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Setting Up A Recording Studio
Setting Up A Recording Studio
Setting Up A Recording Studio
A guide to the equipment used in setting up a recording studio from Learning Ideas Limited
February 2007
Thanks to the technological revolution and the increase in computer processing power over the
last five years a high end recording setup is now within reach. What was once just a dream for the
average garage band, home recording hobbyist, church or high school music department is now
very much an affordable reality.
Before I outline some specific equipment according to three different budgets you need to ask
yourself one very important question: What kind of music will I mostly be recording?
If you answer hip hop, electronica, techno or demo's then you don't need a huge set up. Rather
than spending lots of money on microphones that you don't need you should invest in software
and maybe one really good microphone.
On the other hand, if you are going to record lots of bands, ensembles and the like you will want a
system with lots of microphones and lots of inputs (although if you want to record orchestras,
choirs and chamber groups probably a well placed stereo mike is suitable). As you will see from
the following three budgets to record groups with lots of microphones costs more.
Before we jump straight into outlining the equipment and costs I want to offer one really useful
piece of advice: SHOP AROUND! Just because a particular store may say they offer the cheapest
prices in New Zealand doesn't necessarily mean that they actually do. Before you buy any piece
of equipment get quotes from every music store in your town/city and make your decision based
on price and customer service. If maintenance of equipment is not such a worry then don't forget
to investigate stores on the internet like B & H Photo & Video, Sam Ash and Sweetwater. If you
can save thousands of dollars by buying through them then it may be worth the inconvenience of
not having local support for your purchases.
While this document lists some suggested packages there is nothing to stop you mixing and
matching products from the different packages to create a list of equipment that suits your unique
budget and needs (particularly if you already own some equipment such as a mixer or
microphones).
You will notice that every budget option is based around an Apple Mac computer. A studio can be
based around Mac or Windows systems, but the Mac is particularly easy to set up and comes
configured with excellent starter software for recording. Often a Windows system will require
careful configuration of the audio setup, and software to be loaded, which some musicians may
find daunting. What you choose will depend on what support you have at your school (e.g. are you
allowed to connect a Mac to the internet at your school?) and how much you can support the
system yourself. Either way, the prices indicated here for Macs will be indicative of what you need
to spend to get a comparably configured Windows system. Fortunately most of the external
hardware will connect to both Mac and Windows machines (you should avoid internal audio
cards), so it is not too hard to change later.
All the prices listed here are correct as of February 2007 and exclude GST. Many prices are
special educational prices available to schools only. Note that Learning Ideas does not sell any
equipment listed here. However, we are more than happy to refer you to reputable firms
that do sell this equipment.
TOTAL $1493
Upgrade options
Rode NT2-A microphone $621
High quality condenser microphone
This is an excellent system for creating many modern styles of music. This would be great for the student
who creates music by manipulating loops and samples along with some basic keyboard parts. They are
then able to record vocals or live instruments using the microphone plugged into the audio input on the Mac
Mini (or via an A/D converter like the Presonus Firebox or Pro Tools Mbox mini).
TOTAL $4040
Upgrade options
Extra 1 Gb of RAM for the iMac (recommended) $170
The feature of this system is the stereo microphone. In a school environment where you want to be able to
record compositions and performances with a minimum of fuss the perfectly in phase X-Y configuration of a
stereo microphone is the way to go.
TOTAL $7132
Upgrade options
Factory version of Digi 002 Rack $2914
Includes an extra $3000 worth of plugins for an extra $649
This third under $10,000 option package is great for recording full band situations. It has enough
microphones and inputs to cover most ensemble needs.
The software of choice here is Digidesign's Pro Tools. This is industry standard software and is relatively
easy to learn so it is a great choice for many environments. However, you can have many of the benefits of
this system if you decide to use the free Garageband software along with the Presonus Digimax instead of
Pro Tools and the Digi 002. You get 8 channels of inputs so if you are happy with using Garageband instead
of Pro Tools you can save yourself $2266 (this is often recommended for school situations as Garageband is
probably the easiest piece of recording software to learn). If you are also not too concerned with fidelity you
can also choose to stick with cheaper dynamic microphones (such as the SM58) rather than the condenser
microphones.
It is also worth mentioning that you could save a few hundred dollards by using other sequencing software
such as Logic or Cubase along with the Presonus Digimax or similar interface. However, (in my humble
opinion!) that software is much harder for students to get to grips with than Pro Tools.
TOTAL $19,277
$19,277 may seem like a lot of money but with a year or two of fundraising and a friendly Board of Trustees
this amount of money could easily be found. Keep in mind that you will also need to buy some essentials
such as mic and instrument leads (allow probably $400-$500), mic stands (don't buy cheap ones, you'll
regret it after a year or so when they start to break!) a UPS for keeping all electrical equipment safe and
some studio foam for treating the walls and ceiling of your recording and control room.
A real key point that I think needs to be made for all the setups is that you don't have to buy everything in
one go. For example if you think that Pro Tools or Logic may be too complicated then don't buy them (or at
least defer buying them until you know you really need them). Garageband or Audacity can do most of what
any school or church requires and they can be learned in under half an hour. In school situations where
students are trying to record compositions it is better that they can sit down and start recording quickly rather
than spend a long time trying to figure out the software. You may also find that you do not require all of the
high end software such as the Waves plugins or Melodyne. If this is the case it may be be better for you to
spend the money you save on acoustic treatment for your recording room.
One last consideration is portability. These studio setups are really for a fixed room situation. Although they
are reasonably portable it could be inconvenient transferring them to a live venue. This is where a laptop
based setup or portable recorders such as the Zoom H4 or the Edirol R09 can come in handy as all audio
can easily be recorded to these and transferred to your studio computer via Firewire or USB for mixing.
Educational materials
There are lots of amazing books, CD and DVD resources available for teaching effective recording skills.
For a series of resources specifically related to gaining unit standard qualifications from NZQA the best (and
only!) option is the Music Technology range from Learning Ideas Limited.
For a detailed rundown of each unit standard, free samples and ordering information please go to
www.learningideas.co.nz
Thank you for taking the time to read through this ebook. Music technology is an exciting and rewarding
area of study. We are so privileged to live at a time that technology has made it so affordable to produce
such high quality musical recordings using great equipment.
If you have any questions or would like a referral as to where you can buy this and other equipment both in
New Zealand and overseas please don't hesitate to email me on the address below.
Duncan Ferguson
Learning Ideas Limited
February 2007
http://www.bhphotovideo.com/
http://www.sweetwater.com/
http://www.samash.com/
http://www.apple.com/nz/
http://www.apple.com/nz/ilife/garageband/
http://www.m-audio.com/
http://www.rode.com.au/
http://audacity.sourceforge.net/
http://www.digidesign.com/
http://www.shure.com/
http://www.tannoy.com/
http://www.presonus.com/
http://www.waves.com/
http://www.apple.com/nz/store/
http://www.apple.com/nz/logicpro/
http://www.jblpro.com/
http://www.mackie.com/
http://www.akg.com/
http://www.sennheiser.com
http://www.celemony.com
http://www.novationmusic.com/
http://www.focusrite.com/
http://www.neumannusa.com/
http://www.learningideas.co.nz (for New Zealand customers)
http://www.learningideas.org (for international customers)