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Win mortimerBODYJuly
Win mortimerBODYJuly
Win mortimerBODYJuly
David Pietila. All Rights reserved. No part of this book may be used or
I started reading and collecting comics from an early age, the smell of ink
and paper, four-colour heroes duking it out on the comics pages. I can
and myself to read. We read pretty much everything under the sun,
from the corner store where she worked. (To those who don't know the
distributors and store would get refunds on the books they returned, only
the title or cover was needed, so they {GASP} ripped the covers off.) One
rule in my family is buying what you liked, so I stuck to The Hulk and
stuff, so we could read as much off the comic rack as we could get. One
book we liked (and coveted) in particular was the Spidey Super Stories
series based on the PBS show The Electric Company. This is where I was
the muddled continuity of regular comics. You could read a story and get
Artist
d. 11 Jan 1998
The comics artist Win Mortimer was a frequent cover artist at DC in the
1950s and drew such strips as Superman, David Crane and Larry Brannon.
went to the New York City Art Student League in 1938, where he studied
York, to work for DC, drawing stories for World's Finest Comics. His
work included penciling Superman and drawing several covers and stories.
a practice most artist did not or were not allowed to sign their names,
publishers kept a house style or similar look to the books they published.
In the 1940’s and 1950’s a lot of books were done by a stable of artists,
with one name attached to the work. Bob Kane, creator of Batman
many hands. Although Mortimer generally did not sign his work, he
leaving DC in 1956,
Mortimer drew the comic strip David Crane and after that Larry Brannon
until 1968.
1998.
Hamilton in Canada. He got his early graphics training from his father,
firm.
Canada was supplying the British with supplies and troops. He was
Company.
Located at Victoria Avenue and Ferrie Street, Hamilton, Ontario for close
to 80 years.
In 1853, Elisha Graves Otis went into the elevator manufacturing business
in Yonkers, New York. When he died four years later, he passed the
company on to his sons, Charles and Norton Otis, who formed the Otis
Brothers and Company firm. In 1898, the Otis brothers took over eight
At the turn of the century, the president of Otis U.S.A., W.D. Baldwin,
for the opportunity to host the new plant. John Hendrie, then-mayor of
Hamilton, convinced the Otis U.S.A. representative that his city would be
the best
Hamilton,
Toronto, and Montreal were merged to form the Canadian Otis Elevator
Company
(C.O.E.). The plant was built on the corner of Victoria Avenue and Ferrie
Street.
George as vice president and general manager. The Hamilton plant of the
Toronto.
cities across the country. The years preceding World War I were
prosperous for the company; the Hamilton plant was expanded to the point
where by 1913 it was ten times its original 1902 size. During WWI, the
company made shells for the war effort; when the war ended, it returned
the next year the workers were organized into the local branch of the
1930s, as evidenced by the fact that the number of orders decreased to the
point when there were absolutely none in the entire year of 1935.
However, the beginning of World War II ensured that the plant would be
busy for another six years manufacturing gun barrels and tank mounts.
guns. The Bofors Mark VII was a Swedish designed gun, retooled by the
British for the war. The first anti-aircraft gun in Canada was made there
in August 1941. W.D. Black, then-president of O.F.E., declared on the
occasion:
"We took the black magic and mystery out of gun-making and proceeded
to tool up
When the war ended, the government sold the gun plant building to
In later days Win drew the history of Elisha Graves Otis for DC’s Real
Fact comics. One of the earliest biographical series in comics, the story
follows
A Hamilton artist who 30 years ago amused himself and his parents with
newspapers.
He is Winslow Mortimer and his new production is the strip called David
Crane. It will tell the story of a young minister and his wife and their
community.
The new strip will be presented to Hamilton readers in The Hamilton
States, who describe the story as "well told and professionally drawn."
Young Winslow dabbed in art from an early age and his father recalls that
even at three and four he was always busy with the stub of a pencil and a
piece of paper. He attended Stinson Street School and the old Central
collegiate in Hamilton, and then studied art at the New York Art league.
He returned to Canada for a few years, turning out feature material for the
Toronto star and the Star Weekly, and also did a series of industrial
realations posters for the Otis Fensom Company which drew wide
attention. Joins syndicate He went back to New York and went into
syndicate feature production, and the strip David crane is the result. The
Explaining its risky venture into a field where angels of other syndicates
FAITH TRIUMPH.”
A few years later the Spectator follows up with an article concerning the
Brannon.”
Hamilton
The artist hopes his story of present day Canada will help correct
neighbour.
The idea of his newest comic strip first came to Mortimer before he
Forty-one year old Mortimer hopes that "in some small way it will
countries.
country for three years. He lives in Carmel, NY. with his wife and their
three children.
spent one and a half years at the Art Students' League in New York, where
information.
At he end of the war, he left Otis and moved to New York where he
joined Superman, Inc., and between 1948 and 1955 he ghosted the
Superman daily comic strip. In 1955 he started David Crane.
This Sunday came from the estate of artist Win Mortimer several years
ago, and it has been in private hands ever since. Mortimer took over the
drawing duties on the Superman daily from Boring in 1949, and he was
given original art to work from. This was much easier than photographing
reference, and at the time original art wasn’t revered as and art form or
collectible. In most cases the publisher kept the art in case it would be
during a transition period, before gradually bringing his own style to the
dailies. This strip showcases most of the Man of Steel's hallmark features,
seldom seen together at the same time, in one concise example. Superman
(or his alter-ego, Clark Kent) is depicted in each and every panel, Clark’s
trademark costume quick-change is seen, and Daily Planet "Chief" Perry
White makes a cameo. This example was ideal for Mortimer, not only
because of these factors, but also because of its helpful reference -- four
period, the art was drawn on two pieces of 14.25" x 22.5" Strathmore
paper, each with approximate image area of 12.75" x 19.5". The original
Margins, and the original vintage logo and copyright notice are still
attached to the first panel. With Stan Kaye's skillful inking, there are no
1919. Win received his early graphics training from his father who
worked at the firm during summer breaks from high school. After high
school, Win attended the Art Students League of New York, studying
At the outbreak of World War II, Mortimer joined the Canadian army. He
was discharged from the service in 1943, and began designing posters for
soldiers returned home, and Win found jobs difficult to come by. He
decided to move to New York in mid-1945. After meeting with Jack
income, and not become a financial burden to the state. DC assisted him
In general, Win Mortimer both penciled and inked his own work.
Catwoman's Grasshopper Chase (April 28-June 16. 1946) and Half Man-
During 1946, Mortimer also began producing what would become the most
penciled and inked covers for Detective Comics (starting with issue 110,
and including the first Riddler cover), Batman, World's Finest Comics,
Superman 76, the first Superman Batman team-up), Star Spangled Comics,
Mr. District Attorney, Real Fact Comics, and Strange Adventure Comics.
1000 Gimmicks and The Star Spangled Kid), Mr. District Attorney, Real
remembered for two things. First, while Wayne Boring and Jack Burnely
produced the Sunday versions of the Superman strip from 1940-1966, Win
Mortimer pencilled and inked essentially all of the Superman dailies from
to find, and to date has never been reprinted. Mortimer also produced the
from 1949 into the 1960's. After delivering his assignment of Superman
a single page and produced a large body of work for this project featuring
traffic safety and study tips. The pages were requested by schools and
civic organizations by the thousands and DC printed them and sent them
publisher Jack Liebowitz said, "a lot of people came into the [comics
Win Mortimer left DC Comics in 1956, taking a job to draw David Crane,
worked on this strip until 1960, and then taking on Larry Bannon,
Mortimer worked in and out of the comic book field. Out of the field,
Within the comic's field, Mortimer produced work for DC, Marvel and
& His Monster (Brave and Bold #64 and 69), Scooter, Binky, Jerry Lewis
and Dean Martin and Fat Albert, to hero strips like Supergirl (Adventure
Comics), and Spiderman, to horror and mystery stories like Boris Karloff's
battle with cancer. Even Superman could not help him defeat this illness.
Still, Win worked at his craft every day right up until his death. He is
survived by his wife, Eileen, three children, two grandchildren, and two
great-grandchildren.
For those that knew Win, they will miss his dedication, his sense of humor
and his zeal for life. After hearing of Win's death, Neal Adams put it very
succinctly when he said, "Win fit his work into his life. He had a family, a
home and made contributions to his community. He was an ideal for other
Though I'm not sure, I don't think the great fairytale writers the Grimm
brothers (Jacob Ludwig Carl, 1785- 1863 and Wilhelm Carl, 1786-1859)
looked much like the young lady above. However, they did inspire this
horror series in the Boris Karloff Tales Of Mystery and Twilight Zone
style. The art is often uninspired, and most stories are rehashes of the
same old stories, but there are at least one or two beauties in each issue.
Gold Key #1-54, Whitman variants exist; Whitman #55-60. #1 (Jan.1972)-
60 (June 1982). Win Mortimer art #s 31, 33, 49, 51, 55, 58-60;
From "The Superman Family Circle" in Superman Family #213 (cover date
December 1981)...
"Dear Editor,
The way that you have been developing the Supergirl series since her
move to New York has been the main reason for my interest in
SUPERMAN FAMILY. Making her switch scenes to the Big Apple was the
best thing that could have happened. New Athens was just too far away
"'Strike Three...You're Out" in #209 was by far the best story in the book.
(The others were good too, but I'm biased.) First, there were eight new
between Linda and the soap opera gang. And while the story was 14 pages
long, only two of them showed Supergirl in action. I like a good battle as
much as anyone, but having twelve pages for characterization was better
than any fight could be. I like to see what Linda's thoughts are and how
"To top things off, the art was gorgeous! Its not just Win Mortimer's
penciling or Vince Colletta's inking, but the combination of the two. They
mesh perfectly to draw the best-looking super-heroine anywhere.
"I know I've carried on too long and it's time for you to read the rest of
the mail, but when I'm excited, I tend to ramble. Next issue, I promise to
EDITION
DC Comics, $6.95
Wood, Mort Drucker, and Mike Sekowsky, the stories are easy
and emotions, but the resolutions are too often abrupt changes in
direction just for the sake of a happy ending. For instance, in the
suddenly finds out the truth, that the girl has done nothing wrong ...
and even though there's a caption saying "one week later,"
girl's love for her traveling salesman boyfriend who treats her like
dirt, and although the tale ends with his proposal of marriage, I
couldn't help cringing at the unhappy future those two faces if they
Even though the stories are far from realistic, it's still a fun read,
Mortimer studied at the Art Students League of New York, where he took
broke
At the same time, he became one of DC's most prolific cover artists. In
the early 1950s he was National Comics's main artist of 'Superman' and
'Batman' covers. At the same time, he took over the 'Superman' daily
Star Syndicate. While also doing work outside the comics field, Mortimer
returned to DC in the late 1960s, as well as doing work for Marvel and
Gold Key. Until the early 1980s, he was a versatile artist in many genres:
advertising and commercial art and artwork for Neal Adams's Continuity
Associates.
Win was the primary artist behind the Spidey Super Stories of the 70's.
The book was an easy-to-read spin-off of the PBS TV show The Electric
Company.
Mortimer did draw Night Nurse, and did it very well, in my opinion. When
I finally got around to collecting the series (before it got its inexplicable
Mortimer was perfect for the job, I thought. His girls were pretty, he was
great with the real-world settings and props, and his characters had plenty
I first remember noticing Mortimer's work in the Marvel black & white
monster magazines. He usually got the lesser stories, the one-shot tales
instead of the headline series that I was more interested in at the time. It
looked good without color, and it had an appropriate grit to it. But it
seemed dated, and didn't impress me much at the time. One of his jobs
around this time that did[/d] impress me was his adaptation of Dr. Jekyll
Mortimer received some early graphics training from his father, who was
school Mortimer attended the Art Students League of New York, studying
anatomy under George Bridgeman in the same class as Stan Drake. When
World War II broke out he enlisted in the Canadian Army, and began
discharge in 1943. Once the war was over Mortimer found work hard to
come by, so he moved to New York City in 1945. In order to comply with
District Attorney and Real Fact Comics. He left DC in 1956 for the
worked in and out of the comics industry until 1983, when he joined Neal
Adams at
continued to work for Continuity, where Neal Adams would later describe
him as "...an ideal for other artists to pay attention to." Win Mortimer
Celebrate the birthday of the late Win Mortimer, a fine comics artist and
stellar gentleman whom I had the pleasure of working with in the 1970s.
Win did so many great covers for DC Comics in the 1940s and
1950s...drew the interior art for one of my favorite issues of THE BRAVE
AND THE BOLD in the 1960s [Batman Vs. Eclipso]...and also drew
Alas, noted comics historian Bob Hughes raised the possibility that Win's
birthday might actually have been May 1 and not May 23 (as listed in
so I'm tabling the Win stuff for a year. That will give me time to see if
The late fifties and the sixties are thought of, by most, as the "Silver Age
dominated the comics of this era. But with a little research, you will find
that something besides superheroes had a hold on comics. When DC
published Strange Adventures #8 in May 1951, little did they know that
in the fifties and all through the sixties, you will notice that gorillas
appear on many of the covers. Les Daniels' book, DC Comics: Sixty Years
Ape with a Human Brain" had strong sales, and [DC editor,
In an interview in The Comics Journal #214, Golden and Silver Age artist,
Sheldon Moldoff, when asked about DC's science fiction titles, had this to
offer:
While some believe that Julius Schwartz's story of the "one gorilla a
month" and the "gorilla = sales" rules may be an urban legend, there is no
doubt that there are a lot of gorillas to be found on the covers of comics
Even into the seventies, possibly because of the popularity of the Planet
as you will see, even recent comics like Spawn have not been able to
The only mention of DC's 'Fireman Farrell' character was via the name of
the young boy in Kurt Busiek's Astro City story, considering that Fireman
Batman/detective covers
Format: Paperback
ISBN: 1558596437
25 Years
The transitional postwar period saw more artists than ever before (or even
during the next fifteen years) illustrating covers for Detective Comics.
During the four years from issue 108 (1946) until a nearly uninterrupted
stretch settled in with cover 157 (1950), Win Mortimer and Jim Mooney
were newly hired while Ray Burnley returned from wartime duty.
The most prolific cover artist throughout these three hundred covers was
Win Mortimer, who joined DC in 1945. His first cover effort for Detective
Comics appeared on cover 110 (April 1946). Not only did he maintain a
time. "For the most part," he says, "Jack Schiff was the one that I was
working with almost exclusively. Many times Mort Weisinger would have
been the editor on the story stuff that I was doing, but covers always
[some]thing and show it to him. There might be a change [but] more often
[I'd] just go right ahead and do it." From 1949 until 1956, Mortimer
worked on the daily Superman syndicated newspaper strips at home,
visiting the DC offices almost every week to drop off and pick up new
material. "When I'd get in," he continues, "I would do whatever they'd
throw at me; it was usually a cover, so it was almost like one a week.
in and out of comics after the mid-1960s, again doing occasional work for
Doov." The odd time-travel adventure ends with the Supergirl and
1898, thus inspiring The Wizard of Oz. It was written by Cary Bates
The Grand Comics Database does not have a lot of credit information for
had three Batman tales, all of them drawn by Win Mortimer and one of
them, featuring the Penguin, written by Bill Finger. Looking at the cover
again, I wouldn't rule out Mortimer. The rest of the contents consist of a
text story and the usual gag fillers.
TheFifties
Sometime prior to April 1948 Jerry Siegel and Joe Shuster quit National
Although they won some monetary damages over Superboy, which had
been released without Siegel's approval while he was in the army, their
main campaign was a failure. With most of their studio in tow (sans
Sullivan, (the first Superman editor) where they created a new character
Funnyman. It ran as both a comic’s strip and a book. Both were dismal
failures. Siegel went on to work for Ziff-Davis, St. John and Toby Press
eyesight almost gone by that time, never worked in comics again. Siegel
Crusaders for the Archie Comics Group. Most of Siegel's writing after
was writing a series of Huey, Dewey and Louie Junior Woodchuck stories
1967 but never really got anywhere until the Christopher Reeve Superman
film was due to come out. DC's new corporate owners deemed it the
better part of political discretion to provide the two with a pension and
Siegel and Shuster's departure from National coincided pretty closely with
editor Mort Weisinger's taking control of the series back from Jack Schiff.
Weisinger brought in a new team of artists to prepare the Man of Steel for
The two most important were Wayne Boring and Curt Swan who have their
own
He did a
handful of Superman stories in 1948, in issue 50 and 51. Then from 1950
to
1955 he became National Comics' main cover artist for both Superman and
Batman.
During this same period he also took over the Superman dailies from
Wayne
Boring.
ACTUAL ARTICLE Hamilton Spectator
Hamilton
The Artist hopes his story of present-day Canada will help correct many
giveaway.
Legion Of
Superheroes for a while and a number of humor books and penciled the
World of
Johnny Law: a 1930's Comic Book Detective Johnny Law | The Johnny
Law tales in
Big Town
Big Town
In 1951 a new series of Johnny Law tales started. They were the second
feature
1951) through
#20 (March-April 1953). Most of the first twenty issues of Big Town
contained
three Big Town tales, and one Johnny Law story. After that, the Johnny
Law
exclusively of
Win Mortimer was the artist for issues #1 - #6; Irwin Hasen took over
with #7,
It is not clear that this second series of Johnny Law stories has much to do
apparently
in New York City. But the 1950's Johnny Law seems older and more
established as
Tim. Nor is there any emphasis on the Lower East Side, or slum districts
in
general, in the 1950's stories. The 1950's tales might just be a series of
detective stories that share little but their protagonist's name and
profession
Vince Colletta, inks ; George Roussos and Marie Severin, colors. -- New
IV. Gray, Harold, 1894-1968. V. Little Orphan Annie. VI. Series. Call
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por Dave Kraft, John Romita, Marie Severin, Winslow Mortimer, Ken
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PN6728.1.N3S8no.38
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PN6728.1.N3S8no.250
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"What Are You Getting Out of School?" (Buzzy) / Win Mortimer, art ;
Data from Gene Reed and Lou Mougin, via Grand Comic-Book
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Jack Abel, inks ; Jack Schiff, script. 1 p. in Wonder Woman, no. 88 (Feb.
from Gene Reed and Lou Mougin, via Grand Comic-Book Database. --
Call no.: PN6728.1.N3W6no.88
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no. 1-3. 1. Superhero comics. I. Byrne, John, 1950- II. Mortimer, Win.
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Mortimer, Win, 1919-1998--Miscellanea. Entry (p. 200) in The National
1996 ed., edited by Bill Janocha (New York : NCS, 1996). -- Call no.:
NC1300.N3 1996
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Mort Walker (New York : NCS, 1980). -- Call no.: NC1300.N3 1980
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1965, ed. by Mort Walker (New York : NCS, 1965). -- Call no.:
NC1300.N3 1965
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Who of American Comic Books, by Jerry Bails & Hames Ware (Detroit,
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Bails & Hames Ware (Detroit, Mich. : J. Bails, 1973-1976). -- Call no.:
PN6725.B3v.4
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PN6725.B3 1977
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PN6707.E5 1986
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Index entry (p. 635, 642) in The World Encyclopedia of Comics, ed. by
Maurice Horn (New York : Chelsea House, 1976). Call no.: PN6710.W6
1976
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"Heroes for Hire" Part I by Jim Shooter (script, layouts), Win Mortimer &
Jack Abel.
"The Money Mad Members" Part II by Jim Shooter (script, layouts), Win
"In the Shadow of Death" Part II by Jim Shooter (script, layouts), Win
ADVENTURE COMICS NO.380 (May 1969) Cover by Curt Swan & Mike
Exposito.
"The Legion's Space Odyssey": "The Building of the Ship" Part I by Jim
"No Welcome for the Wanderers" Part I by Jim Shooter (script, layouts),
Bibliography
January 11 after a six-month battle with cancer. Mortimer, who drew for
DC Comics as a staff artist from 1945 to 1956, was honored at this year's
unable to appear in person due to his failing health. In his long, varied,
and illustrious career, he created more than 200 covers for Adventure
well as interior stories for a wide variety of titles -- most recently, his
admiring Mortimer's super-hero art, and praised both his craft and his
approach to his career: "Win fit his work into his life. He had a family, a
home and made contributions to his community. He was an ideal for other
Credits:
Bill Finger (Script), John Sikela, Win Mortimer (page 1) (Pencils), John
(Colors), ? (Letters).
#3
Credits:
#5
Cover Credits:
#23
Credits:
#55
(Sequence 10 , 5 pages )
Credits:
(Colors), ? (Letters).
Lemaris).
Buzzy)
of Super-Heroes),381,383-389,391-396,
Battle of the Planets. Classic Issues Volume 1. To quote from the cover -
"Many fans may not even be aware of the existence of this original group
of ten Western Publishing Battle of the Planets comics that date from mid
to late 1980! They are a separate version from the TV show, which feature
eighteen completely original G-Force adventures. This lighter set of
stories offers a different view of G-Force and their enemy Spectra that
was meant for a slightly younger audience than the TV show. While
different, the comics present their own line of continuity that is fun to
read and enjoy on its own. We are proud to offer the entire run of the
original published Battle of the Planets comics, seen for the first time
the series in black and white to enhance the detail in the original art by
Big Town #1 (January 1951) Win Mortimer was the artist for issues #1 -
#6
Binky
Fat Albert
Legion Of Superheroes
Lois Lane
Night Nurse
danger, drama and death!") of the personal and professional lives of three
school, the initial issue offers a flashback to their student years as the
Linda Carter, Student Nurse; however, this comic is also from Stan Lee,
Real Fact Comics "The Man Who Raised the World" / Winslow Mortimer.
Sea Devils
Spoof Marvel #4
Supergirl DC/National
Tales of Mystery
Wonder Woman, no. 77 (Oct. 1955). "What Are You Getting Out of
education. --
Data from Gene Reed and Lou Mougin, via Grand Comic-Book
Database.
Winter Olympics in Cortina, Italy. -- Data from Gene Reed and Lou
The only issue of the WKRP in Cincinnati comic book received limited
changed the name of its comic book line from Gold Key to Whitman. For a
time, they published their comics under both imprints -- that is, part of the
press run would say "Gold Key" and part would have the "Whitman"
insignia. The ones that had "Gold Key" in the upper left were for
sold on a non-returnable basis to department and toy stores, the same way
Western distributed its activity and coloring books. By 1980 when they
did this one issue of WKRP, they had given up on newsstand outlets so no
more Gold Key editions were being published, and many books that were
written and drawn were not published at all, even under the Whitman logo.
(A few, like the Disney titles, were printed overseas.) It's possible that
subsequent issues of WKRP were drawn but never made it to press. Again,
the writer is unknown but the art was by J. Winslow Mortimer, who at one
time was a main artist for Superman and Batman. He had done a long run
for Gold Key on the Fat Albert and the Cosby Kids comic, and some
others, and was then drawing Spidey Super Stories for Marvel. He did a
little realizing that the unseen bachelors she must pick from are her co-
workers, Johnny Fever, Les Nessman and Andy Travis. As she questions
them, each fantasizes about marrying Jennifer and we see these daydreams
acted out. The ending of the story is a bit of a cop-out as the unctuous
game show host invokes a hitherto-unknown rule and claims the date with
Credits: Bill Everett and Steve Gerber (writers); Bill Everett and
Newspaper Strips
Batman
Other
THE AMAZING SPIDERMAN Coloring Book, 1987. Artwork by David
The Comics Journal, no. 203 (Apr. 1998)"Win Mortimer, Artist, Dead at
77" p. 27
Chuck Norris and the Karate Kommandos #2: Island of the Walking Dead
Kommandos. The Kommandos battle the evil Super Ninja & an evil witch
ISBN: 0671631829
The Incredible Hulk saves the gold miners, when thieves dynamite the
Preparing children for lives as graphic designers and artist, the Joes had
www.supermanhomepage.com
http://www.legiononline.net/volume1/creators.html
TitleSeriesIssuePublishedPublisherCover
1969DC
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
1950DC
Action Comics
Feature: Superboy [public service page]1938147August 1950DC
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
page]1938153February 1951DC
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Feature: Superboy [public service page]1938157June 1951DC
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Feature: Buzzy [public service page]1938172September 1952DC
TitleSeriesIssuePublishedPublisherCover
Action Comics
Action Comics
Action Comics
Action Comics
1952DC
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Feature: Superman1938179April 1953DC
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Feature: Superman1938204May 1955DC
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
Action Comics
1970DC
Action Comics
Action Comics
TitleSeriesIssuePublishedPublisherCover
Action Comics
Action Comics
Action Comics
Action Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Feature: Superboy1938167Aug 1951DC
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Feature: Superboy1938175April1952DC
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Feature: Superman [public service page]1938187Apr 1953DC
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
1956DC
Adventure Comics
Adventure Comics
Adventure Comics
1968DC
Adventure Comics
Adventure Comics
1968DC
Adventure Comics
1969DC
Adventure Comics
1969DC
Adventure Comics
1969DC
Adventure Comics
1969DC
Adventure Comics
1969DC
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Adventure Comics
Feature: Supergirl1938395July 1970DC
Adventure Comics
Adventure Comics
Adventure Comics
1972DC
Adventure Comics
Adventure Comics
50DC
March
1950DC
1950DC
1950DC
page]19499February-March 1951DC
1949DC
March
1950DC
1950DC
1950DC
TitleSeriesIssuePublishedPublisherCover
Annie
Annie
Annie
Annie
Batman
Feature: Batman194033February-March 1946DC
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Feature: Binky194073October-November 1952DC
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
TitleSeriesIssuePublishedPublisherCover
Batman
Feature: Batman194089February 1955DC
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Batman
Feature: Public Life of Bruce Wayne1940304October 1978DC
Batman
Batman
Batman
Batman
Batman
Batman
Knight194063February-March
1951DC
Batman
Batman
Batman
1953DC
Batman
Feature: Binky194078August-September 1953DC
Batman
Batman
Feature: Batman199211992DC
TitleSeriesIssuePublishedPublisherCover
Big Boy
Big Town
Big Town
Big Town
Big Town
Big Town
1967DC
Captain Storm
Chamber of Chills
Congo Bill
1955DC
Congo Bill
Feature: Batman19921A1992DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Feature: 1937166December 1950DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Knight1937168February 1951DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Feature: Batman and Robin1937179January 1952DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
TitleSeriesIssuePublishedPublisherCover
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Feature: Batman and Robin1937186August 1952DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Feature: Buzzy1937199September 1953DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
1953DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Feature: Buzzy1937205March 1954DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
TitleSeriesIssuePublishedPublisherCover
Detective Comics
Feature: Buzzy1937213November 1954DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Feature: Batman and Robin1937228February 1956DC
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
Detective Comics
TitleSeriesIssuePublishedPublisherCover
Dracula Lives
Dracula Lives
Edderkoppen
Forlag
Emergency (magazine)
Feature: feature1992nn1988DC
Falling In Love
1968DC
Falling In Love
Falling In Love
Falling In Love
Funny Folks
Funny Folks
Feature: Superman194621DC
Gang Busters
Gang Busters
Gang Busters
Gang Busters
Gang Busters
Gang Busters
Gang Busters
Feature: 194721April-May 1951DC
Gang Busters
Gang Busters
Gang Busters
Gang Busters
Ghosts
Ghosts
Ghosts
Ghosts
Feature: Superman1998nn1998DC
Giant-Size Chillers
Feature: Superboy1990nn1990DC
TitleSeriesIssuePublishedPublisherCover
Monsters Unleashed
1952DC
1953DC
1954DC
1955DC
My Greatest Adventure
1955DC
My Greatest Adventure
My Greatest Adventure
My Greatest Adventure
1952-53DC
1953DC
TitleSeriesIssuePublishedPublisherCover
Plastic Man
Plastic Man
Plastic Man
Plastic Man
Plastic Man
Plastic Man
Plastic Man
Sea Devils
1962DC
Secret Hearts
Secret Hearts
Secret Hearts
Showcase
TitleSeriesIssuePublishedPublisherCover
TitleSeriesIssuePublishedPublisherCover
1948DC
1948DC
Gimmicks194187December 1948DC
1949DC
1949DC
Strange Adventures
Sub-Mariner
Feature: Sub-Mariner196861May 1973Marvel
September
1956DC
TitleSeriesIssuePublishedPublisherCover
1956DC
1965DC
Super-Team Family
1950DC
Superboy
1951DC
Superboy
Superboy
Superboy
Superboy
Superboy
1951DC
Superboy
December
1951DC
Superboy
Feature: Superboy194918February-March 1952DC
Superboy
Superboy
Superboy
Superboy
Superboy
1952DC
Superboy
Superboy
1953DC
Superboy
Superboy
Superboy
Superboy
1953DC
Superboy
Superboy
Superboy
1953DC
Superboy
Superboy
1953DC
Superboy
Superboy
Superboy
Feature: Superboy194930January 1954DC
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
Superboy
TitleSeriesIssuePublishedPublisherCover
Superboy
Superboy
Tempo
Books
Superman
Feature: Superman193950January-February 1948DC
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Superman
Feature: Superman193994January 1955DC
Superman
Superman
Superman
Superman Annual
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
TitleSeriesIssuePublishedPublisherCover
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Superman Family
Feature: Supergirl1974218May 1982DC
Superman Family
Superman Family
Superman Family
Superman Family
Superman Supacomic
Murray
Superman Supacomic
Murray
1954DC
1954DC
Supernatural Thrillers
Twilight Zone
Twilight Zone
Twilight Zone
Twilight Zone
Twilight Zone
TitleSeriesIssuePublishedPublisherCover
Twilight Zone
Twilight Zone
Twilight Zone
Unexpected, The
Vampire Tales
Feature: 197311973Marvel
Vampire Tales
Wonder Woman
Feature: Buzzy [public service page]194260July-August 1953DC
Wonder Woman
Wonder Woman
Wonder Woman
World of Metropolis
World of Metropolis
World of Metropolis
World of Metropolis
1947DC
Kid194142September-October
1949DC
TitleSeriesIssuePublishedPublisherCover
January
1951DC
1952DC
1953DC
1955DC
Knight194150February-March
1951DC
References:
Collections, HPL.
Collections, HPL.
and
Collections,
HPL.