Written

by: Thomas Bangalter,

Guy-Manuel de Homem-Christo,
Drumset Daft Punk Medley Anthony Wayne Moore, Nile Rodgers,
Pharrell Williams, George Duke,
Carlos Sosa, and Edwin Birdsong

                  
Pentatonix's Tribute to Daft Punk Arranged by Dan Satter

           
 = 133

                      
A


                           
 3 3
14


            
    
                         
            
3 3 3 B

    
20

 

                            
           
25

     


                   
                 
32

                           
                      

37

                 
                       
42 3

          

      
C

                    


47

                               
          

53

                   
                                
58

Transcribed by Dan Satter

                      
            

Daft Punk Medley
63


    
    
       
D

    
     
Swing 16ths
69

              
                       



73

                      3    

                 

76 3

                       
             
E

      
    
80 Straight

     
    
                             
         
               
89

F  
             
                          

(Half time groove)

           
93 3


   5     
        
 

     
 
       
97 3

   3          6 3  3         
          
    
100

               
                 
G
103

                                        
                                    
112

2 Transcribed by Dan Satter

 H
                                        

                           
Daft Punk Medley

  
116


                                  
    
             
  
121

 
                            
     
I

       
127

   3    

 

      
                  
                    
131

Transcribed by Dan Satter 3