Intro solenne (audio 2,1)

https://en.wikipedia.org/wiki/Accordion_reed_ranks_and_switches

[no

Musette A strong and distinctive tremolo sound,

8′ + 8′ + 8′
(authentic) found in special musette accordions.

The sound of the accordion is controlled by the keys and the fingers (similar to
the tongue for wind instruments). (reeds – ance)

The accordion is a stereo instrument, where the sound comes from two
different sources. (uno fermo, l’altro si muove)

When playing chords the lowest note always dominates.

Another important aspect of the accordion is that when playing any amount of
notes (at least two) from niente, followed by a very slow crescendo, each note
will sound at a different time, because of the different reaction-time of every
reeds.

very “dry” instrument, no resonance, no echoes, no

pedal effects.

Su ff il pitch tende a calare (accordato su 442)

articulation – dynamics (ha – tta – va – abdt e viceversa)

numero note? Tastiera da 72?

registri mano dx:

16 piedi basso (NON brillante)
8 cassotto (chiuso in una scatola → NON brillante) – 8 fuori + brillante
4 piedi (brillante), le note più alte sono difficili da tenere intonate?
This register also has a “third sound” in the highest notes and at loud volume.

I registri possono essere combinati → si creno accordi oltre che timbri diversi?

Indicare I simboli o lasciare allo strumentista la scelta?

mano sx (muove il mantice)

No thumb. As mentioned above the only exception is the first row, which is
different from system to system. We feel comfortable playing within one
octave interval. 3-notes chords are possible, but not all 4-notes chords are
possible. Arpeggios that cross several octaves are very difficult. (si creano degli
scalini)

No quick jumps over 1 octave,

No prestissimo passages:
No glissandos:
sordina – foglio sottile di metallo?
Registri?

The standard notation for “free basses” and “stradella basses”

is BB (bariton basses) and SB (stradella basses).

RUMORE CONVERTITORE COME SUONO DEI TASTI DI UN REGISTRATORE

ACCORDI??? sono tiradi? M + M come berio vuol dire che le terze dei due accordi
creano una dissonanza