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  • Alex Milella - Tird Major and Minor Modulation-Random Chords

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    Юлія Чепеленко
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    This document provides a musical score titled "Tird Major and Minor Modulation-Random Chords" composed by Alex Milella. The score modulates between major and minor keys using random chords. It begins in E flat major and progresses through keys such as C sharp minor, G major, F sharp minor, and ends in G major. The score utilizes various chord progressions and features modulation between relative major and minor keys.

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    21. Alex Milella - Tird Major and Minor Modulation-Random Chords

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    This document provides a musical score titled "Tird Major and Minor Modulation-Random Chords" composed by Alex Milella. The score modulates between major and minor keys using random chords. It begins in E flat major and progresses through keys such as C sharp minor, G major, F sharp minor, and ends in G major. The score utilizes various chord progressions and features modulation between relative major and minor keys.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    Download as pdf or txt
    23 views2 pages

    Alex Milella - Tird Major and Minor Modulation-Random Chords

    Uploaded by

    Юлія Чепеленко
    This document provides a musical score titled "Tird Major and Minor Modulation-Random Chords" composed by Alex Milella. The score modulates between major and minor keys using random chords. It begins in E flat major and progresses through keys such as C sharp minor, G major, F sharp minor, and ends in G major. The score utilizes various chord progressions and features modulation between relative major and minor keys.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Tird Major and Minor Modulation-Random Chords

    q = 120 by Alex Milella

    E¨maj7 Em7
    3     3
        

     

      
      
        
       
             
     
    C#7(9)  Cm7 A¨m7
       
         
    5

        
        

                
    3
        
    Gmaj7 F7(9)
    10
        
    
               
                         

    F#maj7 F#m7
    14         
     3  
               
                   
    3 
    Am7  F7(9)
    18
     3                 
                     
                 
      3 3
    Am7
        
                                3 
    22

          

    F#m7 3
        G#7(9)
    25
                3  
              
    3 3   3
    F7(9) F7(9) 
                   
      
    28
    3 3  3   
     
           
          3 3 3 3
      B¨maj7
    32
    
    3                    3 
         
                 
    3
    3
    Em7
           
            
    35
                

             

    3
    G#m7
    37
     3                 
         
            
    3 3 V.S.
    Jazz Guitar

    2
    Gm7
                   
    39   6 6
            
              
    6   
    G#m7   Gmaj7
    41
    3 3                         
     
          
     
        3 3 3
     F7(9)   
    44                
                  
         
     
    D¨maj7   
          
    46 
                          
                
      
     3
    F#m7
                
           
    48
        
               
         
    Am7
           
    50

      
             
        
       
      
     
    F7(9) Gmaj7
      
                         
              
    53
       

    3 3 3
    F#m7
    56
                              
      
     
        A¨7(9)
       
                            
    58

       
    3 6
    F7(9)   
    60
                
               
                       
     3 3 3 3
    F7(9) G
    
    63  
       
        

        

     
     
       
             
                
    3 3

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