Plato's allegory of the cave describes prisoners chained and forced to stare at shadows on a cave wall, unaware of the true reality outside. Sontag draws a parallel between these prisoners and consumers of images, who live in a world defined by images rather than direct experience. While photography was initially hailed as a way to document reality, it has come to replace reality as our primary experience of studying and learning about the world.
Plato's allegory of the cave describes prisoners chained and forced to stare at shadows on a cave wall, unaware of the true reality outside. Sontag draws a parallel between these prisoners and consumers of images, who live in a world defined by images rather than direct experience. While photography was initially hailed as a way to document reality, it has come to replace reality as our primary experience of studying and learning about the world.
Plato's allegory of the cave describes prisoners chained and forced to stare at shadows on a cave wall, unaware of the true reality outside. Sontag draws a parallel between these prisoners and consumers of images, who live in a world defined by images rather than direct experience. While photography was initially hailed as a way to document reality, it has come to replace reality as our primary experience of studying and learning about the world.