Pantera Guitar Anthology Series Authentic Guitar Tab Editionpdf PDF

PANTERA ANTHOLOGY
GUITAR TABLATURE EDITION
13 STEPS TO NOWHERE 5
BECOMING 10
DRAG THE WATERS 15
COWBOYS FROM HELL 26
HERESY 36
THE GREAT SOUTHERN TRENDKILL 46
I'M BROKEN 53
I CAN'T HIDE 62
SHEDDING SKIN 70
MOUTH FOR WAR 80
STRENGTH BEYOND STRENGTH 89
SUICIDE NOTE PT. I 96
SUICIDE NOTE PT. II 100
THIS LOVE 108
THE UNDERGROUND IN AMERICA 117
WALK 128
WAR NERVE 136
WHERE YOU COME FROM 143

5
13 STEPS TO NOWHERE
Words and Music by

VINCENT ABBOTT, DARRELL ABBOTT,
PHILIP ANSELMO and REX BROWN
...All gtrs. tuned down approx. 1~ steps:
@=CI@=E
@=FI ~=GI
@=B <D=cl
Moderately slow: Tempo I (J = 84)
lntro:
~ E5 B~5 E5 B~5
Drums
"
Whores! Whores!
4- **Gtr.l
"
~
I> '1:1_ .s-: (~)~ ~
I> '?1_ ~-.f,
"Pitch falls somewherebetween 1 & 1~ steps down. • ...Twogtrs.art; for one.

'",
E5 B~5 E5 B~5
"
Whores! Whores!
"
_-.f, I> '1:1_
(~)~
~
I> '1:1_ (~)~
: _-.f,
E5 N.C.
"
•
3 3
3 3 ~
"
~ .......(q)... *#* ... ... .~.
slight P.M.' .... --------... --------.... ----_.'--.- ..... --~

3 3
3 3
13Steps to Nowhere ~ 5 - 1
0223B
© 1996WARNER-TAMERLANE PUBLISHINGCORP., METAL MAGIC MUSIC, RESS MUSIC

DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC. INC.
All Rights Administered by WARNER-TAMERLANE PUBLISHINGCORP.
All Rights Reserved
6
Verses 1 & 2:
E5 8.5 E5 8.5
• A fl- fl- fl- fl- A A fl- fI- fl-
• 1. Your win - dows board - ed up. your pri - vate lives ex - posed.
2. SeeadduionalIyrics
RIlfA ...--...--.. --... --...--...---_.---_ ..__ ..._--- ..---..---.---..---..--- ..---.----_ ..-._ .. --_.---_ .._-_.----------.------_.-----.----.---- ..--.. --- .. ---...-._.-- .......... ,
» rJ-, 3 3 3 3 3 3
I> 'Y <, # ##q-;.-;

~ I> '..~Y <,
..=
'~Y .I>t-# ~ (q)~ ·ff·
slight P.M. -.••--------_.---_.--_ •. --_ •. ---------. ---~
'f 'f
The talk shows pump it up, lab rats dis- eased for show. We're doomed to use the slang,
out - break of drug rou-Jette. A church burned to the ground, Dot e - yen DO- ticed yet._
Chorus: D.S. lti a/ Coda
To Coda •
•
E'51B'
r-3---,
fl- fl- fI- fl- fl- fl- fl- fl- fl- fl- fl- fl- A
N.C.
,C ---- ~"',
• Thir-teen! Thir-teen! Thir-teen! Thir-teen! Thir-teen! Thir-teen steps! Ah!
» s--: 3 --, r-" 3....., r-r- 3 --, r--: 3 ---, r-r- 3 ---; r--: 3....., ,.... 3 --, r-r- 3 ---, r-r- 3 ---, r-r- 3 ---, r-: 3 ---, r--' 3 -,
Gtr.Z 3 3 3
• . 1>.
•, ~.
• -s . •" • • , .,. 1>•
• (. • .,. '~ '-..Y
''If
'J -0,./
,
w/wah wah
Coda •• N.C.
Bridge:
N.C.(8'5) ~
fl- fl- fI- fI- fl- ..
'" '" '" '" 'A
Leads to no - where! Your back - lash dis - 10 - cates, an
a
Gtr.l y4
t
, 1># q~
• -; q~ 1># q# 1>-;, ~ 1># q# -;, ~I>#q* Y, ~I>#q# Y,
114 114
I I
13 Stepsto Nowhere- 5 - 2
",,"'at
r 7
tI " ~~ ,. ,. ,. N.C.
I
• un - time ly reign of doom!
!
r,
t
•
"
q~ I>J ~ 1rW, ~ I>J ~ 11, ~ I>J ~ 11, ~ I>J ~ 11, ~:j:
q~ • (~)11
f
~I
I
f
I
r
I The wolf poked with the stick, a - waits with can - cer- ous breath!
I
I
N.C.
" f'" f'" f'" f'" ~~ ,. ,. ,. ,. ~
• Leads to no - where! Out . sid - ers still sup - pose,
"
If'
-
• j,:j:
q~
v : p~~ q~ I>J ~ 1rW, ~ I>J ~ 11, ~ I>J Ij* 11, ~ 1>* Ij* T,
1/.
-
"
,~ ,. ,. ,. ,. ,~
N.C.
• there's ho - ly streets to roam!

(ISma)
" .
• q~ I>J ~ 1rW, ~ I>J ~ 11, ~ I>J ~ 11, ~ ~ Ij* T, j,:j:

q. (q'1I)
A.H.
13Stepsto Nowhere- 5 - 3
02238
8
N,C.(B'S) b
The truth should not sur - prise, your homes were built on lies! _
Slower: Tempo II (J, = 48)

N,C, Interlude:
"~ b",'~ -., ~:',
Lies! Yeah!
Gtr.Z
, , , *Gtr. :1
-
8va
~lJ,
'·"1
../-
CJi,J,
u I
,.,
~t ~f r r r b
~f r r b~'
~
-of'
• b~' ~~, •
Gtr.1 w/wah wah
- )-
"Iwo gtrs. arr. for one,
--.
u
~ ~
"',
-
/L~'"
,.'
..
8va ._,
~~
'
.'
rn
Bva---,
.UbJ,
-t~ b~' ~~, L=.. b~' ~~, 1 b~' ~~, .' 1
-
1 1
.....-'~ ~ j~
8va -----,
8va---------··,
;{'::~~
~
"
,..~,..,
.rr I.
-,,-, ,.,
1],
~ r 1],
~, r , b~' ~~, •
1
~
J"''', ~2 ~
13 Steps to Nowhere- 5 - 4
0223B
9
Tempol( J =84) Outro:

N.C.(E5) E5 B~5
~
Pp.·,
"
• We'll
15ma .. ----,
..J GIr.1
~ 3 3 3 3 3 3
:
,
• ~~. -
q~~.
V
~
~''11 D
1
I
E5 B~5 E5 B~5
" ~. ~~ ~Ii" ~- :-----.-.. ~.n
• kill, I know,
"3-'
ab!
3 3 3 3 3 3 3 3 3
"
.J
,
• (~)~ ~ ''II "J J U ~ I> ''II '(q)~ I> ''II U '-" '-../
Chorus:
E~51B~
~r-3---' ~3-.
" P~ ~ t'- t'- ~ ~ fI. fI. 'fi. fI. fI. fI. A
• Thir-teen! Thir-teen! Thir-teen! Thir-teen! Thir-teen! Thir- teen steps!
r-r s r-v
. ~
r-rr s r-rv r-r s-r- r-r-s-r-v r-r s-rv r--3--,
,......,
c-3-, r-r s r-v
,......., ,......,
r-r s-rv
,
• . ~-j -j
'" • -j '> '> -j
• -j I>-j
• • -j
~
Verse 2:
A backwards swastika,
The black skin riddled in lead.
A nazi gangster Jew,
It beats a dog that's dead.
It's in to use the slang,
Outbreak of gun roulette.
The cross slants to the side,
Will prove the damnedest yet.
(To Chorus:)
13 Steps to Nowhere - 5 - 5
0223B
10
BECOMING
All gtrs. tune down 1 step: Words and Music by

@=D Q)=F VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT,
(2)=G @=A REX ROBERT BROWN and PHILIP HANSEN ANSELMO
®=C (j)=D
Moderately J = 120 wlRhy. Fig. lA (Gtr. 2)
Intro: Play 4 times
D5IA No Chord(ES)
. -
"Otr 1 Rhy Fig 1
"
~ .:
f
.. ~
.:=~ .:. ~ ': •. .:.! <. .'<
-
• "= ~~~ i = #~~~

"
P.M. . _.-. __ .. - .. --... _------- .. _.---_.,--_ ... -
o 0 0
Verse:
Half-time feel
FjS G5 N.C.(ES) FIS GS
" rr>; ~ .----
~ r I
a - go _ _
I ........ r
(Lasttime)l. A long time I nev - er knew_ my - self._
2. See additional lyrics
end Rhy. Fig. 1
"
~
.
.
- -
:; #~~~ ~ R~ ,
_... _--". . _-_ ...... .. _--_ ... ---",--1
= ~
"
PM. .••• --1
b~:i: : ~
P.M .
~/ b~ ~
PM.
'J ~ R~ , PM. ----,
N.c.(ES) FjS GS N.C.(ES)

~r--. r---... ~
~ ........
Then the mem o - ry_~ of shame.,
~-
~
= b~Y ~ ~ ~Y b~ ~ ~l ~ R~ , = =I blj' ~
=t
-.J •
PM ...... -1 P.M. PM. PM .. ---1 "P.M....." , P.M.
V
Otr.2 8'"'····--
"
Rhy. Fig. lA ~
. .
c-
end Rhy Fig. lA
f w/Gtr. synth. effect
© 1994COTA MUSIC, INC. and POWER METAL MUSIC, INC.

Becoming ~ 5 - 1 All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
0223B All Rights Reserved
11
FlS GS N.C(ES) F#S G5
P ffi ~. ~ -
birthed.L; its gift._
"
• I>~
l
P.M.
~} l ~~
P.M. ··---1
, l .
P.M. ____ oj
I>:.y: l P.M.
U 1>, 1 '~
~~ ~~
P.M.-----<
,
Double-time
N.C'5'71.. '1 - -"' G-

Y<o'
1.A- (&-T"-- 2.) (4 ';-"'':05) ,
FlS
3
G5
,
"
No more. The small one, the weak one, the fright ened one.
"
• ~ ~ ~ ~~ ~ ~ #~ ~~ .. _- ~ ~ #~ ~~ ~ ~~ e
PM --- . _--.- ... "--- .... --- ---._-- .. _-.- ... ... _--- ... -- ._-- .... -_ .. ---- ...... --._.--- ._--._.---- --- .. ------ --_·------1
N.C.(ES) F#S GS
3
, 3 ,
jj
• • •
• Run ning from beat - ings. de flat - ed, I'm be - com - ing
•
"
..= - ..=
PM. -- ----. __ .. ._--- ... _--
~~
---- .. ---
.= =......... ---._------#~ ..~~------ =.. ..
~~. _-------- ---- -- --- _ .. _-
..=
--.----" ---
#~ ~~ ~
.. _--- ._-_._----
~~
---.- •.. ----1
,
N.C(ES) FlS G5
jj
, 3 , ,
---3 , 3
• more than a man. More than you ev er were.
,
jj
• .. =..
= =~
-
~4 ~ =
.. #~ ~~ ~ .= #~
-
~4 ~ ~~
P.M. -_ .... _---- .. _-- --- .. _ .. _- -- .. ---" ..... '-- .. "-- ._-- ..... _---- .. --_ ... .-.----- ---._ .. _-- -----_._---------------_ .. ---------~
Becoming - 5 - 2
0223B
12
N.C.(E5) FI5 G5
u 3 , ~---3---'
• • • .. • .~
• Driv en and burn - ing 10 rise beyond Je sus! _ _
•
"
=
~
P.M.
=
~
--._. .-------" ..
~. ~~ 11= =
~ ~~ ~~ =
11
=
~ ~~ ~~ ~ ~~
_----. __ .------------_.----_ .. ----------. .----.. ----- .. -------.-----_ .. ---.----- .. -------.-----·_-------------··------------·---1
,
Chorus:
Half-time feel w/Fil11 (GIr. 2)
% B5 AS DSJA (85) (AS) D5/A
"~ .- fl- fl- .--------«: ~.-----
• - I'm born a gain
"
• • ~::. =
11
P.M, .
,---., .~~:
~
~----
• 1> • :j' =
~
=
~
P.M. ----_.,
•:::=:::
B5 AS DSIA
"
~ ~ .- fl-
•
• with snake's eyes. Be corn . ing _ _
v~
v • :i:-=:: =
~
P.M.
=
~
-------1
~
~'" . :j'.....-
Fill 1
~ Glr.2
Becoming ~ 5 - 3
02238
13
w/Filll (Gtr. 2)
(US) (AS) DS/A
Double-time
God - size.
P.M.- "'1
w/Rhy. Fig. lA (Gtr. 2, 4 times)

N.c.(ES) FIS G5
Err!
P.M . ._---_ .. -------_ .... --------_._---,
N,c.(ES) FIS G5 N,C,(ES)
P.M....... P.M ..
FIS GS N.c.(ES) FIS G5
q ~ q
---- •• - •• ------- •• -- •• ---- •• --"-1 P.M. -.. -------... ------ ... - .. ---------_ .. --------_ ... ---_ .. -_.... ---- _.-_... -------_.. ~
Becoming - 5 - 4
02238
14
J 2. Double-time
D5IA To Coda •
II
• -- Yeah!
• - -
• : ~ ~. ~ ~
'. : ~ ~ • : ~ ~ ~ ~ :; •
Interlude:
Play 4 times
N.c.(ES) FjS G5 D5IA D.S. l\S (2nd ending) at Coda.
• (Bass gtr imitates Rhy Fig 1)

-
• w/Gtr. synth sound effects :; : ~ :; : :; ~ ~
Play 4 times
•
Coda N.c.(ES) Fj5 G5 ES
II
• (2nd time) God

I
-
r
size._
I
II
• =l =
7i .. =iq=i ~ i ~=iq. ~ ~ ~=iq=i ~ H~ , : : : ~
~M. ----_ ...... _----- ------------- ••• --------- ••••• --------- •• ---------- ••• ---------- •••• ---1 P.M.............•••.....................
FjS G5 ES Fj5 G5
•
• ~ : ~ H~ ~ ~ : : : : ~ ~ H~ ~
--------- --------. ._---_ .. _----- .. < ~M. ._-_._----_ ....__ ._---_ ....--------- -.------------ ... ------- ....... --.-------.... ---------··i
Additional Lyrics
Verse2:
I found my life was slipping through my hands.
Perhaps through death my life won't be so bad.
I can see you, can fuck you, inside of you.
Staring through your eyes.
Belittle your friends to serve me, to suck me, to realize my saving grasp.
I of suicide. I the unlord.
Becoming- 5 - 5
02238
15
DRAG THE WATERS
Words and Music by

VINCENT ABBOTI, DARRELL ABBOTI,
All gtrs. tuned down 1~ steps:

@'cl <D'E
®'FI @'GI
@'B <D-ci
Moderately; = 126
Intra:
N.C.
*Gtr.l
~'
f wlheavy dist.
-Otr. 1 doubled.
F5 E5 F5 E5 N.C.
" "'" "'"
Blah, wah!
Rhy.Ftg.l················································.......... ~ ...................................... ....,
, ,
~
u
..... :
1 U q~ ~I ~ ~. ,
: ~ ...
·---------i ~M. ---------1
1 1 1 1
wlRhy. 1'111' 1 (Gtr. 1) 3 times

F5 E5 F5 E5 N.C. F5 E5 F5 E5 N.C.
Drag the Waters- II - I

0223B
© 1996 WARNER·TAMERLANE PUBLISHING CORP .• METAL MAGIC MUSIC, RESS MUSIC,

DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, INC.
All Rights Administered by WARNER- TAMERLANE PUBLISHING CORP.
All Rights Reserved
16
Verses 1 &: 2:
FS ES FS ES N.C. FS ES N.C.
• - -. . - -------- - - - -~
l.A smack on the wrists is the words; from the mouth of the out·
Gtr.l
• Rh~ Fig. 2
q~ ; ~' ~ ~ ~ ~ ~ ~ ~' 'l!' 'l!'
.~. . .~.
• .,...--.. . •
FS
fI-
ES N.C.
~ - .~. - ~
- sid - ers, law - yefs, po - lice._ A small price to pay_ for the dope.c,
e
•
'l!" 'l!' 'l!' t 'l!' 'l!' =Lit • ~-.J
-
-
• -.J
q~
, 'l!" 'l!" 'l!' 'l!'
~~
·. . '
,fI- fI- -~-
CS B5
e
- and the guns_ and the rape, it should all_ be o - kay._ Your
•
/.
end Rby.Fig. 2
e ~' ~ ~ ~' ~ ~ ~' ~ ~ ~' ~ ~ 'bit • ~-.J -.J
w/Rhy.Fig. 2 (Gtr.1)
F5 E5 N.C.
'I
fa - ther is rich, he's the judge.L; he's the man.c; he's the god_ that got your sen- tenee re - duced.L
tH· 'I If
But in the back of his mind.L he well knows.c, what he'd find.L, if he jookedc,
Drag the Waters - 11 ·2
0223B
17
Chorus:
F5 E5
~
a~
•
4 '----'
- • IiI - tie deep - er in you. In you/_
, ,
Gtr.I ....-/
a ,
~!
=
.,. «.» ~~ ~' ~
j
P.M.",.
1 I
F5 E5 N.C,
jj v v v v v i<-
t
Drag the wa - ters some more.:-: Like nev - er be ~ fore.c:
jj
~ .::>
- !
t
=
~
------1 1
U ~~ ; ~' ~ ; ~' =
~
1
".. ~ ~~
'------'
1 P.M. ·······-i
(G5)
a ¥-' '.., ~ ---------- v

'"
4
Whoa! Ah!_ _ nowt.:
a ./ , )
• J~ ~ 1>.... ~~~ ~• ~,-----,~y ~ 1>-.' -.' ~~~ ••' u ~ __________!? ~ ".... ~~~ ~ , ~_
1 P.M..... -------, P.M.-··'···_·---i P.M.• ----------i
1 1 1 1 1 1
!
(A5)
~
Yeah!_ Howl _ _ Yeah!.
jj J
..~.. 1 1Y ~ .... ~ 1 '-J '~'-----'~~ ~ •• ~ ~.

1 P.M. ---------1 1 1 P.M. ----------1
Drag the Waters - 11 - 3

02238
18
..lRhy. Flllo1 (Gtr. 1 ) 4 times
• ~
--------- ~ -v_ C5/G D5/A E~51B~ F5 E5 F5 E5
• - How! Whoa!
•
u
v~"*"* •• :J ~
../
'-.-/ ~~~-] "* •• "* ~ :;: . -

::::. • 1>..
P.M... _----------1 P.M. -----·----·--i

1 1 1
N.C. F5 E5 F5 E5 N.C. F5 E5 F5 E5
r t ~
Drag the wa - ters some more.L
t - It r
Like
~- -
nev • er be - fore.
11. 112.
N.C. F5 E5 F5 E5 N.C. N.C.
Drag the wa - ters some more. _
Interlude:
F5 E5 r-------·-------------------~
F5 E5
GIr.2
~~~~. f:(+),'1- f: '!: f: ~~ *~* _____ ~e~ ~ t:e~~ ~
• v v ,'I- ,'I- v
f grad. bend
w/flanging & echo effects, & wah as filter effects
1 hold ... _______ . _____
1,_____________ ~
• Glr.l
• q~ , q' ,
Drag the Waters ~ 11 - 4

0223B
I ,...
19
F5 E5
Guitar Solo:
F5 E5 N.C.
G tr, 2
w/flange echo & wahusedasfilter
P.M. ·.·-----·---···.·····i
wlde/ay ------------------------i
--------
1
Drag the warers. II - 5

02238
20
(F5) (E5)
~~1>
.Jl( +) I>~
I I
f'-~ ,.
C\ ~. D
~ (+) f'-.------;' "(+)~f'-I
:<;-----:\
-c-:-;
~f'-
I
,
1.. ,. (+) + + __ .. ,.(+)f'- _.-
------
1/2 1/2 1 1 1/2 1 1
r----
1 r->, I -------,
•
• q~ ~
Bva --.... ----------.....--------- ..... -----,

J---.---- ..-..
-------.--------~---_ ..---+---------+-----1
.~~ ~~~~~~ ~ #i",.

l=F~Ft-t-~ t:1=~F
•
hold bend w/delay -----------_.------------. -_._.-- i
112 1
)-- O:r T ..T -, ~
,1
"'Tap string whileholdingbend.

Drag the warers . 11 - 6
0223B
21
(F5) (E5)
.
P.M
. .--------------
---------- ---------
..,
------------- --------------
.
------- .. ---- --------------
. ------.
(F5) (E5)
8va -.--- -------.--- --------- --------- ---------- --------------- .. ------------- ------------- -----------.-----.--------.----.-.---------.-------.- ..
~ ~
wldelay --.-------------- ----------.- --------.-- -----.-.. _oj
\1;
..J
---------- ••••• ----------.-- •••------------ •••.• ---------- ••••-------1

. ...
P.M.·································
J J wldelay
1 J21; ~
.J
.------.--.- ••••••• ----.------- ••••• ----.----.- •••• -----.----- ••••• ------.--- •••••• ------.---------- •••• ---.------------ •••••• -t
Drag theWaters - 11 - 7
02238
22
Chorus:
wlRhy. Fig. 1 (Gtr. 1) 4 times
F5 E5 F5 E5 NC F5 E5 F5 E5 NC
u fI- fI- .r-
• Yeah! Hal Drag the wa - ters some more.L, Like nev - er be - fore
8va ------------ .. -.-------------.,
Glr.2..J I
u :t (~)~,
• 1 I
..J I
F5 E5 F5 E5 N.C. F5 E5 F5 E5 N.C.
" ~ -
--. - Drag the wa ~ ters some more.;
"
r······· ....··........ ··..~
. • !~ • !~
..... ' - - - 3 -----' ' - - - 3-----'
I
j.................................. I
~
Double-time feel
F5 E5 F5 E5 N.C. F5 E5 F5 E5
u
"
Drag the wa - ters some more.c,
)
Gtr.2
............................................................
~
u •#e- -e- -r---e- e---..

.....
2"
;............................................................--/
"'iT
u Gtr.1
~~
, i ~~
P.M.---i
, ~~ i
P.M.---'···--i
.---J
)
-
»:» I
~~ , i ~
P.M.-·------··'!
i , ; i ~i
P.M.....· ....
Drag the Waters - 11 - 8

02238
23
N.C. F5 E5 F5 E5 N.C.
Like nev - er be - fore. _ Drag the wa - ters some more.;
• 2
J
~ ,
~
u - - /
=
i -J'-../T ~~ , i ~ ~ ~ , i ~~ i «»
-----, ~ ~
P.M.··········i P.M..···········----,
"
;
F5 E5 F5 E5 N.C.
" ~
-.
..J,. ..>
"
s:
-
E E E1 ~ t .-----~.- -
-.
1 1/2
..J ,-----... )
~
, ,
u
.::>
I,
~~ i ~ ~ ~ i ~ ~ i -J~
-~
P.M.·----·······-~ P.M.-············------i grad. bend ,
; 1/2
Drag theWaters - II - 9
02238
24
•
See what it is_ in - side that fuck - in' lie. Huh! Huh!
.-.0.
. . .
• 2
./
• ~-
HI
_. ~~ ~~ ~ ~' ~ ~ ~' ~~ ~ ~' ~ ~ ~'
2
Dutro Chorus:
Half-time feel
wlRhy. Fl&-1 tco.t, 2 times
• v • ... f>-'
F5 E5 F5 E5
• Huh! Huh! 'Ah!_
.:»
• - J
~~ ~ ~' ~ ~ ~.
1 *--./71
P.M.---·····"!
J
1
:
r
N.C.
~
Drag
_. the wa ters some more.Lc,
F5 E5
'I
F5 E5
- I~
N.C.
r ~
.
Like nev er be . tore.;
• ' ..
F5 E5 F5 E5 N.C.
~
F5 E5 F5 E5 05 A5 B'5 AS B'5 B5
- Drag the wa - ters some more.; Ah!
.../
,
Gtr.1 ~3------' r-r-r- 3 ------,
• J
~~ 1 ~, 1 1
i -J,-j ~~ , 1/~ , 11 , ~ I> '71 ~ 71 r-.J

PM.·----"
~ ~
«Gtr, 2 ad hbs.trem. bar dives,pickscrapes andfeedback untilend.

.
Dragthe Waters - 11 - 10
0223B
25
wOOy. Fig-I (Gtr. 1) 4 times

F5 E5 F5 E5 N.C. F5 E5 F5 E5
r=r Yeah! Drag the wa - ters some more.cc;
N.C. F5 E5 F5 E5 N.C.
Like nev - er be - fore._ Drag the wa - ters some mcre.;
F5 E5 F5 E5 N.C. F5 E5
"~ , " v·
- Huh/_ Huh/_
Gtr. 2
Bvo..,
(~
"
• t
../
Gtr.!
"
q~ ~
Verse 2:
Sweet is the slice and the lips
You're gonna have that woman.
She is your favorite lay.
Promised, you swore,thatno one had been there
And she was gonna keep it that way.
Let it move in, you got thin
And got high and your money went
And so did your friends.
But she's by your side and her smile
Cannot hide the premonition of the beckoning end,
The end.
(To Chorus:)
Drag theWaters - 11 - II
0223B
26
COWBOYS FROM HELL
Words and Music by

VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT,
REX ROBERT BROWN and PHILIP HANSEN ANSELMO
x
Em
oxx
1m II WI
22
C
, 0'
321
,AICIx
3111
m tl
, D5xx
134
5fr
.
B~5
134
'" 6fr
.
A5
;l5fr.
134
Moderate rock J = 116
Intro:
N.C.
GIr.1 RilfA end Riff A
> >
w/dist.,flanger
" II
_8
wOOD' A (Gtr. 1) 2 times
Gtr.2
PM........................•..•...••.................................••...•..............................•.•••.•••
w/Filll (Gtr. 3) end Rlft'B

u II
•
._-----_._-------------_ -.. _---_._--------------------------------_ ----------------------------------_ _------------------~
FUll
u II GIr.3
• w/dist. f
Cowboys From Hell- 10 - 1

0223B
Cl1990 COTA MUSIC, INC. and POWER METAL MUSIC, INC.

All Rights Administered by WARNER-TAMERLANE PUBUSHING CORP.
All Rights Reserved
27
Gtn.2&3
•
P.M.,.--···-------·····-------.··-------···-------···.------....----, P.M.. --••.•.. ----- •••-------- ..•••. ----- ••. ,
P.M. --.•-.. ------•. --------- ••.. -------.---------- ••.. ------- .•. , P.M.•.•••..• ----•..••. ----.•••..• ------ •••.. ------ •.••• -----_.•• ,
•
P.M.. --•••.••-------.•••-------•...• -----•..••. ------.•••. ------..•• , P.M..•••.••------•••.••. ------•••..•• ----•. -1
• ~ Gtr.2 3 Gtrs.2 & 3 3
• ~~7~ ~7~ ~7~.~~· ~~7~ ~7~ ~7~.~~·

P.M. ------- ..• ---.-- ---•.••.. ---- ---•. -.-- ---...• _- -------.••• - i P.M.•••• _------..•. ---------.•••. ----- ---•••. _--_.-••.••. ------,
v v
Oh, come on!

3 3 3
•
P.M. --., ••-------- •••• ------." •••• -----.-- •••• ----.-- ••••. -----, P.M. -.----.-- ••.•••.•• -----.- ••..•••.•• -.------ ••.•••.•• ----1
Cowboys FromHe11- 10 - 2
0223B
-
28
J J J
P.M. ----.------.------ .. ------ .. -----.-.------- ... ----- ... ---~ P.M. ----.-------.---------------.-----~ P.M.
J J J
P.M. . ---.---.------ ... ---- .. -----_.'.---- ... ------.-.--------i P.M. ---..------..-----.----------------{ P.M. P.M.
Verses 1 & 2:
•
· ~ I I I ~+~, ,
J
r _ . r--'1
,
- L h.~
1.Un- der the lights., where we stand tall_ no - bod- Y touch-es us at all.
·
2. Pil-lage the vil-lage, trash the scene.c but bet- ter not take it out on me L, 'cause
~ J
• ~ ~ 7 ~ ~ 7 ~ ~7~~~~ ~ ~ 7 ~ ~ 7 ~ ~ 7 ~ <!,#.j~-
·
E5
~ ~ ~ ~
,
• Show-down, shoot - out, spread fear within,_ with out.c, We are
· <aJ ghost town is found where your cit - y used to be.L; So
~
J J
Cowboys From Hell- 10- 3

O?'~R
29
I I #.1 ..
'----'
gon-na take.; what's ours to have.; Spread the word through- oot_ the Iand.c, They say
out of the dark- ness and in- to the Jight.c, sparks fly ev - 'ry- where in slght.; From my
1-~~1 J
-
I ,:;;. :;;.
,
bad guys wear black. We're tagged and cen't..; turn back.; }
don-ble bar- rel,__ twelve gauge, can't lock me i n _ your cage.c,
. ~
os
,. • • • •
ots
~. • ,.
OS
• • •
B~S AS A~S
• You see us com - in' and you all to - geth - er run for coy - er.
. ~
- -
~I~ ; ; ; ; ; ; ; ; ;~ #ltj .'l' ~~, ,,,,, ~ • '~1 • ~ . b~

0223B
30
Em
• We're tak - in' o - ver this

~
town._
jS Chorus:
we come.; reach for your gun.c, and you bet- ter lis ~ ten well.c, my friend.cYou se
~ ~~ ~ ~ '* ~ '* ~ #'* ~ ~'* ~ #'*y ~.

P.M.----.··-------··.-----···------···.·----····-----·....--_.....
~ ~~ ~ ~ '* ~ • ~ #'* ~ ~'* ~ #'*y ~.
P.M.·····-----···----·····----···----···------····-----....--_....
· ~ ~ ~ .. '-'
•
· ~
{it's} been slow down be - low.c, Aimed at you.c, we're the cowboys from neu.,
• ~ ~~ ~ ~ ~ ~ ~ ~ #~ ~ ~~ ~ #~J ~. ~~~~~ ~~~ ~#~ ~~ ~ ~

P.M. ---.. -------.------_ ..------ .. ------ ... ------ ... ----- ... ----- ... -{ P.M.,·------··------··------·-----···----..
· ~.
~
- •- ~ ~ .. •.
'-' ~
•
· ~
Deed is done.c, a - gain.; we've wcn.; ain't talk-ing no_ tall tales.i, friend.s, 'cal
~ ~~ ~ ~ ~ ~ • ~ #'* ~ ~~ ~ #'*y ~. ~ ~~ ~ ~ • ~ • ~ #'* ~ ~'* ~ #'*y ~.

P.M.------···--------------···-----····-----·····-----... ----...... P.M.,···-----···-----···-----···----···-----··········........... ~
Cowboys From Hell- 10 . 5

0223B
31
. ~
E5
. . --
ToCodaI_!1.
!:
- ~
. ~
high noon, your doom. Com - in' from you,_ we're the CQW- boys from Hell._
• ~ q~ ~ ~ • ~ ~ ~ #. ~ q. ~ #.y ~. ~ q~ ~ ~ • ~ ~ ~ #. q. ~ ~
P.M.• -----------.- •.. ------------ .• ----------- ..•• ------------~ P.M.-----·········-----------------------·---···~
Yeah.
3 3 3
3 3 3
• Oh.
3 3 3
Cowboys FromHell- 10 • 6
0223B
F
32
G5 Fls Em
n.~j
· ~ ~ ~ •
P.M. -------."
6.~
==-
• Com- in from you,_ we're the cow - boys from HelL
II ~. GI.4
• ~ q~ ~ ~ ~ ~ ~ ~ i ~ ~: ~ ~~~ - -
®
3&.
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C c cl Alcl D DS B,S AS G 1
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P.M.--··-·J (8va)
· ~
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• I I
AH
Em C
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•
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.
3
3 3
3
L
3
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3
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end Rhy.FIg. I
~ J. ~ .b---J ~ j). )'J

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I
3 '--7
20(20) 15121512

0223B
33
w/Rhy.FIR.1 (OtTS. 2 & 3)

Em C
" .(8va) --- .-- •.••• ---- ..••..•. ----- .••• _- .•.•.. ---- -••..••. --.,
• ~,.. ,.. f2~"' < ;
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D B~5 A5 Em
8va--···-----····------ .. ·------···-----··,
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J J J J J J J J
C Alci
Bva--····--------···--------···-------···--------···--------.... ---------.. ----------.---------.----------.-.. --------....---
_ ~
r-----_
J
slight A.H.
1
1(4 ~ 1~
j5j5 Bridge:
wlF1U 2 (Otr. 4) 1st time only
" .- D
"
B~5
. q~
A5
(8va) --.-- .•••. ---- -•••. _------- ••• -- ---- •. --- ---- --••. --- ---.- ---- --- ----- .• _- --- --_•.. --- ---,
#~ je u
N.C.
G trs. 2&3
(8va)
q~
eo
1-' T I..$' i :,
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i ,
- P.M,····~ P.M. --•. ~ AB.

~
P.M. ----1
FiU2
Gtr.4 ,
A • ~ ~~
\L
"r:---
or 1 w/echo repeats
./-

0223B
2
34
wlFU13 (Gtr. 3) last time only
II ~ -
(8va)
~
(8va)
~~
• 0 i i "-' .. ..=
= "-' 11 0
..= ..= "-'
i i "-' P.M. --··i
P.M, ----1 P.M. ----1
-
A.H. P.M. -.--0{ P.M. -----l P.M ... _-\ AH.
(8va)
w1FIlI2(G tr. 4)1 st tIme
. on y
~~
II ~ .1;'. .0 ~ ~
- Gtrs.2&3
A.H.on@ ------------------------.-----.------------.------------------l
0
i ..= '-'
. ..=
= <:»
11
P.M. -----l P.M..----, AH. P.M. "'--1
To Coda 11.
(8va)
(8va) wlFUl3 (Gtr. 3) last time only
II ~ ~~
o .. =.. ,,-,"' =
= <:» ~ ~ 0"' = = -:» ..= '---'- P.M.. _---\
• • • • •
P.M. -----I P.M.. ----l AH.
.P.M.-----l P.M. P.M.-----I
-----I AH.
wlRilrB (Gtr. 2)
8va .--.-----------.-.---.. ----.--.---.-.--- .. -.--- .. -----.-.--_.--.- .. --.-_.---.-.---.-.----._.---- .. ----.------.----,
*'-
A.H. on CD .'.--••-.---_.'.---.----- ••-.--.,--.- •••-.-•••--.-.--- .•----- .•-----•• ----.----1
Fill 3 (8va)
~~
II ~ Gtro3
~ .7:' .":"' C'\ ~
0,"' = .
. = ----"' =.. =.
P.M.-·-1 P.M.'--'
'-..,"'
A.H.
~
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P.M.--;
==-.i
35
D.S. ill at Coda I
Em
Coda~ ~ ~
f-
•
. ~
Com - in for YOll, _ _ we're the cow - boys from Hell. _ _
~ ~~ ~ ~ :# ~ :# ~ #'* ~'* ~ ~
P.M.-------···-------··------··-----··------···------··-------··---------···------··----1
. ~ t- -~\ ,-.,
D.S. illill at Coda fl
• Ah. Step a - side.L, we're the cowboys from aen.;

o ~
• ~~it~it~ i ~ it#~ it ~~ it#~J~· ~~it~it~it~ it #~ ~~ it ~

P.M. -- .... ------ ... -------- .. ------ ... ------ ... ------- .. -- - - ~ P.M. ---.. -------- .. --------- ... --------- .. -------~
-$- 8va·--·····------······------······----······-----···· .... ------ .... -------- ... , E5

Uhf
Coda~ ~ '1'.
... ."":"' a-. ,--.....
slight A.H. on CD ------ ----- ------ ------ ------ ..'i
Cowboys From Hell -10 - 10

0223B
p
36
HERESY
Words and Music by
VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT,
Fast J = 176
Intro:
Gtr.1 E5
(8Ya) --------------------------------------------------------------------------------------------------------------------------------------------------------------------------
•
'---" """"'"" '"""" -J- _~ """"'""
harm.---------···-------··_-----···--------···------···--.- ... ---.---.. --.--.. ---.---- ..--.---- ..-------.. ------.. ------------ ... ------.-.------..-----...----- ....---_...._---
. .
(8Ya) _
• •
• ....... U .....- ....... W·
----- ...------ ...----- .... -----_ ...-----_ ..-----_ .... ---------------_.-----_ ..-------_.---_ ...-----_ ... -------_.----_ ...------------------_ ...------------ .... -----_ ..------_.---- .... ----...
. - . . . -
(8Ya) --------------------------------------------------------1
..r- Rhy Fig 1
• .....- ....... i =1
~; #~ ~ ~ -,; .. ..:
~
~~~
.------_ ... ----_ .... -.----_ ..------_.-------_ ... ------ .... -----_ ...-------- -----_ ..--------------_ ... _--------,
P.M. throughout
. . -
end Rhy. Fig. 1
Heresy ~ 10 ~ 1
0223B
e 1990 COTAMUSIC. INC. and POWERMETAL MUSIC.INC.

All Rights Administered by WARNER~TAMERLANE PUBLISHING CORP.
All RightsReserved
37
I 1.2.3.
B5 B~5 A~5 B~5 B5 B~5 G5 G!5 A5
B5 G5 G!5 A5
B5 B~5 G5 G!5 A5 B5 B~5 A~5 B~5 B5 B~5 C!5 G!5 C!5

, - - - - 3----.
Heresy - 10 - 2
0223B
38
Verses 1 & 3:
E5 G5 GI5
-, ,
• 1. Here we are in a world of cor • rup • tion. Hu - man

3. I know__ what's right _ _ or wrong.L; and my be-
ii ii =
.. ..= •= •= =
•
. ----
E5 F5 FI5
• na - ture is of via - lent breed. _ _

lief is stron - ger than your ad - vice._ _ _
• ..= •=
:
• • ..= =
• •= =
.. •= ~' ~ #~l
G5 GI5
E5
• ...-... I "'-"'J
J-
-
J---~-
- I I
Who cares__ if there's no to - mor - row when I

Peo - ple, _ _ they go to war _ _ be - cause re -
;
•= ..= •= •= = ~' #~;
- :
ii ii ii • ii • ii
E5 E'5 B'5 E'5
• die, my fu - ture's laid out for me. Can't y~u see?

li - gIOn gives them rea - son to fight. _ _ Sac - n - fice.
"
3
:
·• : ii ..= •: =
.. •= ii =
.. ii =
.. :
• ..= 1>-
Heresy- 10 - 3
0223B
39
ES cis GiS cis ES
• Rise
r---J-,
· •: •
~-~¥
~ ..: .~¥
i i
-
~.. ~ * #~~ * 'I ..= *~. ..= :
• *0
-
ES cis Gis cis
~-----------------------
a· bove the lies. _

Die for pride.
Verses 2 & 4:
ES A'S AS a,s ES
jJ
• 2. Mer ~ als on a backwards glove, a

4.A group that ca - ters no one's fees or
r - - - J-----,
• =..
•= .~. -
• 'I ....:::.,' ..= •: ~. b'i: q'i: . :
• • •
: :
• ..
:
• • •
: :
-,
GS ots ES FS Fis
.----, .----, . , . . r--1 -~ ..
• sin to you. For me it's hope;
~
it's my life and pro - vi - sian.
syn- thet - ic de~i-ties is where I be - long._
• =
.. ~ ~ ~' ; #H; ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ i =
.. ~' ! #~!
Heresy - 10·4
0223B
F
40
ES 05 015
Black or white, some pay to pray. You ques - tion why ther act this way.
My stand is the hu - man race with - out a la - be or a face
· ~ ~ ~ ~ ~ ~ 1 ..= ..
::j
.= 1 .= ~/ ~ #fi~
ES N.C. cis B,S

~.
)l ..r-J 1l ,~. ~~ ~
,
• It's their fuck - ing de - ci - sion.} No
so they can lick my sack._ more judge
• .. . ~ " ~ • r· • • ~ ~ .... y #~
05 BS cis B,S ES
"~ a ,--.. #~ ~ ~ #~ tc r~
• ment day;_ on - Iy tran - quil - i - ty._
o ~ ~ ~ ~.. q"" .. .. • ~... ~ ~.. .. &'~--[r ~ , ,. ~ ~ 1

•
cis B,S 05 BS B,S

~. a ___
~~ a ,--.. I~ ~
• Peace signs, pro - test Hnes.L. mean Doth - ing to me.
· r· • • ~ ~.. .. .. #~ ; 1
; ~ .. q"" .. .. • ~. • • ~ ~.. .. #~~
Heresy- 10 - 5
0223B
41
wlRhy. Fig. 1 (Gtr: 1) 4 times

ES
1- 'I
F' ~' 1- 'i r
Hon 'sty born in
l;···.. 1.
{
m . . . . •••••
- 1- 'i §g I
me. Her . e sy
Ab5 Bb5 E5 B5 Bb5 FI5 G5
I. •
j
II 2.
• -
•• ~ ~ ~ ~ #~ ~ ~ ~ ~ ~ ~ ~q~ ~
~
!
GI5 FI5 ES GIs FI5 C5
n:
u
GI5 FI5 E5 CS B5 Bb5 A5 G5 F5
n:
u
42
Gtr.! GIs FIs ES GIs FIs cs
• #~, i • #~~
• i i
n:
U
• i • #~~ i i #H~
0-
(8va)
Gtr.2 +
/ • I
• harm. -
'.
GIs FIs E5 cs BS
=
.. i #~~ =
.. i #H~
n:
U
~ . . ;; ~ ~
. ..
8va. _____ .______ .__ ... _______________________ . ________ ____________________. _____________________ . __ ... ________________ . ____ . __ .. _____ .. _........ ________________ . ___ ............. ________
~ 3
.rn
~
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,..--..
.[1 J J J • I I I I :tl.
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•Gtr.3 ............ 3
"---' '--"" /2
,--.., .A
B,S AS GS FS GIs FIs ES GIs Fls
I> . -,J ~ , , . .... . ~ : : : #~, • #~~ n:

U ~ i i #~, ~ ~# ~~
(8va) ····1
R II
• gradual dive wlbar W
Heresy- 10 - 7
0223B
43
CS ots Fis ES
: : n:
1 1 u
Bva------·········----------··········.------·.··-.···· ----.-- --- -.------------------ ------------------- -
ITI rn J; ~ ri J .J
3 3 3
I []l Jl .J Jl 1 31
3 3 3 3 3 3
CS BS B,S AS GS FS ES GS E5
... .. ;; • . . "-.I \>-.1 ~ ~ ~ ~ ~ ~ ~ ~ ~ : ~ :
(8vo>------------------------------------------------- ---------, 3
n-, 3 3
T .J FJ J.J n .AJ
.
I r L I r U rr
• U:-J 3 3 3
3
.,
1112
GS ES G5 ES GS E5 G5 ES
G5 E5 A5 CS B5 AS G5 FS
44
Fis ES GS ES Fis ES
, ,,
GS ES Fis ES G5 ES FI5 E5
#~~ ~ ~ ~ ~
~ '-1 ~~: ~ ~ #R~ ~ ~ , ~ ~ ~ ~
~
LJ
, ,, ,
GS ES Fis E5 G5 ES Fis ES G5 ES FI5
]
1 , ~ ~ #~~ ~ ~ ~ #~~ ~ ~
~
~ , ~ ~ #~~ ~ ~ ~
I 1.2.3. II 4.
, ..
CS BS AS Fis ES C5 B5 AS FI5 ES CS BS AS CS B5 A5 FI5 ES CS BS
• .. "-.' ~ #~~ ~~ ~
.. 1
~ #~~ "-.' ~
""-.' ~ #~~ '-"': ~
.. -.'
,I . "-.' ,
AS Fis E5 C5 BS AS Fis C5 BS AS FI5 ES CS BS A5 FI5 ES C5 BS AS Fis
. -~~ --, --'"-.' ~ ~ -'"'7 , r~~ ~

.. -.'
~ #~~ ~
GS ES
--.
Hon -
.
OJD.
u ~I #~ ~ ~ ~ ~ ~ ~ ~ ~ ~~~#~~~ ~~~~~ ~
Heresy - 10 - 9
0223B
45
wlRhy. Fig_ 1 (Gtr. 1) 5 times
- I- ¥ r D ITS' -
'sty born in me.
-e-
-
¥ r D -
Her e - sy.
ots AS
ES
Gis AS
CS DS cis Dis B ~S ES
,-----3----, 3
46
THE GREAT SOUTHERN TRENDKILL
Words and Music by

VINCENT ABBO'IT, DARRELL ABBOT
*AU gtrs. tuneddown approx. lY.1: steps:

@l=C'@=E
(2}=F' (6)=GI
@=B <D=C'
Fasl: Tempo I (J = 224 )
Intra:
N.C.(ES)
II - - - -
(Scream) Blah!
"''''Gtr.! (w/heavy dist.)

end Rhy Fla- 1
Rby. Flg.1
"
1 1 1 1
f
• • • • •= ..= .= .= .= .= .= ..= • • 1 1 ..= 1 ..= ..= 1 1 =
•1 • • • 1
P.M.-----------------··········.------------------------.-............... --.-----.-------------------------------------------------.. --.......-...........................
*Pitch falls somewhere between1 & Ilhstepsdown.

··Slide left hand finger upanddown@st. wllightpressure, not enoughto fret,producing artificial harmonics.
"',n------------....------------n------------n-----------
II - - - -
II
• ~ ~ ~ ~ ~ ~ ~ ~ ~ . • .. • • .. •
= = = = ..= ~~~~~i ~ ..= • •= .= ~ ~ ~ ~
------ ....... __ ._---------------_.---- ..... _------------------------.-.-- ...... __ ....._-_ .. _-----------_._----------------------------------------------------------------------------- .....,
TheGreat Southern Trendkill - 7 - 1

0223B
e 1996 WARNER- TAMERLANE PUBLISHING CORP., METAL MAGIC MUSIC, KESS MUSIC,
DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC. INC.
All RightsAdministered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
47
HaIf·time: Tempo II (J = 112)

!""\F5 E5 G FS F#S G FS F'S
•
~
.D.
-
-- j
~
•
- 1. It's
Blah!
~ RlJr A- ---------- ----------- --------------- ---------,
IT,
I
~~ ~ ~ ~ ~ ~ ~ ~n ~ ~
---._-----------_.--.---------._------ -------- .... ---- -----------i
~ '! i ;11>.. q.. ~ '! i ~q'#~' ~ ,!i;1 1>.. q.. ~! i ~ q' #~,
Verses1 & 2:
.
wlRiff A tc« 1) 4 times
G FS F'S G
~ 2. Seeadditional lyrics
'I
I'm speak - ing my
G FS FIS G Fis
'I 'I
1 rob a dead.. man's grave.c then flaunt it like you did ere - ate.L;
Double-time: Tempo I (J = 224 )
wlRhy. Fig.! tc». 1)
ES
If I hit bot - tom and ev - 'ry - thing's gone in the great Mis - sis . sip - pi, please
Half·time: Tempo II (J = 112 )
wlRifI' A (Gtr. 1) 2 times
G FSF'S G b FS Fis
~3~~,§t~~~~
r ~ 'I
drown me and run. It's dig - ging time., a - gain.L, you're nur - tur - ing the weak - est trend.c,
Double·time: Tempo I (J = 224 )
wOOy. Fig-I to« 1)
Those with the heart and the brain to get past this can spot a pa - thet . ic with - out e - ven ask - ing.
Half·time: Tempo II (J = 112 )

G FS Fls G Fls
Fuck your mag- a zine.c, and fuck the long dead plas - tic scene.L,
Gtr.! (I5ma)
48
•
· G
-~
Piercec,
3
-- -----------.
a new hole,_
FS F'S
-
if
G FS
I'-
soul
I'- I'-
to the
hell was "in", you'd give your
(15ma)
"
~ ~ 7 :;<1~. ~. i~) (~l
<:»
A.H.
Chorus:
E5
I'- fI- 1'-' I'- I'- fI-
"
• great south - em trend - kill. that'
•
"
~
~y I
~ , ~ ~ --- ,, , ~ ~ :j/ I
~ f'- fI- 1'-'

• f'-
right! The great south ~ ern
•
• ~ ~ ~ ~' --- ~ ~ ,~ ~ ~/ I
~ , ~ ~/---
" I'- I'- fI- 1'-'

To Coda.
.. D.C.
• trend - kill, fuck yeah! Blah!
"
• , J, , ~ ~/ I
~. ,~ ~'--- ~ ~ ~ ~ ~
..
TheGreat Southern Trendkill - 7 - 3
02238
49
Slower: Tempo ill (J = 72)
.
Interlude:
E5 N C (ES)
Coda. ~A·
~ ~
E
t
Arr!
RUrD
E 114
t GIr.l )
• u •
• ~ ~ ~
~.
'------' 11 - ...--Ji
114
. ~
• (Spoken:) It's the great southern trend - kill.
. ~ )
114
, V· ... J. ~. ~,__i --. \j,. <:»r v > l/'"

0
114
end Kifi'D (05)

(i5mo) RlIfC
A.H.
Ida
~
I (15ma) (i5ma)
114
)
'-.../
'-..J (q)
114 A.H. A.H.

p
50
GuitarSolo:
wlRifl'B ta« 1)
;;;------------------(E.;)
•
. Gt r. 2
/~. J. J. """' """' .--- .. ~ -. t: ~
J- ---- -----------:-I
;,-----. t: ~
" -
~
Gt.
8v,
L .
--------- hold bend

f f
-
1 1 1 1 1
............. _---,
I I I f\ r- 1
,----------------~
endRiffe
(8",a)-···'-----"
Gtr.l
. .. ~. . .
• '--'
::.J:t 0* -.J I ~ y'
A.H.
~
(8va) --------------. --------- -----------", ,-- --------------- -, ------- -------- -" ------ ---------" ------------- ----- ----- ----- ------ --------------, ---- ----------" ---- -----------,-
.. ~ -{A .~. ~~" ~,~ L ~ -r--: • ti. ~./2:" ~-----~-~.,-~----~
• 3
HI 1 HI 1 1
/---------------------------'----..
./ J r-.
(8vo) .---_.--_. ---_.-.. '-. --_. ------_... ' _.-----_. --------.... ------,
.> Gtr.2
w/RID' C (Otr. 1)
/ - / '" 0t:"------"',,:' (05)
. *. rt: t: rt: t: i": t: 1= ~ L~~ i
-
(8va)
) ..--t=. -;-::..
.. qA~~ ~~~ ~,
)
A'f~' ~'r("
~~"-'------ '-----'------~ ~
.. i.
L . . - 3-------'
wltrem. bar
r \/2
1
;~ : fdbk,
J
The Great Southern Trendkill • 7 - 5

0223B
51
wIRllrB to« I)
(E5)
GIr.3
8va --------------- .. .. _
I
===- -- --=
1"
I"
wIRJlrC ta« I)
-,,"_~D5
Gtr. 3 tacet
wltrem. bar
--- ..
*25fretis approx. Playw/slidejust past24 fret.

52
8va·.··---.-----------,
Gtr.2
• "'. ~t: ~.~ L,
,~
Dutro.
Em
"'Gtr.3
• ~~ =
~
~ :=r: ~ ~ ~ !
~ ~ ~ ~ ~ ~ ~ ~ ~
P,M. ------_ ... _---- .. _--.-------_ ... _--.----.----.---- .. --" .. ----.-_.-.----.----.---------.---- .. ---.----.----."---.----.----.--------".---------.---------.-_ ..-. __ ."--_.-.
Gtr.1
114 (Bva,
J to'
~
• =
-~
0
114 ~- A.I-:
*Otr.3 wlslight variation on repeats. Use these 2 meas. as a model for improv.
F Repeat
• t: t: r fl- t: fI- fI- fI- • L
t
iii
".----.---- .. --.- .. -- ----- ----_.. --_. ---_. --_. -_. -- _. -_. _. -------------------- ---------.'- -_."----- --_." --------- --_." --_." --.---_.------------- -_... ----- --..---..--
~
114
(8va)
~"'; 10:"
r r -
~~ ~
~~
I
1/4 AR
Verse 2:
Buy it at a store, from MTV to on the floor.
You look just like a star,
It's proof you don't know who you are.
If I hit bottom and everything's gone, in the
Great Mississippi please drown me and run.
It's bullshit time again,
You'll save the world within your trend.
Those with the heart and the brains to get
Past this can spot a pathetic without even asking.
Politically relieved, you're product sold and well received.
The right words spoken gold, if I was God.
You'd sell your soul.
(To Chorus:)
The Great Southern Trendkill • 7 ·7

0'223B
53
I'M BROKEN
Words and Music by

Moderately J = 148 VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT,
Half-time feel REX ROBERT BROWN and PHILIP HANSEN ANSELMO
Intro:
No Chord (E5)
"Guitar I
~ H. ~ ~
• ~ ~
•
Qq~ : ,-,~~~) .
~ ~
•
t-~q~ ',--,~~~).
mf
~ Feedback ~ Feedback
- -
*2 guitars arranged for 1 with harmonizer effects set 8,'a
" H ~ ~
• - - . -.c~ q~ :~~'----"~~~ .
~
- .
-.c~q~ :--.:':
r , •
Pick slide
~ Feedback ~
- - -
de
;, ~
r
r
~ H = - ~
- ~
• - ~
•
Qq~ ''-J~ - • "- ~
• t-~q~ ~'-J:; ,,~ • r
AH.
~
- - ~
1.I
P.M. ---------------------------,
TImingfor all guitars: ® = C#, ® = F#, ® = B.@= G.@= G#. CD = C#

I'mBroken - 9 - I © 1994 COTA MUSIC, INC. and POWER METAL MUSIC,INC.
0223B All Rights Administered hy WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
54
Verses 1 & 2:
N.C.
~ H - - i , - - '-
, i - - ;". .
• won . der
if we'll smile
in _ _<- our
cof - fins while
loved ones
mourn the day,
ab
o ~
• cJ./'--.I, cJ. /'--.1 , l ~ cJ. /'-- ~ cJ./'-~ ~

............'[ 4 4 ..
~. cJ./'-~ cJ./'-.I, I ~ cJ..
~ " PM.
P.M. _------~ ~. ~ P.M...........,
~ H
~} )cJ i II.. ., , •J r-1~. .--------.
• e sence liv in~. laugh ing, eyes _ _ a wake._ Is
of our fac es
o ~
• ~I
••---------1
o ~ h. .. £-~ A . h."---'.,
(E5)
- - -
• this too much for tbem L. to take? _ Too
o ~
• -J./'-.,; -J./'.,; ~I ~ -J./,"; (+l7'y--J. :J -J. #;; .,; 9" .. ~I ~ ..

1 1 1 1 1 1 P.M.. ----- .. ---;
~ ~ - -
. -,
J -J- -, J- -.L i
h. .. ~
• young for one's

con - du - sian the Ii
o ~
• 9"
=
~
~I 9" , .. ,_~.' ~ .. 9" i ~I 9" 1 .. ,~I ~.
1 1 P.M. --------; ~ ~ P.M....... , ~ ~ P.M. ------·-i 4 i PM."''''
I'm Broken - 9 - 2
02238
55
style won._ Such val ues you taught _ your son. _

That's
I
V
P.M.---- •. ------~
Bridge:
N.C.(E5)
J\
Look at me
how! That's how! That's how!
Choruses 1 & 2:
N.C.(E5)
1. I'm beak - en, _ _ in - her- it my.L,
I'mBroken - 9 - 3
0223B
56
· ~
a-: -fII- fII- fII- f1I- P- ES
• - life. I'm brok - ent_
· ~ ~
.
. -
,
~ ~
• --L.. ~:;t ~'-'~

~ ~
• ~~:;t ~.~~ ~ ~ ~
"
~
- - P.M. -----.-------- •••• ------ .••• -~
- - - -
·
Interlude:
12. ES ES
~
f<.\
• Vb!
· ~
• j~
" ~ ~
"" ~ ~ ~ , ,; ,I ; ~ l
""
P.M.. ---------------------------------------------------------------------- ---------_ .. -------.--_. ---~ ..
P.M. --_.-------_ ----------------.
1
," ,"
• H.
• -.'1>-.' ;; -.'q-.' -,
..
]I
~ ~ ~ -.'1>-.' ;; -.'q-.' -, ~ ~
"
----~
P.M. -----------------------------------; P.M. -_ ........ --..----_.
. .
FS
fII-
• H.
• That's
· ~
, ,I,'
~ , -.' ~-.' 'i -.'~-.' -, ~ , ~ -.'~lO' 'i lO'qlO'
~q~ ~ ~ ~ ~
--_._---; P.M.---- •. ------------------ .• --------;
I'm Broken ~ 9 - 4
0223B
57
Bridge:
N.c.(E5)
~ H p.. ------" .
.
• how!
~ H
~ 1>";- :i: ~~ ~ .~~~~~~ ~ 1>";- ~~ ~ ~ ~~ ~ ~~ ~

oj
•
• H b• "~ H,,- -.""" ~.

,
. ~
Look at us now!
• • 1>";- ~ ~~ ~ ..:;; ~~ ~ ~~ ~ • 1>- :;;

~~ ~ •~ ~~ ~ ~~ ~
Guitar solo:
N.C.(E5) "
~uita:~~ -±- ti'f'- U ~~~ £ -±- /'f'--:---- h.L ~ ~ • 9~ • f'c •
• Let ring····· ---_... -------_.-------------------... -. '[

1
J 1 ~~
*2 guitars arranged for 1.
I'm Broken - 9 - 5
02238
58
15-···· --
jj ~ V
-1
3
- rr>: _/"~.. q~ ~~~t loco
~
~
1= 1=
~
"t'c ~ t'c
t -~ . ( . ) ~ Ii
With bar
3
A~
'v
"'--.JI,..o0o,
__
A.H. ____ J With bar
0' / 1~ }l/Z .
Ar.." •. ••• • • • . •. __
q~ t'c . :.. ~~f-'------"~

2 Hold bend------------ J With bar"
~
With bar With bar 2 2
With bar 1
...J
1
/\ ) 1
/\
"Pull up on vibrato bar
1 -1
jj ~ .~,,-----,~ :::if-..---------- .- --..'A'..-----j*.,.------
t With bar With bar •• - - - - _ . - - - - - - - - - - . - - - - - . - - - - - •• - - - - - _____ 0 _____ . - - - - - _ --_.-----_.---~
2 2 2 2 2 Feedback --.-."-.-
j /\
1
j A
1
j -2
V j /\
1
0J
s- _... . ,
loco
loco f--------
I
JJ flo
Hw- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ..,
Guitar 2 _• ../f- f- ... ~ f- _. .. ~f- qf- qr: #r:

r-
q~:,: ~~
t
1
.J-
J,I ~,Guitar 1
• ~ : - .'--.J.
-
I'm Broken - 9 ~ 6
0223B
59
Chorus:
· ~
N.c.(ES)
fl- fl- ~
en! _ _
P- l..
I'm brok In - her- it my_

(Hoo) .. ... ---- -._-_._---------- ----------------1
·
Guitar2
~
-.;-
-
~&
- loco
-
,
-
•
· ~
Guitar 1
'"- - . ~..~~ - .
-
- - - -
~
r
~~i ~..~~ ~,_i
- - ~
- - - - -
/'
·
ES
p.'- ~fl-
~ fl- fl- ~ P- fl-
• - life. I'm brok . en!_ _ That's
•
· ~
•
·- ~
- . ~..~~ ~~i -
-,
• - - - . ..
~ ~~ ~'-} : , ::
-
- .
- -
P.M. .
"
_- ........ -------- .. -- .... _-,
I'mBroken - 9-7
02238
60
Bridge:
·
N.C.(E5)
~
p;
-
·
how!
~
Guitar 1
0
:Ih:~ ~ qii ; ~ qii ~ q~ ; ~ ~-.' ~ qii ; ~ qii ~ q~ ;
.
~ ~ . k~
~
-~ . ----p..",
0
·
Look at me now.
~
0
~ ~-.' ~ qii ; ~ qii ~ q~ ; ~ ~-.' ~ qii ; ~ ~-.' ~ qii ~I
Chorus:
·
N.C.(E5) N.C.(E5)
~
~ fI- fl- ji: .(L
0
l"m brok en! _ _
~ ~
0
= =
' .'
~. "-'.
~
~ ~
• ~~ qii ;,--,i ~ ~.
"- ~
• ~~q~ t
- - - -
O
· ~ h. jI: fl- .(L h. fl-
.
fl- P-
l"m brok - en! l"m brok en!_
0
· ~
= ,.~
-q~'~r;'
• ,.~
~
• ~~qii ;, :,.~ ~. ~ ~
. ~~q~;~
v'
- '-/'
- - - -
I'm Broken - 9 - 8
0223B
61
Dutro:
ES
I'm broke! Vh!
v
P.M.----- ---- ... ----.----.---- ".----------- ... ----- --------------- .. ---------~ P.M. ------. ".---.------------- ---~
Repeat and fade
Additional Lyrics
Verse 2: One day we all die,

A cliched fact of life.
Force-fed, to make us heed,
Inbred to sponge our bleed.
Every warning, a leaking rubber,
A poison apple for mingled blood.
Too young for one's delucion,
The lifestyle cost.
Venereal mother embrace the loss.
That's how.
Bridge 2: Look at you now,

Chorus 2: You're broken.
Inherit YOUT life.
(To Interlude)
I'm Broken - 9 - 9
02238
- 62
r
I CAN'T HIDE I
Words and Music by
VINCENT PAUL ABBOTT, DARRELLLANCE ABBOTT,
PHILIP HANSEN ANSELMO and REX ROBERT BROWN
All gtrs. tune@ down to D.
Moderately fast metal in 2 J = 126

Intra:
Percussion J J J J N.C.
•
• . . . . . . ::. . . . . . . .
*Bass gtr. arr. (or gtr,
Verses:
D5
• 1. I've
2.1t
writ - ten
still
a
takes
Gtr.1 (Elec. w/dist.) "''''Gtl. 1 (Elec. w/dist.)
> = - > :
;;
:0 •
.,
*"'Composite arrangement.
Dbld. by Otr. 2.
B'5 G5 F5
~
• bout
ass -
my
holes
in
of
- ner
all
wars,
kinds,
= = /~ .... .... .... .... .... ....

~ ~ ~ ~
c- z> >
;;
• :0 • >
>
ICan'tHide-8.t
0223B
e 1997 WARNER-TAMERlANE PUBLISHING CORP.,
COTAMUSIC,INC. and VDPR MUSIC
All Rights Administeredby WARNER-TAMERLANE PUBLISHING CORP.
All RightsReserved
63
05
• but I could give a shit a - bout right now.

of that fact I am still clear,
r,
'I
• = :0=
~
=
~
=
~
=
~
=
~
= /1>.... .... .... .... .... ....

:0 • :0 :0= :0 :0 • :0 • :0 ~
G5 C5 05
Most of me is all strength and

I should know and now I do; I'm
#
~ ~
/# # ~ c- ~ ~ ~
- = = = :0=
~
= ~ = = ~ =
~ :0
~
• • :0 :0 :0 :0 :0 • :0
G5 C5 05
. . ' '
• all of me's at war with dope. But my eyes_ are

one of them, I'm just like you. I'm just like_ you.
• /I>~ ~
.... .... .... .... ....
! ~
/ ... =
:0 =
:0
c>
=
:0 =
:0
~
=
:0 ,.
G5 F5
I I
in sight. I must have a life, _

A man that stands his ground with strength. _
2nd vel: My guts are blaz ing. _
64
Chorus:
G5 Ab5 G5 FI5 G5 Ab5
,
'"' et .. .<>.,
~--
I
~l
- - J
• - 1_ can't hide,
I __
- can't
..
3 3 3 3 3 3
•
~
'~~
c-
~ ~ • ~ ~ • •• "-
~#!~~ ~ ~
~
~
~
~ ~
••• • •
G5
F=---,
F5
.. . FI5
•
G5
t:
Ab5
, ~J"J
G5
fJ~
FI5
• • •
• to_ e - rase
10 _ _
what c, I've
hide, e - rase
3 3 3
'!
~
~ '"-::~
~~
~#~ ~ ~;I
~ • ~ • ~ • ;I
• ~ ~ ~#t:::~ ~
G5 Ab5 G5 Eb5 A5 D5
0-
I , fr--J J fJ, •. • ?
• done last year
.
what_ I've done.
3 3 3
;
~
~. • •• •• ;I ~
L~~P~ /~
~
~ ~ = =
• •
~
=
•
-
•
c-
=
••
::
<:::
Bb5 G5 C5
~ -- -
• and the years be - fore.
• ~
= =
• •
~
= =
• •
~
=
•
h"ll
~
"II "II "II "II "II "II ;~
~
~ ~ /~ ....
ICan'tHide·8·)
0223B
-- 65
It.
D5 B~5 G5 F5
'"' -
~ ~ = = = = = = = /I>! 11 11 11 11 11 11 ~ ~ ~ ~ ~
:0= :0
= > > > >
>
:0:0 :0 :0 :0 :0 :0 > >
G5 F5 D5
~
--
~ ~
• - Can't hide my - self
• /I>!, 11 11 11 11 -rJ -rJ, ~ ~ ~ = == == = = = =

>
? >
=
:0 :0
>
:0 :0
>
:0 :0
>
:0:0
>
:0 :0
>
:;
G5 C5 D5
• and I won't.cc., try.
/I>! -rJ -rJ -rJ -rJ -rJ ~~

/>
~ /~ . . . • • ~
>
=
:0 .
>
. :;=
B~5 G5 F5
It makes me_ strong.cc.,

66
CS A>S CS
I
- J- ~J ~J
• Zndvcl: Makes me__ strong.
. ..
~
- .. • .. ..
• ~
• • • • ~~ ;I ;I ;I ;I • ;I ~ • • •
A>S G5 CS A>S
~ ~
• Makes me_
-
~;, ;, ;, • • ;, .. 1 ~
.. • " " • '~;I
~
• ;I ;I ;I ;I ;I ;I
Guitar Solo:
N.C. N.C.
, I. I·
**Dm
• strong.
*Gtrs. 3 & 4 (wldist. & effects)
": -------
• /I>~ • ~
~;, ~
• • •
~
i
~
1 ~~
b~ ~ harm.
w/trem. bar
"Composite arrangement.
"''''Harmony implied by bass gtr.
B> Gm Dm
tr-r-r-
~i''-)
tr
~.;l,-) ~~)
tr /~
\.'~: /.- jjL
-
!.~
•
tr-r-r- tr tr ; I
I )-
I Can't Hide -8·5

0223B
Om B'
./>
~.:~: 1--- !.- -. Ii: !i ~~.. _~.. h.~;; -~.. b.. ~.. r
) )- J I i
Gm 05
Gin. 3 & 4
~
~.. h~ ~~ ~.~h.. >
-. J
Gtr.l , J , , J ,
-
- = ~ -~
~
~ ~
~ ~
~.
9-
"If f
> 0> i '.
> 0> i
slack w/trem. bar & gradually release stacauo 0 __ • • ____ • • 0 ___ • • ___ • • ___ . _ . ____ • ____ • ___ • • ___ • ______ • ____ • ___ • • ____ • _____ • • __ • • • ~
Gtr. 1 racer
'---
--
,--------
! ~:::==::::
'---
68
Gm Dm
~ ~~ ~ ~~ ~~ . (~
(~~
,/~ ~ ~ ~
fI- ./
j::: ,(~ ~ P_____..
"
scoops wltrem. bar.----··.---···.
; 1
I ) '<Y '<Y
"
/~ ~
>
~ /~
>
(::) ~ !~ ~ ~ ~ ~
(::) ;;- _. ~~~ y~
scoops
wltrem.bar.-
) ) I '<Y
"
*Top note produced by harmonizer effect.
®
open
Gm D
'<Y
Gtr.!
-
'<Y
>
J
~? ~' ~ (~ ~ (&l~
( (,l
, -ll (E) :0:-""""::::
0 .--. __ .---. __ ..--..... _- ..----- ... ----- ..----- .. --_._----_ ..-._-_.-- .. __ ..----_ ..--------- ...---- .... -._- ..----- ... ---- ._-_ ..----_ ..
-~
(rem. scoop and dive

'<Y '<Y '\Y '\Y '<Y '\Y
~. '\Y
j..' ...
'\Y ~~. -
'<Y
.. ' .. ... '\Y '\Y
&-
0 ---.... ----.. --- ._. __ .._------------_.-------,---- --------------_._-_ ..---._.----.---------------------.------------- -----------_ .. _-\

[rem. scoop and dive
'\Y '\Y '\Y '\Y '\Y '\Y
Slower J. =62 ()J =186)

Outro;
D5
)r .-
0
War, it
+1Y:t _ - P h
• ~ ~ ~~ ~~ ; ; ;:0 ~~ ;:0 ~ ; ;:0 ~ -~

14 ~> 1~ 1~~T
~
<Ii ~ ~ > ~ ~ ~
> ~ ~ ~ :0
w/trem. bar···--·····----i
f stacatto
+I~
I Can't Hide· 8·7

0223B
69
• .. - -J 1l J h J- -
I V I ~
V
blows a - way, it blows a - way,
weak - ness, de -
+1Yz
• ; ; ;~ ~ ~ ~ ~ ;~ /,~.
~
~
~. ~ • • :4 :4
w/trem. bar
~
> ~ ~ •~> ~ ~'.
+1V2
~
~J -J l J 1l J.~ -J ~I J
~
I V I I V I
it blows a - way, it
tach - ment, de pres - sian in - side,
+IVz +1>I
• ~• ~ /"-~. ; ~~ ~~ ~ ; ~~ ; ~ :; /"-~.
> •w/trem. bar
~
~
~
~ • ~
~
:4
w/trem. bar
1>1 1;:'
a - way, _ it blows a - way!

the men - tal with - drawl.
+1>1
w/trem. bar
1>1 - - - - - - -
-------------
70
SHEDDING SKIN
Words and Music by
Slowly J = 72 VINCENT PAUL ABBOTT. DARRELL LANCE ABBOTT.
Intra:
Play 4 times
No Chord
Gtrs.l & 2
. ----------' --- ---- _.----. --- -------. ---.-- -' ----_.---_.----_. -------_.---- --.' -------' -_.--_.------_. -_. -. ------------- _.-- -----------_.-' -----_.--- ~
w/Rhy. Fig. 1 (Otr. 3, 3 times)

Verses 1 & 2:
Em7 Em7(maj7)+5 Em7addA Em7 Em7(maj7)+5
~
• Spoken: { 1.1 2. See additional lyrics

don't want you to look at me while I'm shedding skin. I can't
Jl Otr.! . .. • . .. . .. . ... ' ..
• '----
. . ~I . ....
). J~[ I .~
- l>~r--
Gtr. 2 .....
. . . . . . . . . .... . . . . . . .. . -'
...... . ... ... . . . . . . . . . . .. . .. . . . . ..........

Rhy. Fig. 1 (end Rhy. Fig. 1)
Jl
Gtr.3
- 8'" -------,
..= ~ ="~ - -f1'~

~
mfLetring--- ---------- .. --; Let ring- ------------.----, Let ring------- ".------.- ---, Let ring
=
~
;;
0 ___ 0.. _
----I
Em7addA Em7 Em7addA

Jl
• afford for you to see what's inside. I'd rather shoot myself than have you watch me.
~ ~ . .
• .~:"
. . .. ...... ... ... -
.. ... ... . • •.• ~
1/2
~.j---------~
r-: ... .
. . . ..... . . . . . . .. . . .... ... .. . .
Shedding Skin ~ 10 - 1
© 1994 COTA MUSIC. INC. and POWER METAL MUSIC. INC.
0223B
All Rights Administered by W ARNER- TAMERLANE PUBLISHING CORP.
All Rights Reserved
71
Em7 Em7(maj7)+5 Eo 7 Em7addA N.C.
r, I feel you'd steal my skin to try and wear me. was be - trayed., one more day
o
Gtr.l Gtrs. 1 & 2
Gtr.2
grad. bends 1/2112 f

p-==
of my short life._ You were car- ried a - way._ had no shame.
1/2 1/2 1/2
Just suf - fi care.; my be - ing. was me,_ but you were- n't you.~_
1/2 1/2 1/2
You were stick - ing to me.. like a scab.c, So I peeled you a - way._ bled for days.
1/2 1/2 1/2
Shedding Skin- 10· 2

02238
72
B'/D ASaddD A>SaddD

jj fl- fl-. fl- fl-
~
Then stepped out of my . self._
~
•
~
~~~~~~ -
~ ~ ~_:J '·'-J·"T'
1/2
·'v- ··V
1/2
T
1~
T ~~
L ~
'--" 4
I
~4
r'\_
0,----"
~
'~ <,
Chorus:
NoC.
rr~~~~~~~~~~j~~
jO j
I'm shed - ding skin.; chang - ing with-in.cc; fall - ing in._
P.M.---···--····---_··---------------··---------------- --- --------.------ ---.. ---- -.----- ------ ------ ---- ------ ------ ------ .
rr ~ l'
~
Through swol . len eyes.,
~fr
dreamed you died.;
Fr
caught in -
mside.c,
(P,M,), -""", -, __ """'"",,, _'"""" -""" _"""""',,, "'""" -- """ -", _"" "'" """", "", __ """ __ "'"""" __ "" _", __ "", .........
jj . .~.
• r
I'm shed - ding skin.; spread- ing thin.; sev - ered stem.;
jj
• ~~~qT • • T ~ ~,~ T •
(P.M.) '--
Shedding Skin - 10 - 3
0223B
73
ere - at - ed the end.c, kill- ing a friend., I'm shedding my skin.
(P.M.) · . ----- ~
Bridge:
BblD ASaddD Af,SaddD N.C.
You're fuck . ing _ and suck ing. _ _
P.M... --.- ...-.".- .. --.--.- -----I P.M. ·-----------------··--------i
You're friend· less, it's end - less. _ _~ Your flow . er_ _ has sour - ed. __
P.M. . -1
P.M.: -----------------------1
Double-time feel
It's end - less,_ _ you're friend- less. _ It's hard er, it's
P.M.---------------.-------i
74
• 3 3
• strong - er, Kt no one's been inside you long - a i. .: I

er a~d
•
• l>®lO'~ .. ~ .. ~ ~ ~ ~
PM .. ------------- .. -- .... ---~
.. .. .. ~
P.M. ---------
~~
----------;
I>t~.~_~" ~ .. ~ .. ~ ~ t~_~!1'it... 'it ... ~ 'it
P.M. -------------------i P.M.---------------------'!
Half-time feel
• 3 3
• , I I ""-' r
deep a. f: get you off, you need the fear. The fear, the fear,
I
•
I>~"~"~"'~'it ~'it ... 'it" ~ 'it I>~"''it ... ~ 'it qc#'it ... ~~ 9~~·
P.M. -------------------, P.M... -.-- . -- - -----_. ----- ~
-
AS GS Fis FS
~
,------ 3 -----;
• ""-' r I
, ,
the fear, the fear, 1t'5_
•
• q'it 1>.... ~ .... I>~ ~. ~~q'" .... 1>'" q~ 'it ~ ... ~ ... ~ , ~~q 9~
-
Verse 3:
•
N.C.(ES)
~. • • • • .. B'SIF (ES)
~. • •
B'SIF
nev - er love. Blood - y touch. Bro-ken wrist. Need-Ie rust.
• ~
- 1'\ = r-.
"'"
• ~ ~ i = "I>• ./ ~
~~ ~ ~ ~ ~ ~ ~ "I>. )
~~ ~ ~
"
P.M.-----_·.. -------, P.M. -----------------;
!
0223B
75
(ES) B~S/F (ES) B~S/F
Chok - ing throat. Swal- lowed teeth. Head tuck. No peace.
P.M. ·-----------------i PM.-----------------,
(Fls) CS/G (Fls) CS/G
I'm shed ~ ding my_ skin--- _ to peel_ you off of
P.M. ---------------i P.M. ------··_-------i
(ES) B~5/F (ES) Bbs/F N.C.
me. You've got to love mel _ Yeah.
P.M. ·-----------i P.M..--- -------i
Guitar Solo I:
N.C.(ES)
3 3
P.M. ---- •..• ---------.------------------------------.---- •••. ----- •.......•.• ,
0223B
76
8'"---- ------- ------------------ ----- ------ ------ --- --------- ,(FIS)
II #-
b: II. q"- 3 3
,
WC~
,..bjl.#-b~ W..l,'" - .#-, .
8'" ---------
I'
• 7
3 3 3
3 3 3 5
- ./
- - -
----------------, loco V._--------- ---------,

»<. #~ #(' #~ jI.
1 semi - harm.
~
1/2 - -
~ grad. bend
(ES)
II ;:::~ ;:::~ ;:::~ ;:::~ ;:::~ ~:: :: ~b ~ bjl.[q~

y I' c ~b. ~ tC-----
- -'
•
»< ~
2
~p
. . . .
Verse 4:
(ES) Bbs/F (ES) BbS/F
II H. • • • • • H. •
• Om . 3- ment. Shrunk - en head. Play - toy. Snake strike.
• '\
"""'"
~
"""'"
• ~ ~ ~ ~
"1>-.. ./ '-'
~~ ~ ~ ~ ~ ~ ~
'I>~f/ 1/
~~ ~ ~
P.M. ----------------1 PM ... --- .. ---------,
(ES) BbS/F (ES) Bbs/F

II ~_
-- --- ~-
• Poi - son - ous. Syph - il - lis. Drenched me. Soaked me.
II ~ ~ "
""'" """"
~ ~ ~ ~
--------I>~ /'
~~ ~ ~ ~ ~ ~ ~
'I>~
~~ ~ ~
'-' 1/
PM. ----------- .. ----1 PM. ----------------,
02238
77
(F#5) C5/G (F15) C5/G

u
-. 7
my_
Y I I r ""--'
-
I'm shed . ding skin, to drain you out of me._
" " = • .". ==

."..
• ~ ~ ~ ~
~./
LJ ~ ~ ~ ~ ~ ~ ~ ~
~ ~
P.M. ----------- .. ----1 P.M......... ------,
(E5) (E5) N.C.

u
I 7 ........ I I r
- You've got to hate me! Yich!
" ~
- " -..
• •=~:::j
i =
..
..... 1>.. / -
~~ ~ ~ ~~~~
-,1>.
~~ ~ ~ ~ ; ~ ;
P.M. ------------, P.M. ... ••• ---oj
Interlude:
N.C.
Gtr . .:,1_ _""",,=
semi . harm.------ .--------.--.----------.---.---.--------.----------. ------- .. --------.-.------ -----------------.------------------ ---.----- .. ---,
Gtr.2
Shedding Skin - 10· 8

02238
78
8- ---------------------------------------- - .
J 3 J 3
Glr.3
~- -r<
" "
3
~-
t) 3 3 3
P.M. ••••••• -1 PM. --------1
mf
Gtrs. 1 & 2
-
-
"
•
• •
'---= .......
•
~ ...........
-
semi - harm.------------··--- .. ---------------------- -.'- _._ .... _--
; ; ; ; ; i
1
~
------ ----------i With bar (dive)
i___.
Guitar Solo II:

N.C-
"
3 3 3 3
--------- ---------
L ~ ." .. .
IS",1 .......•........................................................•......•...•........................................................•...............................
'-~ '-
'''iii~"
,. .. ,.
• P.M. "--i PM.·'·'i

3
PM. ---,
3 3
P.M. ... ,
3
s 3
r----. rr>. rr:-;

-
.. -------.----.------------------------- .. --.".--.. --------------------.---- ----------1
~.
PM. ---------------- .. -------1
(ES) B'S/F (ES) B'S/F (ES) B'S/F

Gtrs. 1 & 2
"
• ~ ~ q'J 'J 'P~ ;; ; ~ ~ ~ q'J 'J 7~ ~ ; ~ ~' ~ ~ q'J 'J p~
~ ~ ~ ~'
PM. ___________ , PM. ··---------i PM. ___________ -1
0223B
79
Outro:
(ES) BbS/F (ES) BbS/F
P.M. -- ----, ---------1 P.M.----··----------------------_·_------i
(ES) Bbs/F (ES) Bbs/F
P.M. - --- -._._---1 P.M.----------------------- ------, P.M. ------ ------, PM:----------········------------------,
(ES) Bbs/F (ES) Bbs/F
Verse2.-
I don't think you belong in here, I feel I'm sick.
Don't ask because you know damn well where I've been.
I've kept a simple woman through the thick and thin.
But I've found the guts to severe from my Siamese twin.
I throw you away. Every day. A dead part of life.
Strangling back. Seething black. In between my longing for fortune.
Blood on my face that came from your face.
The mix of kissing and bleeding. I put you away.
I shut you away. I pissed you away. I threw you away.
80
MOUTH FOR WAR
Words and Music by

VINCENT PAUL ABBOTT, DARRELL LANCE ABBOn:
REX ROBERT BROWN and PHILIP HANSEN ANSELMC
Slow rock J = 80
Intra:
N.C. B5 N.C. B5 N.C. B5 N.C. B5
Gtr.1
..
Rhy. Fi 1
"
• ~...... ~ .. . q:i'#:i''' ..
P.M. ---------------1 P.M.----······---------------i
~ .
P.M.
!,,,~
P.M.
~...... ~ . ..
P.M.---------------i
.. q:i'#* .. ..
P.M.----------·--·· .. ·---------i
~ .
P.M.
!' .. !
P.M.
N.C. B5 N.C. B5 N.C. B5 N.C. B5

end Rhy. Fig. 1
II
~ ...... ~ ..
P.M.-···--------------i
• .. q:i'#:i' • •
P.M.-------------···-·_---------i
~ •
P.M.
~ ..
P.M.
~ ~...... ~.
P.M.-----------------"!
• q:i'#:i''' • ~
.. /~,
Double time J = 160

E5 05 B5 N.C. 05 N.C. G5 B5 N.C. 05 B5 N.C. 05
~ .. ;~' :d =
•
~ '---' '-' '-'
, ,
E5 05 B5 N.C. 05 N.C. 05 B5 N.C. 05 B5 N.C. OS E5 05 B5 N.C. 05 N.C.
"
• ; ...--
~~
. ~' ! ~. •:.::;j •
~
; »>..
~~ •= ! 'd
~
~' ! ~'
'-' '----" <::» '-'
MouthFor War- 9 - 1
0223B
© 1992 COTA MUSIC, INC. and POWER METAL MUSIC, INC.
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
81
E5
end Rhy.Fig. 2
8va·---------------,
G5 B5 N.C. G5 B5 N.C. G5 E5 G5 B5 N.C. G5 N.C. '" -:=- :;> ::>
(8va) loco
c-
T,
o harm.
*
"'Fret top 2 stgs. against

front edge of neck pickup.
N.C. E5
Half time J = 80 end Rhy. Fig. 3
Bva..••------"
> > >
B'5 B5 C5 A5 B'5 G5 AS F#5 G5 B5 C5 A5 B'5 G5
Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
B5 C5 A5 B'5 G5 A5 F#5 G5 B5 C5 A5 B'5 G5 N.C. E5
Re . venget:
Rhy. FiliI .--.. ---.--- .. -.--- .. -----.---.--.------------.-------------._------ .. ------ .. --_.- .. ---- .. ----- ... ------ ... -------------··------8va---.-.---,·-------1
loco
P.M. P.M. P.M. P.M, P.M. P.M. P.M. P.M. P.M. P.M. PM.
Verse 1:
wlRby. Fig. 3 to« 1) 3lh times
B'5 B5 C5 A5 B'5 G5 A5 F#5 G5 B5 C5 A5 B '5 G5 N.C. E5
~- ~~8.~§~
--------- I'm scream - ing re venge_ a gain._
r ,
B'5
("
B5 C5 A5 B'5
-r
G5
, A5 F#5 G5
Iq L
B'5 B5 C5
gggt==.=igt~~~~~r~'
A5 B'5 G5
long._ _
N.C. E5
Wrong. I've been wrong for far- too
B'5 B5 C5 A5 B'5 G5 A5 F#5 G5 B'5 B5 C5 A5 B'5 G5 N.C. E5
~~~.~~~~.~gg
,
Been.: con-stant-ly so.s: frus - trat - ed, I've moved moun~ loins with less.c:
82
wlRhy. Fill' (Gtr. 1)

Fls GS B'S BS CS AS B'S GS N.C.
When I chan- net my hate-:-: to pro - due - live,_ I don't find it hard to im - press:.:
~ Pre-Chorus:
wlRhy. Fig. 1 (Gtr: 1)
N.C. BS N.C. BS
in trac - lion, hands break to hold__ raw en - er - gy._
w/Rhy. Fig-1A (Gtr.l)

N.C. BS N.C. BS N.C. BS N.C. BS
~\ ~.
Bold _ and di - sos - tTaus, my ears can't hear what you say to me._
Double time J = 160

Chorus:
wfRhy.Fig. 2 (Gtr.1)
ES GS BS N.C. GS N.C. GS BS N.C. GS BS N.C. GS ES GS BS N.C. GS N.C.
r=C' ~ I~
Hold your mouth for the war. _ _
GS BS N.C. GS BS N.C. GS GS BS N.C. GS N.C. GS BS N.C. GS BS N.C. OS
r¥~
Use it for what it's for._ _ Speak the truth a - bout me.c;
Rhy. Fill 2
Gtr.! 8va-----------------------,
" ee i i
• /' /
J
=
.. I> '-,/~ =. ~"~_.
~'--' ..= ~-I»' ~ ~ - ,: (Fretagainstpickup)
PM. P.M. PM. PM. P.M.
U' '--" '"--'
Rhy. Fig.1A
Gtr.!
u
~ -.f -.f -.f ~ -.f -.f ~ ~~#~ -.f .. !.

, , -.f ,/ -,
P,M'--'''---'1 P.M;---------l
Mouth For War - 9 - 3

0223B
83
Substitute wOOy. Fill 3 (Gtr. 1) 2nd time only To Coda.

E5 G5 B5 N.C. G5 N.C. E5
De ter mined. _
Half time J = 80
w/Rhy. Fig. 3 (GIr. 1)
B~5 B5 C5 A5 B~5 G5 A5 pl5 G5 B~5 B5 C5 A5 B~5 G5 N.C. E5
wlRhy.FiU 1 (Gtr. 1)
B~5 A5 B~5 B~5 A5 B~5
-----
B5 C5 G5 A5 pI5 G5 B5 C5 G5 N.C. E5
~ 1'§==B
Po, sessed.:-:
Verse 2:
wlRhy. Fig.3 (Gtr. 1) 3lh times
B~5 B5 C5 A5 B~5 G5 A5 pl5 G5 B~5 B5 C5 A5 B~5 G5 N.C. E5
r=a" 'I
I feel a con ~ quer - ing will_ down in - side _ me._
A5 E5
The strength of man - y to crush.s: who might stop me. _ _
A5 pl5 G5 E5 B~5 B5 C5 AS B~5 G5 N.C. E5
~c My strength is in nurn· ber; _ and my soul lies in ev - 'rv - one. _
w/Rhy. Fill 2 (Gld) D.S. l\l al Coda

A5 pl5 G5 B~5 B5 C5 A5 B~5 G5 N.C.
The re-leas-ing of an - ger- _ can bet- ter an - y med - i-cine un· der the sun._
Rhy. Fill 3
,
Gtr.!
,
II
:d ~' ; ~' "',:::..}' =.. : ___ 'fI

~
=
..
Mouth ForWar- 9 • 4
"I223B
84
Half lime J = 80
•
Coda
Guitar Solo:
GIS
'"'
BS
wlFilll (Gld)
ES N.C.
GIr.3
Gtrs.l & 2
Rhy. Fig. 4.. ----- ---- ---_... --- ---- -- ------- ----- ••... -- --- --- ---- --_•.• _-_.-- ---- -".- ----- .••. _•. --------. _..•.. ------ ----- ---- _..••. ----- ----- -_••..•• --------- ...... 1
wlRhy. Fig. 4 (Gtrs. 1 & 2) llh times wlFilll to« 2)

GIS BS ES N.C.
8va-----····--------········-----······--------······· ------ -------- .
/;;:--._-!
2
)------j
FiUl
II ~. Glr.2
MouthFor War- 9 - 5
0223B
85
loco
1 1 1 1 1 1 1 (rem. bar
------------------.,112: ,
~12 I-~ .J-~ J
BS
P.M. __ • • •·. __ • • o. __ ••• • • • • • • •• _._ •• _._ •• _. __ • __ ._. __ ·------·-----------------------_·----·-i
wfRhy. FiU4 (G" 1) &4A (Gtr. 2)

ES DS
Sva -----.-----------------------------------_._--_ .•------------------_.-.--.-.--.-.--.--.-.--.-.--.----.------._----------------.-_.-.- •. -.-_.-.--.----.----.----------_.- •. "
2. •
./---------------,1'""""
Bridge:
FISGIS BS DS C#S BS Fis ES D#S DS
There comes a time _ with - in_ ev - 'rv - one_
.....~(~15.,m~) . X
G....
1&2 harm. trem. bar
<:»
1 3 th
'-'
*w/delay.
Rhy.FlII4 Rhy.FlII4A
GIro! Gtr.2
II ~. II ~ ,
n: • -it ~ =; ~ "'"","
," ..
U-
trem. bar '- P.M.-·-'!
-
.,
86
pis GiS BS GiS Dis DS cis BS pis ES DS

~ ~ ~i'-..J
---" ..-----..
- to close your eyes_ to what's real._ _
~ ~
.. ., ~<:»:
• !3'~"~ ~
.~. # ..
~ .•
~ _ ..
Jt
P.M,·'--oj
'---"
Double time J = 160
·
GiS pis GiS pis GiS pis GiS pis
~
/'
::---.. t!
• Yeah!
~ ~
• ~
, ~:::~
'--' ¥ ~ ~~ ¥ ~
B ¥ ~
~
'---" '---" '--" '--"
GiS pis GiS pis GiS pis GiS pis

~ ~. t='
Ow!
· ~
, , , ,
• ¥ ~J ~ ;:::! ~ ;:::! ~ ;:1
"--' "--' "--'
'--' '--" <:» '--"
Verses 3 & 4:
·
GiS BmID
I
, ~
3 I
~ v ~ J ~ ~
• 3. No com - pre - hen - sian to /z.aif. (wldelay)

4. Like_ a knife in - to esh, (wldelay)
· , ~
,
• ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
P.M. --------- ........ ---------- ..... -.-------- ....... -.------······---------····-------······--------·····----1
Mouth ForWar - 9 - 7
0223B
I
1
-----
~ . ~
3
ots
3 3 ---,~,I
I vae uum the wind for my

af ter life is to
I
AmIC Gis
II ~ .r--., v. y"-.'\( v I
~
sail.
death. _ _
Can't
Pull .
be_
ing_
the
and I
. ~ I
• ~ ~::c .
'J,--",,1 1 ~ ~
P.M.. -.-. ---- ---. --
~ ~ ~
c' - - .-.- -----.- _._--- -.-
I
I
I
,
J
BmJD
J
I
rest, let oth ers waste
3
my time.
I
push ing the rest of du ra lion,
I
I
..... --_. _••••••• _--- - --- ._ •• -.-. _•• - .- ... ------- ••• - ""'-1
I
I
l
88
11.
t
·
~
015
, - - - 3 - - - -,
- , 3 ,
AmlC
3---~
----
Own - ing sue - cess is the bot tom line._
·
0
no one can piss on this
~
~J~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ - -
P.M. -------------- .. -.- .. -.. ----.------------------- ... --------------------------- .... ------------------1
•
·
~ " . ------v
015 Fis 015 Fis
·
~
:::& ; ;:::::~ ;
! ~~
t
! '----"
I 2.
•
· ~
DmIF
3 , , 3 ,
015 Fls
de - ter 0
mi - no 0
tion.
· ~.
• ~~J! ; ;c;!
<:»
Play 14 times
t
· ~
015 rts 015
>'-,
Fis 015 Fis 015
Uhf
· ~
• ! ; ;:::! ! ; ;::::~ ! ; ;:::~
'-.) !
\...j "--/ >
'-' '"----' <:»

Mouth ForWar - 9 - 9
02238
89
STRENGTH BEYOND STRENGTH

j All gtrs. tune down 1/2 step:
@loEb ®=G~
<!)=Ab @=Bb
Words and Music by
@J=N CD=E~ VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT,
Moderately J = 112
Verses 1 & 2:
AS G#S GS
. ..
AS
W . .. .. rr>;
* '* * *
CS
~
1. There's Doth- ing. No ed 0 u - ca 0
tion. No
2.See additional lyrics
Gtr.l
~
:Oi~' , ,~~, , '-b" ~. ~ 'j ~, ~ ~
f ... .
AS Gis GS AS
~
* * * * * * * * * * * * * *
• tam 'Iy life_ to o - pen my arms.cc; to. You'd say my
~. ~ ~. ~ ~-#~, , '_~9' , '-b" ~. ~ 'j

.. .
CS AS AS Jli,s AS Jli,s
~
* * * * * * * * * * * * * * * * *
job's to - day,_ yet gone to - mar row, I'll be broke in a gut - ter.
• •
• ~ ~ . ~ ~. ~ -.J -.J ~ -.J -.J ~ -.J -.J
Strength BeyondStrength - 7 - 1 © 1994 COTA MUSIC, INC. and POWER METAL MUSIC, INC.
0223B All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
90
Gbs FS FS
~
• I know the op in ion. A
• ~v~ ~ ~ ~ '--'~ ~ ~ ~ ~ ~ ::;• ~ ~ ~ ~ ~ ~'~ ~ ~

~'--'~ PM.---··-----------
~ ~ ~
PM. -------------1 PM. _____ .. ____ . ____ . __ . ___________________ . __ . __________ .-----_._.--- ... -- ... -----------_._.------1
No Chord FS
• bro ken ree - ord. Fuck

, 3 , r----3~
• • ~ :
• ~ ~ -.J v·
~~ • ~v~ ~ ~ ~,'---'.~ ~ ~ ~
... _-_._------ .. _-----------_ .. _.. _-------_._----_ .. "------------- ._-_ .. ., .. _---------------_._----- ._-_ ... _------------------, PM.----·----···-----··
AJ,s FS ES
.--3---,
---------
• you and your col- lege dream._ Fact is, we're strong - er than all.
.--3---,
• ~ ~ ~ ~ ~ ~ ~ ~
------------.---------------_.------._---- •• ----1
~'~ ~ ~ : '-'~ ~ ~ ~ ~ ~
P.M.·---··---··----··-----··
:
•._ ..
~ q.,
_----------_ ..
., .,
-----._----1
q.,
11 2.
GS N.C
"
• 2. You're
• ~ _#~" ,_~~" ,_~v, = = :• = = • = : ~L~ ~ ~ L~ ~ ~

U U «:
Strength Beyond Strength ~ 7-2

02238
91
Interlude I:
Half-tnne reel
Play 3 times Play 3 times
Ver.se 3:
AS G#5 G5 G'5 G~5 F5
Sad stale of af fairs.:

v
F5 N.C. F5
Crip pled A . mer - i - ca. Pipe

r--3~ r--3~
• n .-
~ ~ ~'-) 1~ ~ ~ ~ ~ ~ ~ • v·
~~
P.M.----------------·-----------------------------------------------------------------i
b" "~) P.M.-------··---
~~~
F5 E5
,.--3----,
• dream butt . lucked 1m mune. Strong- er than all.

,.--3----,
~ ~ ~ ~ ~ ~ ~ ~ ~.~ ~ fi ~'J~ ~ ~ ~ ~ ~ ~ ~~, , ,

~,
--------.------------------------------------1 P.M. ··-----------------·-------------··----·--··.. -----··i
Strength Beyond Strength - 7 - 3

0223B
92
Half-time wlFilll (Gtr, 2, 2nd time)

FS C/E FS FS C/E FS FS C/E FS FSC/E FS G'S
,
- -- -----. -- , .
•
(2nd time)Rrrr! We've
Rhy. Fig.! (end Rhy. Fig. !)
• ~ ~ ~ ~b'~: ~ ..~ .
~ ~ b"': ~ ~ ~. ~ bV~:
~ ~ ~ •~ bV~:
Bridge I:
FS C/E FS Gbs FS C/E FS FS C/E FS
I ~~ .~ ~
I
• grown in - to a man - ster. An ar - gant, ex - plo sive
,
fO -
See additional lyrics
• ~ ~. ~. bV~:
~ ~
~.
~ ~'bv~: ~ i ~ ~ bV~:
.
11.- 3. 1/4. Interlude II:
Play 3 times
w/Fill! (Gtr. 2)
FS C/E FS FS
,----3--~
.-----...
• moth er fuck. _ _ _
A.H.
Far 100 late!
,
b He<
~
•
-
~ ~ ~ bV~: r:::b; :
1 H. ~
With bar (dive)
~
./
FS FS FS
- - -
• ~ ~I~b~: ~ ~, ...
•~ ..--vb·· &
/' /'
~grad. dive
Fill!
Otr.2
-
• f
r ~

02238
9
Guitar Solo:
wlRhy. Fig. 1 (Gtr. 1, 4 limes)
e)
FS CIE FS GbS FS FS C/E FS FS C/E FS GbS FS CIE FS
Gtr.2
... --------~
w/harmonirer effect 1/2

'J ..-/Y
I
Gtr.3
\
f w/harmonizer effect 1/2
FS CIE FS FS ClEFS FS ClEFS GbS FS ClEFS GbS FS ClEFS

FS "" .........
1/2
.F--. .... ..
..--3---. ..--3---.
w/trem. bar
-112 ....... ... ...
FS C/E FS GbS FS C/E FS FS CIE FS FS C/E FS GbS

(8"').-.-. .._-_._-_._---- ._----_."."-_ ... "._--_._------------------ ._---------------_._----.-----------.-.-.-.-.-.-.-.-.-----------_ .. _----_._--------------------,
~3----.,
Strength BeyondStrength ~ 7 - 5
O223B
,
94
FS C/E FS G'S FS C/E FS GbS

b 8w - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ,
Gtr.3 .~,. &... b,. _ ,.~... ~ ... ~ ~~ ~ b~,.r-;.,. ...r ;-;.
3
, 1 , 3 3 3 3
3
~2 ~12
BrIdge II:
FS C/E FS FS C/E FS Gbs FS C/E FS FS C/E FS
""""i Hail kings. The new kings.
,,
r-r--r- 3----, ,---- 3----, ,---- 3 -----. ,---- 3 ----,
• ---~
i• ..~ ..~ - b'~:.
PM,·------_·_·-i
, i• •~ ..~ -b'~:.
P.M..-------------1
~ i ~
PM:····-----···-j
.
~ -b '~:.
PM .. ············i
~ ..~ -b '~:.
Double-time
FS C/E FS N.C.
,------ 3----,
-. Strong - er than all.

,------ 3----, 1"';\
-. ~ -'"1 I TI~ )J --rn 1" bi ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

P.M.·------------··---····---j J J <:. '--' J J J
- -
AS GIS GS
FS FS
• A sim - pie pro - gress to

(See additional lyrics)
--. ~ ---,-
PM.------------i
-,- 1"} ~~~ 1" 1" 1" 1" 1" ~
'-.../
~ ~ b'~ ~ ~1 ~ ~ ~ ~
P.M.-------- .•• -1 P.M.-------------.-
PM.-----·_------······--··----··----------------···---_·---··----------1 '---"

02238
r,
N.c. FS
Ie gal - ize. __ There

~--3----'
._--,----.---------_ .. -.-.--.---------- ----- ---_._------_.--_._._ .. _._._-------------. --------_., P.M,---- ----- ....., P.M.··················
AJ,s FS 1.
would not be a choice _ _ but to take our sides.:
---_.----------_._--_ ... _-_ .... -_._--- ---_._ .. _---_._--- ..... ; P.M.----···- .----~ P.M. ---.------.-- .... --•... --. --.-.-- ... ---.-- .. -.. ,
II 2
AS GIS GS
ev er stronger than an. Strong - er than all.
.- .. --_ ..... _------.-._._ .. -. __ .-.- .... -.-~ P.M.---·--·--···--·-·--"!
Additional Lyrics
Verse 2:
You're working for perfect bodies, perfect minds and perfect neighbors.
But I'm helping to legalize dope on your pristine streets and I'm making a fortune.
You're muscle and gall. Naive at best I'm bone, brain and cock.
Deep down stronger than all.
(To Interlude I J
Bridge I:
Hard as a rock. Shut like a lock.
Finally, the president in submission.
He holds out his hand on your television and draws back a stump.
It's too late for some.
(To Interlude II)
Verse 4:
Be there no question of certain strenghths.
Know this intention. Forever stronger than all.
(To End)
Strength BeyondStrength - 7 • 7
02238
96
SUICIDE NOTE PT. I
All gtrs. in drop D tuning: Words and Music by

@:D @:G VINCENT ABBOTT, DARRELL ABBOTT,
(2):A ~:B
@:D {j):E
Moderately slow J = 62
Intro: N.C.(Dm)
10:00·1<121 N.C. GILl (Acoustic 12 wstring)
RilfA end Rift' A
=
~
mp hold throughout
"w/miscellaneous backwards gutter and synth. effects.

wlRilt A (GtT. 1)
Gtr.2. (Acoustic 12-string)
•
•
Verses 1 & 2:
0(#11) G G(#ll) G G(#11) G G(#1l) G
•
•
1. Cheap
~ ~ ~~~.
co - caine.;
Gtn. 1 & 2. Rhy. Fig. 1
- --'-...'-
dry in - hale.c,
i _
the
•
pills
.. -"-../-
that kill_
•
aod
~
keep.; the
'---'
pain.;
•
a
• =- =--
• ~ ~ ; ; ; ~ ; ; ; 1 ;~ ; ; ; ~ 1 •
N.C.(D)
• <,
• I I i ~r ..
---
way. - end Rhy. Fla..
(Take the pain a· way.)
•
• :,
~
.:» ~'--' -. --..::::;,. . =
~
~ -..J
~-..../- . -u· .
Suicide Note Pt. I - 4 - 1
0223B
e 1996 WARNER·TAMERLANE PUBLISHING CORP., METAL MAGIC MUSIC, RESS MUSIC,

DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, INC.
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP,
All Rights Reserved
97
wlRh~ FOg. 1 (Gtrs. 1 & 2)
G(#II) G G(#11) G G(#I1) G G(#I1) G
~ ffTT=J
----
'
Di . et of life.c;
~ 50 ~ J
shel- ter without.L,
. =t
the
I~
dJ----b r fkffiij ,
face that can - not see_ .
In - ~d
51 e__
(Aah.)
N.C.(D)
~ Ef§fL
3 j
-
yours
Pre-Chorus:
and mine . .....::==========::::::._
(Yours and mine.] _
"
G5/F
~
,.. N.C.(D) G5/F
,
'-' '---' - ~~~ ~
When I'm hid 0 ing, when 1_ need.; it let's.c.; me breath.
Gtn.1 & 2 ~
~ r0-
"
t
~. 11~
'-' •
11 • .11
'-'
~
11 ~
~
.
-
~ .
:: =
~
'-../ ~
==
11 '-'~
'--/
.:::::
~
N.C.(D)
~ r
"
• ~ ~
• :.I ~ .'
~
= :'
~~~ ~ ~
For our han 0
die on this, life_ I don't_ he 0
lieve.c, this time.
""
-----
"
'-'~
'-'~
~
~
~
~ ---- . ~
.~ ~ ~ ~/~ :0
1-
11
<::» "-....- ..
•
,.
Chorus:
D G5/F G5/E D G5/E G5/F
i
;
Would you look at me now?_ Can you reu.,
Rhy. Fig.2 (Would you look at me now?
98
D G51F G5tE D G5tE G51F

• • 3 L
• I
- - I'm a man?
- - ,- ~U L. J i ~* -
With these scars on
-- -
my wrists to prove I'll tryc,
'----=----
a - gain.c;
Can you tell I'm a man?
end Rby. Pil.t
• I="'" 1"'""1 F"""" L
• ~
;I ~
;I q~ ~
~
~;I ~
;I
~
~ q~
11wlRiff A (Gtrs. 1 & 2)

~(D;) )l
--
'I
~
Try to die _ _ a - gain. _ _ Try to live.;
D
~
=-- •
• ~
_ _ through this
,
night.
<II
Try to
~
die __
----
a - gain. _ _ _
q~'
2. For -
Gtrs.l & 2
•• •
• ~
•
~ ~
«» - "li.:J* - =
~
I2
wlRhy. Fig. 2 (Gtrs. 1 & 2)
D GIF GtE D GtE GIF
~~
~~u...L..r~t <c.::>
~
; ~ Er \p
Would you Iook.,.. at me
~
now?__
;)~dJ3
Can you tell,
I'll try ~ a - gain. _ _ Would you look at me nowj ,
~
D GIF GtE D
_ I'm a man? _
Can you tell I'm a
With these scars on my
manv..
wrist to
With these
-------
prove I'll
scars on
try a - gain.__
c,
my wrist to prove.,
Outro:
wlRiff A (Gtrs.l & 2) 2 times
N.C.(Dm)
-~ G~~~J ~
~.L-----,I
~r'
Try to die a - gain. _ Try to llve.,
I'll try a - gain.) _
Suicide Note Pt. I - 4 - 3
02238
99
~ y ~: ~~~ i hi
__ through this night. Try to die _ _ a - gain.
(Die_
wOOD' A (GtTS. 1 & 2)

1WFIU 1 «s«
3) 3rd time
Dm Dm
Play 4 limes
• a - gain.) GIr.l
r.-.
«Sung 1st time only.
FlUl
Glr.3 (Elec.)
~ -k -.
"" I I ~
'Hlp w/dist. 1/2

rake.~A.H. 1/2
r>: r-;
A.H. Pitch: D
(8va)---------"
1"
I~I';'\
Il
~.;r:_-- .. i/"""'fi.
Il
-
A.H,
'-----------"
I~
I
- I
Tit.
:
harm.---·---~
·trem. bar. 1~
L------
D -Depress bar one wholestep before

strikingnote.
Verse 2:
Forever fooling, free and using,
Sliding down the slide that breaks a will.
Mother's angel, getting smarter,
How smart are you to regress unfulfilled?
It's a damn shame, but
Who's 10 blame?
(To Pre-Chorus.)
Suicide Note Pt. I - 4 ~ 4

02238
100
SUICIDE NOTE PT. II
All gtrs. tune down 1 whole step: Words and Music by

@l=D @=F VINCENT ABBOTT. DARRELL ABBOTT.
<2}=G @=A PHILIP ANSELMO and REX BROWN
@=C (1)=D Verses 1 & 3:
Fosl rock J = 114 Double-time feel
N.C.(E5)
Intra:
LOut of my mind,
2. See additionallyrics
Gin. 1 & 2 6
-- 6 6
r--.--==i/'
/"
6
===--i/
6
-
J;teady gltss.
•
6
-- 6
/
6
/
6
/
6
iIOw/Digitech whammy pedal at octave setting

(throughout).
gun t P to the mouth, no pre - ten sian, ex - e - cu - tion,

6 6
/" /"
6 6
r--==i/
/"
==~/
Verses 2, 4 & 5:
live and leam.:-: rape and turn._ 2. Fret not, fam 'ly, _ nor
4.5. See additional lyrics
Rby. Fig. 1
----
6 end llhy. FIg.I
/'
6 6 6
6 6
steady gliss. 6
/' /'
Suicide Note PI. II - 8 - 1

0223B
© 1996 WARNER-TAMERLANE PUBLISHINGCORP., METAL MAGIC MUSIC,RESS MUSIC,
DIAMONDDARRELLMUSIC.ABADABA MUSICand COTA MUSIC,INC.
All Rights Administered hy WARNER-TAMERLANEPUBLISHING CORP.
All Rights Reserved
101
wlRhy. Fig. 1 (Gtrs. 1 & 2) 3 times

end double-time feel
p,e~ judged ar . my, __ this is for me__ and me on - ly, cow - ards on - /y
Chorus:
ES
try it. Don't you try to die, _
Gtrs.l & 2 end Rhy. Flg. 2

Rhy. Fig. 2
AS CS OS ots
yeah, like me._
harm.
wOOy.Fig. 2 (Gtrs. 1 & 2)

ES
p §' F==I'
It's liv - id and it's
II.
To Coda ~ AS CS OS
u
I I I r
lies and makes graves. Eat shit dick. Not
6
ti Gln.l & 2 ----...! ~ Lb,.r'
• ~t~ ~ ~ ~ =i .'-..... =i ~.=

i
.'-..... = =
i i
~. *-* :, ~
"steadygJiss. 6
"em. bar
6
---
"Dlgitech whammy pedal
at octave aetttng.
102
1 2. Interlude:
A5 C5 G5 E5 F5 E5 F5 E5
graves _ to send you down. _
Rhy. fig. 3
6
'--'
grad. dive wlbar P.M.----"' P.M.-----~ P.M.··········-·"'
F5 E5 N.C. ead Rhy.f1I..)

E5
P.M. ·------i P.M. ············-----i
""/Rhy. Fig. 3 (Gtrs. 1 & 2) 3 bars only wlf1ll1 (Gtrs. 1 & 2) wlRhy. Fig. 3 (GIl'S. 1 & 2) ll' limes
r=r
E5 F5 E5 E5 F5 E5 E5 F5 E5 E5 F5 E5
~
Woah. Why would you help an - y - one who
E5 F5 E5 E5 F5 E5
~8'.
does - n " want it, does - n " need it, does - n't want your shit ad - vice when mind's made up to go a - head and die?_
wlFlU 1 (Gtrs. 1 & 2)

E5 F5 E5 E5 F5 E5 E5 F5 E5
- ~I
I"
cry?__ Ah. _
What's done is done and gone, so why_
FlU 1
Glrs.l&Z
Suicide Note Pt. II - 8 - 3

0223B
103
GuitarSolo:
Double-time feel
Sva .•.. •.. ••... .•..• _

~-----------------------------\
• 1\-\ 1\-\
.---: . .---: .
-------------------------- t trem. bar
1/2 t 1\-\ t 1\-\ t 1\-\ t 1\-\ t 1\-\
·wlharmonizer set one octave higher.

tDepress bar llh steps before striking note.
Gtr.2
1/2
(8va)
slack
(15ma)
(15ma)------, Gtr. 2 out
.--
slack
harm.
tTem. bar grad. dive wlbar
trem. bar vib. wlbar slack harm.
"Grad. depress bar while hammering on/pulling off. slack slack

~-
-...
104
8va---··----··---···-----------.··--··------------.··. ------.. ---------------- .. -- .. -- .. --._----.----------- .. --- .. ---.---- .. ----- .. --- .......... -... ---- ......... --- __ ".". ________.
I' I' I'
_I :1 4Vi 41h 4Vi
'GI'} ,~"J-.-~ ::.-J.-- J---
~. ~. J--
~ .~~~.~.~.~.--..
trem. bar
(rem. bar
I'
.~ J-.- J- ~ J.... J--- .I~ 410 I'
410 4!0
"Discontinue harmonizer effect.
D.s.lIS at Coda
(8va) ~~~ .. _-_ .. -..... __ .... __ .. _--_ .. _-_. __ ._---_ .. _------_._----- ...... ........ __ .. __ .. - _0 __ - ......... _-_ .. _----_. __ ... _-_ .. _--_. __ ....... ---- ----'---'---1
210 2V, 210 ~ 1
u #te~r--te~te~te~r--te 210
~ :e~
(rem. bar (rem. bar ~3
210 210
»--:
210
------:10 ~ <,
'"'--!
•
Coda" A5 C5 as Freely
--. graves.
'---J
(To send you dowo.)
"
--. i ~~ ~ ~--,-~--,-~~- _u
u.
_u
....
-
vib. w/bar
•
•
fdbk:~~···~~~~~~~~~~~~~~~~~~~~~~~~~~~~·~~·~·~~~~~~~~~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ .... ~~~~~~~~~~~,
(8vo).-- ... --------.------- •.... ---------------- ...... _.---------------00--.. ---------1
u ~ ~
.0--·_0-_0_------.0_-._.- ~ ~ ~
~ ~ .. __ .-_0_0--.-__ 0.------------_0 ____ -.-0- ~ ~.
7 ~ i ~-,~--'-,-----,~) :\~i- -r, .)

vib. wlbar
• •
Suicide Note Pt. II - 8 ~ 5

02238
105
Slower J = 78
Dutro;
E5 D5 E5 D5 E5 D5
~
--
6 6 6
•
Gtr.l
Rhy.Fig. 4 b"" ""
6 6
»<;
""
6
b"" "" ""
6 6
-- 6
GIn. 1 & 2
6
b"" "" ""
6 6
~ *
P.M.. ---.-----.--.--.--~ 6 6
"" "" "" ""
6 6 PM ...-.... ----.---.---~ 6
"" "" ""
6 6
-- 6 P.M. ,------------ •. ---.-----~ 6
"" "" ""
6 6
--
6
ia
*wIDigitech whammy pedJset at octave setting.
wlRhy. Fig. 4 (GtTS. 1 & 2)
E5 D5 E5 D5 E5 D5 E5 D5 E5 D5
(Sung 1sf time:) Woah.

end Rhy. Fig. 4
-----
6 6
-<; -
~
I
... , 6
»<;
6
/'- - 6
Freely a tempo
E5 D5 E5 D5
"
• Ab.
6 6 6 6 6 6 6
b-;-
,, , Lb~ ~ ~ 6
jj
Gin. 1 & 2
br; ~ ~
6
/
~ ~ ~ ~
I
w/misc. fdbk. ~
6 P.M.·-···-------·--·-----·~ 6 6 6 PM.·--·---------····--···, 6 6 6
»< /'- »<; »<; 6 /'- »<: /'- 6
",
E5 D5 E5 D5
6
6 6
....--.. ....--.. 6
/
vib. w/bar
6
6 6 6 P.M......•--.----.-------------.---,
P.M.·-----··········--·····---···-·,
....--.. ....--.. ....--.. 6
/
,..,
106
E5 D5 E5 D5
•
~
6 6
•
~ ~ ~ ~
P.M. . . . .. . _-_.-_... --_._._._._.--_._.-- ~
{(-
6
/'
-~-
~
,,
P.M.---· -.--. --- ..... -•.. --~
~---
k
/'
6
-1'--
E5 D5 E5 D5
bp- -¥-' bp.- -¥-,
"
• Ah, Ab.
6 6
::- -.:--
•
"
,,,
P.M.·--------------------~
~---
/'
6
-11--
-,
~ ~
P.M. -----------------------1
, ~---
./(-
j/
6
E5 D5 E5 D5
6 6 6 6 6 6 6
,, ,
6
• J7 7 7 if'" Lb~ ~ ~ ---
• ~ ~ ~ ~ ~
P.M.··--------------------·---------1 6
---- ---- ----
6 6
-- 6 P.M.----·---------------------------1 6
---- ---- ---- ---
6 6 6
E5 D5 E5 D5
• bp- -¥-, bp -¥-'
Ab. Ab.
6
• Lb7'
6 6
7' 7'
6
i!
6
Lbr -
~ ~ ~ ~ ~ ~ ~ ~ 6
P.M.. __ ...••• _ •••• _-_•• --- .......... --1 6 6 6
---- ---- ----

6 P.M.---·--------·----·-----------------1
.....- »>
SuicideNote Pt.II - 8 - 7
0223B
r
107
•
E5
~~r ---¥,
• Ah_
---.!."... _~
• ~JI-:----------II-~II- II- ~_ sto.~~ ......._.......--........_........._............._........_......--_._................--.................-_........._..._.._.
• , ...... I
, , »;
',--,' , ,
---
Irem. bar
I" vib. w/bar
~------.- 3" 6 slack .
.... _---- .... __ ._- ..... _------_ .... _---_ ... _---- ... _------ .. _---- .... ----- .... ----- ..... _--- ..... ---- ....... ---- .... _------ ........
Begin fade
G5
J
1/4
- J
1/4
e
grad raise bar
q
vib. w/bar
1/4 1/4
---'
1/4
- 1/4
---' - ---'
1/4 Fade
slack
1/4 1/4
- 1/4
slack
Verse 3:
It's not worth the time to try
To replenish a rolling life.
I'll end the problem, facing nothing,
Fuck you off, fuck you all.
Verse 4:
Tortured history, addict of misery,
Thisexposesme forweakness is a magnet -
Watch me do it, do it.
(To Chorus:)
---
-,
108
THIS LOVE
Words and Music by
VINCENT PAUL ABBOTI, DARRELL LANCE ABBOT!,
All gtrs. tune down 1/2 step:
@=E' @=O'
0)=A' ®=8'
@=D' (j)=E'

Intro:
Flm Flm/G Flm Flm/G Flm Flm/G Flm Flm/G

Gtr.l
Rhy. F;g. 1
Jl
• :i1 * • * *~ :i1* • * *~ :i1* i * *~ :i1* i * * ~
Bm Bm/C Bm Bm/C Flm Flm/G Fim Flm/G

Jl
• -.J 9* * -.J 9* * ~ * i * * ~
•~
* i * * ~
A/CI C A/CI C Aid C FlGI Am

u
• * 9* * (~)* 9* * (~)* 9* * # -.J 9·::~::-

-
Verse:
-
Flm Flm/G Flm Flm/G Flm Flm/G
Jl , .------
• 1. If ev -
I
er words; were
I
spa ~ ken, pain - luI and.L, un - true.c,
2.I'd been., the tempt - ing one.c; stole her from.; her - self.c,
. .
Jl
• ~&
:i1 • i • • ~ :i1 • • ~
:i1 • • ~
This Love - 9-1

0223B
© 1992 COTA MUSIC, INC. andPOWER METAL MUSIC, INC.
All RightsAdministered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
109
Flm Flm/G Bm Bm/C Bm Bm/C Flm Flm/G
"
~
""'
~ .------
I I Y , Y r I )
T, loved, __
o -
-
I
This
said I
gift in
but I
pain, _ _ her pain; was
c, lied.
life.
"
~ # :; # # :;t .. ~# #
" ~# # ~ # :; # # :;t
Flm Flm/G Ad C A/CI C

.- .-
" ~
• In
And
- my__
some -
life,
times I feel
all
so
-
I want
sor
r
-
-
I
ed
ry,
"
• ~ # :; # # :;t # ~# # \~)# ~# #
A/CI C ElGI Am A/CI C
was the keep - ing of some- one like you._ As it turns.c; out,
I re M gret.c; this, the hurt - ing of you,_ But you make.c, me
Alci C Alci C ElGI Am
deep- er with - in_ me, love was twist - ed and point-ed at you._}
so un - hap - py I'd take my _ life and leave it with you.L,
#
-..
llO
wlRhy. Fig.t {Gtr l ) 4 times
*wlFilil (Gtr. 2) 2nd time only
Flm FlmlG Flm FlmlG Flm FlmlG
~ ~
(Spoken:) Never ending pain, quickly ending life.
Ik~ VV~ (15",.)

~ ~ "'Gtro 2 .~~
- -~ ~ ~ V
,
• 3
,., -----------1 ""----1
w/par . / ......-:~ .> :/ :/ slack
"l st time only, 2nd time Fill I only.
l'S
~ ~
Flm FlmlG
II- II- II-
Fis
. . . . . . . ..
Cm 8m Am
You keep this love, thing, love, child, love, toy. You keep this
u ~ <<r-;> Gtr.3 (E/ee. wldist)
• ~-
-2
~~ r~~ ~~ ~ ~
•
~ .•. ~
·_·~I>I
slack
wlRhy. Fig. 2 (Gtr. 1) 3 times, simile
.. rts Cm Bm Am Fls
r r r [ r ¥ ~ ~ r ~ I
love, fist, love, scar, love, break. You keep this love, love,
FiliI 1/4 D
Gtr.2
-- . . I\~r-' ~
~ ~ ,-, r- ~ ;.. (~) ,..-j<
(~) it- (~) r-i'
wlwah-wah ,., "'i
- l~ ,
1/2 I~ 1I;"
(Bva)
C\
. .
1/4
~ "-)~~ {t~f '~'-..
A.H.
I~ 1;<
}
I
This Love - 9·3

02238
11l
To Coda-$-
Cm Bm Am Fis Cm Bm Am
~ r
,
I
I ,
~
love.
~ 'I ~
You keep this love,
~
love,
~ IT
love.
t
You
~
keep., this
i
1
~ II
wlRhy. Fig. 1 (Gtr. J) 4 limes
Flm FlmlG Flm FlmlG Flm FlmlG Flm FlmlG
love.
Gtr.2
.Q- -& & ..

:& E> &- :&
2.
N.C. GS N.C.
&
"love.
"vocal racer on repeal.
FS Fis GS GISAS Ais BS
No more head trips.
J J
PM. _._._ _ _.-.. _ -/

--------
'0"_
"----
112
Slower J = 128
Ahhhh!
11.2.3·
FS GS FS GS FS GS FS GS FS GIS FS GS FS G5 FS GS
FS GIS FS FS GS FS GS FS GiS FS
~----
- - - _.. . -.-&-.....
dive w/bar
Original tempo J = 102

Flm7 Flm7/G Fim7 Flm7/G Flm7 Flm7/G Flm7 Flm7/G
Gtr.! (Clean)
Guitar Solo:
Flm7 Flm7/G Flm7 Flm7/G Flm7 Flm7/G Flm7 Flm7/G
wlRhy. Fig. 1 (Gtr. 1) 4 times
• ~---i
hold bend
3 '-----3-...J
wlecho repeats
) I
r- ..............•...................... ~
Bm? Bm7/C Bm7 Bm7/C Flm7 Flm7/G

8va-----------------------------------_. ------_ .••• ---------------------------------------------- •••••••••••• ------ •••• ••••••
3
hold bend 3
../I , 1 112
.r:-;
This Love - 9 - 5
02238
113
Flm7 Flm7/G Dm Dmicl F/C G7/B

1/4
eli'e e «:«~
Gu.2 8vo ·_·--------------1
" ~
(8 va) -r
~
~ lr.~.~~.
~
99~' ~ ~ ~t ~ .. ...
..-/"""'~
~ ~~ ...
• /"l,< 2314
~
- I
J V 1/2
.r:>.
Gtr.l
"~
.- .- 9' -.I -.I
hold--------··--------------------_·····------------·· ... ---.--.------- .. -------- .....----------- ...•....••.. ---------- •.•.
Dm Dmici F/C w/Rhy.Fig.l (Gtr.l) 4 times

Flm7 Flm7/G
~.
hold bend wlta/k box

A.H.
---- ------_ -.-------- -. - ------ ---- ------ --------- _- ---- --._ .._. --- -.----- --- -- _- ------- _- -~
D.S. ~ al Coda
Flm7/G Flm7 Flm7/G Flm7 Flm7/G
You keep this
(8~ (8w~!/
(l5ma)
.r-. .-J.-
-J -J '----'
'-------' <,
A.H.-------i A.H. dive wlbarslack
A.H. A.H. ··----1 P.M. P.M.
114
Coda•• FS GS
.0.
--
FS GS FS GS FS GS FS GiS FS GS
~\
FS GS FS G5 FS GiS FS
• love, ah,
Rhy.Fig.• end Rby. Fig. Z

0
• qq~'i~~7~~ ~ .. ~#~, i ~ ~ 7 q~~ ~ r ..t- ~#~~ 7 ~ ~
wlRhy. Fig.2 {Gtr. 2) 3 times

FSGS FSG5 FS GS FS GS FSGIS FS GS FSGS FSGS FSGIS FS GS FSGS FSGS FSGS FSGIS F5
~ - I- 'I ~' 'I ~

You keep this love. You keep this
GS FS GS FSGS FS GiS FS G5 FSGS FS GS FS GS FSGIS F5 GS FSGS FS GS FSGIS FS
~r=' J 'I ~' J 'I ~"

P-=1
love. You keep this love. You keep this love, ah,
8S E5 FS CS FS GS FS GS FS GS
• 1>-,
• ah.
•
• 11
~ q~~ .. q~~ ~ ~ ~ ~ ~
FS GS FS GiS FS GS FS GS FS GS F5 GiS FS
•
, ,
L I
• qq~ , ~#~, ~. qq~ , ~.

qq~ #~, ~ ~
This Love - 9-7

02238
*wlFiU2(Gtrs.1 &3)
ss G5 f5 G5 F5 GS FS G5 f5 Gi5 f5 G5 F5 GS F5 G5 ss GiS f5
Ig.1
""Studio cross-fade": Gtr. 2 fades out as Otrs. 1 & 3 fade in (see Fill 2).
Original tempo J = 102

Outro Solo:
wlRhy. Fig. 1 (Gtr. 3) till end
fim7 Fim71G Fim7 Fim7/G Fim7 -'.7!Q. ~m7 Fim7/G Fim7 Fim71G
,..-... r-.. • :--.. :--,
'5
hold bend
Fim7 Fim7/G Fim7 Fim7/G Fim7 Fim7/G Fim7 Fim71G

1/4 1/4
-/=~ ~~~~~
114 1/4 112 112 112

112
FUll
=102
Originallempo ;
.-
• Glr.3
.
./.. -
•
.:1
Gtr.l (fade in)

•
• ~ . . . . :; ~ ~ i .. ..~ ~ . i" .. J ~ .. i .. ..
116
F!m7 Fim7/G
3
1/2 1/2 1/2 I
.-------_ ..... _---_ .... --\
Fim7 F!m7/G Fim7 F!m7/G Fim7 Flm7/G Fim7 F!m7/G

8va ----- ---------.-------------._--_ ---------.---------- .. ---.--- .
114 1/4 lf4 1/4
/. «: I
3 3
1/. 1/. 1/4 1/.
./ I I I ,-...,
Flm7 Flm7/G Fim7 Fim7/G F!m7 Fim7/G

(Bva) . . . . _
.................................................. ···..··..·..·······..·······..·..···..··..····..·..·7....
~.~ ------. ~
.-/ ~
I .h
.../
1V4
/' ~·h
..... ,
(Bva)-_.. ---_.-. --_.. ------ -------. --- ---- .............................................................................................. ·.. ·· .. ·· .. ·· .. ·· ·1
*w/bar
wlbar
I'"
harm.
,
.
"Depress bar and strike harmonic, then steadily back to pitch.
This Love . 9 - 9
02238
117
THE UNDERGROUND IN AMERICA
All gtrs. tune down 1 whole step:

Words and Music by
VINCENT ABBOTI, DARRELL ABBOTI,
'(2)"G ®"F
iJ)"G @"A PHILIP ANSELMO and REX BROWN
@"C <D"D
"Tune ® one octave lower than ®.
Intro:
N.C(A5)
GlIs.l & 2 -
"Studio fade in.
(8va) (8va) [ (8va)············ ....., (8va)·····, (8va)·····,

_# A A q
h semi.-harm.. -_." -_._. - --. ----_. --_. ---".... ~

A.H. A.H.- --- ---- - iii""; A.H,--------------.. i A.H,·---~ A.H.-·--·-;
112
A.H. pitch: C# ci G GI G ct G GI G ct G ct G
Rhy. Fig. 1
eDd Rh)l. Fig. 1
......I
© 1996 WARNER·TAMERLANE PUBLISHING CORP.. METAL MAGIC MUSIC. RESS MUSIC.

DIAMOND DARRELL MUSIC. ABADABA MUSIC and COTA MUSIC. INC.
All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
118
• Wah.
Rhy....... end Rhy. Flg.:Z

J J J J J J J J
= =
• bi = = • • - = = = =
-
= = -
:
-
: ~ ~ ~ ~
b~ - ~ ~ ii bi i ~
• i b~
• ~ ii ii ~
•
P.M. ------------------------------------------------------------------------------------ .. ----------------------------------.--- .. ------------------------------- .. -------------------- .. -
•
J J J J J J J J
=
• =ii b~= =
:
b. = i bi ~ *steadyBliss.
-----
• • • • • •
= ii • • • b• ii ~ =
-.: .
~
• i •
••••••••••••• -------------------------------------------.---- •••• - ••••• -- •• ------------------------------.--- •• ------------------------ •••••• '1
Chorus:
J J J J J J
• Put in po • si - tion to wage teen - age may - hem.: a com- man af - fair for the ones who are juiced.
Rh~ fig. 3 endRby. Jl1I, 3

r--: r-« rr--; rr-: .r-> r-:> ../'J .r->
• *~b~
;: 0
*..:= = *..:=
;: ~~ ;: ~0
*-;: -----J= = =
i :.
*":=I:~=
;:~~
*~~~=*
;: ~
~~~=
;: ~~
*---=
;:.~
:::
~ 'ii
1~ I/; 112 112 1 1 1 1 1 • 1 1 1
:j
TheUnderground in America - 11- 2

02238
119
w/Rb~ Fig. 3 (Gtr. 1)
~
If it is weak - ness that grants us the pow - er, we thrive on what's strong - er than most of the world.
Verses 1 & 2:
B~m
3
l.Glass breaks»- the dim - ming lights._ Sweat, heat and pro - fane de - bate. The
2. See additional lyric!
Gtn.
1&2
Rhy. Fla. 4
end Rhy. Fig. 4
P.M. P.M. P.M. P.M:····------··-------l P.M. P.M. P.M. P.M;---·······-----···.-l
D~m
smart ones stay on the out - side.

(While drunk - en heads and arms e - TUPt.)
P.M. P.M. P.M. P.M;···--------····-----···-l P.M. P.M. P.M. P.M.----··--i
W/Rby. Fig. 4 (GIr. 1)

Bbm
p 'I p 'I
swings a punch,- spits a tooth,- pos ~ tures odd._ A
-------------------- - - - - - - - - - - ---------_ ... _ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
120
Em Om
punk rock es ca - pade.s: Five bucks a head-: to be king dick in the crawd.c:
~:z Rhy. Fig. 5 end Rhy. Fi.. 5
P.M. P.M. P.M. P.M. ------··········----1 P.M.
wlRhy.F1g.2 (Gtr.1) wlRh~ Fla. 4 to« 1)

N.C. B'm
We are the ones who must sport the po - sf - lion. Cheap beer, trend - y dicks, les- bi- an love is ac ~ cept- ed and right.
wlRh~F1g.5(Otd)
D'm Em Om
~ [' p t'
Shaved heads meet hair in the mix,
Chorus:
w/Rhy. FlI. 3 (Gtr. 1) 2 times
N.C.
~ Put in po - st . tion to wage teen - age may
.~8~\~
If it is weak . ness that grants us the pow - er, we thrive on what's strong> er than most of the world.
1.
Of the world.
Gtn.l&2
3
p.M:··········---------------·1
The Underground in America - 11 - 4

0223B
121
12.Slower J =80
Faster J, = 136
Interlude:
N.C.(AS)
- Ah.
GIr.1 3 3
~. ~ ~ ~ ~
• 3 3
-, :;"
-
pick sl. U'___
-
GIr.2 3 3 RillA
~. ~ ~ ~
• 3 3 " :;" : : : : *' : :: :: ::: : :

> : ~
:1: :
:
pick sl. i iii i 1 1 iii 1
P.M,--------------~ P.M:················-·----------~ P.M.······----
,,/Rill A (Gu. 2)
Gtr.l
picks/.
'- -'- -
~ ------------------
'0'
steady gliss.- -.. -------------------_.----------_ i
end Riff A
-------------_······i P.M. ~M. ~M.

--
122
wlRltr A (Gtrs. 1 & 2) 2 times
~. J , ,, ;
~.
J
~.
ij ~ a a , I
If it is free. You can just keepc, it. __
(To the [am - 'ly that's seen.)
~.
;
~P
J J J
•11
~. ~.
ij d
If you must beg. You must - - fol - low the et i queue.
(It's bet - ter in - stead.)
(C5)
1.- -J. J--- ,
J *- J
I -
- -
-
-
-
- --
- lou
(Fake. Fake. Fake. Fake.) _ _ _
Gtn.
1&2 endRilfB
BilYB
~'
<c:r <c:« =
i i i
= ii=
ii
:
•
= ii= ii=
ii ii = .. ..=
wlRifT A (Otrs. 1 & 2) 2 times
, , tt#§
(A5)
--J.
-
-
I
~ D
j j§ 4ffi.,- 2
J
know when it rains you're in your bed at home. You
-
~ ~:::
J1 J )1
r r $ $ . see
9· I
act so real when you are a - lone.
w/RIft'B (Gtrs. 1 & 2)
, (C5)
I. J
-
-
(Fake.
-
*-
-
1,-
Fake.
I
..... 1.
*-
-
-'
J
--
Fake.
~.
*-
-
~
1...-
Fake.}
#d
You
-
w/Riff A (Gtrs. 1 & 2) 2 times
,
(A5)
~1.
*- I.
-
~ D
j JE=j. ~. s
"'
j
,
,A· = ,l ,S
,
bet - ter not let the rno - hawked crowd see. Ra, ha. You_
--
=
.l ,b J 2 -' I - I
-- [uck. _ _
0223B
------------------
123
a tempo
B~5
Give it five years, you'll re ~ tire your pierc - ings.
GIrs.l&2
ru.
P.M.··················································· .
(8va) .....•....•.......••....•••....••.....••......
~ ~
*Glr.3 (Dist.)
;..--- .--------- --------
f
1
~ ~
·w/tremolo effect.
(8va) .......................•...........•......••....•............•......•.....•......••......•............••.......•.............•.....••......•.............•........•.....•...........•.
grad. release
1/2
1/2 1/2
~
124
N.C.
You must ad - mit that you mim - ic the weak- lings.
• I>~ ]
~ ]
~ ]
~ ~ ~ ~ :
:
:
ii
:
ii
: :
1 =i ..: ~ .. 1>-
~. ;; ;;
• ;; • ;; ;; ;; ;; 1 1 1
1
rit.
P.M.·························· _•.. _____________ •.. ____________________ ..••••.• ____ •. ______________ ..••••••. _____ .__________________ •.•..•• +-+---+---------------------- ••· ••••. 0 ___ .0.+.0
(8va) ............•......................................... ······1
•
1 1
»> »>
B,5
G.rs.l&2
P] ~ ]
~ ~ ~ ~ ]
~ ~ P] ]
~ ~ ~ ~ ~ ~ ]
~
~. ;;
• ;; ;; ;; ;; • ;; ;; ~~ ;; ;; ;; ;; ;; ;; ;; • ;;
-------- .. -_ .. _-------_._-------_. __ .- ....- .. _----------_._-_._- .. _-_ .......... _-----------------_._------_._--_ ........... __ .... _-------------_._----------------_ ................. _--_ ...
(8va) ....... _--------------- ................. _-----------_ ......... _-_ ........ _------------_._--_._- .............. _--_ .._------------------ ............... _--- ....
~
Gtr.3
~r ~.- -f:. .
• 1
,
~
The Underground in America- ll- 8

0223B
125
-. Vi ~ ~ ~ ~ ~ ~ ~ ~ ~
1>] -~ -~ -~ .. ~
--
~~ ~ ~ ~ ;; ;;
• ~ ;; • ~~ ~ ~ ~
• picks!
.... -- .. -._--. __ .. _---------. __ ._---------. --.---.-- .. -- .. - ... -. __ ._--- .. - ....... -._-- ... .... ._-_._-.--.._- .. _- .. _- .. _-.-- ..--..--_ ..
- _-- _~
Gtr.3 out
(8va) - --- ----- ----- -- ---- ----- ---- ----- ------- ----- ----- ---- ----- ---- --------- ----- ---- -------- ------- ---------- -------- --- ----- ------- -------------- ---------- -------- ----- ------- ---
~---------------------------_ .. _---------------::
..../ ..../ . ..../ I &~ ",' /I- _ ~t:
grad. bend 2lf2
~-----------------------------------------~
} i )
8va-··---·-------_·--·---··--·---·--------·
114
G.....
../------- {-
~4 1//2
Guitar Solo:
N.c.
(8va) ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------1
GI, • ..../ /rl I~-,-----~ .,
5 5
•• 1
strem. bar
1/2 ~
J-------------------~
"Depressbarthengradually raise whilehammering on/pullina off. ··Fret w/pinky whileholdingprevious bend,then pull off.
-
~
126
~ .>
• ,
112
r '----"
-------- -....-/
~ . '
~. ~.
~
~
/ J
-
wlFiU 1 tc». 3) Gtr. 4 out
J
- r:» ~ ./. • ./ ..------".,
• .,----" '-.--./
1
1
, 1
~ / } }
Slower; =90
Dutro:
wlRhy. Flg.l (Otrs. 1 & 2)
N,c'(A5)
~T' ~
. g" ~
. I
Ooh. Yeah,
• •
• Ha, Huh,
Gtr.5 out
G"S (Bva) . __ ._--_._-_ .......... --- ----------------- ... '.-- ..... _---_ .. _---_ ... - .. _------ --- ---- -- -_._-_._--_ ...... __ ..... _-------_ .... ------ ------- ------1
(Disl,)
~ - ~
-
------------ --- " ------------
• "If A.H·.····· ..-_ ... _------_._--._--_ .. __ ............. _----------._--_ ..... -.--_._------_. __ .. _-_ ...... ---_._-_ ...... __ .... ... _---_ ... __ ........ ---_._------_ ...... -\
-
*Gtr.6 (Dist.)
*_v
• pick sl.
I
steady gliss. -------.------......----.----•..•.........
*1\vogtrs. arr. for one.

Filii
Glr.3
(Bva) --.------------_ ........ ---------------_ ....... ----... ----, Gtr. 3 out
-: ~- ~ ~:
• 1
j j J
) ~ ...

02238
------------~
127
wlRhy.Fig.2 (Gtrst & 2) 4 times
(Wah.)
--
----------------.---.---.---.---.---.--.--'.-.'----------------------------------------1
pick sl:
steady gliss. . _--.---.
OtT.6 out
------.---.---.---.- '.---.---.--..---.--.-.'.-. --.'.-.'.---- ..'.---------.'.------.--.-.---.--.--.---------.--.'.---.---.--.'.-.-.-.-- .. --.. ---.---.---.---•.--_.---.-----------------1
"Freely
fPlay 7 times
J
The trend is dead.
Gln.l & Z
..
-, .. n-
*w/ad lib. sound effects. tPlay repeats simile; segue into "Reprise Sandblasted Skin."
...·Strike chord 1sr time only.
Verse 2:
Show's on, dates cancelled,
Kicked out for reasons that seem so unfair.
Skin crusts against the cops.
A foregone conclusion that's tired and beat.
Ring worm, crabs and lice,
V:D., ecstasy, speed and horse.
A heaven of unmatched importance,
An honor of sex to be stuck by the punk.
We are the ones who must sport the position.
Rich homes, money and food,
Abandoned for the bums on the street.
A lifestyle that's unexplainable.
Don't try and save what is all meant to be.
(To Chorus:)
128
WALK
Words and Music by

VINCENT PAULABBOTT, DARRELL LANCE ABBOTI,
Tune down:
@oD

lntro:
Band tacet
N.C.
Gtr.!
~ ~ r---.. r>,
~~ ~ ~i
'1 :0= (I:;:)qi {(I:;:)qi ~ ~ (I:;:)q~ ~ • (~:;:) qi<:»~i ~
:
~ ~'--" ~ ~'--"
f 1/2 1/2 sim. 1/2 112
Bass and drums fade in

~ ----... ~
~; (~:;:)q.~i ~ ~; (~:;:)~U~ ~ ~;(~:;:)~ ~~ ~ /~~ -

1/2 1/2 1/2
N.C. B,S N.C. A,S N.C. D,S

<, r-, r-.
• '1 ~ (~:;:)qlJJ ~ ~ ~. '1 ~ (I:;:)qi,.H ~ ~; P~' '1 ~ ~:;:) ~ ~~ ~ ~"pr

• •
~ • •
~ '--' ~
1/2 1/2 1/2
N.C. E,S FS F#S FS E,S N.C. E'S FS F#S FS E,S

Rhy. filii· ------------------ ._.... ------ ----- ----- ---- -----.. --.-- ---- ---- ----- _._. ---,
Walk-B-I
0223B
e 1992 COTA MUSIC, INC. and POWER METAL MUSIC, INC.
All Rights Administered by WARNER·TAMERLANE PUBLISHINGCORP.
All Rights Reserved
129
.
Verse 1:
N.C.
1b>. b. 1'-----'1'---.. ..--.- .
,
• Can't you see _ _ I'm eas - i - Iy_ _
~
a - both - ered by per - sis - tence.Lc;
Rhy.Fig.l
r<, r--... r<,
-------
: ., :;
(~:;:)q i bit ~ ~'(~:;:)q!-..l~ ~ ~(~:;:)q~~ ~ ~'(~:;:)q~~l ~
•
~
'ii
~'---'
1/2
~
1/2 1/2 1/2
... " . " ".. "

D'5
One step from lash - ing out at you.
-------
~ r--... -
• (I:;:)qi~~ ~ ~. (I:;:) q~-..J~ ~ ~'(I:;:)qi-.3 ~ p ~ ~ ~
~ ~
. r~
1/2 1/2 1/2 P.M.
N.C.
I'- I'- I'- 1'---.. ><.
~
,
• You want in_ _ to get un - der my skin, to call your - self a friend.c.
r--... r--... r--...

-----
• .,
• (~:;:)q~ ~~ ~ ~'(~:;:)ql b~ c-~ ~' (~:;:) qi bi ~ ~. (~:;:)qi~ ~
:
'ii :;
~ ~'-.-/ o- ~'-...I '---'
1/2 1/2 1/2 1/2
D'5 C5 D'5
b .J
I've got more friends like you;__ what do I do?

end Rhy. Fig.1
Walk-8-2
02238
--
130
~ Pre-Chorus:
C5 A'5 AS N.C.
.. .. .. ffO. • • .fO.~~ ><
• Is there no stan - dard an- y. more? What it takes,_ who I am.c,
Gtr.Z..--,
~~ >~
>
• >
• e'
u· I>~ . 'q~ . =
-= i =fb:;:)qW
e
> > >
p<>:;:)qrn
~ > ~ >
Gtr.!
t/2 1/2
C5 A'5 A5
I • • .. .. .. I
• been.c, some - thing you're

- where I've be - long? You can't be not.
sim.
,~ ,~ Both gtrs.
• sim. p<>:;:)qW pfb:;:)qW

e'
u·
>
1>< .
c-
'q< .
>
'---' ~
1/2 1/2
N.C.
• -~
• Be your - self. by your - self, stay a - way_ from me.
Gtr.2
~~ ,~ ~ 'N-
•
•
Gtr.!
r i
"
=fb:;:)qf
'----'
~F r p f,:;:)qf ~f
'-"'
r pfb:;:)qf ~E
'---'
r '<
pfb:;:)qE ~F
'----'
r
1/2 1/2 1/2 1/2
Walk-8-3
0223B
131
C5 A'5 F5 E5 E'5
• )r
A les - son learned in life, know from the dawn of time.
Both gin.
e- e- e-
u- ~
e-
~
~
~ ~
"Next four bars.vocal doubled two octaves lower.
Chorus:
N.C. N.C.
(Shout:) Re speet!
Rhy. Fig. 2
'1 '1
112
N.C. D'5 N.C. F5 F#5 F5

r;
Walk! 00, what did you say?_
end Rhy.Fig. 2
112
,
wtRhy. Fig. 2 (Gtrs. 1 & 2) To Coda ..-
,.
N.C. B'5 N.C. A'5 N.C. D'5 N.C. E'5 F5 F#5 F5 E'5
.- 1-- t I'- ,- t I,- 'I

~,.
Re spect! Walk! Are you talk - ing to me?
Walk-8-4
0223B
132
N.C. FS Fis FS E~S N.C.

, ~ ...J
" *
• -
Are you talk - ing to me?_
........... r'<,
•= = •= ~~
• .~ = #~~ = ~ q~ =
• • • ~
-
•
>
'1
•
-
('~) ~~>~~.i
1/2
-
~ ~'(.~)~~ ~;
>'--"
1/2
~
r--- r--- r--- r-, ---....
~
~'(.~)~~~i ~ ~. (.~)~l~i ~ ~'(\~)~1~ ~ l(\~)~~~ ~ ~~~~~8 ~ /~~~
1/2 1/2 112 112 112
Verse 2:
w/Rhy. Fig-1 (Gtrs. 1 & 2) simile
N.C.
~ ~ , it"
Run your mouthc, when I'm not a - round,__ it's eas y to a - chieve. _
D~S N.C.
¥ ~' tir'
You
~g¢f'
cry to weak
~'
friends
~~~
~
that sym-pa - thize.c,
'f
Can you hear_the vi - 0 - lins_
D.S. III 01Co,",
D~S CS D~S
~~'~~~~~~' g~
play - ing your song?_ Those same friends tell me your ev - 'ry word. _ _
wlRhy. Fig. 2 (Gtrs. 1 & 2) 2 times, simile
• N.C. B~S N.C. A~S N.C. D~S N.C. E~S FS rts FS E~S
~
Coda
=f e'
~' $9-' ~'
8=1" ~' ~ ~' ~
Re speet! Walk! 00, what did you say?_
N.C. B~S N.C. A~S N.C. D~S N.C. E~S FS Fis FS E~5
=f e'
~' ~., ~' r I·' ~' r I ~' 'f
~">\
Re spect! Walk! Are you talk - ing to me?
wlRhy.Filll (Gtr. 1) 3 times

N.C. E~S FS rts FS E~S N.C. E~S FS Fis FS E~S N.C. E~S FS Fis FS E~5
@,
'f
Are you talk - in' to me?_
~ ~
No
.
way,_
~
punk;:
'f .'
Walk-8~5
0223B
133
Guitar Solo:
D5
e:= ---- -::-------..

. J
~~~.
+f-- .ll A • A~. ~ f:....... .:r::. .ll:.. t t
•
grad. bend
.: J
.-/-
".ll.~ ~ ~. ~ .(~
# ./
~ ~(~ ~ :":~.- ~~ ~ !~~f:~ ~ ~ f, ~1!: f: ~ f: .t7'.
• L3-'
~-
1
J i )
1
., . rr-; ..-... ~
grad. bend
4
134
~--, ./~ -------.. -j

, , • ..~
I""
I I
steady glisses.
..... ..... I ::
• •
~~"""f2.'~ - ~J -1'-.------1'-
'"'A t ~ ~~t: C't #~r:,"ct~~~~
F F (~) z- loc· loc x
f-~I=
t/t: ~ ~-"j:::: ~ F F
f- f-
-
- f- h- ~~
• llfz hold bend Irem. bar (slight descent)
.J ~
Band tacet
N.C.
~ ~ r<,
---
•
• (>~)~~~~ ~ ~'(~~)~~~~ ~ ~'n~)~i~~ ~ ~'(>~)~1~ ~
: 'I ~
;;
~ sim.
1/2 1/2 1/2 1/2
r-,
"
Bass and drums fade in

--... ~ --... -.. )
• ~.(~~)~.~~ ~ ~. (~~)~.~~ ~ l (~~)~i~~ ~ /.'I>~/ I
1/2 1/2 1/2 1112

I
Chorus:
wlRhy. Fig.2 (Gtrs.L & 2) 4 times
N.C. B'5 N.C. A'5 N.C. 0,5
f~ f f
i' I -' i'
(Shout:) Re speet! Walk!
Walk-B·?
0223B
135
N.C. E'5 F5 F#5 F5 E'5 N.C. B'5 N.C. A'5
~_. t''', t'

~ ~.
~ D
00, what did you say?_
~.
Re
1-' ~.
spect!
wlRhy. Fill1 (Glr.l)
N.C. D'5 N.C. E'5 F5 F#5 F5 E'5 N.C. E'5 F5 F#5 F5 E'5
~ -' ~. r I ~. , ~('
H' 'I ~
Walk! Are you talk - in' 10 me? Are you talk - in' 10 me?_
Outro:
N.C. E5 E'5 D5 E5 E'5 D5 E5 E'5 D5 E5 E'5 D5
.- .,.--
,
• Walk
I
on home. _ _
I
boy.L,
q '~I>' ~ = = q ::::~I>~
• :0= ~ ~q
,~I>~
=; = ' ~ :0 ;; :0= ~ :0= :0= ~ ~q ::::~I>~ ~
:0 :0 •
P.M.·- _______ . __ ,
,.. . . ! :0
P.M. -----------.,
'--'
. ~
P.M.,···-----··-.j ---- P.M.,--·------··-j
"'---"'
:0
E5 E'5 D5 E5 E'5 D5 E5 E'5 D5 E5 E'5 D5
=
;;
•
c
P.M.,·------ ..
=
;;
--i
,~pi
,
'--"'
~ ~ :0= •
P.M,--·_·------i
~ ~q ::::~I>~
'--'
~
:0 = :0= =
:0 :0
P.M.-----.. ------,
"
,~p~
~
~
•
= =
:0 ;; n
P.M.-·_---------i
q ,~p~
~ , ;~
N.C. E5 E'5 D5 E5 E'5 D5 N.C. E5 E'5 D5 E5 E'5 D5
• •
=
:0
= ~q
:0 ~
P.M.-··-------·_,
"I>i
~p ~~
~
...
~ =;
P.M.-----·------i
~ q "I>~
~ ~ ~ ;; ~ ~\..:::~I>_~
P.M.------'·--i
~
Play 7 times and fade

N.C. E5 E'5 D5 E5 E'5 D5 N.C. E5 E'5 D5 E5 E'5 D5
= =
:0;; :0=
P.M.
q '~ 1>"
"
'---"
------------1
•• = :0 = ~ ~q :::~I>~
:0
P.M.··---------i
'----' •• =
;;
P.M.. -.--
=
;;
•=--------1
,~pi
'
'--"'
, •~ = :0= =
:0 :0 ~q. ::::~p~
P.M. ------------1
;
~
'--'
Walk-S-S
0223B
1
136
WAR NERVE
-All gus. tuneddown approx. lYisteps: Words and Music by

@=cl ®=E VINCENT ABBOTT, DARRELL ABBOTT,
@=FI (6)=GI PHILIP ANSELMO and REX BROWN
@=B (j)=CI
Moderately: Tempo I (J. = 100)

Intro:
N.C. ES
"''''Gtn.l&2
•
. .
• /' -;/ 1>... :0 1 :i .
,. j
_1
1>1 • i j.
.. ·_________1
j /':;' 1>1 '--"'. .. :0 i
r 1/2
I
1/2
*Pitchfallssomewherebetween 1 & lYisteps down.

··1\\'0 gtrs. an. forone.
Rhy.F1.. 1
•
• i· ;j 1>.. :0 j. j =1>.. '---'~... :;; i· .
~ 1>.. i
"- _1 1 1 ._______.. »:"
1~
1 ~.
- _ :0
FS
• .
• j . ~:t
1 ._____...__.. /
1>1 ,1 .
'-' :0 i i·
~ . !. 1>.. :0 i i·
~ . _~. ~~ ~
~
1/2
Tempo n (J = 100)
,,, ,,,,
CS GIB AS FS ES
•
• 6- d ~
~~ ~ ~ , i~j
P.M.--------········-------·····-------·········-----···..... 1/4
War Nerve -7 ~ 1
0223B
© 1996 WARNER- TAMERLANE PUBLISH1NG CORP .. METAL MAGIC MUSIC. RESS MUSIC.
DIAMOND DARRELL MUSIC. ABADABA MUSIC and COTA MUSIC, INC.
All Rights Administered hy WARNER-TAMERLANE PUBLISHING CORP.
All Rights Reserved
137
ES Bbs ES os
j'S
1/4
"
.
. .
,: .
"'~"'~~ , : Ht~ :~" ~~.
1 1)
"~I~ ~I~~~I~~~
• \>. ~.
-s ,
P.M.- --------- ----------- ----- ...
1/2 P.M.•..------------------------- ..•. ~ 1/4 P.M.···--··--··----------------------i 1/2
ES BS E5
j 1
"
-, -;
3n~ "'~~~._---._,
,.~,
~i~!~t~ ~In~~n~.
-j .....
:; :Hln: n~~~~~~ '~--'.
P.M. --- ... _----_.---_._--_ .. 1/2 1/2 1/2
" J J
• : ~~: ~ ~ :!: ,~ ~ /'.

"'~ "'~~
,
_;T"
,m snss
P.M..--··--·-----···· .. ····-----------,
1/2
'~
FS ES FS
~l~ ~
,,
1/4
"
""
P.M.----··-------_·- ,'"
-_ .. __ .. _-- ---- ... ;
-_ ... __ .. _---,
:
, ~.
1/4
"'~
: : ~
P.M.··--------------------··_--------···----------···-i
- ~.
1/4
Gtr.2 (right) 1/4 1/4
"
"
P.M.--
;~
•• ---- •. ----1
~~
1/4
,, ~
~
P.M.---------------i
~~
1/4
WarNerve-7-2
0223B
138
"
E5 F5 E5
l
• 1. Tru - Iy, tru - Iy, tru - Iy, tru - ly. tru - ly, tru - Iy, tru - ly. tru - ly.
2. Ex - pect; ex - pect, ex - peet, ex - pea, ex -
pect, ex - peet, ex - peet, ex -
Rhy. Fl&- Z ...... ---------_ ....--------_ ....-._-------_ ....... -------_ ....... -----_ ..-,
,,, ,,,
1/4
0 j
• :: .
~ ~ ~ ~ ~ ~ ~ ~ ~
" ~~
~ ~
/
P,M.·-----·······------·······-------······----------·-I
~ ;
1/4 P.M.----------·····------------··------------···--------l 1/2
,
1/4
0 J
/
/,'
~ ~
~ ~~ ~ ~ ~ ~ ~'
P.M.--------·-------i 1/4 P.M. ·_·_·-----------1 1/2
Verses 1 & 2:
wlRby. Fig.2 (GtTS. 1 & 2) 8 times
'I
1. Fuck the wortd s: for all it's worth, ev - 'ry inch_ of plan - et Earth.L:
Fuck my - self, don't leave me out, don't get in - volved.s: don't cor - neT me.
y r±==t
In - side
f
ul
§
ceT,
r=r un
t t t [
just bas lards, file out
f
face
t t
first.
~
Meet the lies.; and see.c, what you are.
Chorus:
N.C.(E5) (8'5) (ES)
,-..
or- /(, I'- I'- 'l'- I'- f'-
• - It's fore- ing you down-

o Glrs.l&2
. . - --
~. '-" ~"".........,"'" ~E7
. . UtJ· ~1_
1p 1,/2
-
WarNerve-7 ~ 3
02238
139
(B~5) (E5) (B~5)
and it's grind - ing a - gainst_ you. Let the war nerve break, _
1/2
Tempo I (J. = 100)

To Coda" Interlude 1:
(E5) N.C.(ES)
»<;
oh. _ _ For ev- 'ry fuck-in' sec- and the pa - thet -
~ -
RlIrA
~3
1/2 gr~nd 1 2~
-
1/2 1/2
ic me - di - a piss - es on me and judg - es what I am in one par - a-: graph. Look
1/2 114. 1/2 1/2

~
(B~5) (A5) (G5) (E5)

II ~ ~. ~ ~ ", -
here! Ah, tuck you all!
•
end Riff A
-
....-;' ,
~' <, ..... "1. pl' ~ 1 " ~. ':"
~' ~
1/2 1/2
I .-
1/2 1/2
,
WarNerve -7 - 4
0223B
140
.- ~.
BS FS
D.S. 15 01 Coda
- - - - -
~
•
." ~'~'!' /
. ~' '!' /'" ~' '!' " ~' '!' /'" ~,,,.
~, ,
112
- -
112
-
112
-
112
-
112
Tempo I (J .= 100)
Interlude 2:
.. wlRiff A (GtTS. 1 & 2) 2 times
Coda N.C.(ES)
All the man· ey in the luck - ing world could - n't buy me a sec - and of
trust, or one ounce of faith in an - y - thing you're a - bout! Fuck you 01/1 _
r ".
It P ¥ ¥ ,. (B~S) (AS) (OS)
I
Bridge 1:
wlRhy. Fig. l(Gtrs. 1 & 2) 2 times
ES (B~S) (AS) OS E5 (B~S) (AS) (OS) ES (B~S) (AS) (OS)
~.
Feel _ flow _ will. _
and
ES FS ES (B~S) (AS) (OS) ES (B~S) (AS) (OS)
Noth- ing is worth the sleep that I've lost. a - pol- 0 - gies are un - ac- cept - a - ble now. A
ES (B~S) (AS) (05) ES FS
~
~a , if ~ ~r D , ¥i
blis - tered re - venge a - waits in me. this is fuck ing_ love less!
War Nerve -7 - 5
0223B
-------------------
141
Tempo II (J = 100)
Interlude 3:
N.C.(E5)
Wow! _
Now!
Gtn.! & 2
P.M.--···_···---··---···---_·_·----------··-------.--- _- _- _-- _-- .. _- _- ..-- - -- -- - _.- -.. _.-.. _.- .. _.-. _._. .. __ __
Bridge 2:
Hate! _ Hate! _
1/4
KiffO --... --... --... --... -..... -.. _.-.... -.... ' .... -.... --._.- .... --... -.... --._-- .... -.. _--.. _--.. _--.... -....,
"... -.... --... --... --... ---.. ---.. ---.. ---... '-... --.. ---···--·--i P.M. "'---"'--"'--"'1 P.M. ··---··---··---··-i 1/4
wlRifTB (G/fS. 1 & 2) 3 times
Hate! _ Hate! _ Hate! _ Hate! _
N.C.(F5)
::
• -
,.'- ~~ ~.- ~~
.. . ..
• Hate! Hate! Hate mail not read,
Riffe··--··---···_--··_--···_-_··_-_··_-_··_-_··_--··_--··_-···_-··---···_-··---··---··--···--···--······-·1
r-r-r-r J-----,
• Gin.! & 2 ~J---.
t ~.'-...
q~ -.J • ~
~. <;
q~ -.J • ~
War Nerve -7 - 6
02238
142
",/Riffe (GITS. 1 & 2)
Hate! _
in jail
!f
Hate! _ Hate! _ Lord knows_ there's worse,_
Tempo I (J. 1(0)=
Interlude4:
wIIlllr A (Gtrs. 1 & 2)
N.C.(ES)
~.
ig - nore the curse. Arrt
(BI6) (AS) (OS)

~.
fP !f Sf ~. r ~' [f ~
Blah! Uhf Uhf Uhf Ah. fuck you
Outro:
ES
St. .-
B'S AS OS ES
~.
BI6 AS OS ES
- B'S AS OS
1st time only) al/! _
Gtrs.l & Z
r,-;;,-------------------,I "-'13"'-.- - - - - - - - - - - - -
11.2.
ES FS ES
Verse 2:
Expect the worst, you bleeding heart,
But kill me first before it starts.
Yes, my cock is getting hard,
Weare born different after all.
Invitemayhem, produceweapons.
Shout out, bum down,
No CNN or media now.
(To Chorus.)
WarNerve-7-7
0223B
~-----·~I
l
I
WHERE YOU COME FROM
I
I
Words and Music by I
VINCENT PAUL ABBOTI, DARRELL LANCE ABBO
PHILIP HANSEN ANSELMO and REX ROBERT BR01
Thne all gtrs. down one whole step:
@=D @=F
(2)=G @=A
@=C (j)=D
I
Moderate metal J = 108
Intro:
N.C.
"Gt ... 1 & 2 (w/dist.) I
I
l~~~~~§~~~~·I,
"'TWo gtrs. arranged for one gtr,
I
+1'\
I
~ -
~
..I""
.Jj ':I
r-,V
~
• • • ~1>7 :j: ~~, =

~
~ ~ ~I>,! :j:. :~. • • :j:1>.... ~ ~ ~, = I
~~~ :>
'-'~
trem. bar ,.----.--.. --~
hold .......................... <
~
- \)\) I
I
I
I
Gtr.1
I
A.H. I
I
Where YouCome From - 13 • 1
0223B I
II:! 1997WARNER·TAMERLANE PUBI1SHINGCORP.,
COTAMUSIC, INC. and VDPR MUSIC
An Rights Administeredby WARNER~TAMP'Dl A .. ,r> .....-. -
144
-.
- tr rrr":
-. 1Jt~p-~t~~ ~' ,,' '---~ c-\...,~ - ~~ - ~"~ <;

~.~
~
~~p-
'<,
~ ~"-'~ ~~
~
A.H. --------------1
1- fr~
-.
~
~ '--' \...,~ \...,7- \""~-~J ~.~~~~p-~~~ v o- ;'--' '--' \...,~ ~~. ~~·ti
:;- \...., ~ \..., \.....
AH. AH. ----,
E5
• •
1. It's
~~~~P.~~J~
\..., \.., ~ ------.~ 'H
wltrem.bar -1
'"
staccato throughout
~ ~ ~. ~ ~. ~. ~ ~ ~. ~. ~. ~. i. ~. ~.~.
*1. .---------1 r. ---"'--1 1.----------1 r. --_.. -------1 1. ·--------1 r. --------.-1
-Gtrs. 1 & 2 panned left and right.
Where You Come From- 13 • 2

0223B
145
Verses:
• - ~ .. '-'
strange to be_ a - round, a - gain. _ _ but not the
-
:: I _ :: :: :: :: ' :: :: :: ' :: :: :: :: :: :: "',-", ~
~y
~ ~ ~ ~ 1 ~ ~ ~ ~ ~ ~ • 1 • • • ~ ~
• ~
~~ ~ ~ ~ fL ~ ~., -
• bas - tard io_ the _ _ skies. I was
tr •
• :: ::
~ ~
' :: :: ::
~ ~ . ' -
• • •
:: ' ::
~
•
::
~ • •
:: ::
~
:: :: ::
~ ~ ~ • • •
:: ",'-
~
tr
.--c------_~
.,--..,
• ask - ing for it all, be - in'
-
•
•
' ::
•
::
~
' -
•
:: ::
~ . .. :: :: ::
~
::
• .
:: :: ::
~ ~ ~ i i ..,-", ~
-
f~~
~----- NC
tr- l!A'- ~ fL-fL ~ .' =::::----~ ,--.., ~j'-----'
- -
dragged down the road. Call it wis - dom, call it ig - no - rance.L,
• •i ' 1 i 1 .
:: :: ::
~ ~ iii ~~
;:--"' '-"' "--~ ~~ 11 '--~ 11
t-~
Where You Come From - 13 . 3

0223B
146
Pre-Chorus:
,
-.0. -fl-, ~~.
• But it's still a - live.
"
• ~ ~ I>"! ~ . •
~
~v
A.H.
.. • 1>..
~ ~ ~, J
~'---'
~
A'S FS NC E7
J -<;
"
• - And it's in me now.
-
• ~ ~ I>~ ~.. :"". i~~ ~. . . . ~I>" ~ ~ ~,
~
=
.. "'I ~ ~I>"! ~ .. :~. ."
~
hold -.-.------------------------ •. ~
-
• '---'n
A'S FS N.C.
. ES
• •• h •
~
• And it lives and breethes.c.L, but I can't give a fuck.
V -e-- -
• ~ .. ~I>" ~ ~ t}~J~~ ~ ~I>~ ~ .. :"". i~: ~. ... ~I>. ~ ~ ~
>
w/trem.bar ---------------1
V ~ -
~Chorus:
-
N.C.
I
•
'I
•
1 -J -J
'- I've got a big mouth,

Bkgd.vel: I've got a
• c-> ". ~~ ~~
>
.. ~~ .. ~ ~~
"'-.,
~ J ~ ~~ 1>. ~ ~"~ :.......- ' -
>'"--' """ '"--'
Where You Come From - 13 - 4

0223B
147
fJ
.~
r== -n- 'J- --=---:.n
~
, I • ,..~
«
- and there's a lot to learn
big mouth.
.
~--~
~'-'. '-.
"-~ 3---~ ." "-~ ." t~ ~\"
~
.J ~'-~ 1>'" ~ tJ A.H.
I
.. ,I S ~---J- --1 ~1 nJ- 'J. I ,-..

.
«
- from a bot- tie of whis - key._
Lot to learn, 00, oh.
tr . .. .
~--- '-'
"-~ :s-~ ." "-~ ." ~\....,~ ~ .~ ~ _~ 1>-
~ \....,
* it"-.~ ~~
tr
11.
,
-
t» Coda.
,
n
--- ------J.
• - It's where you come frorn.c,

From a bot - tIe of whis - key,_ _
« ~'--' . -.....-.
.,,-* :s-~ - "-~ - ~"--} it .~ ~~ I>! * itJ ~
::::-- ~
Where You ComeFrom - 13 - 5

0223B
148
E5
~
- Yeah._
. , ~
~
-
,,- - = -
,
~~I>"',*U~ ~J
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~.
>
i ,
'-.}
A.H.-------· .. ---~
112.
N.C.
I ~
-
e
2.A It's where you come from.c,
-
~ ~ ~ ~ ~. ~ ~ ~ ~ ~. ; t~ ~~ 1>... '* ~ '* ~

> >
'.- • '. ... •

• - it's where you come (rom,_ it's where you come from._ it's where you come from.c,
• 1! ~ I>~,* ~J ~ ~ ~ I>'l'* ~y ~ t~ -> 1! ~ I>~,* U~

> >
A.H.
Where YouComeFrom - 13 . 6
02238
149
~J, .J J .1 1-J.......,,)) '1 ~ I I

-
• e
- where you come from.Lc, where you come from.Lc. where you come from.c,
Bkgd.Oh,_ _ where you come from.c.. where you...
vel:
• ~ ~ I>~~ Vi ~: ~
~ ~ I>~~ ~J g ~ ~ I>'l~ ~J i ~1~

'-.." A.H. ~ '-- :H.
Bkgd. vel. ad lib.

.~
•
•- where you come from.L, where you come from.Lc, Whoa, whis-key!
•
• 1! ~ I>T,-,~ U ~
c-
! ~ I>'l~ U ~ ti ...-;: I I
grad.steady gliss. -----•.-------------------------- ------ ----------1
Guitar Solo:
N.C.
Gtl'.3 '.::.:.1 ----'+,,1 _. .•• ... l!J
- = - - - - - - -__--2
'.u n. h' - -- ..........
(db/d.) _
(w/d/SI.) ~
#
Depressbar before striking string grad. descendand ascend.-•.----.. -----------------------------.. -----.-. --------•.. --
w/trem. bar
,-1/ •
V",..---...... t-- +----
"Right-hand finger-taps.
'-----1
V+------------ +..-
Where You Come From - 13 - 7

0223B
150
+
+,-----., +r-r-;
*Tap notes withedge of pick.
--------------------------------------------------------- _------------------------------------------------------- ..-- ------.- _--------------------------------_ .
grad. release-----------------~
2"
1\1\1\1
I'- ,o,#r,c-. I'- ,o.,C"I'-'"i. I'- ",~~,c-. I'-,.. ,~'
1 1 1
) J---- ->, ~- 1\- 1\-
Half-time feel
.- -.---.- -------_._--_ ..---------------------------------------,
u .:« ~:..~:R~ r«:«

>
!:' 1'-, !t
>
E
s:
~
l=
e:
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•
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-
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w/vcl. ad lib.
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~
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f--
~
f--
e:f-- ~
I::
~~ E-I::
~E
~
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1 1" 1 2
- .>:: ~ .J ~

0223B
-------------_.~
151
jj
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f--
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.
g ''l= =~ ~~~F
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1 1
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1
- - ~,-,--, . J ~
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- :1'
Gtr.3
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~ ~
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+
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-
r: F:f-- ~~ J-
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-
."f: -
- - ;:
f- i= ~
f- ~ - - - L
0
Gtr.! ~
mf grad. gliss.------·-----·-~
- ~ '" '" 1\7
J
1\7
- ~ '" ...
E5 G5 E5
. . ~
~
. .
0
1 fell in front of my friends, I dropped out in front of the world.
- --
Sva
Gtn.l & Z ~
:!. -.t
~ ~ ~: ~.
0 ~
~
~ ~ ~ ~
A.H .. ----------- .. ---------.------------------------._.--- . - - - - . - - - - ~
. ~
D.S. lIS at Coda
• .,..-..,. " --. ,
,
~
• You call that su - per - nat - u - ral, - ain't! _ _

f"
1=
I-
~.
~ ~
~
~
~ random pick slides
~
down neck
Where You Come From - 13 ~ 9

02238
152
Faster J = 152
• -J
Coda
N.C.
,
•
N.C.
..
It~ where.
Gtrs.l & 2
partial P.M _-- -----.-- ------------- -._---------- ------------'._._ _- --.-- --------I
F5
• • •
~3------'
• • • ..
• Black wings will weath - er your flight.
~3_ ~3_
• ~ #~
~
." • H· q. #• .,,~. H· ; ~ ~ ! .#... ~'
q.#... ~ ~.
~ ~
partial P.M.. _- ---- ------------------------------.. -------- --l hold open string·-------------- •.. ------------l partial P.M. ······----··----··-----------------------------i
B'5 A'5
r---3--~ r---3--~
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, , ,
3 , 3
• ~ #~ ." ~.
q~ #~ .. ~ . ~.
A"~ ." 1>.
~
hold open string ••. -.--_... ------------------------------------.-1

•
partial P.M. .---------------------.-----.--•.-•.----------------------------------------------------1
G5
, - - - - 3------,
• time, fol - low - ing paths of your
,
'---3---, '---3---,
• ~ #~ ." • H· q~ #~ .,,~. H· ~#~ ." ·H· q.#• .,,~. H· ; ~ !

~ ~
partial P.M.. _- -----------------------------... ---. -.-- -.. - --~ partial P.M. ---------------------------------- .. ---.... "
Where You Come From- 13 • 10

0223B
153
B'5 C5
•. r - - 3 -------, .---- 3 - - - ,
•
• life. I stepped off the moun - tain to the
~3-----,
r - - 3 ------,
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• •
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• •
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poco accel.
~
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It's where you come from.
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- 1 b~
05
- . F5
.
Watch your eyes, no.
(~)- #- e > ~. ~~ #~ .. ~.~' ~#~ -.I ~.

~"J #"J -.I~. H·
~ ~ ::::::::,~
"---'
Where You ComeFrom- 13 - 11

0223B
154
B'5 C5
- -
Where you come from.
• 'i' #'i' .. ~.
\'i' #..... ~. ~. ..#...... ~. \.. #..... ~' ~. .~~
• /<
~
<
Dutro:
G5 F5
a·
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• 'i' #'i' ... : ---- \'i' #'i' .. :.---- 'i' #_ ... : ---- \'i' #'i' .. :.
c- > :>- c- !
, ~o- ~
G5
3-----,
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• - It's where you come

~ z> ~ ~
• ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ i ~
/'~.
c- • ,,~ ~
m ~
a,
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a"
a a
• from. Where is it? _ _
• (\)'i' #41 11 : -- \'i' #'i'

~
11 :. - - 'i' #41 11 : -- \'i' #'i'
~
11 :.- -
!
, i ~

0223B
rr
!
--------------- 155
Startfade
05
It's where you come from.c,
05 F5
It's where you come from.c,
Fade
05
'fJ-, a )fJ- fJ- fJ- fJ-
• - It's where you come from.c,

~ ~ ~ ~
~ i ~ ~ i ::j
'" ~ i ~ ~ ~ ~ :-P'! '" P' • ~
•
Verse 2:
A remedy to the curse,
On harder waves control.
Look at what's around,
I just can't lie around,
Feeling sorry for myself.
Pre-Chorus:
But it's still alive.
And it's in me now.
And it lives and breathes,
But I couldcare less,
(To Chorus:)
Where You ComeFrom ~ 13 - 13

02238

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PANTERA ANTHOLOGY

GUITAR TABLATURE EDITION

DRAG THE WATERS 15

COWBOYS FROM HELL 26

THE GREAT SOUTHERN TRENDKILL 46

MOUTH FOR WAR 80

STRENGTH BEYOND STRENGTH 89

SUICIDE NOTE PT. I 96

SUICIDE NOTE PT. II 100

THIS LOVE 108

THE UNDERGROUND IN AMERICA 117

WAR NERVE 136

WHERE YOU COME FROM 143

Words and Music by

"Pitch falls somewherebetween 1 & 1~ steps down. • ...Twogtrs.art; for one.

slight P.M.' .... --------... --------.... ----_.'--.- ..... --~

© 1996WARNER-TAMERLANE PUBLISHINGCORP., METAL MAGIC MUSIC, RESS MUSIC

I> 'Y <, # ##q-;.-;

• Thir-teen! Thir-teen! Thir-teen! Thir-teen! Thir-teen! Thir-teen steps! Ah!

Leads to no - where! Your back - lash dis - 10 - cates, an

" f'" f'" f'" f'" ~~ ,. ,. ,. ,. ~

• Leads to no - where! Out . sid - ers still sup - pose,

• there's ho - ly streets to roam!

• q~ I>J ~ 1rW, ~ I>J ~ 11, ~ I>J ~ 11, ~ ~ Ij* T, j,:j:

Slower: Tempo II (J, = 48)

"~ b",'~ -., ~:',

"Iwo gtrs. arr. for one,

Tempol( J =84) Outro:

" ~. ~~ ~Ii" ~- :-----.-.. ~.n

" P~ ~ t'- t'- ~ ~ fI. fI. 'fi. fI. fI. fI. A

• Thir-teen! Thir-teen! Thir-teen! Thir-teen! Thir-teen! Thir- teen steps!

All gtrs. tune down 1 step: Words and Music by

• "= ~~~ i = #~~~

N.c.(ES) FjS GS N.C.(ES)

f w/Gtr. synth. effect

© 1994COTA MUSIC, INC. and POWER METAL MUSIC, INC.

FlS GS N.C(ES) F#S G5

N.C'5'71.. '1 - -"' G-

• more than a man. More than you ev er were.

• Driv en and burn - ing 10 rise be- yond Je sus! _ _

"~ .- fl- fl- .--------«: ~.-----

• - I'm born a gain

w/Rhy. Fig. lA (Gtr. 2, 4 times)

P.M . ._---_ .. -------_ .... --------_._---,

N,c.(ES) FIS G5 N,C,(ES)

FIS GS N.c.(ES) FIS G5

• (Bass gtr imitates Rhy Fig 1)

• (2nd time) God

DRAG THE WATERS

Words and Music by

All gtrs. tuned down 1~ steps:

" "'" "'"

Rhy.Ftg.l················································.......... ~ ...................................... ....,

wlRhy. 1'111' 1 (Gtr. 1) 3 times

Drag the Waters- II - I

© 1996 WARNER·TAMERLANE PUBLISHING CORP .• METAL MAGIC MUSIC, RESS MUSIC,

q~ ; ~' ~ ~ ~ ~ ~ ~ ~' 'l!' 'l!'

e ~' ~ ~ ~' ~ ~ ~' ~ ~ ~' ~ ~ 'bit • ~-.J -.J

• "= ~ i = #~

. ~~~~ ~ #i",.

• ~~7~ ~7~ ~7~.· 7~ ~7~ ~7~.~~·

• ~ ~~ ~ ~ ~ ~ ~ ~ #~ ~ ~~ ~ #~J ~. ~~~ ~ ~#~ ~~ ~ ~

~ ~~ ~ ~ ~ ~ • ~ #'* ~ ~~ ~ #'y ~. ~ ~~ ~ ~ • ~ • ~ #' ~ ~'* ~ #'*y ~.