DR.

RAM MANOHAR LOHIA NATIONAL LAW

UNIVERSITY

INTELLECTUAL PROPERTY RIGHTS-I

SUBJECT:-INTELLECTUAL RIGHTS

COPYRIGHT MEANING, OWNERSHIP &

PROJECT:- COPYRIGHT-
INFRINGEMENT

SUBMITTED BY:- SUBMITTED TO: -

Sankalp Patel Mr. VIKAS BHATI

B.A. LL.B. (7TH

TH SEMESTER) ASSISTANT PROFESSOR (LAW)

ENROLLMENT NO.-160101131
160101131
 CONTENTS
INTRODUCTION .......................................................................................................................... 3
OWNERSHIP ................................................................................................................................. 5
OWNERSHIP RIGHTS .................................................................................................................. 5
REPRODUCTION .................................................................................................................. 5
COMMUNICATION .............................................................................................................. 6
ADAPTATION ....................................................................................................................... 6
TRANSLATION..................................................................................................................... 6
INFRINGEMENT........................................................................................................................... 7
REMEDIES................................................................................................................................... 11
1. CIVIL REMEDIES-........................................................................................................... 11
2. CRIMINAL REMEDIES ................................................................................................... 11
CONCLUSION ............................................................................................................................. 12
 INTRODUCTION

Intellectual Property Rights are the legal rights that are granted to a person for any creative and
artistic work, for any invention or discovery, or for any literary work or words, phrases and
symbols or designs for a stipulated period of time. The owners of Intellectual Property are
granted certain exclusive rights through which they use their property without any disturbance
and can prevent the misuse of their property. Intellectual property is any innovation, commercial
or artistic, or any unique name, symbol, logo or design used commercially. In India, Intellectual
Property is governed under the Patents Act, 1970; Trademarks Act, 1999; Indian Copyright Act,
1957; Designs Act, 2001, etc. Copyright is a right given by the law to creators of literary,
dramatic, musical and artistic works and producers of cinematograph films and sound recordings.
It is a bundle of rights including, inter alia, rights of reproduction, communication to the public,
adaptation and translation of the work. The only criterion to determine whether a person is
entitled to copyright protection is originality in expression. The term “copyright” is not defined
under the Indian Copyright Act, 1957 (hereinafter referred to as “Copyright Act”).

The general connotation of the term copyright refers to the “right to copy” which is available
only to the author or the creator, as the case may be. Thus, any other person who copies the
original work would be amount to infringement under the Copyright Act. Copyright ensures
certain minimum safeguards of the rights of authors over their creations. Creativity being the
keystone of progress, no civilized society can afford to ignore the basic requirement of
encouraging the same. Economic and social development of a society is dependent on creativity.
The protection provided by copyright to the efforts of writers, artists, designers, dramatists,
musicians, architects and producers of sound recordings, cinematograph films and computer
software, creates an atmosphere conducive to creativity, which induces them to create more and
motivates others to create. On the other hand, what is created by him/her cannot be claimed
ownership for generations all together as it might harm the social justice. Therefore, a term of
life plus sixty years is being adopted in India for the purpose of determining the period of
copyright. This period may vary from country to country. If copyright protection is applied
rigidly, it can hamper progress of the society. Therefore, copyright laws are enacted with
necessary exceptions and limitations to ensure that a balance is maintained between the interests
of the creators and of the community. Many types of exploitation of work which are for various
social purposes such as education, religious ceremonies, and so on are exempted from the
operation of the rights granted in the Act. Copyright in a work is considered as infringed only if a
substantial part is used unauthorized. What is ‘substantial’ varies from case to case. More often
than not, it is a matter of quality rather than quantity. For example, if a lyricist copy a very
catching phrase from another lyricist’s song, there is likely to be infringement even if that phrase
is very short. The best example would be “Oh, Pretty women” dealt in the case of Campbell Vs
Acuff Ross Music Inc.1 The copyright law therefore, to strike a balance between promoting
innovativeness amongst the creators and the interest of the general public has excluded a fair
deal of works that is permitted without specific permission of the copyright owners. In order to
protect the interests of users, some exemptions have been prescribed in respect of specific uses of
works enjoying copyright such as research or private study, criticism or review, reporting of
events, judicial proceeding, performance made before a non-paying audience etc. Copyright may
be acquired for almost all the visible things like script, photo, book, essay, films, videos,
architecture etc and also intangible things such as music. The most important criteria to
determine whether the said article is copyrightable or not, is based on its originality. Also
copyright can be only for things that are worth copying and not otherwise. For example, a baby
scribing in a pad cannot be copyrighted. Copyright protects the expression and not the content or
substance per se. For example, an author writes about making of an aircraft. Here, the idea of
making of the plane is not protected but the only the way of expressing is protected. The idea is
protected under the Patent law and not under Copyright Act. Copyright also does not protect the
titles per se or the names, word or a set of words. But there can be exceptions based on the facts
and circumstances of each case. For example, the actor Shah Rukh Khan has copyrights his name
(SRK) and the music composer A.R.Rahman copyrighted the title “Jai Ho” for the Oscar song
which is currently under litigation. It is noteworthy to mention here that the defendant can
always take a stand of cancellation of copyright in any suit unless he is estopped by any implied
or express acceptance. Copyright may also be granted for things that would come under patents,
trademarks or designs. As copyright protects only the expression and nothing more, it is not
much preferred in practice except in case of film industry. This will be dealt elaborately in forth
coming topics. Copyright is a right given by the law to creators of literary, dramatic, musical and
artistic works and producers of cinematograph films and sound recordings. In fact, it is a bundle

1
510 U.S. 569 (1994)
of rights including, inter alia, rights of reproduction, communication to the public, adaptation and
translation of the work. There could be slight variations in the composition of the rights
depending upon the nature of work.

OWNERSHIP
Generally, the creator or the author of the work is the owner of the work and therefore entitled to
get the copyright for the work. Where the author of the work is employed by another person, the
work belongs to the employer of the author. And where creation of the works is incidental, but
not the purpose, the work belongs to the authors. But in practice, out of the contractual
agreement between the employer and the employee, the creation during the course of
employment would be belonging to the employer. There may be a situation where a particular
final work involves many copyrightable subdivisions such as film wherein many works such as
music, lyrics, dramatic works etc are copyrightable. The authors in the creation of such work are
many such as: a. In the case of a musical work, the composer. b. In the case of a cinematograph
film, the producer. c. In the case of a sound recording, the producer. d. In the case of a
photograph, the photographer. e. In the case of a computer generated work, the person who
causes the work to be created. f. In the case of Script, the writer. Etc. Where the work is made by
the author in the course of his employment under a contract of service or apprenticeship, for the
purpose, the said employer shall, in the absence of any agreement to the contrary, be the first
owner of the copyright in the work in so far as the copyright relates to the publication of the
work, or to the reproduction of the work for the purpose of its being so published, but in all other
respects the author shall be the first owner of the copyright in the work. For example, where the
composer of the music copyrights his creation and later provides the same to the film for some
consideration, the work is still owned by the author only.

OWNERSHIP RIGHTS
The owner of the Copyright has the following rights under the Act:

REPRODUCTION The Copyright confers upon the assessee the sole right to reproduce the
authored work. In other words, no other person except the author shall make copies (one or
many) of the work or copy the substantial part of the work in any form including sound and film
recording etc without the permission of the copyright owner. For example, a person buys a film
CD and the person makes multiple copies of it and sells it to others. This would amount to
copyright infringement.

COMMUNICATION Communication to the public means making any work available to

general public for the purpose of being seen or heard or otherwise enjoyed by the public directly
or by any means of display or diffusion. It is not necessary that any member of the public
actually sees, hears or otherwise enjoys the work so made available. For example, a cable
operator may transmit a cinematograph film, which no member of the public might have seen.
Still it is a communication to the public. The fact that the work in question is accessible to the
public is enough to say that the work is communicated to the public.

ADAPTATION Adaptation involves the preparation of a new work in the same or different
form based upon an already existing work. The Copyright Act defines the following acts as
adaptations: a. Conversion of a dramatic work into a non-dramatic work b. Conversion of a
literary or artistic work into a dramatic work c. Re-arrangement of a literary or dramatic work d.
Depiction in a comic form or through pictures of a literary or dramatic work e. Transcription of a
musical work or any act involving re-arrangement or alteration of an existing work. For example,
the book “Five Point Someone” written by Chetan Bhagat was made as a film named “3 Idiots”
in Hindi. It is noted that the concept of the film alone was taken and not the whole of its
expression. Again, the remake of the film “3 idiots” was done in Tamil in the name of “Nanban”.
Again here some alterations were made to suit the targeted audience and therefore, only
amounted to copying of idea and not the expression.

TRANSLATION Similarly, the owner has the full and sole authority to translate the work done
by him in one language to one or many other languages. Any other person interested in doing so
must get the prior permission of the owner. For example, a film taken in English can be dubbed
or remade only by the owner or any other person with the consent of the owner.

Life of Right Generally copyright lasts for Life + 60 years in India.

 INFRINGEMENT
Use of any copyrighted work without the permission of the owner amounts to copyright
infringement. Infringement occurs when a person intentionally or unintentionally copies/uses the
work of another without credit. Infringement is usually classified into two categories- primary
infringement and secondary infringement.

Primary infringement is the actual act of copying, while secondary infringement includes
unauthorised dealings like selling the pirated books, importing etc. In the case of secondary
infringement, knowledge of infringement is present with the infringer while in the case of
primary infringement, knowledge may or may not be present.

Section 51 of the Indian Copyright Act, 1957 discussed in detailed that when Copyright in a
work shall be deemed to be infringed, In particular c1ause(b) states that Copyright shall be
deemed to be infringed when any person:

(i) makes for sale or hire, or sells or lets for hire or by way of trade displays or offers for
sale or hire, or

(ii) (distributes either for the purpose of trade or to such an extent as to affect
prejudicially the owner of the copyright, or

(iii) by way of trade exhibits in public, or

(iv) imports (except for the private and domestic use of the importer) into India, any
infringing copies of the work.

Opinion of Justice S. Murtaza Fazal Ali quoting from American Jurisprudence in the case of R.
G. Anand Vs De lux Filmi06 can be referred here: "Infringement of a copyright is a trespass on a
private domain owned and occupied by the owner of the copyright, and, therefore, protected by
law, and infringement of copyright, or piracy, which is a synonymous term in this connection,
consists in the doing by any person, without the consent of the owner of the copyright, of
anything the sole right to do which is conferred by the statute on the owner of the copyright"
Section 2(m) defines 'infringing copy' to mean:

(i) In relation to a literary, dramatic, musical or artistic work, a reproduction thereof,

otherwise that in the form of a cinematographic film;
 (ii) In relation to a cinematographic film, a copy of the film made on any medium by any
means;

(iii) In relation to a sound recording, any other recording embodying the same sound
recording, made by any means;

(iv) In relation to a programme or performance m which such a broadcast reproduction

right or a performer's right subsists under the provisions of this Act, the sound
recording or a cinematographic film of such programme or performance, if such
reproduction, copy of sound recording is made or imported in contravention of the
provisions of this Act.2

The infringer invades a statutorily defined province guaranteed to the copyright holder alone. But
he does not assume physical control over the copyright; nor does he wholly deprive its owner
from its use.

There are different ways through which infringement of copyright takes place. Book piracy takes
place when a book is reproduced by someone other than the real publisher and sold in the
market. In the case of Roma Mitra Vs State of Bihar3, the Plaintiff, a student gave the work to the
guide. The guide published the work as her own. The published article was substantially similar
and therefore, amounted to copyright infringement. In the case of Ty Ink Vs GMA Accessories4
it was held that Similarity between works is highly unlikely to have been in accident of
independent creation. This is an evidence of access.

A performer's right is violated when a live performance of an artist is recorded or telecasted live
without his/her permission. In a cinematographic work, infringement generally takes place
through unauthorised reproduction of the film in video forms and/or displaying the video through
cable networks without taking proper authorisation from the film producer (the right holder).
Computer software is pirated by simply copying it onto another machine not authorised for its
use. In fact, there are numerous other ways through which infringement of copyrighted works
takes place. The nature and extent of infringement also vary across the segments of the copyright
industry. It is, therefore, necessary to discuss the nature and extent of the problems of

2
Section 2(m) of the Indian Copyright Act, 1957
3
Criminal Miscellaneous no. 31757 OF 2000
4
959 F.Supp. 936 (1997), 132 F.3d 1167 (7th Cir. 1997)
infringement segment wise. The study of infringement of copyright can be discussed under two
major categories: i) The manual or traditional modes of infringement; and 2) The electronic or
non-traditional modes of infringement.

The Act also exhaustively deals with

(a) infringement of copyright by copying5
(b) infringement by issue of copies to the public6
(c)infringement by rental or lending the work to the public7
(d)infringement by performing, showing or playing of work in public8
(e)infringement by broadcasting or inclusion in a cable programme9
(f)infringement by making adaptation or act done in relation to adaptation10
The exclusive rights conferred on the owner of the copyright depends upon the nature of the
work Briefly stated they are as follows:
(a) Literary, dramatic or musical work:
(1) to reproduce the work in a material form;
(2) to store the work in any media by electronic means;
(3) to issue copies of the work to the public;
(4) to perform the work in public or communicate it to the public;
(5) to make cinematograph film or a sound recording of the work;
(6) to make translation or adaptation of the work;
(7)to do any of the acts specified under items (1) to(5) inr elation to an adaptation of the work.
(b) Computer Programme:
(1) to do any of the acts specified under (o) above;
(2) to sell or give on hire or offer for sale or hire any copy of the computer programme,
regardless of whether any such copy has been sold or given on hire on earlier occasions'
(c) Artistic work:
(1) to reproduce the work in any material form including depiction in three dimensions of a two
dimensional work or in two dimensions of a three dimensional work;

5
Section 17 of the Indian Copyright Act, 1957
6
Section 18 of the Indian Copyright Act, 1957
7
Section 18A of the Indian Copyright Act, 1957
8
Section 19 of the Indian Copyright Act, 1957
9
Section 20 of the Indian Copyright Act, 1957
10
Section 21 of the Indian Copyright Act, 1957
(2) to communicate the work to the public;
(3) to issue copies of the work to the public, not being copies already in circulation;
(4) to include the work in a cinematograph film;
(5) to make any adaptation of the work;
(6) to do in relation to an adaptation of the work in any of the acts specified in relation to the
work in items (1) to (4).
(d) Cinematograph film:
(1) to make a copy of the film including a photograph of any image forming Part thereof;
(2) to sell or give on hire, or offer for sale or hire any copy of the film regardless of whether such
copy of the film has been sold or given on hire on earlier occasions;
(e) Sound recording:
(1) to make any other sound recording embodying it;
(2) to sell or give on hire, or offer for sale or hire any copy of the sound recording regardless of
whether such copy has been sold or given on hire on earlier occasions;
(3) to communicate the sound recording to the public'
The key factors required for initiating any infringement case are:
 Prove ownership of Copyright
 Infringer has copied (Substantially Similar)
Once the rights of the owner have been established, the next step is to prove that that there is an
actual infringement. If the defendant makes copies of a copyrighted work and commercially
exploits such copies or any blatant infringement, nothing further needs to be proved to establish
infringement apart from what has been discussed above. However, more complicated questions
arise when the defendant the alleged infringing work involved relates to something, which is
similar, but not identical with the plaintiff’s work. In such cases, in order to prove infringement,
the plaintiff must show the following:
a. The defendant copied directly from the plaintiff’s work, and
b. The elements copied, when taken together, amounts to an improper appropriation.
Realizing that direct evidence of copying will be rarely available, courts have universally
allowed copyright owners to prove copying on the basis of circumstantial evidence, specifically
through inferences from the defendant’s access to the plaintiff’s work and from any similarities
between two works.
 REMEDIES
1. CIVIL REMEDIES- The most importance civil remedy is the grant of interlocutory
injunction since most actions start with an application for some interlocutory relief and in
most cases the matter never goes beyond the interlocutory stage. The other civil remedies
include damages - actual and conversion; attorney’s fees, rendition of accounts of profits
and delivery up. Under Sections 55 and 58 of the Indian Copyright Act, 1957, the
plaintiff can seek the following three remedies, namely account of profits,11
compensatory damages and conversion damages which are assessed on the basis of value
of the article converted.12
2. CRIMINAL REMEDIES Criminal remedy includes imprisonment of the infringer and
the infringing copies seized. The author can get an order for search of defendant’s
premises, if there is clear evidence to show the presence of infringing copies in the
premises of infringer. The infringer is be liable for imprisonment ranging 6 months to 3
years and/or fine of Rs.50,000/- to Rs. 2 lakhs. For the first time, the punishment would
be for a period of 6 months to 3 years and/or Rs.25,000 to 2 lakhs and for the second
Time it would be for 1 to3 years and/or Rs.50,000 to 2 lakhs. And for infringement on
computer Program, the punishment may vary from 7 days up to 3 years and/or Rs.50,000
– 2 lakhs.13
3. ADMINISTRATIVE REMEDIES14 An application can be made by the owner of
copyright in any work or by his duly authorized agent, to the Registrar of Copyrights to
ban the import of infringing copies into India and the delivery of infringing copies of
copyrighted article which were earlier confiscated from infringer to the owner of the
copyright. There are no special courts for the purpose of dealing with copyright cases.
The regular courts try these cases which basically lack knowledge and expertise in the
field of copyright. There is a Copyright Board to adjudicate certain cases pertaining to
copyright. The government has set up a Copyright Enforcement Advisory Council
(CEAC) to adjudicate certain matters relating to copyright.

11
Section 58 of the Indian Copyright Act, 1957
12
Section 55 of the Indian Copyright Act, 1957
13
Sections 63 to 70of the Indian Copyright Act, 1957
14
Section 53 of the Indian Copyright Act, 1957
 CONCLUSION

In numerous respects, copyright law today serves well the interests of authors, those to whom
authors assign or license their rights, and the public, but in some important respects, this law is
askew. The last few decades have witnessed dramatic changes in the copyright landscape,
especially with the advent of global digital networks and technological tools that are widely used
to access and interact with copyrighted content, so it is not surprising that courts have found it
difficult to adapt the law in a coherent and principled way. Awareness about copyright
infringement and copyright laws is important in a developing society, as creativity is an essence
of growth. It is important to talk to a copyright lawyer at every stage of dealing with a
copyrighted work. This includes assistance for filing a copyright application, dealing with
copyright infringement and defending the copyright.