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Finken-SLAM Poetry Analysis
Finken-SLAM Poetry Analysis
The poem really focuses on visual, tactile, and kinesic sensory images.
Visual: “Scratch and dent dreams”, “glossy colored packaging”, “purple awning
flappin’”, “crew cut and pigtails”. Give a sense of imperfection to the dreams, they used to be
shiny and new but now are battered and beaten (but not beyond hope). The kids' haircuts show
Tactile: “Dig down through those alabaster stoplights and old 45’s” gives the feeling of
rummaging through relics of the past to find a treasure. “Saws that put back together, drills that
make whole” beyond being clever word-play, it creates an image of physically putting something
Kinesic: “Dig down through those alabaster stoplights and old 45’s”, “go across the
street to Momma Genuine’s”, “you take a look around”, “go back to the center of that freeway”.
The kinesic language present has the audience (or the poem’s subject) moving around in the
space of the poem. Crossing the street, rummaging, going back to the ice cream stand; it all gives
poem as far as I could tell. He does heavily utilize metaphor and personification and, I believe,
metonymy.
of the hard work and self-care required to make a seemingly broken dream fulfilled.
Metaphor: “Scratch and dent dreams”, “whole cases of imperfect ambitions”, “glossy
colored packaging” “sprouting extra thumbs”. The dreams aren’t literally packaged like vinyl,
but presenting them as such helps give the audience an idea of the “one person’s trash is another
Metonymy: “only handing out glory to newspaper headlines and story book endings” the
headlines and endings aren’t literally receiving glory, rather the people who the headlines are
about and achieved that “story book” ending seem to get all the glory, but life is about more than
Darby uses very little rhyme and no onomatopoeia in Scratch and Dent Dreams, however
Alliteration: “Scratch and Dent Dreams”, “stationary stars still flying at the speed of
Assonance: “Scratch and Dent Dreams”, “none of its got glossy colored packaging”
I can use these sound values and rhythmic patterns to vary my speech during my presentation in
order to keep it interesting. Using alliterative moments to dig into each word a little bit harder,
and assonant moments to allow the poem to flow smoothly, word to word.