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Oper-Notes-Anterior Direct Composite Restorations Lec02 (Dina Elqassas) - Samar Bebers PDF
Oper-Notes-Anterior Direct Composite Restorations Lec02 (Dina Elqassas) - Samar Bebers PDF
Maintenance
1. The selection of a good quality composite and proper application techniques.
2. Proper use of an appropriate bonding system
3. Use of a light curing system that is capable of delivering enough energy to properly complete the polymerization
process. Consequently, any technical error committed during one of those 3 steps, can result in clinical failure.
4. Proper cavity design (specially in class IV)
Microfill (slides)
In 1978 the 1st microfill material was developed and has since been the premier material for simulating the
enamel surface.
Best material for simulating the enamel surface both esthetically and biologically.
Owing to their small-sized, uniform, spherical particles, microfills exhibit the greatest long term polish and the
best wear resistance; they are the most plaque resistant and exhibit a refractive and reflective index closest to
that of the enamel surface.
Most closely simulate the enamel surface in color density, polishability, light refraction and reflection, in both
the short and long terms, and give the natural vitality of a finished enamel surface.
Have a translucence that most closely resembles enamel, thus allowing tints to shine through. When microfill
composites are used, fracture toughness must be addressed.
Contraindication for a microfill: use in high-stress areas because of its lowered fracture toughness
Microhybrids (slides)
Microhybrids were 1st developed to compete with microfill materials owing to their higher strength properties.
Although microhybrids are not as polishable or as compatible with the tissues as microfill composites, their
strength and opacity are extremely helpful in simulating the strength and support characteristics of the dentin.
These composites work well for: posterior restorations and because of their increased opacity, for masking of
dark or discolored areas.
Their esthetic properties are not as good as those of a microfill.
Nanofills (slides)
Etchings systems used to mainly depend on micromechanical retention and resin tags.
The gold standard used to be etch and rinse adhesive system (3 steps type) because the self-etch had many problems as
compromised durability (poor maintenance) even though it is the least that causes hypersensitivity.
In the 90s kuraray © released self-etch adhesive that was equal to the gold standard of the 3 step adhesive system by
incorporating MDP monomer which causes very efficient chemical bonding to tooth structure via nano layering improving the
maintenance of restoration, it was released under the name of clearfil and was the most popular self-etch adhesive at that
time.
After 10 years, the patency of this invention (incorporating MDP monomer) was expired and other companies started to use
MDP monomer too. Now, many brands like GC, dentsply, and 3m brand incorporates MDP in its adhesive to form the universal
scotchbond.
Before this, you would see the bottle named scotchbond only without the word universal (the word universal indicates the
presence of MDP monomer).
N.B: If you see a bottle titled single bond, without universal, in our clinics then it means etch and rinse (2 step)
3. Use of a light curing system that is capable of delivering enough energy to properly complete the
polymerization process.
Any light curing unit has a built-in radiometer which measures light intensity of the light emitted from the unit. Every
month you should check up on the light curing unit and measure the light intensity emitted by the use of radiometer.
A brand new light curing unit will emit light of 750 intensity and after a year it might emit light of 450 in intesnity only
(you wouldn’t know as the light cure would still keep lighting normally, you can only know by a radiometer measurement).
Each composite increment requires 20 seconds of light curing for ideal degree of polymerization, so in case of an old light
cure which emits only light intensity of 450 the degree of conversion would be decreased. However, it will still result in
complete surface hardness, but after 6 months it will undergo brownish discoloration.
This is explained by the lowered degree of conversion which decreased from 70% (best degree of conversion) to 40% after
one year, which means there will be high residual monomer content that leaches out in the oral environment and causes
adsorption of stains (coffee, tea), hence the brownish discoloration.
When buying a light curing unit, you should know two important things:
a. The wavelength range of the emitted light: should be within the range of the photo-initiator found in the type of
composite you’ll use in the restoration. Camphorquinone which used to be a common photo-initiator in composite is now
being replaced as it causes discoloration of the restoration by aging. The new photo-initiators used now have different
wavelengths than camphorquinone, so you must buy a light cure with a wide range (not narrow spectrum) of wavelengths.
Some composites contain both camphorquionone (10%) and lucirin (10%) to decrease the discoloration by aging and
ensure to target at least one of the initiators.
b. The light intensity: must be continuously monitored by the use of a radiometer. Even if you still see the blue light from
light cure unit, it does not indicate that light emitted is at its full intensity.
N.B: stress bearing areas are: 1. marginal ridge (ex: isthmus portion in Class II), 2. line angle, 3. cusp tip.
Designs depend on the extend of the defects
A. Large defect: If 1/3 of the tooth and more is lost, you don’t depend on bevel alone for retention, you need:
Chamfer finish line by round bur Rough corrugated bevel Finishing of the preparation by finishing
stone/rubber cup to prevent accentuation of
the corrugation by smoothening and
rounding it, for proper color degradation
without demarcating lines
B. Small defect
Optical properties
Not all restorations require the use of layering technique, it’s only used when you want to restore special optical
properties that are naturally found in some of the patient’s teeth. If there’re no optical properties in the patient’s teeth,
then you will use universal composite only.
a. Opalescence: the incisal third has a translucent area among the dentin mammelons, this area has a bluish effect
under transmitted light. When the light is reflected through the enamel, it appears reddish orange.
It’s found only in young ages. This could be used in smile makeovers in old patients (ex: 60 years old) where all his teeth
will be replaced, so you construct teeth with opalescence effect to provide a youthful appearance.
Opalescence effect visible with a dark Opalescence effect less visible when patient occludes due to
background (oral cavity) due to reflection of the teeth behind. That’s why when you restore
contrast. opalescence, you should evaluate it on a dark background.
b. Fluorescence: dental hard tissues (particularly enamel and the ADJ/DEJ) also fluoresce when struck by invisible/short
wave ultraviolet light, reflecting it back as visible, bluish longer wavelengths. Therefore for successful integration,
dental materials should possess fluorescent properties.
In other words, fluorescence is the absorption of light by a substance and the spontaneous emission of light in a longer
wavelength within 10-8 of activation.
All natural teeth have fluorescent properties owing to enamel. By aging, the enamel wears, thus fluorescence of teeth
decreases; making it more matte and dull. When choosing composite type, you should look for the one with the closest
florescence value to enamel which is written on the packaging. The type of fillers (ex: barium..etc) is responsible for this
property in composite. Since porcelain has closer resemblance to teeth in terms of florescence, shine/luster and
hardness more than composite, they started adding ceramic fillers to composite.
c. Translucency: for successful restoration integration, accurate replication of translucency is considered to be almost as
important as value. The translucency of natural enamel (and restorative material) is strongly influenced by its thickness.
Cervical 2/3rd of tooth is more opaque than incisal 1/3rd. Any degree of translucency requires enamel shade,
that’s why in class V you don’t have to use layering technique, you can use only body shade or universal shade
without the use of enamel shade, you can only apply enamel shade in the last layer to provide lusterous
appearance.
Degree of translucency differs from one area to another in the tooth, there is transluceny towards marginal
ridges and increases towards incisal part till it creates the oplaescence effect.
d. Characterization:
-Not found in all teeth; hence the term characterization.
-It’s the 4th or 5th step during layering of composite.
Characters
1. Incisal halo effect: white line at incisal edge (usually found in young age)
2. Intensive white spots, clouds or bands: such as in fluorosis
3. Chromatic spots or bands, ex: amber “orange”, brown, white. Amber effect or orange discoloration is sometimes
found at incisal 1/3rd.
4. Dentine lobes of varying color (dentin mamelons)
5. Milky lakes: in between the dentin mamelons/lobes and incisal edge/halo, there are white flakes that you want to
reproduce in your final restoration.
Composite is sold according to the shade:
1. Universal composite/universal shades:
Includes basic shades only, doesn’t have enamel and dentin shades; used in the whole restoration. The kit consist of 8 or 12 tubes.
Example: A1 universal, A2 universal, A3 universal, B1 universal, C1 universal, D2..etc, where ABCD resemble color of tooth “hue” and
the number represents the lightness or darkness “chroma”.
Basic shades:
A orange (most of the population)
B yellow
C yellow gray
D orange gray
Most of the population is A, then B so kits must has A and B. That’s why C and B are bought upon special order only and
not included in the kit.
2. Dual shade composite: A1 dentin, A1 enamel. Dual= every basic shade is available in both, enamel and dentin
3. Polychromatic/trilaminar: every basic color is available in at least 3, or more shades. Enamel shade, dentin
shade/opaque shade, body shade, translucency/incisal shade, color palette for characterization (blue, orange, white,
black..etc)
N.B: Different naming according to manufacturers:
The company which names the darker shade dentin, names the lighter shade body.
The company which names the darker shade opaque, names the lighter shade dentin.
Chroma
A1, A2, A3, A3.5
B1, B2, B3, B4
C1, C2, C3, C4
D2, D3, D4 Classic vita shade guide
Composite beads: If you’re confused between two universal shades, ex A3, A3.5 and want to confirm your choice from the vita
guide, apply both beads next to each other BEFORE the use of rubber dam and without prior
etching, then cure it as curing might slightly change color.. You can then simply remove the
beads by excavator when you’re done. In this way you can use the universal shade in
layering technique by confirmatory composite beads and knowing its rules (translucent
shades, dark/light shades..etc)
Color recipe:
For shade color selection in Dual shade or polychromatic only (NOT universal), kits are accompanied by either:
a. Shade wheel
b. Conversion chart
Example:
If you choose shade A1, then choose A1 dentin, A3 enamel
If you choose A2, choose A2 dentin, A3 enamel
Shade A4, A4 dentin, A4 body..etc
Conclusion:
1. If you’ll use universal shade, perform shade guide by vita shade guide
2. If dual or polychromatic, perform shade guide by color recipe which is different according to manufacturers