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Lesson Plan 1 - Descriptive Writing
Lesson Plan 1 - Descriptive Writing
Prior to this lesson, students learned about different kinds of figurative language including similes, metaphors,
personification and hyperbole. Students have also explored different kinds of writing (eg. persuasive, informative).
The goal of this lesson is to show how the five senses, figurative language and adjectives, come together in
descriptive writing to create a vivid picture.
Writing I can:
1.1 Identify the topic, purpose, and audience for a variety of writing forms • explain the purpose of descriptive
2.3 Use some vivid and/or figurative language and innovative writing
expressions to add interest • describe something using the five
3.5 Use parts of speech correctly to communicate their intended meaning senses
clearly, with a focus on the use of: common, proper and abstract nouns; • use adjectives and figurative
collective nouns; adjectives, including comparative adjectives; the language to enhance my description,
helping verb have; adverbs modifying verbs; comparative adverbs create a vivid picture and engage
readers
Success Criteria: Descriptive writing… • organise my ideas to create a
• Paints a rich picture in the reader’s mind descriptive paragraph
• Uses adjectives, figurative language and the senses to create a
vivid image
• Interests and immerses readers
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Part 1: Minds On Estimated time: 10 minutes
Introduce students to the power of language in writing. In books, authors Materials and set up:
describe what the setting and characters look like. When we read, we Provide each student with a blank sheet of
convert these descriptions into mental images. paper for their drawing.
Tell students that you are going to read a passage from Roald Dahl’s
Matilda aloud. As you read, students are going to draw a picture based Teaching strategies:
on what they hear. Remind students that the drawings do not have to be Gallery walk
perfect.
Class discussion
“[Miss Trunchbull] was above all a most formidable female. She had
once been a famous athlete, and even more now the muscles were still Multiple Intelligences:
clearly in evidence. You could see them in the bull-neck, in the big
shoulders, in the thick arms, in the sinewy wrists and in the powerful • Project excerpt from Matilda to assist
legs. Looking at her, you got the feeling that this was someone who visual learners
could bend iron bars and tear telephone directories in half. Her face, I’m • Read the excerpt multiple times for
afraid, was neither a thing of beauty nor a joy for ever. She had an auditory learners
obstinate chin, a cruel mouth and small arrogant eyes. And as for her
• Allow kinaesthetic learners to stand and
clothes … they were, to say the least, extremely old. She always had on
walk like Miss Trunchbull
a brown cotton smock which was pinched in around the waist with a
wide leather belt. The belt was fastened in front with an enormous silver
buckle. The massive thighs which emerged from out of the smock were
encased in a pair of extraordinary breeches, bottle-green in coloured and
made of coarse twill. These breeches reached to just below the knees
and from there on down she sported green stockings with turn-up tops,
which displayed her calf muscles to perfection. On her feet she wore flat-
heeled brown brogues with leather flaps. She looked, in short, more like
a rather eccentric and bloodthirsty follower of the stag-hounds than the
headmistress of a nice school for children” (Chapter 8).
Gallery Walk
Once students are finished, invite them to leave their drawing on their
desk and silently walk around the classroom to see their peers’
creations. Students that do not feel comfortable sharing their work can
turn over their drawing. Once students are back at their desks, ask them
what they noticed about the different drawings. Were they similar? What
differences did they have?
Even though their drawings looked different, they all captured the key
features and “essence” of Miss Trunchbull. Explain that in descriptive
writing, we want readers to be able to draw a mental picture based on
the writer’s description.
3
Day 2 of Lesson Assessment Strategies
Activity 3: Students write their own descriptive paragraph - • Circulating
Individual (30 minutes) • Checking in / providing one-on-one
support
Review yesterday’s lesson. Ask students what the purpose of descriptive • Peer edit/exchange
writing is and how to make writing descriptive. Students will now write • Collection of exit ticket and descriptive
their own descriptive paragraph. Provide students with a choice of paragraph
prompts: • Questions to check for understanding:
• Students can take on the role of a travel agent and describe a dream • Why should we include figurative
vacation destination. language and adjectives in our
• Students can become a server and describe a dish on the writing?
restaurant’s menu. • How can you make your
paragraph more descriptive?
• Students can become a family historian and describe an important
• Were you able to draw a picture
family member, friend or pet.
based on the description? Were
Remind students to consider the different senses as they write. What do there enough details?
they see/smell/taste/hear/feel? They should include as many senses as
possible (some might not make sense depending on the topic though!) Multiple Intelligences
Also encourage students to elevate their descriptions by including: • Allowing students to look at an image or
• Similes draw a picture to help with their writing
• Partner work for interpersonal students
• Metaphors
• Personification
• Hyperbole
• Adjectives (eg. colour, size, texture)
The reader should be able to draw a clear image based on their
descriptions.
4
Consider how you will meet the diverse learning styles and needs of your students. How will
you know what they now know, understand and can do? What tools will you use for
assessment? See some suggestions below.
Multiple Intelligences: Accommodations: Assessment as Learning:
- verbal linguistic • Allowing students to draw a - Peer exchange/feedback
picture or look at an image - Exit card (glow and grow)
- logical/mathematical to guide their writing
- musical/rhythmic
• Reading passages/ Assessment of Learning:
bodily/kinesthetic instructions aloud and - Observations during group work
projecting them and class sharing
- visual/spatial • Allowing students to make - Collection of descriptive
- interpersonal point form notes instead of paragraphs and exit card
- intrapersonal writing a complete
descriptive paragraph
- naturalist • Since some senses (eg. Documentation tools: checklists,
- existential taste) are harder to describe rubrics, anecdotal notes, video,
than others, I could let photography
Equity/Diversity students work with a partner
Inclusion to fill out their section of the
Culturally Responsive Pedagogy placemat
I chose Matilda for the minds-on activity • Reducing the number of
because it was readily accessible (I had a sentences students have to
copy at home) and Dahl provides a write during the placemat
detailed and humorous description. activity or allowing them to
However, this activity could easily be write in point form
modified to incorporate texts that better
connect to students’ experiences.
Student voice could also be integrated by
asking students to identify descriptive
passages in their favourite books and
then using these suggestions for the
minds-on activity.