻣﻥ ◌ُ ﻳﻌﺭّ ﻱ ﻭﻳﻔﺿﺢ ﻓﺳﺎﺩ ﺗﺟﺎﺭ ﺍﻟﺳﻼﺡ ﻭﺗﺟﺎﺭ ﺍﻟﺣﺭﻭﺏ‪ ,‬ﻭﺗﺟﺎﺭ‬
‫ﺍﻻﻳﺩﻳﻭﻟﻭﺟﻳﺎﺕ ﺍﻟﻣﺗﻌﺻﺑﺔ ﻭﺍﻟﻌﻧﺻﺭﻳﺔ‪ ,‬ﻛﻝ ﻣﻥ ﻳﻘﺎﺗﻝ ﻣﻥ ﺍﺟﻝ ﺍﻟﺣﻘﻳﻘﺔ ﻭﺍﻟﺣﺏ ﻭﺍﻟﺟﻣﺎﻝ ﻭﻛﺭﺍﻣﺔ‬
‫ﺍﻹﻧﺳﺎﻥ‪".‬‬

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 ‫ﺍﻟﻁﻔﻝ ﻣﻬﻧﺩ ‪ ..‬ﺣﺫﺍﺅﻩ ﺍﻟﻣﺿﺭﺝ ﺑﺎﻟﺩﻣﺎء ﺷﺎﻫﺩ ﻋﻠﻰ ﺟﺭﺍﺋﻡ ﺍﻻﺣﺗﻼﻝ‬

‫ﻏﺯﺓ ـ ﻣﺣﺳﻥ ﺍﻹﻓﺭﻧﺟﻲ‪:‬‬

‫ﺣﺫﺍء ﺻﻐﻳﺭ ﻭ ﺑﻌﺽ ﺍﻟﺣﺎﺟﻳﺎﺕ ﻭ ﻗﻁﻊ ﻣﻼﺑﺱ ﻣﻣﺯﻗﺔ‪...‬ﻫﻲ ﺟﻣﻠﺔ ﻣﺎ ﺗﺑﻘﻲ ﻣﻥ ﺣﺎﺟﻳﺎﺕ ﺍﻟﻁﻔﻝ‬
‫ﺍﻟﺻﻐﻳﺭ " ﻣﻬﻧﺩ " ﺍﺑﻥ ﺍﻷﺭﺑﻊ ﺃﻋﻭﺍﻡ ﺍﻟﺫﻱ ﺳﻘﻁ ﻣﺿﺭﺟﺎ ﺑﺩﻣﺎﺋﻪ ﻣﺳﺎء ﺃﻣﺱ ﻭ ﻫﻭ ﻓﻲ ﺣﺿﻥ ﺃﻣﻪ ﻭ‬
‫ﺑﺟﻭﺍﺭ ﺟﺩﺗﻪ ﺣﻳﺙ ﺍﺳﺗﺷﻬﺩ ﺛﻼﺛﺗﻬﻡ ﻓﻲ ﺟﺭﻳﻣﺔ ﺍﻏﺗﻳﺎﻝ ﺇﺳﺭﺍﺋﻳﻠﻳﺔ ﻷﺣﺩ ﻗﺎﺩﺓ ﺳﺭﺍﻳﺎ ﺍﻟﻘﺩﺱ ﻓﻲ ﺣﻲ ﺗﻝ‬
‫ﺍﻟﻬﻭﻯ ﺑﻣﺩﻳﻧﺔ ﻏﺯﺓ‪.‬‬

‫ﻭ ﻏﻁﺕ ﺑﺭﻙ ﺍﻟﺩﻣﺎء ﺍﻟﺣﻣﺭﺍء ﺳﻳﺎﺭﺓ "ﺍﻟﻣﻳﺗﺳﻭﺑﻳﺷﻲ" ﺍﻟﺑﻳﺿﺎء ﺍﻟﻠﻭﻥ ﺍﻟﺗﻲ ﻣﺯﻗﻬﺎ ﺻﺎﺭﻭﺥ ﺃﻁﻠﻘﺗﻪ‬
‫ﻁﺎﺋﺭﺓ ﺍﺳﺗﻁﻼﻉ ﺇﺳﺭﺍﺋﻳﻠﻳﺔ ﻓﻲ ﺷﺎﺭﻉ ﺍﻟﺻﻧﺎﻋﺔ ﺑﻐﺯﺓ ﺑﺟﻭﺍﺭ ﻣﺑﻧﻰ ﻣﺣﺎﻓﻅﺔ ﻏﺯﺓ‪.‬‬

‫ﺍﻟﻁﻔﻝ ﺍﻟﺷﻬﻳﺩ ﻣﻬﻧﺩ ﺃﻣﻥ ﻭﻭﺍﻟﺩﺗﻪ ﻧﻌﻳﻣﺔ ﺃﻣﻥ"‪ 25‬ﻋﺎﻣﺎ " ﻭ ﺟﺩﺓ ﺍﻟﻁﻔﻝ ﺣﻧﺎﻥ ﺃﻣﻥ " ‪ 45‬ﻋﺎﻣﺎ " ﻭﻭﺍﻟﺩ‬
‫ﺍﻟﻁﻔﻝ ﻭ ﺷﻘﻳﻘﻪ ﻛﺎﻧﻭﺍ ﻳﻣﺭﻭﻥ ﺑﺳﻳﺎﺭﺗﻬﻡ ﻋﻧﺩﻣﺎ ﺍﺳﺗﻬﺩﻓﺕ ﻁﺎﺋﺭﺓ ﺍﻻﺳﺗﻁﻼﻉ ﺳﻳﺎﺭﺓ ﺍﻟﻘﺎﺋﺩ ﻣﺣﻣﺩ ﺍﻟﺩﺣﺩﻭﺡ‬
‫ﻓﺎﺳﺗﺷﻬﺩ ﺛﻼﺛﺗﻬﻡ ﻋﻠﻰ ﺍﻟﻔﻭﺭ ﻭ ﺃﺻﻳﺏ ﺍﻟﻭﺍﻟﺩ ﻭ ﺃﺭﺑﻌﺔ ﺁﺧﺭﻳﻥ ﻣﻥ ﻧﻔﺱ ﺍﻟﻌﺎﺋﻠﺔ ﺑﺟﺭﺍﺡ ﻣﺧﺗﻠﻔﺔ‪.‬‬

‫ﻭ ﻗﺎﻝ ﺃﺣﺩ ﺷﻬﻭﺩ ﺍﻟﻌﻳﺎﻥ ﺍﻟﺫﻱ ﻛﺎﻥ ﻣﺗﻭﺍﺟﺩﺍ ﻟﺩﻯ ﻭﻗﻭﻉ ﺟﺭﻳﻣﺔ ﺍﻻﻏﺗﻳﺎﻝ‪ :‬ﻛﺎﻧﺕ ﺍﻟﺳﻳﺎﺭﺓ ﺍﻟﺑﻳﺿﺎء ﺍﻟﺗﻲ‬
‫ﺗﻘﻝ ﺃﺳﺭﺓ ﺑﺄﻛﻣﻠﻬﺎ ﺗﺳﻳﺭ ﻓﻲ ﺍﺗﺟﺎﻩ ﻣﻌﺎﻛﺱ ﻟﺳﻳﺎﺭﺓ ﺍﻟﻣﺎﺟﻧﻭﻡ ﺍﻟﺗﻲ ﻳﺳﺗﻘﻠﻬﺎ ﺃﺣﺩ ﻗﺎﺩﺓ ﺍﻟﻣﻘﺎﻭﻣﺔ ﺍﻟﻣﺳﺗﻬﺩﻓﻳﻥ‬
‫ﻭ ﻣﺎ ﺃﻥ ﺍﻗﺗﺭﺑﺗﺎ ﻣﻥ ﺑﻌﺿﻬﻣﺎ ﺣﺗﻰ ﺗﻁﺎﻳﺭﺕ ﺍﻷﺷﻼء ﻭ ﺍﺳﺗﻣﺭﺕ ﺍﻟﺳﻳﺎﺭﺗﺎﻥ ﺗﺳﻳﺭﺍﻥ ﺩﻭﻥ ﺗﻭﻗﻑ ﺑﻔﻌﻝ‬
‫ﻗﻭﺓ ﺍﻟﺿﺭﺑﺔ‪.‬‬

‫ﺍﻟﺷﺎﺏ ﺃﺣﻣﺩ ﺍﻟﺫﻱ ﻛﺎﻥ ﻣﺗﻭﺍﺟﺩﺍ ﻓﻲ ﻣﻁﻌﻡ ﻗﺭﺏ ﻣﻛﺎﻥ ﻭﻗﻭﻉ ﺍﻟﺟﺭﻳﻣﺔ ﻗﺎﻝ‪ :‬ﺑﻌﺩ ﺍﻟﺻﺎﺭﻭﺥ ﺍﻟﺫﻱ ﺃﺻﺎﺏ‬
‫ﻣﺑﺎﺷﺭﺓ ﺳﻳﺎﺭﺓ ﺍﻟﺟﻳﺏ ﻧﻅﺭﺕ ﻓﻭﺟﺩﺕ ﺳﻳﺎﺭﺓ ﺃﺧﺭﻯ ﺗﺳﻳﺭ ﻭ ﺗﺳﻳﻝ ﻣﻧﻬﺎ ﺍﻟﺩﻣﺎء ﻭ ﺗﺻﺩﺭ ﻋﻧﻬﺎ ﺻﻭﺕ‬
‫ﺍﺳﺗﻐﺎﺛﺔ‪.‬‬

‫ﻭ ﻳﺗﺎﺑﻊ‪ :‬ﺗﺩﺍﻓﻌﺕ ﻣﻊ ﺑﻌﺽ ﺍﻟﺷﺑﺎﻥ ﻓﺭﺃﻳﻧﺎ ﻣﺷﺎﻫﺩ ﻣﺭﻭﻋﺔ ﺣﻳﺙ ﺃﻁﻔﺎﻝ ﻭ ﻧﺳﺎء ﻣﺎ ﺑﻳﻥ ﺷﻬﺩﺍء ﻭ ﺟﺭﺣﻰ‬
‫ﻭ ﻗﺩ ﺍﺭﺗﻣﻭﺍ ﻓﻲ ﺃﺣﺿﺎﻥ ﺑﻌﺿﻬﻡ‪..‬ﺇﻧﻪ ﻣﻧﻅﺭ ﻻ ﻳﻣﻛﻥ ﺍﺣﺗﻣﺎﻟﻪ‪..!".‬‬

‫ﻭﻗﺎﻝ ﺧﺎﻟﺩ ﺭﺍﺿﻲ ﺍﻟﻣﺗﺣﺩﺙ ﺑﺎﺳﻡ ﻭﺯﺍﺭﺓ ﺍﻟﺻﺣﺔ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ ﻓﻲ ﺍﺗﺻﺎﻝ ﻫﺎﺗﻔﻲ ﻣﻊ ﻭﻛﺎﻟﺔ ﺃﻧﺑﺎء ﺭﺍﻣﺗﺎﻥ‪:‬‬
‫ﺇﻥ ﻣﻥ ﺑﻳﻥ ﺍﻟﺷﻬﺩﺍء ﺍﻷﺭﺑﻌﺔ ﺛﻼﺛﺔ ﻣﻥ ﻋﺎﺋﻠﺔ ﻭﺍﺣﺩﺓ ﻭﻫﻡ ﻁﻔﻝ ﻭﺃﻣﻪ ﻭﺟﺩﺗﻪ ﻛﺎﻧﻭﺍ ﻓﻲ ﺳﻳﺎﺭﺓ ﻛﺎﻧﺕ ﺗﺳﻳﺭ‬
‫ﺑﺎﻟﻘﺭﺏ ﻣﻥ ﺍﻟﺳﻳﺎﺭﺓ ﺍﻟﺗﻲ ﺍﺳﺗﻬﺩﻓﺕ ﻓﻲ ﺍﻟﺷﺎﺭﻉ ﺍﻟﻣﻘﺎﺑﻝ ﻟﻣﻘﺭ ﺍﻷﻣﻡ ﺍﻟﻣﺗﺣﺩﺓ ﻓﻲ ﻣﺩﻳﻧﺔ ﻏﺯﺓ‪.‬‬

‫ﻣﺷﻬﺩ ﺟﺭﻳﻣﺔ ﺍﻻﻏﺗﻳﺎﻝ ﻓﻲ ﺣﻲ ﺗﻝ ﺍﻟﻬﻭﻯ ﺍﻟﺫﻱ ﺗﻌﺭﺽ ﻣﺅﺧﺭﺍً ﻟﻠﻌﺩﻳﺩ ﻣﻥ ﻋﻣﻠﻳﺎﺕ ﺍﻻﻏﺗﻳﺎﻝ ﺑﻭﺍﺳﻁﺔ‬
‫ﻁﺎﺋﺭﺓ ﺍﻻﺳﺗﻁﻼﻉ ﻛﺎﻥ ﺁﺧﺭﻫﺎ ﺍﺳﺗﺷﻬﺎﺩ ﺳﺗﺔ ﻣﻥ ﺃﻋﺿﺎء ﻟﺟﺎﻥ ﺍﻟﻣﻘﺎﻭﻣﺔ ﺍﻟﺷﻌﺑﻳﺔ ﺍﻟﺗﺎﺑﻌﺔ ﻷﻟﻭﻳﺔ ﺍﻟﻧﺎﺻﺭ‬
‫ﺻﻼﺡ ﺍﻟﺩﻳﻥ ﻗﺑﻝ ﺃﻗﻝ ﻣﻥ ﺷﻬﺭ ﺗﻛﺭﺭ ﺃﻛﺛﺭ ﻣﻥ ﻣﺭﺓ ﻓﻲ ﻏﺿﻭﻥ ﻓﺗﺭﺓ ﺯﻣﻧﻳﺔ ﺑﺳﻳﻁﺔ‪.‬‬
‫ﻭﺳﺎﺩﺕ ﺣﺎﻟﺔ ﻣﻥ ﺍﻟﻐﺿﺏ ﻭﺍﻻﺳﺗﻳﺎء ﺻﻔﻭﻑ ﺍﻟﻣﻭﺍﻁﻧﻳﻥ ﺍﻟﺫﻳﻥ ﺗﺟﻣﻬﺭﻭﺍ ﻓﻲ ﻣﻛﺎﻥ ﺍﻻﻏﺗﻳﺎﻝ ﻭ ﻓﻲ‬
‫ﺳﺎﺣﺔ ﻣﺷﻔﻰ ﺍﻟﺷﻔﺎء ﺑﻐﺯﺓ ﻣﻧﺩﺩﻳﻥ ﺑﺎﻟﺟﺭﻳﻣﺔ ﺍﻹﺳﺭﺍﺋﻳﻠﻳﺔ‪.‬‬

‫ﻭ ﻗﺎﻝ ﺃﺑﻭ ﺃﺣﻣﺩ ﺍﻟﺫﻱ ﻳﺑﻠﻎ ﺧﻣﺳﻳﻥ ﻋﺎﻣﺎ‪ " :‬ﻫﺫﺍ ﻗﺩﺭﻧﺎ ﻭ ﻣﻧﺫ ﻳﻭﻣﻳﻥ ﻭ ﻧﺣﻥ ﻧﺗﻭﻗﻊ ﺷﻳﺋﺎ ﻣﻥ ﻫﺫﺍ ﺍﻟﻘﺑﻳﻝ‬
‫ﻷﻥ ﺍﻟﻁﺎﺋﺭﺓ ﺗﺣﺭﻣﻧﺎ ﻣﻥ ﻣﺗﺎﺑﻌﺔ ﺍﻷﺧﺑﺎﺭ ﺑﺳﺑﺏ ﺗﺷﻭﻳﺷﻬﺎ ﻋﻠﻰ ﺍﻷﻗﻣﺎﺭ ﺍﻟﺻﻧﺎﻋﻳﺔ ﺑﺻﻭﺭﺓ ﻛﺑﻳﺭﺓ‪".‬‬

‫ﻭ ﺑﺩﺍ ﺍﻟﺗﺄﺛﺭ ﺍﻟﺷﺩﻳﺩ ﻋﻠﻳﻪ ﺑﻌﺩ ﺃﻥ ﺷﺎﻫﺩ ﺍﻟﺳﻳﺎﺭﺓ ﺍﻟﺗﻲ ﻛﺎﻧﺕ ﺗﻘﻝ ﺍﻟﻁﻔﻝ ﻣﻬﻧﺩ ﻭ ﺃﻣﻪ ﻭ ﺟﺩﺗﻪ ﻭ ﻋﺎﺋﻠﺗﻪ ﻭ‬
‫ﻗﺎﻝ ﻭ ﺍﻟﺩﻣﻌﺔ ﺗﺣﺗﺑﺱ ﺑﺎﻟﻛﺎﺩ ﻓﻲ ﻣﻘﻠﺗﻳﻪ‪ " :‬ﻣﺎ ﺫﻧﺏ ﻫﺫﺍ ﺍﻟﻁﻔﻝ ﺍﻟﺫﻱ ﻟﻡ ﻳﺭ ﺷﻲء ﺑﻌﺩ ﻣﻥ ﻁﻔﻭﻟﺗﻪ ﻭ ﻣﺎ‬
‫ﺫﻧﺏ ﺍﻟﻧﺳﺎء ﻭ ﻣﺎ ﺫﻧﺑﻧﺎ ﺟﻣﻳﻌﺎ ﺃﺑﻧﺎء ﺍﻟﺷﻌﺏ ﺍﻟﻔﻠﺳﻁﻳﻧﻲ‪".‬‬

‫ﻭ ﻭﻭﺟﻪ ﺃﺑﻭ ﺃﺣﻣﺩ ﻧﺩﺍءﻩ ﻟﻘﻭﻯ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﺔ ﺍﻟﻣﺗﺻﺎﺭﻋﺔ ﻟﺗﻭﺣﻳﺩ ﺻﻔﻬﺎ ﻧﺣﻭ ﻣﻘﺎﺗﻠﺔ ﻗﻭﺍﺕ ﺍﻻﺣﺗﻼﻝ ﻓﻘﻁ‪..‬‬

‫ﺍﻟﻁﻔﻝ ﺍﻟﺷﻬﻳﺩ ﻣﻬﻧﺩ ﺭﺣﻝ ﻣﻊ ﺑﺎﻗﻲ ﺃﻓﺭﺍﺩ ﺃﺳﺭﺗﻪ ﻭ ﺑﻘﻲ ﺣﺫﺍﺅﻩ ﺷﺎﻫﺩﺍ ﻋﻠﻰ ﻓﺩﺍﺣﺔ ﺟﺭﺍﺋﻡ ﺍﻻﺣﺗﻼﻝ ﺍﻟﺗﻲ‬
‫ﻻ ﺗﻔﺭﻕ ﺑﻳﻥ ﻁﻔﻝ ﻭ ﺍﻣﺭﺃﺓ ﻭ ﺷﻳﺦ ﻭ ﺷﺎﺏ‪.‬‬

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 ‫ﻭﺍﻟﺩﻫﺎ ﻣﻌﺗﻘﻝ ﻣﻧﺫ ‪ 20‬ﻋﺎﻣﺎ ً‬

‫ﺃﺳﻣﺎء‪ ..‬ﺩﻣﻭﻉ ﺍﻟﺣﻧﻳﻥ ﺗﺑﻛﻲ ﺍﻟﺣﺎﺿﺭﻳﻥ‬

‫ﺍﻟﺛﻼﺛﺎء‪ 16 ,‬ﺃﻏﺳﻁﺱ‪2011 ,‬‬

‫ﻏﺯﺓ‪ /‬ﻓﻠﺳﻁﻳﻥ ﺍﻵﻥ‪:‬‬

‫ﺗﻠﻘﺕ ﺃﺳﻣﺎء "‪ 20‬ﻋﺎﻣﺎ" ﺩﻋﻭﺓ ﺧﺎﺻﺔ ﻟﺣﺿﻭﺭ ﺣﻔﻝ ﺗﻛﺭﻳﻡ ﻷﻫﺎﻟﻲ ﺍﻷﺳﺭﻯ ﻓﻲ ﺳﺟﻭﻥ ﺍﻻﺣﺗﻼﻝ‬
‫ﺍﻟﺻﻬﻳﻭﻧﻲ‪ ،‬ﻗﺭﺃﺕ ﺑﻁﺎﻗﺔ ﺍﻟﺩﻋﻭﺓ ﺩﻣﻌﺕ ﻋﻳﻧﺎﻫﺎ‪ ،‬ﺗﺫﻛﺭﺕ ﻭﺍﻟﺩﻫﺎ "ﺑﺳﻳﻡ ﺍﻟﻛﺭﺩ" ﺍﻟﺫﻱ ﺩﺧﻝ ﻓﻲ ﺍﻟﻌﺎﻡ ‪20‬‬
‫ﻓﻲ ﻏﻳﺎﻫﺏ ﺍﻟﺳﺟﻭﻥ‪ ،‬ﻭﻛﻳﻑ ﻻ ﺗﺩﻣﻊ ﻭﻫﻲ ﺍﻟﺗﻲ ﻟﻡ ﺗﺭﻩ ﻁﻭﺍﻝ ﺗﻠﻙ ﺍﻟﺳﻧﻳﻥ ﺍﻟﻌﺻﻳﺑﺔ‪ ،‬ﺑﻝ ﻭﻗﺩ ﻓﺎﺭﻗﻬﺎ‬
‫ﻭﻫﻲ ﻓﻲ ﺍﻟﻣﻬﺩ‪.‬‬

‫ﻓﻲ ﻳﻭﻡ ﺍﻟﺣﻔﻝ ﺍﻟﺗﻛﺭﻳﻣﻲ ﻷﻫﺎﻟﻲ ﺍﻷﺳﺭﻯ‪ ،‬ﺟﻠﺳﺕ ﺃﺳﻣﺎء ﻓﻲ ﺃﺣﺩ ﺍﻟﻣﻘﺎﻋﺩ‪ ،‬ﺗﻧﺗﻅﺭ ﺃﻥ ﻳﻘﺩﻡ ﻋﺭﻳﻑ‬
‫ﺍﻟﺣﻔﻝ ﻛﻠﻣﺔ ﺃﺑﻧﺎء ﺍﻷﺳﺭﻯ‪ ،‬ﻷﻧﻬﺎ ﺍﻋﺗﺎﺩﺕ ﺃﻥ ﺗﺗﻛﻠﻡ ﺑﺎﺳﻡ ﺃﺑﻧﺎء ﺍﻷﺳﺭﻯ ﻓﻲ ﻏﺯﺓ‪ ،‬ﻭﺗﻡ ﻣﻧﺣﻬﺎ ﻟﻘﺏ‬
‫ﺍﻟﻧﺎﻁﻘﺔ ﺍﻹﻋﻼﻣﻳﺔ ﺑﺎﺳﻡ ﺃﺑﻧﺎء ﺍﻷﺳﺭﻯ ﻓﻲ ﻏﺯﺓ‪.‬‬

‫ﻭﺑﻳﻧﻣﺎ ﻛﺎﻧﺕ ﺃﺳﻣﺎء ﺗﺣﻠﻕ ﺑﻔﻛﺭﻫﺎ ﺑﻌﻳﺩﺍً ﻧﺣﻭ ﺍﻟﺣﺭﻳﺔ ﻭﻋﻭﺩﺓ ﺃﺑﻳﻬﺎ‪ ،‬ﺳﻣﻌﺕ ﺍﻟﻣﻘﺩﻡ ﻳﻘﻭﻝ‪ ..‬ﺃﻣﺎ ﺍﻵﻥ ﻣﻊ‬
‫ﻛﻠﻣﺔ ﺃﺑﻧﺎء ﺍﻷﺳﺭﻯ ﺍﻷﺑﻁﺎﻝ‪ ..‬ﻓﻠﺗﺗﻔﺿﻝ ﺍﻟﻧﺎﻁﻘﺔ ﺍﻹﻋﻼﻣﻳﺔ ﺑﺎﺳﻡ ﺃﺑﻧﺎء ﺍﻷﺳﺭﻯ‪ ..‬ﺃﺳﻣﺎء ﺑﺳﻳﻡ ﺍﻟﻛﺭﺩ‪.‬‬

‫ﺇﻟﻲ‬
‫ﺑﺧﻁﻭﺍﺕ ﺗﻌﺗﺭﻳﻬﺎ ﺍﻟﺟﺭﺃﺓ ﺗﻘﺩﻣﺕ ﺃﺳﻣﺎء‪ ،‬ﺃﻣﺳﻛﺕ ﺑﺎﻟﻣﺎﻳﻛﺭﻭﻓﻭﻥ‪ ،‬ﻭﺻﺭﺧﺕ ﺑﻣﻝء ﻓﻳﻬﺎ‪ ،‬ﺃﺑﻲ ‪ ..‬ﻋﺩ َ‬
‫ﻳﺎ ﺃﺑﻲ ‪ ..‬ﻓﺄﻧﺎ ﻟﻡ ﺃﺭﻙ ﻣﻧﺫ ﺳﻧﻳﻥ‪ ،‬ﻋﺩ ﺇﻟﻲ ﻳﺎ ﺃﺑﻲ ﻓﻌﻳﻧﺎﻱ ﻟﻡ ﺗﻬﺩءﺍ ﻣﻥ ﺍﻟﺑﻛﺎء ﻭﺍﻷﻧﻳﻥ‪ ،‬ﻋﺩ ﺇﻟﻲ ﺃﺑﺗﺎﻩ‬
‫ﺍﻟﻐﺎﻟﻲ ﻓﻘﻠﺑﻲ ﺍﻟﻣﺷﺗﺎﻕ ﻳﺩﻓﻕ ﺩﻣﺎ ً ﺑﻌﺑﺎﺭﺓ ﻣﻛﺗﻭﺏ ﻋﻠﻳﻬﺎ ﺍﺳﻣﻙ ﺑﺳﻳﻡ‪.‬‬

‫ﺃﻭﻗﻑ ﺍﻟﺩﻣ ُﻊ ﺃﺳﻣﺎء ﻋﻥ ﺍﻟﻛﻼﻡ‪ ،‬ﺗﻣﺎﻟﻛﺕ ﻧﻔﺳﻬﺎ ﺛﻡ ﺃﻛﻣﻠﺕ‪ :‬ﻳﺎ ﺃﺑﻲ ﻛﻝ ﻳﻭﻡ ﺃﻧﺗﻅﺭﻙ ﻋﻠﻰ ﺍﻹﻓﻁﺎﺭ ‪..‬‬
‫ﺃﻧﺗﻅﺭ ﻋﻭﺩﺗﻙ ﺃﻳﻬﺎ ﺍﻟﻐﺎﻟﻲ‪ ،‬ﻓﺄﻧﺕ ﻟﻡ ﺗﺣﺗﺿﻧﻲ ﻣﻧﺫ ﺃﻥ ﺃﺗﻳﺕ ﺇﻟﻰ ﻫﺫﻩ ﺍﻟﺩﻧﻳﺎ‪ ،‬ﻣﺎ ﻫﺫﺍ ﺍﻟﻅﻠﻡ ﺃﻳﻬﺎ‬
‫ﻛﻧﺕ ﻭﺃﻧﺎ ﻁﻔﻠﺔ ﺻﻐﻳﺭﺓ ﺃﺳﺄﻝ ﺃﻣﻲ ﻣﺗﻰ ﺳﻳﻌﻭﺩ ﺃﺑﻲ‬ ‫ﺍﻟﻅﺎﻟﻣﻭﻥ‪ ،‬ﻣﺎﺫﺍ ﻓﻌﻠﺗﻡ ﺑﻲ‪ ،‬ﺣﻁﻣﺗﻡ ﻗﻠﺑﻲ ﺍﻟﺻﻐﻳﺭ‪ُ ...‬‬
‫ﻳﺎ ﺃﻣﻲ ‪ ..‬ﺃﺭﻳﺩ ﺃﺑﻲ ‪ ..‬ﻓﺗﺣﺿﻧﻧﻲ ﺑﻘﻭﺓ ﻭﺗﺑﻛﻲ ﺑﻛﺎء ﻣﺭﻳﺭﺍً‪.‬‬

‫ﺃﺑﻲ ﺍﻟﻐﺎﻟﻲ ‪ ..‬ﻋﻳﻧﺎﻱ ﻟﻡ ﻭﻟﻥ ﺗﻳﺄﺳﺎ ﻣﻥ ﺍﻟﺑﻛﺎء ﻳﻭﻣﺎً‪ ، ،‬ﻭﻟﻥ ﺗﺗﻭﻗﻔﺎ ﻋﻥ ﺍﻟﺑﻛﺎء ﺃﺑﺩﺍً‪ ،‬ﻟﻁﺎﻟﻣﺎ ﻫﻧﺎﻙ ﻋﺭﻕ‬
‫ﻳﻧﺑﺽ ﺑﻲ‪ ،‬ﺃﺣﺑﻙ ﺃﺑﻲ ‪ ..‬ﺃﺣﺑﻙ ﺃﺑﻲ ‪ ..‬ﺃﺣﺑﻙ ﺃﺑﻲ‪...‬‬

‫ﺑﻧﺑﺭﺍﺕ ﺍﻟﺣﺯﻥ ﺃﻛﻣﻠﺕ ﺃﺳﻣﺎء ﻗﻭﻟﻬﺎ‪ :‬ﺃﺑﻲ ‪ ..‬ﻛﻝ ﻳﻭﻡ ﺗﻁﻠ ُﻊ ﻓﻳﻪ ﺍﻟﺷﻣﺱُ ﻣﻌﻠﻧﺔ ﻭﻻﺩﺓ ﻳﻭﻡ ﺟﺩﻳﺩ‪ ،‬ﺃﺗﺳﺎءﻝ‬
‫ﻓﻲ ﻧﻔﺳﻲ ‪ ..‬ﻣﺗﻰ ﺳﺗﺷﺭﻕ ﺷﻣﺱ ﺍﻟﺣﺭﻳ ِﺔ ﻭﺗﻌﻭ ُﺩ ﻳﺎ ﺃﺑﻲ ﺇﻟﻳﻧﺎ‪ ،‬ﻓﺄﻣﻲ ﻣﺎ ﺯﺍﻟﺕ ﺻﺎﺑﺭﺓ ﻳﺎ ﺃﺑﻲ ‪ ...‬ﺗﺭﻗﺏ‬
‫ﻋﻭﺩﺗﻙ ﻣﻥ ﺑﻌﻳﺩ ‪ ..‬ﻟﺗﻌﻳﺩ ﻟﻧﺎ ﺍﻟﺑﺳﻣﺔ ﻭﺍﻟﻔﺭﺣﺔ ﺇﻟﻰ ﻗﻠﻭﺑﻧﺎ ‪ ..‬ﻓﺎﻟﺑﻳﺕ ﻻ ﻳﺳﺎﻭﻱ ﺷﻲء ‪ ..‬ﻻ ﻳﺳﺎﻭﻱ ﺷﻲء‬
‫‪ ..‬ﺑﺩﻭﻧﻙ ﺃﻳﻬﺎ ﺍﻟﻐﺎﻟﻲ ‪ ..‬ﻣﺗﻰ ﻳﺎ ﺃﺑﻲ ﺗﻘﺑﻠﻧﻲ ﻭﻟﻭ ﻗﺑﻠﺔ ﻭﺍﺣﺩﺓ ﻛﺑﺎﻗﻲ ﺭﻓﻳﻘﺎﺗﻲ ﺍﻟﺗﻲ ﻳﻘﺑﻠﻬﻥ ﺁﺑﺎﺅﻫﻥ ‪ ..‬ﻣﺗﻰ‬
‫ﻳﺎ ﺃﺑﻲ‪ ..‬ﻭﺑﻳﻧﻣﺎ ﺃﺳﻣﺎء ﺗﻠﻘﻲ ﻛﻠﻣﺗﻬﺎ‪ ،‬ﺑﻛﻰ ﺍﻟﺣﺿﻭﺭ ‪ ..‬ﻓﻣﻧﻬﻡ ﻣﻥ ﺑﻛﻲ ﻋﻼﻧﻳﺔ ‪ ..‬ﻭﻣﻧﻬﻡ ﻭﻣﻥ ﺃﺧﻔﻰ‬
‫ﺩﻣﻭﻋﻪ‪.‬‬

‫ﻭﺗﺎﺑﻌﺕ‪ :‬ﻛﻠﻣﺎ ﺃﺧﺭﺝ ﻣﻥ ﺍﻟﺑﻳﺕ ﺃﺗﻧﻘﻝ ﺑﻳﻥ ﺷﻭﺍﺭﻉ ﻣﺧﻳﻣﻧﺎ ﺍﻟﺣﺯﻳﻥ‪ ،‬ﺃﺭﻯ ﺃﺏ ﻳﻣﺳﻙ ﺑﻳﺩ ﺍﺑﻧﺗﻪ‪ ...‬ﻳﺩﺍﻋﺑﻬﺎ‬
‫‪ ..‬ﻳﻼﻋﺑﻬﺎ ‪ ..‬ﺃﺗﺫﻛﺭ ﺃﻧﻲ ﻟﻡ ﺃﻋﺵ ﻫﺫﻩ ﺍﻟﻠﺣﻅﺎﺕ ﻭﺃﻧﺎ ﻁﻔﻠﺔ ﺑﻝ ﺫﻫﺑﺕ ﺑﻼ ﺭﺟﻌﺔ ‪ ..‬ﺃﺗﺫﻛﺭ ﺃﻧﻲ ﻋﺷﺕ‬
‫ﺍﻵﻻﻡ ﻭﺍﻷﺣﺯﺍﻥ ‪ ..‬ﺃﺗﺫﻛﺭ ﺃﻧﻲ ﻋﺷﺕ ﺍﻟﻣﺭﺍﺭﺓ ﻭﺍﻟﻔﺭﺍﻕ ‪ ..‬ﻭﻛﻳﻑ ﻻ ﺗﻛﻭﻥ ﺍﻟﺩﻧﻳﺎ ﻫﻛﺫﺍ‪ ،‬ﻭﺃﻧﺕ ﺑﻌﻳﺩ ﻋﻧﻲ‬
‫ﻳﺎ ﺃﺑﻲ‪...‬‬

‫ﺃﻳﻬﺎ ﺍﻟﻌﺎﻟﻡ ﺍﻟﻅﺎﻟﻡ ‪ ..‬ﻣﺎ ﻫﺫﺍ ﺍﻟﻅﻠﻡ ﺍﻟﻛﺑﻳﺭ ‪ ..‬ﺃﻻ ﺗﺳﺗﺣﻭﻥ ‪ ..‬ﻳﻌﺗﻘﻝ ﺁﻻﻑ ﺍﻷﺳﺭﻯ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻳﻥ ﻭﺳﺎﻛﻧﺎ ً ﻻ‬
‫ﺗﺣﺭﻛﻭﻥ‪ ،‬ﺃﻣّﺎ ﻋﻧﺩﻣﺎ ﺃﺳﺭﺕ ﺍﻟﻣﻘﺎﻭﻣﺔ ﺣﺎﻗﺩﺍً ﺻﻬﻳﻭﻧﻳﺎ ً ﺗﺗﻛﻠﻣﻭﻥ ﻭﻓﻲ ﺍﻟﻔﺿﺎﺋﻳﺔ ﻛﺎﻟﻛﻼﺏ ﺗﻧﺑﺣﻭﻥ‪،‬‬
‫ﻟﺗﺧﺭﺟﻭﻩ‪ ،‬ﺃﻳﻥ ﺃﻧﺗﻡ ﻣﻥ ﺍﻟﻌﺩﺍﻟﺔ؟ ‪ ..‬ﺃﻳﻥ ﺃﻧﺗﻡ ﻣﻥ ﺍﻟﺣﻕ؟‪ ..‬ﺃﻳﻥ ﺃﻧﺗﻡ ﻣﻥ ﺍﻟﺩﻳﻣﻘﺭﺍﻁﻳﺔ ﺍﻟﺗﻲ ﺗﺩﻋﻭﻥ؟‪...‬‬
‫ﻓﺳﺣﻘﺎ ً ﻟﻛﻡ ﺃﻳﻬﺎ ﺍﻟﻅﺎﻟﻣﻭﻥ‪ ..‬ﻭﻟﺗﺣﻳﺎ ﺑﻼﺩﻱ ‪ ..‬ﻭﻟﺗﺣﻳﺎ ﺍﻟﻣﻘﺎﻭﻣﺔ ﻓﻲ ﺍﻟﻌﻳﻭﻥ‪...‬‬

‫ﻭﺍﻟﺟﺩﻳﺭ ﺫﻛﺭﻩ ﺃﻥ ﺍﻵﻻﻑ ﻣﻥ ﺍﻷﺳﺭﻯ ﺍﻟﻔﻠﺳﻁﻳﻧﻳﻳﻥ ﻣﺎ ﺯﺍﻟﻭﺍ ﻳﻘﺑﻌﻭﻥ ﺧﻠﻑ ﻗﺿﺑﺎﻥ ﺍﻟﻅﻠﻡ ﻭﺍﻟﻁﻐﻳﺎﻥ‪،‬‬
‫ﻳﻘﺿﻭﻥ ﺷﻬﺭ ﺭﻣﺿﺎﻥ ﺑﻌﻳﺩﻳﻥ ﻋﻥ ﺫﻭﻳﻬﻡ ﺍﻟﺫﻳﻥ ﻳﻧﺗﻅﺭﻭﻥ ﻛﻝ ﻳﻭﻡ ﻟﺣﻅﺔ ﺍﻹﻓﺭﺍﺝ ﻋﻧﻬﻡ‪.‬‬